Pottery

Mid 18th century Delft urn of peacock feathers blue & white plate, Dutch. Ochre rim sets off the design well. A design favorite of Dutch factori...

Gorgeous hand thrown studio pottery vase in an off white color with accents of different shades of brown and finished off with a subtle black line. This vase is signed on the botto...

A vibrant Neoclassical Revival decorative bowl in the 'Greek' pattern made by Copeland Spode in the late 19th century. Sir William Hamilton’s Collection of Etruscan, Greek and Roman antiquities, first published in 1766 by Pierre d’Hancarville, was a landmark publication in English design. It intended to disseminate the Antique style through its engravings of Attic pottery. The catalog’s faithful reproductions of Classical vases led British potteries, including Spode, to adapt or even copy the ancient art for modern life. This Copeland Spode Greek...

An antique 19th-Century German Westerwald salt glazed gray stoneware crock or jar with charming applied handles and cobalt blue scrolls and flowers. It would be lovely with a bouquet...

French pottery cider bottle from Normandy, end of 19th century. 13 Bottles available, sold separately. Different sizes.

A hand thrown rustic glazed confit pot that has come from a home in France. It dates from the 19th century and shows its age beautifully with some nibbles and wear to the glaze. Orig...

Vintage ceramic vessel or vase features pitcher shaped body with decorative handle. The lower half of the body is lightly faceted, resulting in octagonal outline when the vessel is viewed from above; the upper half has rounded form with lightly flared rim. The minimal handle is accented with tear or water drop shaped element on top. The vase is decorated with complex blue and white glaze with foaming effect; the free-flowing pattern of larger bubble elements adds tactile, textural quality to the unusual glaze. The vessel is signed by the artist on the bottom; same signature can be seen on the bowl in E. John Bullard Collection of Bates College Museum of Art. Provenance: the vessel was acquired at the arts, antiques, and Folk Art collector estate in Western New York state. Clara Katherine Nelson (1890–1984) was a renowned American cubist painter and ceramic artist. She attended the Rhode Island School of Design and taught at the Carnegie Institute in Pittsburgh. Nelson was invited by Charles Fergus Binns to teach painting and drawing at Alfred University at the School of Ceramics in 1920, replacing Marion Fosdick, who shifted to teaching modeling and pottery. Nelson worked with Binns and Fosdick to develop pioneering curriculum for functional ceramic education and started to work in pottery and ceramics herself; in 1927 they were joined by Charles Harder, who brought in the “New Bauhaus” aesthetic and studied with Lásló Moholoy-Nagy in Chicago. Fosdick, Harder and Nelson created the Ceramic Art curriculum throughout the 1930s and oversaw its transformation into Industrial Ceramic Design (from 1939–1951), and on into a more Bauhaus-inspired Ceramic Design (1951–1965). Nelson's students included Jane and Gordon Martz, Glidden Parker, Herb Cohen...

Midcentury stoneware studio pottery teapot - hand carved/scraped decoration to the exterior - gloss cream glaze - dramatic integrated handle - separate lid - indistinctly signed on t...

A very fine 18th century Dutch Delft pottery vase or jar. Of typical vasiform shape with medium and deep blue Chinoiserie landscape decoration, dot border to the top rim, and swag...

This good sized bowl is a great example of the majolica wares produced in Italy throughout the 15th, 16th, 17, and 18th centuries. Humble and simple but highly decorative and enterta...

A fox hunting set with all items listed below in the additional comments section.

Handmade terracotta olive jar with shell motifs, Spain, 1930s On an antique traditional preserving / storage jar from Andalusia a coat of lime was applied creating shell motifs thor...

For your consideration, a decorative terracotta plate from Tonalá, Mexico, featuring hand-painted Mexican folk art.  Traditional Mexican ceramic art, often used as a wall charger....

Set of six faux porphyry mugs. Six unique hand cast majolica nautical cups/mugs in faux porphyry glaze with celadon blue interior wash and contrasting “rope” trim. Markings for Calta...

This is a finely hand painted PAIR of early Stone China (Ironstone) Side or Desert Plates, which date to the George 111 period, circa 1815. Made by the DAVENPORT factory of Longport,...

Etruria, Staffordshire, c.1780, thrown in four parts and bolted to a plinth built of five small slabs, decorated by molded handles with horned returns to high relief goats’ masks with drapery festoons, circular seal at bolt impressed “WEDGWOOD & BENTLEY: ETRURIA,” 18 in. Provenance: Dr. Ellis F. Rubin & Suzanne Borow Rubin. Exhibited at the Mint Museum in Charlotte, NC in 2020 and illustrated in “Classic Black: The Basalt Sculptures of Wedgwood...

A fine vintage Santa Claus character jug or decorative mug by the English pottery firm, Royal Doulton.

A superb 19th-century Provençal terracotta water cruche, with spout and handle, and glazed in traditional green. This beautiful vessel would have been used to transport water to work...

