Gold Serveware, Ceramics, Silver and Glass

The main components of this unique centerpiece are its 24-karat gold plated brass base and the exquisitely crafted multicolored Murano glass sculptural piece at the top, perfectly cu...

Wedgwood porcelain with gold design detail coffee service for fourteen people. Each piece is in great condition. Maker's mark undersigned. Service include 14 coffee / expresso cups...

Decorative bowl or vide-poche, murano glass, gold flecks. Italy, 1950s. Stunning Turquoise, blue and clear Sommerso Murano glass bowl with gold flecks...

Beautiful vintage Murano hand blown persimmon orange, controlled bubbles and gold flecks Italian art glass centerpiece bowl. Documented to Master glass artist and designer Alfredo Ba...

Born in 1992 in Macerata in the Marche region, the Italian artist carried out a path that between studies of Surveyor and Architecture led him to a long collaboration with a craft co...

Exceptional refinement and lavish sophistication characterize this splendid decorative fruit bowl, displaying a neo-classic style of timeless flair. Ideally complementing a luxurious...

Cylindrical desk pen holder in gold-plated 925/1000 sterling silver with two-tone vertical lines in fired enamel. Art Deco style, early 20th century. Diameter 5.5 cm, height 8 cm. We...

Round Steel Tray Silver and Gold 1970s Made in Italy

18 flat plates of 18 cm in diameter, ideal for presenting your favorite dishes during your meals with family or friends, bringing a touch of elegance to your table. 9 deep plates of...

Gorgeous, and large, vintage Murano hand blown opalescent "Chalcedony" surface Italian art glass vase with large flowers and vines motif. The vase is signed underneath with name and ...

PRESENTING a VERY ATTRACTIVE and visually impressive Set of 8 Vintage Bohemian 24kt Gold & Platinum Incrusted Wall Plaques & 3 Bon Bon Dishes/Bowls. Made by Victoria in Czechoslovak...

SET of 12 Continental Neo-classic style white and green-bordered porcelain dinner plates with gold trim and a centered sunburst design (Czechoslovakia) (PRICED AS SET)

This set of six glasses is part of the Capriccio collection of striking pieces that will enrich any dining or cocktail experience. Each of the six pieces is made in carved crystal th...

Large shaped frame for a round and a rectangular photograph in gold-plated 925/1000 sterling silver with translucent fired enamel on a radial guilloché and rich friezes in the Russia...

Presenting for sale a set of three beautiful Herend of Hungary small oval dishes that can be used as Pin Trays, Ring/ Jewellery Dishes, Ash Trays, Bon-Bon Dishes or just as a piece o...

Beautiful and large, vintage Murano hand blown deep pink over white, and gold flecks Italian art glass bird sculpture. The figure is documented to the Salviati company. I have anothe...

Gorgeous vintage Murano hand blown, silver and gold flecks with grape decoration Italian art glass compote bowl / vase. Documented to the Barovier e Toso company, circa 1930s-1940s. ...

A lovely set of Jean Pouyat for Limoges salad plates. In a crisp white porcelain, each plate features a gold, blue and pink filigree pattern with ...

Beautiful, antique, early Venetian / Murano hand blown ruby red with gold flecks Italian art glass fish place card holder / table object. The piece is created in the manner of the Sa...

Midcentury amazing octagonal serving tray or centerpiece in lucite, wicker and gold plate 24KT in the style of Christian Dior Home. Made in Italy in the 1970s. Great accessor...

Beautiful Imperial Glass Company Sekai Ichi rocks glasses in good condition. These vintage Hollywood Regency style glasses were manufactured by the Imperial Glass Company in Ohio som...

Glorious serving tray with drinking vessels exquisitely crafted in a silver-plated alloy. The interiors of the vessels are plated in gold for a royal feel.

Artemisia, set of five red wine glasses. Elegant red wine glasses in cut crystal with 24-carat gold decoration along the rim, executed in a classic mid-20th-century style. Origin: E...

A German silver table casket in the Hanau manner, the hinged lid worked in high-relief repoussé with a group of putti among flowers within a beaded surround and a floral border. The ...

