Pottery

Large Antique Zanesville Blue Art Pottery Floor Vase Numbered C1930 Measures - 16 1/2" x 14 1/8" x 14 1/8" This large antique floor vase is...

Peter Beard vase Impressed artist's signature to underside. Unique

Designer: Unknown Importer: Raymore Period/Model: Mid-Century Modern Specs: Pottery These mid century Italian pottery candle hold...

Welsh Arts & Crafts Peacock Charger by John Lang, Aberamffra, circa 1910–1925 12.5" diameter x 1.5" high A richly decorated Arts & Crafts period ceramic cha...

Mid 20th century Atica terra cotta kyathos cup featuring early Classical Greek scenes. This long handle stemmed pottery cup was used for drinking wine. So...

This large hand-painted charger was made by Mintons Art Pottery Studio of Kensington Gore, London. The studio traces its origins to the renowned earthenware and fine bone china factory Minton, located in Stoke-on-Trent, Staffordshire England. Colin Minton Campbell, descendant of founder Thomas Minton, took over company management in 1858 and went on to establish Mintons Art Pottery Studio in 1871 for the purpose of hand decorating pottery and tiles. The studio initially operated under the direction of painter and book illustrator William Stephen Coleman and drew upon the talents of artists studying at the Kensington's National Art Training School, now known as the Royal College of Art, as well as those of well-regarded Continental artists. The company was short lived as it was destroyed by an accidental fire in 1875 and was not rebuilt. This large earthenware charger has been hand-painted in polychrome enamel and depicts two young children at play in the nursery. The scene includes multiple colors and textures and features a cherubic toddler seated upon a bed alongside a young girl standing on a blue footstool...

A large and beautiful stoneware bowl with blue glaze. Made by Wilhelm Kåge at Gustavsberg Studio in Sweden. In production 1958-1962. Great condition, only a few light scratches. Imp...

This is a rare ironstone lidded dish or bowl in a rare shape, hand enameled in the Flying Bird pattern, made by Mason's Ironstone of Lane Delph, Staffordshire, England, during the la...

A large Abstract Studio Art Pottery charger, unmarked, attributed to Poole Pottery U.K. Decorated in attractive an abstract spiral pattern i...

An extremely rare and wonderfully hand-painted monumentally large charger featuring a portrait of Queen Elizabeth - a quite unique and bold work by famed American/ California studio ...

VR Quart Imperial: English Victorian Mocha Dendritic Tankard (Mid-19th Century) A fine and historically interesting English Mochaware cylindrical tankard, dating to the mid-19th cen...

Wabi Sabi Pottery 9"x 9" x 9" Opening approx: 4"-7" Discover the charm of matte oil pottery, showcasing stunning gray hues and unique imperfections ...

Rustic French 19th century pottery olive oil jug with front spout, large upper handle and back one. This 19th-century rustic French pottery olive oil jug exudes an irresistible old-w...

Large Roseville Rozane Floral Ceramic Jardiniere. Gorgeous Yellow and Green tones make up this romantic jardiniere. Large size to hold a gorgeous large ...

Hicks Meigh ironstone armorial sauce tureens, covers and stands made for the 41st Regiment, circa 1815-1822. Dimensions: Length: 9 1/4 inches x 7 inches high The Hicks & Meigh ironstone tureens are unusually decorated with the Royal Crown with the Roman numerals "XLI" below on an Imari ground. Mark: Printed in blue with Royal Arms above Stone China. Reference: From the 41st Regiment Military Living Group The original name of the Regiment was "Colonel Edmund Fielding's Regiment of Invalids", raised in 1719 from out-pensioners of the Royal Hospital Chelsea, for garrison duty "at home". On July 1, 1751, the Regiment was numbered 41st and redesignated as The 41st Regiment of Foot (or Invalids), with service confined mainly to the Portsmouth garrison, with detachments at Plymouth and Jersey. On December 11 1787, the invalids...

Large glazed terracotta jug or jar from the south of France, dating from the late 19th century. It comes from the Lauragais region around Castelnaudary in south-western France. The g...

