Natural Fiber Folk Art

A wonderful, beautifully designed/decorated and executed Native North American Indian hand woven tight weave oval shaped lidded basket made of natural organic materials/fibers. The ...

Two old Kuba cloths - a type of raffia cloth made from woven natural palm leaf fibers unique to the Democratic Republic of the Congo, Africa. Previously one long cloth measuring 206...

This is an Antique & Unique Sarkoy (Sharkoy or Şarköy) Kilim rug from Western Turkey with a rare and beautiful color composition. Sarkoy kilims are very finely woven in slitweave in...

This is Central Anatolian Antique Kilim, from the Isparta region with a rare and beautiful color composition. This highly collectible antique kilim has wonderful special colors and ...

The design source of the rug comes from the possession of Endre Unger, which was sold at Sotheby’s in 1992. That rug with the central star was designed in the early 16th-century rug ...

This is a Western Anatolian Modern 'New' Fine Kilim from the Manisa region with a rare and beautiful color composition. This kilim is woven according to traditional kilim technique...

This is a pair of antique Japanese straw snow boots from the Tohoku region of northern Japan. They are believed to date from the Meiji to Taisho period (1860s–1920s). Handwoven from...

This is a rare antique Sewan Kazak Rug from the Sewan / Sevan region in the southwest Caucasia. This is another handsome example of the “Sewan” Ka...

This vintage Yahyali runner from the Kayseri region of Central Anatolia presents a bold and expressive example of Anatolian village weaving. The composition is defined by a vertical ...

South American native geometric design sling bag with shoulder strap. Finely woven with natural pigment dyed and undyed natural cactus fiber. It has been stored impeccably over the ...

Measurements are as follows - Measures: Large basket - 9.25 x 5.5 Medium Basket - 6.5x3.5 Small basket - 2.5x4.5.

This is an Antique Soumak ( Sumak, Sumac ) Kilim from the Caucasus region with a rare and beautiful color composition. Of the four countries that make up the Caucasus, Azerbaijan produces the most kilims, and the land has a long history of weaving. The nomadic tribes wove kilims and carpets as well as a wide range of storage bags and sacks, such as saffrash, khurgin and chula, and donkey and horse trappings. Smaller bags for salt, utensils, and other items are also common. Not only are the Azerbaijani weavers prolific, but they also employ many techniques at the loom. These include slitweave- known locally by the word Kilim, warp-faced patterning (jajim), supplementary weft (zili), weft wrapping (popularly known as soumak), and extra weft wrapping (verneh). Furthermore, flatweaves are defined by regional names such as palas and shadda, so it is possible to ascribe a variety of weaving names to particular provenances as follows: soumaks are made in Kuba, palas, and kilims in Hajikabul, zili in Khizy, verneh and zili in Kazakh, shadda, verneh and zili in Barda, jajim in Agjabedi, and palas and kilims in Jabrail. Soumak weave is a technique in which weft threads are added to a plain weave fabric, and one or two warp threads are wound from the front to the back. The resulting Kilim is denser and firmer, giving it a unique feel and look. This technique is commonly used in the Caucasus region. Soumak kilims have a very beautiful contrast between orange that shines like the sun, deep purple-tinged indigo, and astringent dark red. You can also see the unevenly dyed abrage in this Soumak, which is like a magic carpet with an oriental atmosphere. Features of the Caucasian Kilim, such as the unique cosmic geometric floral pattern, are also found in this Soumak which has a bright look, but it also has a faded and textured feel, so it can be used in a good old atmosphere. The woven fabric is particularly solid, so it is recommended for use in a solid living room or under a dining table without moving or twisting. A nice Kilim under a long wooden dining table.

Rare Pair Of Mid-Century Rope Oval Mirror Adrien Audoux & Frida Minet. 21 inches H. , 13.5 inches W.

Turkish Court Manufactury Rugs were woven in the Egyptian workshops founded by Ottoman Empire in the 16th century. Those carpets were woven in Egypt, following the paper cartoons pro...