Beautiful Imperial Glass Company Sekai Ichi highball glasses in good condition. These vintage Hollywood Regency style glasses were manufactured by the Imperial Glass Company in Ohio ...

Majestic sculptural plate made of ceramic and decorated in 24 Karat gold with the luster technique. The plate can be used as a centerpiece or can be modified to be wall mounted upon ...

Pair of extraordinary quality antique Russian .875 fine silver vermeil hand engraved rare toasting cups and saucers. Gilt "Florentine" or matte finish with bright gilding on cup i...

A set of 10 ceramic plates by Gotham by Theodore Haviland. Each saucer is in a light cream white hue, and features a thick gold painted band around the center as well as on the inter...

This rare and stunning Set of 6 Mid-Century Modernist Hand-Blown Murano Millifiori & 24 Karat Gold Flecked Glass Plates are Signed Schiavon and originate from Italy, Circa 1960. Feat...

Romance pattern set of cruet and vase by Björn Wiinblad for Rosenthal. Porcelain with 24-karat gold decorations. Very good condition. Cruet measures: 16 x 10 cm, vase 18 x 8 cm.  

This model of cups was designed in 1968 at the Skultuna studio were Pierre Forssell was working with he's assistant. They are made of brass with two parts so you can use it for warm ...

Beautiful, Mid-Century Modern, Christmas edition, gold-plated sterling silver spoon by Danish manufacturer A. Michelsen in 1949. Made in Denmark in 1949, the spoon is dated and marke...

Rare ceramic tea service for six in a very elegant light blue shade with decoration refined in pure gold, it was designed by Antonia Campi and manufactured by Laveno Ceramica in Verbano during the early 1950s. This set is composed of six (6) teacups, six (6) tea saucers, one (1) sugar bowl, one (1) teapot, and one (1) milk jug. Measurements: -Six cups 6 x 8 x 5.5 cm (each) -Sugar bowl 9 x 12 x 7 cm -Teapot 19 x 16, 5 x 9.5 cm -Milk Jug 11 x 12 x 7 cm. In 1856 Carlo Caspani, Alessandro Carnelli, and Severino Revelli, three employees of the Richard Ginori ceramics factory in Milano, set up the Società Ceramica C.C.R. making use of a disused building that had been a glass factory near the lakeshore. Production mainly consisted in fine earthenware and fire bricks. One of the key choices for the success of this initiative was an industrial-scale production of low-cost earthenware for domestic use. The manufacture of Laveno was gaining reputation; so that in 1869 part of its activity had to be moved to a new building called “Lago”. In 1883 it adopted a new denomination, Società Ceramica Italiana (with an S.C.I. trademark) that was to become famous. During this period, S.C.I. was led by bright managers: Tommaso Bossi and his successor Luciano Scotti, a graduate in engineering who led the company all the time from 1895 to 1956, raising it to its top level of capacity and production. In 1925 the Mulini plant was built in the Boesio area, where the blends and ''bodies'' were prepared. The Magazzini Generali (a warehouse), were also built and directly connected to the railway network. All the factory sites were interconnected by a “Decauville” railway for transporting materials. Also in 1925 the Verbano plant was built, following an agreement with the German Rosenthal company, for producing porcelain tableware and, later, ceramic insulators. The drive for innovation in production technologies, that took place during the Twenties, was accompanied by an equally intense artistic development. During the twenty's the architect Piero Portaluppi started collaborating with S.C.I. and thanks to Luciano Scotti’s foresight, young Guido Andlovitz, who had entered the company in 1923, was appointed art director in 1925, who introduced a renewal in the style of shapes and decorations, so that towards the end of the 1920s Ceramica di Laveno competed with Richard-Ginori, for the leading position in the ceramic art of Italy. Near the end of the 1930s, collaboration was started with Angelo Biancini, who created a new product line of artisan taste. In the late Forties, the young Antonia Campi joins the company as a decoration worker. Immediately, Guido Andlovitz notes her ability and potential qualities, and moves her into the artistic department. Starting with her 1948 first tiny vase...