Vintage decorative platter (circa 1970s) by Albert Thiry. An oatmeal-coloured glaze provides the backdrop for a colourful flower motif and foliage in the recess of the platter. These...

French Mid-Century Vase by Accolay, France, 1950s. This striking vase from the 1950s features a captivating color gradient, transitioning from green and brown to purple. The rich bro...

A wonderful antique oil jar, dating from the 19th century, and originating from the South of France. Traditionally shaped, with a short pouring spout a...

Vintage German Postmodern Fantasia Series Sugar Pot and Milk Cup by Matteo Thun for Arzberg, 1980s, Set of 2, in Very Good conditions. Designed 1980 to 1989 This piece has an attribu...

Explore the timeless beauty of our exquisite Vintage Hand-Crafted Pottery Bottle, a unique blend of artistry and sophistication. Crafted in earthy tones of beige and brown with a mesmerizing speckled design, this bottle is a true testament to vintage craftsmanship. 🌟 Key Features: Hand-Crafted Artistry: Immerse yourself in the charm of a bygone era with this meticulously hand-crafted pottery bottle. Each detail showcases the skill and dedication of the artist, creating a one-of-a-kind piece that adds character to any space. Earthy Tones with Speckled Design: Enrich your decor with the warm and inviting hues of beige and brown, adorned with a captivating speckled design. This unique combination adds a touch of nature-inspired elegance to your home. Complete with Original Top: This vintage bottle comes complete with its original top, adding to its authenticity and preserving the integrity of the artist's vision. It's a thoughtful detail that enhances the overall charm of this collectible piece. Signed by the Artist: Revel in the personal touch as this bottle bears the signature of the artist. This not only adds value but also connects you to the creator, making it a truly special addition to your collection. Excellent Condition: Rest easy knowing that this vintage pottery bottle is in excellent condition. Free of nicks, scuffs, or chips, it stands as a testament to its durability and quality craftsmanship. 🌷 Versatile Decor Accent: Transform any space with the versatile beauty of this vintage pottery bottle. Whether displayed on a shelf, mantel, or as a centerpiece, it effortlessly elevates your decor with its timeless appeal. 🌐 Limited Availability – Order Now! Seize the opportunity to own this beautiful vintage pottery bottle. With limited availability, it's a chance to bring home a piece of art that seamlessly blends the past with your modern lifestyle. 🌿 Timeless Beauty, Hand-Crafted for Your Home – Where Vintage Meets Modern...

Hand-Painted Spanish Ceramic Charger attributed to the P. Arzobispo workshop, a historic ceramics center in the Toledo region of Spain. Plate is rendered in a classic blue and white ...

A very pretty petite glazed jug originating from the Dordogne region of south-west France and dating from the 19th century. Originally conceived for the storage and preservation of n...

English Staffordshire watch holder with two figures and a pair of lambs, mid-19th century. Beautifully decorated and lambs have grainey deco...

French Mid-Century Anthropomorphic Vase by Accolay, France, 1950s. This unique anthropomorphic vase was crafted by Accolay in France during the 1950s. Featuring a sculptural form wit...

This is a rare Mason's ironstone miniature Teapot in the bold Fence Japan gilded pattern, which we date to circa 1820. Miniature or toy items of Masons ...

A vintage studio pottery serving plate with a lovely hand painted fish design. Grooves have been formed on one side for holding chopsticks. A wonderful and unique serving piece. Sign...

Vase made by hand in glazed ceramic with traditional motifs from southern Italy. Every item LA Studio offers is checked by our team of 10 craftsmen in our in-house workshop. Special...

Two Jugendstil palm pots hammered 2 are available, priced and sold per piece. polished and stove enamelled.

A rarely seen Palissy style Provençal majolica trompe l’oeil wall plaque made and signed by the potter A. Martin, from Vallauris, Cote d’Azur, France, Mid-Century Modern Era, circa ...

Traditional French terracotta confit pot with two side handles. Half glazed in brown with a 'flame' design, this vessel would have been used to conserve food – mainly meats in fat – ...

A French earthenware confit pot with traditional green glaze. These ordinary earthenware vessels were once used daily in the French country home and have beautiful rustic glazes of g...

