Pottery

A cute whimsical piece of pottery by the Danish master Bjorn Winblad. It is signed on the base and marked Danmark. Approximately 12 inches tall the piece is beautifully decorated and...

Vase and jar created by Richard Uhlemeyer, German ceramist, beautiful glaze in dark green and terra cotta red shades, Vase size 16cm diameter x 16 cm hight Jar size 16cm diameter ...

Studio Pottery Vase in Stoneware Rock by Tom McMillin Sculptural rock vase by Tom McMillin circa 1960s Round form with exploding multi spout openings Additional Information: Mater...

Hogshead Humor: A Victorian Folk Drinking Game Object: Figural Drinking Vessel (Jug and Cover/Cup) Origin: Belle-Vue Pottery, Rye, Sussex, England Maker: Frederick Mitchell Date: Ci...

Set of six faux porphyry mugs. Six unique hand cast majolica nautical cups/mugs in faux porphyry glaze with celadon blue interior wash and contrasting “rope” trim. Markings for Calta...

?Title : Free Form Puddle Plate in Black Truffle Clay with Matte Midnight Blue Glaze 2021s / Belgium Size : W180 x D 180 x H 15 mm Artist : Sigrid Volders [Sigrid Volders] B...

Fantastic Post Modern Studio Pottery Vase Vessel. Acquired vessel from an incredible artist estate in Palm Springs, Vase is in excellent vintage condition and believed to be early 1...

Unusual pair of quality antique Victorian Staffordshire bookends having an unusual quality pair of antique Victorian bookends of a girl and boy l...

English creamware tankard, circa 1810-1820. The creamware tankard is decorated with a series of moulded engine-turned honeycomb designs separated w...

Studio crafted freeform ceramic weed pot with speckled glaze 1960s.

This charming set of three French Provincial stoneware pottery water jugs dates back to the 19th century and showcases a stunning time-worn patina. Each jug is uniquely crafted, refl...

Very nice old confit pot or jar with two handles, made in the south of France in the 19th century. Terracotta with yellow enamel, beautifully contrasting with the natural orange tone...

Designer: Suzy Goodelman Distributor: Craft Associates Furniture Period/Model: New Specs: Clay Dimensions: H 8.5" (43.18cm) W 6.5" (16.51cm...

Fantastic coloring in the drip glaze, lively vibrant yellows and greens. Vase is terracotta and approx. 11 inches x 6.25 x 6. In excellent original condition. Beautiful addition to a...

A charming Prattware pottery model of a standing horse, attributed to the St. Anthony's Pottery, Newcastle upon Tyne, circa 1800–1820. The horse is b...

A French rustic pottery vegetable steamer from the 19th century, with yellow glaze. Created in France during the 19th century, this vegetable steamer charms us with its simple lines ...

A Charlie Parker gas fired stoneware bowl with a unique nebula glaze. Large and impressive scale-18"diameter. Quick note about the artist: Charlie Park...

- Handbuilt freckles terracotta jar - made of clay collected from the potter's surroundings. - made in the Moroccan Rif mountains by the potter Raja. Approximate measurements: 1...

Brother Thomas Bezanson (1929-2007) a large important Sang-de-boeuf glaze two handled vase.

A French pottery covered baking dish from the 19th century, with brown glaze and lateral handles. Created in France during the 19th century, this pottery baking dish features a circu...

An exceptionally rare and sculptural Spanish papier-mâché jar from the early 19th century, originally intended to mimic the form and presence of traditional olive oil or wine vessels...

1980s Glazed Black Seto Art Pottery Matcha Tea Bowls 1.5 h 1.25 w x 2.25 diameter Preowned unrestored vintage condition Refer images listed  

A beautiful 'Surrea' stoneware vase with 'Carrara' glaze. Made by Wilhelm Kåge at Gustavsberg Studio in Sweden, 1940s. Great condition. The glaze is a bit shinier than it usually ...

Dutch Art Deco ceramic dish from Gouda, Holland with traditional period flowery and curvaceous designs, circa 1920s, matte glaze, which for us is the mixture of abstract and floral d...

Jerome Ackerman glazed ceramic bowl signed “Ackerman 98”. Jerome Ackerman and his wife Evelyn were central figures in creating the California mid-century modern aesthetic. This examp...

Giustiniani Egyptomania pottery plate with Anubis and gilt highlights Neapolitan manufacture (Biagio Giustiniani & Sons) dated to 1830-1840, impressed s...

Chinese turquoise and Aubergine glazed Cadogan wine or tea pot A finely molded and glazed "Cadogan" wine or tea pot. The body is glazed in a rich turquoise color. China, Guangxu peri...