A beautiful set of six (6) Italian green and yellow matte pottery plates with leaf and flower design by designer Ed Langbein, made in Italy, circa mid-20...

This remarkable antique ceramic jug, likely from the late 18th century stands as a testament to symbolic craftsmanship and cultural interweaving. Its white-glazed body, adorned with intricate blue hand-painted motifs, showcases a rich tapestry of imagery: two armored knights flank a central coat of arms crowned by a noble eagle, evoking themes of protection, authority, and divine oversight. A sphinx, emblematic of riddles and ancient wisdom, is also depicted- a nod to the Jewish people’s historical sojourn in Egypt and the enduring significance of that epoch in Jewish memory. A goat as representative of the Devil to make Adam and Eve to sin and take a forbidden fruit in Paradise. Clusters of various fruits embellish the design, symbolizing abundance and the promise of the land. Prominently featured are two Stars of David, affirming a deep connection to Jewish identity and heritage. The jug’s sculpted handle, fashioned as a coiled snake descending toward a human face-possibly representing Adam-recalls the Genesis narrative of the fall, the serpent, and the origins of humanity. This interplay of symbols suggests a narrative arc of struggle, survival, and spiritual endurance, potentially representing the journey of the Jewish people from Eden through exile and beyond. The jug’s substantial capacity-holding up to five liters of liquid-indicates its intended use for wine or water, both integral to daily life and ritual. Its distinctive shape, featuring a wavy, ornamental opening, hints at Mediterranean origins, likely Spain or Italy, where such design elements were prevalent in ceramic art of the period. This stylistic attribute, coupled with the painted date of 1527, adds another layer to its historical context. The year 1527 holds significance in Jewish history. In that year, Hayyim ben David Schwartz, a notable Jewish printer, obtained permission to print Hebrew books...

An unusual and rare Martin Brothers tribute vase by A G Sangwell, but recorded by the collector as A E Sangwell the owner of a hardware shop at 25 Featherstone Road (confirmed throug...

Charming Utility: A Swansea Pearlware Prattware Covered Tea Caddy Box, c. 1800-1820 This is an exceptional example of an early 19th-century Pearlware Tea Caddy Box, distinguished by...

Etruria, Staffordshire, circa 1925, turned Wedgwood shape no. 317, stoneware with crimson Jasper dip ground, decorated with sprigged white Jasper bas-relief depictions of muses and A...

A sweet set of dessert plates with an all over gilt decoration highlighted with hand raised turquoise enamel. A slight scallop to the shape and i...

Mid-Century Danish Brutalist Studio Pottery Wall Candleholder , 1960s, in Very Good conditions. Designed 1960 to 1969. Additional information: Material: Ceramic Color: Brown Styles:...

A beautiful and unique stoneware bowl with amazing glaze. Made by Rolf Palm, in the artist's studio, Mölle, Sweden, 1978. Excellent condition. Incised ’Palm / Mölle / G8’ and ma...

A small, rustic French souvenir pitcher from the 19th century, originating from Menthon-Saint-Bernard, a picturesque village nestled in the Haute-Savoie region near Lake Annecy. Hand...

This is a Victorian style set of Portugese cabbage form dessert or salad plates. They are unmarked and a vibrant yellow. The only wear is a bit to the underside.

A gorgeous Japanese Raku Arts & Crafts glazed ceramic art pottery vase or vessel with Japanese character finial lid Japan, Circa Mid-20th Century Measures: 6.25"W x 6.25"D x 14"H. ...

Vessel No. 165 white irregular form vessel by ceramic artist Nicholas Arroyave-Portela. Materials: White St. Thomas clay, stoneware glazes, multi fired to cone 9 (1260 degrees) M...

This beautifully proportioned vessel features a softly rounded body and a stepped lid, entirely wheel-thrown and finished with a rich, subtly variegated glaze. The surface displays ...

Aron Frogge Pottery Company History Aron Frogge is a contemporary American ceramic artist whose work is closely associated with the Raku firing technique, producing one-of-a-kin...

Whimsical vintage decorative plate by Fitz & Floyd Classics featuring a richly detailed tropical design with raised palm leaves, dragonfly, ladybugs, and a faux bamboo basketweav...

Two beer steins, made in Germany. Absolutely gorgeous pieces still in great condition, on with little crack at the lid. Lid works properly. The lids with age-related scratches from u...

A monumental Oil Jar or large floor vase in a green glaze. It was purchased out of the estate of a long time antique dealer's home. He collected Catalina pottery but this is more rem...

 English Pearlware Blue and White Six-Compartment Tray, Angry Lion Pattern Circa 1815–20 This unusual pearlware tray offers six chances to admire one of the great rarities of Engli...

Vase made by hand in glazed ceramic with traditional motifs from southern Italy. Every item LA Studio offers is checked by our team of 10 craftsmen in our in-house workshop. Special...