Vintage and chic with gold rims, these Thai Princess cocktail tumblers are in excellent original condition and feature a Thai Princess in beige set again...

Italian Murano glass ceremonial goblet flacon crafted during the nineteen eighties showcases refined Venetian Renaissance revival decorative furnace design by Giovanni Dalla Fina. Ha...

Beautiful and large vintage Murano hand blown orange over white, and gold flecks Italian art glass decorative bowl / centerpiece. Documented to Master glass artist and designer Alfre...

This magnificent antique Italian lidded urn, crafted in the early 19th century, is a stunning example of enameled opaline artistry. The urn features a rich, deep turquoise hue that s...

Set of 6 Vintage Gold Decorated Highball Glasses in a criss-cross pattern mesh design and top and bottom gold bands.

Italian Murano glass ceremonial wine goblet chalice crafted during the nineteen eighties showcases refined Venetian Renaissance revival decorative furnace design. Handcrafted in Ital...

Rare, unusual set of 4 glasses features engraved decor of fish swimming in the sea among abstract vegetation, with applied gold accents and gold rim. The decor is similar to Scandina...

Argentinian 0.800 silver and wood mate cup with a straw (marked 18k at the top as shown) with floral and geometric motifs. The cup measures 4'' in height by 1 1/8'' in diameter at th...

French silver 18-karat gold tea coffee spoons set 12 pieces and cake server. The set has a fantastic foliage and flowers motif. 18-karat gold, no mo...

PAIR of English Victorian white Minton porcelain tea cups with gold banding and 2 handles with saucers. (PRICED AS PAIR)

Beautiful vintage Murano hand blown gray and gold flecks Italian art glass flower shaped bowl. The piece is documented to designer Ercole Barovier for Barovier e Toso, circa 1960s. I...

Set of Six Imperial Glass Highball Glasses with 22-karat Gold in the “Shoji” pattern. The glasses with molded raised pattern of interlocked rectangles and having the raised surfaces ...

Large shaped frame for photographs in gold plated 925/1000 sterling silver with translucent two-tone fired enamels on guillochè and rich friezes in the French Empire Louis XVI style ...