A Neoclassical red transferware tile made by Spode 1806-1810, with the ‘Refreshments for Phliasian Horseman’ pattern. Sir William Hamilton’s Collection of Etruscan, Greek and Roman antiquities, first published in 1766 by Pierre d’Hancarville, was a landmark publication in English design. It intended to disseminate the Antique style through its engravings of Attic pottery. The catalog’s faithful reproductions of Classical vases led British potteries, including Spode, to adapt or even copy the ancient art for modern life. These Spode Greek pattern tiles reflect the major influence of Hamilton’s catalog on English Neoclassicism. The central scene was taken directly from the catalog. This tile can be dated to a narrow window of production in the Spode factory, 1806-1810. During that time, Spode used a technique known as the “Pluck and Dust” method to print in red transfer designs onto creamware. Using this method, source prints were transferred overglaze using tissue imprinted with a very faint rendition of the design outlined in sticky oil. The decorator applied the tissue to the object then carefully “plucked” or pulled it away, leaving the sticky oil design behind. Then, a finely-ground enamel color was “dusted” onto the surface, sticking to any areas that had the oil. A final firing at a low temperature in the enamel kiln made the pattern permanent. The Pluck and Dust technique improved upon bat-printing and enabled larger designers to be transferred. It was short-lived, however, as under-glaze transfer printing soon took over as the preferred method for producing transferwares. Dimensions: 5 in. x 5 in. x 1/4 in. Condition: Excellent. Slight chip to the upper left corner measuring approximately 0.9 cm. in length. Provenance: The Collection of Nancy and Andrew Ramage Jonathan Horne...

A fine vintage Santa Claus character jug or decorative mug by the English pottery firm, Royal Doulton.

Studio Art Pottery Lizard Coffee Cup Mug 2.25 h x 5.38 w x 4.5 diameter Preowned vintage condition Refer to images.

Beautiful polychrome ceramic vase of circular form Entirely hand-painted with floral motifs. Signed on the base Excellent condition This artwork, never before on the market, comes ...

"Isolated n.17" stoneware vase by Raquel Vidal and Pedro Paz Dimensions: 31 x 23 cm Materials: hand-sculpted, glazed pottery The pieces are hand built white stoneware with grog,...

A fantastic and rare ceramic charger by Eugenio Pattarino. Vibrant red color and Classic Italian Mid-Century style is represented very well in this piece. Eugenio Pattarino was born in 1885 and passed away in 1971. He was a master sculptor and model maker and taught in art schools in both Venice and Frankfort, Germany. In the late 1940s he opened his own studio in Florence. His factory used both “EPF” and “CAPEF” (Artistic Ceramics Professor Eugene Pattarino) to mark his pieces. His studio is best known for its large religious statutes, many of which reside in a number of churches in Italy and the U.S. In the 1950s Pattarino had more than fifty artists working for him and some among them were considered the best ceramists in Italy. At this time Eugenio was joined by his son, Ranier, and the company began concentrating on more eclectic themes. These pieces, when new, were quite expensive when they were purchased but almost never garner anywhere near their original cost at today's auctions. The factory claimed that the Vatican used Pattarino’s ceramics as gifts to famous visitors, including President John Kennedy, Andre Gide and Paul Sartre. Unfortunately there is no proof to back these claims. As a matter of fact I have discovered that the Pattarino name is almost generally unknown in Italy and even lesser known in Florence. His name is, however, recognized here in the United States and most of the factory’s output can be found in the U.S. where it was imported. In November 1966 the Arno River flooded its bank and inundated most of Florence. Work to restore damaged art...

A stunning stoneware floor vase with a beautiful hand carved geometric pattern. Designed by Lisa Larson at Gustavsberg Studio in Sweden, 1960s. Good condition. Some metal marks and...

An authentic studio pottery plate by Japanese master potter Shoji Hamada, accompanied by its original signed tomobako wooden storage box. The work features a bold abstract brush-pai...

Large Antique Japanese Meiji Tiger’s Eye Glazed Pottery Vase, Signed, C1910 Measures - 13 5/8" x 5 1/4" x 5 1/4" A large antique Japanese vase from the M...

Jerome Ackerman glazed ceramic bowl signed “Ackerman”. Jerome Ackerman and his wife Evelyn were central figures in creating the California mid century modern aesthetic. This example ...

Beautiful and rare tall 30cm/12" embossed vase in vibrant 'Rhimini' blue and turquoise by Aldo Londi for Bitossi, circa 1968. A great piece of vintage, mid-century handmade Italian pottery. Very rare size to find. Shape number 727/30. We have more rare Bitossi...

Alive with texture, color, and movement, this early 20th-century French Palissy-style majolica platter brings the natural world to life in vivid relief. At the center, a coiled snake winds through a vibrant marsh, surrounded by frogs, newts, snails, and scattered shells. Glossy glazes in deep green, golden ochre, and cobalt blue add a sense of depth and dampness, while the high-relief modeling invites both touch and close inspection. Evoking the spirit of Bernard Palissy and the rustic naturalism of 19th-century revivalists, this hand-modeled ceramic piece is more than a decorative dish, it’s a sculptural landscape. The reverse reveals a warm, mottled terracotta finish, grounding the piece in its artisanal origins. Whether placed on a console, set into a cabinet, or mounted on a wall, this antique French platter...

Jerome Ackerman glazed ceramic vessel signed “Ackerman”. Jerome Ackerman and his wife Evelyn were central figures in creating the California mid-century modern aesthetic. This exampl...