Beautiful hand thrown pottery vase with fluted and ruffled rim and uneven body. Finished with different shades of blue, this vase is a stunner and eye-catcher that will draw attentio...

Three dimensional Majolica dish centered with a large lobster and surrounded by oysters. Signed Caldas, Portugal on reverse side.

- Handbuilt white big side table, stool for bedroom or living room - made of clay collected from the potter's surroundings. - slip applied with natural ...

Copeland Late Spode "Avondale" Water Pitcher, England. Earthenware pottery. Rococo Revival style decorated with baskets of flowers, flowers & trailing vines. Reg. No. 637555 design o...

This richly colored Bauer Co. oil jar is a great addition to any home. Bauer was in business from the late 1880's until the 1960's. The company moved from Kentucky to California in ...

Wilhelm Kåge was Sweden’s premier 20th C studio potter. His Farsta series was crafted between 1930 and 1960 in the Gustavsberg studio. The unique objects were made of reddish brown s...

Victorian Majolica “Three-Legged Gentleman” Teapot Attributed to William Brownfield & Sons, Cobridge, Staffordshire, ca. 1875–1885 A rare Victorian majolica teapot modeled as a comi...

Charming Utility: A Swansea Pearlware Prattware Covered Tea Caddy Box, c. 1800-1820 This is an exceptional example of an early 19th-century Pearlware Tea Caddy Box, distinguished by...

This is a very good stone China (Ironstone) coffee can hand painted in the tobacco leaf pattern, number 2061, made by the Spode factory in the early 19th century, English Georgian period, circa 1820. This coffee can or cup made from Ironstone China is beautifully decorated with hand painted enamels in the very distinctive tobacco leaf pattern, pattern number 2061. The decoration also has very good hand gilded detailing. The upper rim has a dark ochre brown hand painted finish in the manner of 18th C...

Great authentic and extremely rare piece of pottery with a spout in handle from the Provence called : Orjol du Lauragais. The fact that this jug has a multiple colour glazing makes i...

Designed by Ulla Procape in the 1960s for Arabia in Finland. This stoneware tea set, this tea set is part of the series "RUSKA", consist of: 9 x teacups with saucer 8 x 5 cm. 10 x...

German Mid-Century Ceramic Vase, circa 1970. A beautiful German mid-century ceramic vase, made around 1970. The piece presents a refined modernist silhouette with a height of 33 cm ...

This is a very good stone China (Ironstone) coffee can hand painted in the tobacco leaf pattern, number 2061, made by the Spode factory in the early 19th century, English Georgian pe...

Staffordshire Whieldon-type creamware teapot and cover, circa 1765-1775 The Whieldon-type cream earthenware teapot has a moulded design of grape vines and large grape leaves to t...

A Trompe l’Oeil Paté en Croûte Tureen attributed to Pillivuyt Mehun, France, circa 1900 Pâté en croûte is a French charcuterie delicacy featuring a sa...

A playful and eye-catching mid-20th century French terracotta pitcher featuring a vibrant marbled glaze and a charming script inscription. Hand-thrown from warm reddish-brown terraco...

Wonderful set of 3 Gunnar Nylund pottery by Röstrand Sweden from the 1950s. Beautiful green/brown/yellow glaze. In the set is: 1x floor vase height 51cm, diameter 18cm / 20,08inch,...

A collectible ceramic cookie jar shaped like a drum, trimmed in red and decorated with a drummer boy in yellow and blue. The lid lifts off with a matching drummer bust. Designed by Robert Heckman for Shawnee Pottery...

Excellent hand thrown Kage Farsta stoneware bowl with interesting and nicely drippy matte finish yellow/ochre glaze. Hand signed and stamped, as shown. The world renown Wilhelm Kage ...

Foamy glazed lidded ceramic box with grid design created by Guido Gambone, circa 1950s. Box measures 3.5" by 6" by 4.5" and is signed Gambone with his donkey mark. In very good vin...

Two ancient tribal urns / amphora / pottery / vases / pitchers / ceramics from the ancient khmer region (present day cambodia).