Direct from Paris: A magnificent 170pc. 950 sterling silver original French art nouveau flatware set with 8 serving pieces by the world's premier French silversmith "Puiforcat" currently owned by Hermes, stunning luxury at an amazingly low price - circa early 1900s. The art of French silversmithing represents a centuries-old tradition of luxury, precision, and timeless elegance. Among the most distinguished names in this venerable craft stands Puiforcat, a Maison renowned for its exceptional craftsmanship, innovative design, and royal patronage. Established in the early nineteenth century, Puiforcat has maintained an unwavering commitment to excellence, producing sterling silver flatware, tableware, and decorative objects that embody both artistic mastery and functional beauty. The History and Legacy of Puiforcat: The origins of Puiforcat trace back to 1820, when master silversmith Jean-Baptiste Fuchs established his workshop in Paris. Fuchs was a consummate artisan who adhered to the exacting standards of French silversmithing, a tradition that demanded not only technical precision but also refined artistic sensibility. The Maison’s identity became firmly established when Fuchs' son-in-law, Émile Puiforcat, inherited the business and elevated its reputation to unprecedented heights. Émile Puiforcat emerged as more than just a silversmith; he was a true visionary who intuitively understood the evolving aesthetic sensibilities of the late nineteenth and early twentieth centuries. Under his inspired leadership, the Maison successfully transitioned from producing traditional silverware to embracing avant-garde movements, particularly Art Nouveau and later Art Deco. This remarkable ability to innovate while maintaining the highest standards of craftsmanship distinguished Puiforcat from its contemporaries and established its enduring reputation. During the glorious Belle Époque period spanning the late nineteenth to early twentieth century, Puiforcat flourished as French decorative arts entered a golden age. The Maison’s work during this period was characterized by several defining features that set it apart. Each piece bore the mark of meticulous hand-hammered finishes, a technique that gave Puiforcat silverware its distinctive texture and depth compared to mass-produced alternatives. The Maison’s artisans employed exquisite chasing and engraving techniques, including the sophisticated repoussé method where designs were carefully hammered into relief from the reverse side, followed by precise chasing to refine the front details. These labor-intensive processes resulted in breathtakingly intricate, lifelike motifs that became Puiforcat's signature. While Puiforcat's early work remained firmly rooted in rococo and neoclassical traditions, the Maison demonstrated remarkable adaptability by later embracing the clean lines and bold symmetry of Art Deco, particularly under Émile Puiforcat's visionary guidance. Royal Patronage and Aristocratic Clientele: Puiforcat's reputation for excellence quickly attracted the attention of Europe's most discerning elite. The Maison’s clientele included some of the most prominent figures of the nineteenth century, beginning with King Louis-Philippe of France, whose refined taste and appreciation for fine craftsmanship led him to commission ceremonial silverware from Puiforcat. This royal endorsement significantly enhanced the Maison’s prestige and visibility. Napoleon III followed suit, making Puiforcat silver services a staple at imperial banquets and state functions. Beyond French royalty, Puiforcat's creations became essential status symbols among the broader European aristocracy, finding homes in the collections of Russian nobles and British high society alike. The Maison’s ability to cater to royal tastes extended beyond mere prestige; it reflected a profound understanding of both ceremonial grandeur and functional design. Puiforcat's pieces were never merely decorative objects - each item was carefully engineered to enhance the dining experience. The ergonomic handles and perfectly balanced weights of their flatware demonstrated how Puiforcat harmonized aesthetic beauty with practical utility, creating pieces that were as delightful to use as they were to behold. Émile Puiforcat played a particularly transformative role in elevating the Maison’s standing during the early twentieth century. His visionary approach included collaborations with leading artists and architects of the period, most notably Jean-Michel Frank, the influential Art Deco designer. These creative partnerships ensured that Puiforcat's designs remained at the cutting edge of contemporary aesthetics. While many traditional silversmiths clung to conventional styles, Émile boldly embraced geometric abstraction, creating pieces that functioned simultaneously as tableware and sculptural art. His leadership earned Puiforcat international acclaim through awards at world expositions, cementing the Maison’s reputation as an innovator in luxury silverware. Émile's legacy proved so enduring that even after his death in 1945, Puiforcat continued to be synonymous with innovation and exclusivity in the world of fine silver. Awards and Accolades: Throughout its distinguished history, Puiforcat's commitment to excellence has been recognized through numerous prestigious awards, each reinforcing its status as a master of French silversmithing. The Maison’s participation in world expositions yielded particularly significant honors, beginning with gold medals at the Paris Exposition Universelle in both 1889 and 1900. These monumental exhibitions represented the pinnacle of industrial and artistic achievement in the nineteenth century, making Puiforcat's gold medals a powerful testament to its technical mastery and artistic vision. The Maison’s international reputation continued to grow through subsequent exhibitions in major European cultural capitals. At international exhibitions in Brussels, Barcelona, and Milan, Puiforcat demonstrated its remarkable ability to adapt to regional aesthetic preferences while maintaining its distinctive French elegance. This versatility, combined with uncompromising quality, earned the Maison consistent acclaim across diverse markets and cultures. In the modern era, Puiforcat's contributions to artisanal traditions have received official recognition through France's Living Heritage Company (Entreprise du Patrimoine Vivant, or EPV) designation. This prestigious distinction, awarded by the French government, honors enterprises that preserve and advance traditional artisanal skills. Puiforcat's inclusion in this select group underscores its ongoing dedication to handcrafted excellence in an increasingly industrialized world. The artistic significance of Puiforcat's work has been further validated through exhibitions at some of the world's most respected cultural institutions. The Musée des Arts Décoratifs in Paris and New York's Metropolitan Museum of Art have both showcased Puiforcat pieces, placing them in dialogue with other masterworks of decorative arts. These exhibitions not only celebrate Puiforcat's historical contributions but also affirm its continuing relevance in the narrative of fine craftsmanship. Association with Hermès - A Synergy of Luxury: The 1993 acquisition of Puiforcat by the Hermès luxury group marked a significant chapter in the Maison’s history, ensuring both the preservation and thoughtful evolution of its legacy. This strategic partnership brought together two French institutions united by their commitment to artisanal excellence and timeless design. Hermès demonstrated profound respect for Puiforcat's heritage, carefully maintaining the traditional techniques that had defined the silversmith's work for generations. Under Hermès' stewardship, Puiforcat continued to employ the same handmade techniques that had earned its reputation, including the exacting lost-wax casting process and meticulous hand engraving. The Maison maintained its uncompromising standards regarding materials, continuing to use 950-silver despite industry trends toward lower purity alloys. This commitment to quality ensured that every piece bearing the Puiforcat name remained worthy of its illustrious history. Hermès' global retail network provided Puiforcat with unprecedented access to international markets, introducing the silversmith's creations to new generations of collectors and connoisseurs worldwide. While honoring tradition, Hermès also encouraged thoughtful innovation, supporting new designs that respected Puiforcat's heritage while ensuring its relevance in contemporary luxury. This balanced approach has allowed Puiforcat to maintain its position at the forefront of fine silverware while staying true to its artisanal roots. Puiforcat's 950 Sterling Silver Art Nouveau Flatware Sets: Among Puiforcat's most celebrated achievements are its extraordinary 950 sterling silver Art Nouveau flatware sets, which perfectly encapsulate the Maison’s artistic and technical brilliance. The decision to use 950-silver, containing 95% pure silver rather than the standard 92.5%, resulted in pieces with a richer luster and greater durability than conventional sterling silver. This higher purity not only enhanced the visual appeal of each piece but also ensured that Puiforcat flatware...

