Aesthetic Movement Pitchers

A stylish and elegant Linthorpe art pottery handled ewer hand painted with floral stems and dating from around 1885. The ewer design is very similar to earlier pieces designed by Chr...

A Classic French Barbotine Majolica pig water pitcher made by Frie Onnaing, circa 1921. Known as the “Cochon au Jambon,” a pig with a ham, the tan colo...

An oversized ironstone pitcher in the Aesthetic Taste, made by Holmes, Plant & Mayday at The Sylvester Pottery Works – Burslem, Staffordshire, England, date marked 1882. Charming in...

This Aesthetic Movement brown transferware Sussex pattern earthenware pitcher and basin set was made by FJ Emery of Burslem, England, in operation from 1878 to 1894. The pitcher and basin feature large cartouches bearing swallows in flight over moonlit waves. The decoration includes flower-filled cartouches and wide bands with trailing flowers above and below, along with Japanese-influenced Aesthetic motifs. The exterior of the basin has three large floral and foliate groupings, variations of which also appear beneath the lip of the pitcher. The pitcher sports an ornate scrolled handle ornamented with a coordinating band of foliate decor. The basin measures just over 16" across the rim and stands 5" tall. It is 7.75" across the foot rim. The glazed foot bears a backstamp reading "SUSSEX EMERY BURSLEM" indicating the Sussex pattern made by Emery in Burslem, the "Mother Town" of Stoke-on-Trent. It is a substantial piece and weighs 5lbs 12.5oz. The basin is in good condition with signs of use and wear expected in an antique item, including areas of fine age-related crazing with associated discoloration under the glaze and small chips to the underside of the foot rim. Production-related anomalies are present including three stilt marks from the kiln located inside and underneath the basin, an area of glaze pooling with crazing near the foot rim, glaze pops and flecks of material caught in the glaze, a few tight firing cracks that do not carry through the body, and anomalies in the transfer decoration. The pitcher stands 12.75" tall and is 7" across the widest part of the body. It measures 8.75" from the front of the lip to the back of the handle and is 4.5" across the neck as measured at the rim. The foot rim is 4.75" in diameter and bears the same backstamp found on the basin with the addition of the number 1 and the impressed number 22. The piece weighs 4 lbs. The pitcher is in very good condition with signs of use and wear expected in an antique item including a minor chip and shelf wear to the underside of the foot. Common production-related anomalies are present including glaze pops, pooling, and irregularities in the transfer decoration noted for accuracy. This charming Emery Sussex pattern swallow and flower basin and pitcher set displays beautifully and would make a wonderful addition to an existing brown Aesthetic Movement transferware collection or a larger grouping of antique transferware...

19th Century English Majolica pitcher by Joseph Holdcroft with birds on a cobalt background surrounded by bamboo.

An English majolica pitcher shaped as a country cottage, by Warrilow & Cope – Wellington Pottery Works, Longton, Stoke-on-Trent, circa 1880-1887. Charming in every way, English Ivy ...

A rare and exceptional Aesthetic Movement Doulton Lambeth art pottery handled jug of zoomorphic style by renowned artist Eliza L Hubert and dated 1879. The elegant bird shaped stone...

POWELL, BISHOP & STONIER (Manufacturer) - Beatrice No. 4 (Product Line) - Rare and exceptional Aesthetic Movement ceramic pitcher / vase - two color transfer decorated featuring fern...

From the Minton pottery in Staffordshire, England, a Majolica glazed pitcher in the Palissy style, formed as a pineapple, registered and dated October 5th, 1858. From a set of thr...

An English Wedgwood Majolica pitcher, an aesthetic movement mold showing a snail shell against sprays of climbing ivy on a tortoiseshell ground. A branch form handle, yellow ochre ri...

19th century hand painted Royal Worcester stag Horn handled pitcher. The tusk shape with floral decoration all around with a porcelain stag Horn style handle. The edges with original...

This exquisite original studio pottery pitcher is a masterful display of organic modernism and technical contrast. Hand-thrown with visible turning ridges along the base, the vessel ...

From Sarreguemines, an over size majolica glazed character jug, The Admiral, France, date marked 1904. “The Admiral,” is a smiling, red-cheeked, red-nosed middle-aged man with a ful...

Made as a premium for the British and Irish pubs, and used for water when mixing a whiskey, a scarce advertising face jug. The French Sarreguemines majolica ...

A scarce and unusual English majolica syrup pitcher, register dated October 30th, 1877, to Enoch Wedgwood of Wedgwood & Co.  Enoch Wedgwood (1813-1879) ...

A bright red porcelain tomato pitcher, made in Czechoslovakia, circa 1920-1930. A large pitcher holding 2 liters, realistically molded in the Art Nouveau style. A branch-form handle curls into a top stem of green leaves. The green leaves also form the wide spout. A white porcelain interior. Fabulous for serving Bloody Marys! 9 inches from handle to spout – x 6.5 in. W z...

Attributed to Minton pottery in Staffordshire, England, a scarce sized set of majolica glazed pitchers in the Palissy style, circa 1870s. The Aesthetic Period pitchers are molded with a raised nut vine pattern with leaves in light and dark green, and closed buds. The vine handle is ‘held’ in place with green shoots, the tight buds are glazed in cream encased in light spring green leaves. The body is finished in an iridescent brown, the interior in a beautiful turquoise. A turquoise glazed underside. The larger jug is impressed with the number two, possibly referring to size, as this is the middle size of what would have been a set of three graduated pitchers...

A large and impressive Doulton Lambeth Faience floral painted jug or pitcher by a listed but unidentified artist and dating from around 1880. The tall and ...

From the Minton pottery in Staffordshire, England, a Majolica glazed pitcher in the Palissy style, formed as a pineapple, registered and dated October 5th, 1858. From a set of thr...

Beautiful example of an English Aesthetic Movement ceramic for Old Hall Earthenware Company Limited, c.1881. A similar 'Indiana' pitcher Illustrated and discussed in "Christopher Dr...

A collection of English 19th century porcelain pitchers with a hand painted finish. Sold as a set, these decorative pitchers feature rich cobalt blue and deep red Asian aesthetic designs on creamware that offsets the hand painted gold highlights. Elegant ornamental patterns on classic pitchers with a wide base to ensure stability and comfortable, shaped blue handles. A combination of refinement, incredible ornamental details and craftsmanship. In great antique condition with minimal wear. This pitcher collection would make a wonderful addition to any interior. Be sure to view all the images to see the many details of these lovely antique pitchers...

An English majolica four fish jug, attributed to Adams and Bromley, circa 1875-1880. This whimsical Victorian Era pitcher is formed as four, side by...

A very scarce and desirable French Barbotine majolica jug or pitcher, the Orchies factory, circa 1886-1900. Orchies started producing majolica at the end ...

Continental, 19th century. A finely detailed continental majolica or palissy ware pitcher. The ewer has hand applied foliate and acorn motifs the body. The handle constructed of an ...

Hallmarked in London in 1851 by Joseph Angell, this stylish, Victorian, Antique Sterling Silver Wine Ewer, features shaped sides with engraved detailing, a scroll handle, and a gilt ...