Whieldon-Type Creamware Tortoiseshell Teapot, Grape Vine Relief, Crabstock Circa 1765–1775 The Staffordshire Whieldon-type creamware teapot is of globular form, the body sprig-molde...

- Handbuilt freckles terracotta jar - made of clay collected from the potter's surroundings. - made in the Moroccan Rif mountains by the potter Raja. Approximate measurements: 1...

A beautiful stoneware vase with blue glaze. Made by Wilhelm Kåge at Gustavsberg Studio in Sweden. In production 1958-1962. Good condition. Some spots in the glaze and some metal mar...

Circa 1921-1959 1st period Jugtown stamped pottery covered soup tureen. Ben Owen I era. Speckled glaze is subtle. Jugtown Ware mark. Shaped handles & finial knop. Base wear & minute ...

Welsh Arts & Crafts Peacock Charger by John Lang, Aberamffra, circa 1910–1925 12.5" diameter x 1.5" high A richly decorated Arts & Crafts period ceramic cha...

We are very proud to be able to present and offer this exceptional, stunning and large sculpture vase by German artist Katharina Eichler (b.1971). This piece is from 2023 and was for...

Italian 1960's hand painted colorful ceramic dish by Giovanni DeSimone, hand crafted in Italy. Signed on underside, DeSimone, Italy 60.

Large French Mid Century Ceramic Bowl or Centerpiece, Signed Stunning ceramic or mixed earths piece was made by combining clay slips of light and dark bro...

- Handbuilt freckles terracotta jar - made of clay collected from the potter's surroundings. - made in the Moroccan Rif mountains by the potter Raja. Approximate measurements: 8...

Circa 1970. We offer this Hippopotamus shape vase, made in high temperature ceramic in New York and includes serial number.

A nice bowl or cigar ashtray by the French artist Andre Guiron executed in Vallauris. It feautures Lascaux cave painting figures. Signed on the base. In good condition with minor imp...

Vintage hand-made French Provincial yellow terracotta glazed confit pottery jar with handles. Per the last photo we have a few of these in various sizes...

Staffordshire Prattware Bacchus and Pan Figural Jug, Wood Family, Circa 1800 Staffordshire, circa 1800 Over thirteen inches of pure Georgian theater: the celebrated Bacchus and Pan...

Victorian Majolica “Three-Legged Gentleman” Teapot Attributed to William Brownfield & Sons, Cobridge, Staffordshire, ca. 1875–1885 A rare Victorian majolica teapot modeled as a comi...

Pair of antique Victorian Staffordshire figures having a pair of antique Victorian Staffordshire figures hand painted in lovely orange, green, red and white colours, raised on circul...

Political Ceramics: Saltglaze Teapot Commemorating Frederick the Great English, Circa 1760 This historically significant globular teapot stands as a...

Set of four silver-plated alpaca serving bowls designed by Gio Ponti for Fratelli Calderoni, Milan, Italy, circa 1950. Characterized by their elegant rounded forms, integrated loop h...

ATOI (born in 1987) green and grey stoneware ceramic pottery vase signed original perfect condition circa 2010 height 16 cm Large 13 cm

This French Longwy Pottery triple bud vase, dating to approximately 1900, showcases the distinctive enamelware craftsmanship for which the manufacturer is renowned. Fashioned from ce...

Introducing a timeless classic - the Dansk Teak Staved Viking Salad Bowl, designed by the legendary Jens Quistgaard. Crafted with utmost craftsmanship and attention to detail, this iconic salad bowl exemplifies the epitome of mid-century modern design. Its exquisite teak staved construction showcases the natural beauty of the wood, creating a warm and inviting aesthetic that complements any table setting. Jens Quistgaard's ingenious design marries form and function seamlessly, with the bowl's unique staved structure providing both durability and visual appeal. The elegantly curved silhouette and smooth finish offer a comfortable grip and elevate the dining experience to new heights. As a part of the iconic Dansk Viking line, this salad bowl has become a design classic cherished by collectors and enthusiasts alike. Its historical significance and timeless design have stood the test of time, making it a coveted piece for any mid-century design aficionado. Whether you use it as a stunning salad centerpiece or a display of artistic craftsmanship, the Dansk Teak Staved Viking Salad Bowl is sure to be a conversation starter and a cherished addition to your home. Elevate your dining experience with this exquisite Jens Quistgaard creation and celebrate the legacy of mid-century design. Pictured with iPhone 13...

- Handbuilt brown jar - Made of clay collected from the potter's surroundings. - Made in the Moroccan Rif mountains by the potter Aïcha. Approximate mea...

Great detail in this signed ceramic vase with a glazed white ceramic and detailed with cut and formed ceramic ornamentation around upper portion. Well executed.

- Handbuilt terracotta big side table, stool for bedroom or living room - made of clay collected from the potter's surroundings. - made in the Moroccan Rif mountains by the potter Ho...