Jerome Ackerman glazed ceramic bowl signed “Ackerman”. Jerome Ackerman and his wife Evelyn were central figures in creating the California mid-century modern aesthetic. This example ...

Antique 19th century neoclassical Vase By Gerbing & Stephan Germany 1892. Ebonised earthenware, of baluster form with horned mask handles, on a circular footed base, with impresse...

For your consideration, Modernist Coffee Cup + Saucer Stoneware Art Pottery signed Cup . Dimensions: Cup: 3" H x 4.25" W x 5" D Plate: .75" H x 5....

An authentic studio pottery plate by Japanese master Shoji Hamada, one of the leading figures of the Japanese Mingei movement and designated Living National Treasure. ( Accompanied b...

Six Wedgwood majolica Argenta palette ‘Lincoln' pattern dessert plates with finely molded maroon prunus blossoms and dark taupe pine branches surrounded by a yellow Greek key border. The dishes are decorated in the japonisme style and feature the “Three Friends of Winter” motif, an Asian artistic convention showing the pine, plum, and bamboo together to represent steadfastness, perseverance, and resilience. The Wedgwood factory introduced muted Argenta glazes to its majolicas in the 1880s to keep up with ever-changing fashions. The Argenta glaze color palette was more subdued than that of traditionally vibrant majolica, and was thus more appealing to the Aesthetic Movement japonisme style that pervaded the market. These Argenta majolica dessert dishes...

large-scale / grand VERY RARE single lobster on cabbage by artist / ceramist Rafael Bordalo Pinheiro (Portugal, 1846-1905), Portuguese Palissy ware / majolica from Caldas da Rainha, ...

From a series of large ceramic bowls by Thom Lussier that continues his exploration of geologic and floral textures. Maple leaf imprints decorate the exterior, while the interior has...

- Handbuilt brown jar - Made of clay collected from the potter's surroundings. - Made in the Moroccan Rif mountains by the potter Aïcha. Approximate mea...

Absolutely stunning, early and unique one of a kind piece of Mid-Century Modern vintage studio art pottery by Horst Kerstan (1941-2005). Made in 1968, this represents a rather early ...

This good sized bowl is a great example of the majolica wares produced in Italy throughout the 15th, 16th, 17, and 18th centuries. Humble and simple but highly decorative and enterta...

A monumental vessel by Elena Karina. Karina held the positions of Craft coordinator (1974-1978) at the National Endowment for The Arts, and special assistant for the arts to the offi...

Brilliant handmade hand-glazed Very Large Floor Vase, 1950s Wonderful monumental ceramic vase. Handmade and hand-glazed in brilliant colors. ...

The beautiful ceramic vessel is in very good overall condition. Measuring 6" tall and 3.75" wide. Resembling and in the style of Toshiko Takaezu. Acquired in the New Hope, PA area.

Three stunning 'Surrea' stoneware bowls with 'Carrara' glaze. Made by Wilhelm Kåge at Gustavsberg Studio in Sweden, 1940s. Excellent condition. Stamped 'Gustavsberg'. This is a ...

This plant pot in colors light blue, deep brown, and cream white, exclusive for SEM, has the serial number 2022040. Both vases in the collection have been chromatically studied, in a curious contrast of pattern and materials. “Doodle” is a rough drawing made absent-mindedly. And this is how Maya Leroy’s project started, from a need to create without having to be too serious about it or overly think things while having fun. Air dry clay has proven to be an ideal medium to work independently and without firing and, funny enough, from this total freedom, Maya created an intriguing and psychedelic series which looks unlimited. Opening up to new collaborations, SEM became fascinated with this form of hand crafting with the aim of developing two special objects—created ad hoc by Maya for the milanese brand—in an unlimited series produced by the artisans of the brand’s net.One of the most interesting phenomena of the moment is, in fact, the way in which hands-on designers can bring innovations in craft ateliers, challenging and updating the existing techniques and materials, or simply questioning them and creating a real dialogue between craftsman and designer that has unexpected results. MAYA LEROY Born in 1994 to a Swedish mother and French father, Maya Eline Leroy is an artist and designer currently based in Eindhoven — The Netherlands. Expressing creativity through painting, drawing and hand-building clay. Her Doodle series is an ever expanding collection of unique, hand build and hand painted contemporary ceramics.

The condition is very good. It is very hard to find these storage canisters is such fine condition.

Beautifully hand thrown and glazed floor vase designed by Heinz Siery for Carstens Tonniesh of circa 1965. Carstens are considered to be one of the finest producers of West German pottery from the mid-century era. This vase, part of the 'Atelier' range, stands beautifully with its simple yet elegant form complimented by the textured moss green lava...

Unidentified European Majolica stick or umbrella stand which features a Pug. Colouration: grey, blue, brown, are predominant.

Ceramic vase by Montiéres ceramic factory, based in Amiens (in the North of France), who had a very short story of production (1917/1933). This Art Deco vase is part of Samara series.

A striking studio pottery bottle vase with stopper, showcasing a tall, slender form and rich, layered glaze work. The surface features horizontal bands of mottled blue, soft celadon ...