The last piece of our Antique Vinegar Jar collection. A beautiful antique Chinese vinegar jar, hand crafted and glazed. This 19th-century piece sho...

A Neoclassical red transferware tile made by Spode 1806-1810, with the ‘Zeus in His Chariot’ pattern. Sir William Hamilton’s Collection of Etruscan, Greek and Roman antiquities, first published in 1766 by Pierre d’Hancarville, was a landmark publication in English design. It intended to disseminate the Antique style through its engravings of Attic pottery. The catalog’s faithful reproductions of Classical vases led British potteries, including Spode, to adapt or even copy the ancient art for modern life. These Spode Greek pattern tiles reflect the major influence of Hamilton’s catalog on English Neoclassicism. The central scene was taken directly from the catalog. This tile can be dated to a narrow window of production in the Spode factory, 1806-1810. During that time, Spode used a technique known as the “Pluck and Dust” method to print in red transfer designs onto creamware. Using this method, source prints were transferred overglaze using tissue imprinted with a very faint rendition of the design outlined in sticky oil. The decorator applied the tissue to the object then carefully “plucked” or pulled it away, leaving the sticky oil design behind. Then, a finely-ground enamel color was “dusted” onto the surface, sticking to any areas that had the oil. A final firing at a low temperature in the enamel kiln made the pattern permanent. The Pluck and Dust technique improved upon bat-printing and enabled larger designers to be transferred. It was short-lived, however, as under-glaze transfer printing soon took over as the preferred method for producing transferwares. Dimensions: 5 in. x 5 in. x 1/4 in. Condition: Excellent. Provenance: The Collection of Nancy and Andrew Ramage Jonathan Horne...

Rare antique stoneware advertising jug. Winches and Davis Importing Company, Albany New York. Cobalt blue writing.

A Trompe l’Oeil Paté en Croûte Tureen attributed to Pillivuyt Mehun, France, circa 1900 Pâté en croûte is a French charcuterie delicacy featuring a sa...

Antique Dorchester Pottery Works, Boston MA, Stoneware Warmer Signed C1890 (11 1/4" x 5 1/2" x 5 1/2"). This is an antique stoneware warmer from Dorchester Pottery Works, Boston, ...

Beautiful large tile painting of a Gothic church interior by W.B. van Horssen (1863-1931). We very recently purchased a small collection of very rare antique plaques, tiles and vases by some of the best known maker's in the history of Dutch ceramics. This unique, hand-crafted and hand-painted work of art is the first one of that collection and this stunning and rare, single tiles plaque is in its original wooden frame. Because of their contrasting colors, the frame and tile painting go together really well. And these are in fact two works of art, because both the stunningly hand-painted tile and the wooden frame are as good as they come. With the borders of the frame coming as far outward as they do and the Gothic church interior that is drawing your attention deep into the back of the church, they really complement each other. However beautiful the frame is, this antique ofcourse is about the painting and this particular painting is by one of Rozenburg's finest (Wijnand Bastiaan van Horssen) who has perfectly managed to enhance the depth that is already in this composition, thus creating a visual effect that is an absolute joy to look at. By the way, the price that you see on the 'sticker' that the former owner put on the back after he had purchased this piece was put there in the 'old days' when we still had the Dutch guilder. The original painting of the Nieuwe Kerk in the Hague Holland (built in circa 1650) was by J. Bosboom. Besides one small old crack and a few minor imperfections to the frame, this unique and wonderful work of art is in very good condition still and may it grace the home or chapel of a Gothic style enthousiast soon. Mind you, because of their relative fragility very few of these amazing and high value works of art are still around. Rozenburg of the Hague, where this unique tile painting was created, was always one of the greats in Dutch ceramics and many of their works grace museums all over Europe. Rozenburg’s shareholders included the likes of the marine painter H.W. Mesdag (1831-1915) and the poet and literary critic Carel Vosmaer (1826-1888), and its tile painters numbered rising artists like Willem de Zwart...

Standout example of a Rockingham brown glazed earthenware pitcher with a dog or hound handle. Probably manufactured in Bennington Vermont.