This rather petit crystal carafe with stopper has been made by the famed Czech glassmakers, Moser. The carafe which is made from lead free crystal is in the 'Splendid' pattern which ...

Pair nautical shaped italian silver-gilt salts. Pair silver & vermeil navette shaped salt cellars with "SL" engraved escutcheons on laurel incised rectangular socle bases with origin...

This exquisite Italian hand-painted ceramic charger plate is part of the 'Petalouda' Collection by deBlona. Featuring a mesmerizing butterfly motif, the design showcases shimmering b...

Silver - Two silver spoons - 19th century. Portuguese; from the 19th century, the soup spoon is monogrammed; with the hallmark 'javali II' of 833 thousandths; in use from 1887-1937 a...

Heart-shaped table box in 925/1000 sterling silver with translucent fired enamel on guilloché above and below. Modern contemporary style. Dimensions cm. 8 x 8.8 high cm. 2.8. Weight ...

This lovely vintage Murano glass bowl has a large flower design as the center. The outer perimeter has concentric white lines with a white lip. The flower has abundant gold aventuri...

Pair of Satsuma vases porcelain with lid.

Edwardian Period, Continental Silver (.800), parcel gilt cake/dessert serving set, Germany, Ca. 1910. Bright cut design of both pieces makes them look as if they are inset with jewel...

Commemoration Plate / 2nd Edition (1990/2022) bone china with 24-karat gold accents 10.75" custom gift box edition details on verso edition of 1,000 In collaboration with the artist...

Large pair early 19th Century gild hand painted and crafted porcelain covered decorative urns / vases . Each urn features exterior painted scene details with gilt gold side handles. Each signed with pseudo sevres mark...

A rare and wonderful custom set of 11 plates from Copeland Spode England. Rich Cobalt Blue Extended Collars featuring raised gilt encrusted cartouches of musical instruments. Custom ...

The pitcher or vase was hand blown by Peter Secrest in Naples, NY. It has ruby red body with gold flakes inclusions throughout; it is decorated with applied textured blue and clear ...

Four-leaf clover-shaped table box in gold-plated 925/1000 sterling silver with petals in lapis lazuli and red jasper. Dimensions: 8.3 x 8.3 x 2 cm. Silver weight: 175 g. Designed by ...