There has long been a fascination with the symbolism of the dragon and its depiction in carpet weavings. The design of ‘Dragon’ carpets consists of a field pattern composed of different colored overlaid lattices formed of pointed, serrated leaves creating intersecting lozenges, which alternately contain palmettes and are flanked by confronting stylized dragons, birds, or animal figures. The most archaic of the ‘Dragon’ carpets include dragon motifs with birds and running animals relatively naturalistically drawn, which stand either alone or in confronting pairs facing a tree. The Graf carpet, originally found in a Damascene mosque, now in the Islamiches Museum, Berlin, is considered to be the oldest example of this type, see Serare Yetkin, Early Caucasian Carpets in Turkey, Vol. II, London, 1978, p.8, fig.118. Yetkin defines four types of ‘Dragon’ carpet: ‘Archaic’, ‘Four-Dragon’, ‘Dragon-and-Phoenix’ and as a further combined development of the latter, the ‘Two-Dragon’ style, of which the present carpet falls into the ‘Dragon-and-Phoenix group along with other examples, some of which include two fragments, one in the Museum fur Kunst und Gerwerbe, Hamburg; another in the Christian Museum, Esztergom, Hungary, a complete carpet in the Kier collection; an incomplete example in the Textile Museum, Washington, D.C; the ‘Cassirer’ Dragon carpet in the Thyssen-Bornemisza collection, Lugano; the Ali Pasa Mosque carpet in Tokat, and a further example in the Vakiflar Hali Museum, Istanbul (S. Yetkin, op. cit. pp.16-20). It has been suggested that the earliest examples of the Caucasian ‘Dragon’ carpets...

Native American Plains indians Tomahawk Wood, iron, hide, glass beads, feathers and organic fibres. A finely decorated Native American tomahawk...

Very special piece with alot of history behind it. Looks to be accurate from many perspectives, physical appearances show it was repainted over what was the original coat of paint wi...

Kuba (Bushong) Raffia Fiber Textile Panel From Woman’s Skirt The Bushong people are one of the largest and most dominant ethnic groups within the Kuba Kingdom in the DR Congo, and h...

This is Central Anatolian Vintage with a rare and beautiful color composition. It is a long and thin runner that reaches up to three meters. What is amaz...

This is a South Anatolian Vintage / Semi-old Handwoven Runner Kilim from the town of Mut in Mersin Province, located in the Mediterranean region of Anatolia, Turkey. These kilims are...

The source of carpet comes from the Mercer Collection Sotheby's 2000 (catalog cover). This Mamluk-Cairene carpet is known, curiously featuring some type of lattice was designed in th...

This is a South Anatolian Vintage / Semi-old Handwoven Kilim from the town of Mut in Mersin Province, located in the Mediterranean region of Anatolia, Turkey. These kilims are renown...

This is a Central Asian Old Yomut (Yomud) Kilim from the West Turkestan and Iran region with a rare and beautiful color composition. The Yomut are to be found in north-east Iran, an...

A vintage Turkish cicim mini kilim featuring an earth brown field with crisp geometric lattice motifs and richly textured raised embroidery. The composition is grounded and architect...

Rare Antique Woman’s Abaca Fiber Tube-Skirt, Philippines The Subanen are an indigenous people living in the mountainous interior of Zamboanga del Sur on the Zamboanga Peninsula in w...

Unusual rope sconce Audoux Minet, circa 1960. With a white and orange opaline. W / 11 inches. H / 5 inches.

Round nautical rope mirror Audoux Minet, circa 1960. Size: 18.3 inches diameter.

This is a large, Caucasian Old Kilim from the Kuba region with a red background and beautiful color composition. This Kilim is from Kuba, a city in Azerbaijan in the Caucasus regi...

A wonderful, beautifully designed/decorated and executed Native North American Indian Pima tribe hand woven oval shaped basket made of natural organic materials/fibers. The piece is...

This is Central Anatolian Antique Kilim from the Konya - Obruk region with a rare and beautiful color composition. This highly collectible antique kilim has a wonderful special col...

This is a South Anatolian Vintage / Semi-old Handwoven Kilim from the town of Mut in Mersin Province, located in the Mediterranean region of Anatolia, Turkey. These kilims are renown...

1870 Hand crafted Folk Art Bull sculpture hand crafted from natural materials Has a pocket measuring 8x7.5" 12" deep

This is a South Anatolian Vintage / Semi-old Handwoven Kilim from the town of Mut in Mersin Province, located in the Mediterranean region of Anatolia, Turkey. These kilims are renown...

This mid-20th century hand-woven basket originates from the Dayak tribe of Borneo crafted with rattan fibres and an iron wood frame. These baskets were used to carry leaves, fruit, g...

This is a beautiful pair of Ceremonial Baskets from the Tutsi people of Rwanda in East Africa. These baskets are handwoven and given as Wedding gifts with a trinket inside each bask...

The source of carpet comes from the book Arts & Crafts Carpets, by Malcolm Haslam, and David Black, 1991, fig.49. This Hammersmith carpet was designed by William Morris in 1882, in the United Kingdom. In 1887 English artist and bookbinder T.J. Cobden Sanderson, suggested that a new group be named the “Arts and Crafts Exhibition Society” As a result, he was the first to use the term “Art and Crafts” and also is credited with naming this new emerging movement. The Arts & Crafts movement was inspired by the degradation of product standards that resulted from the factory production age. The rise of machinery in manufacturing caused a noticeable decline in uniqueness and crafts. These anti-Industrial reformers promoted economic advancement and social change. They wanted to eliminate poor quality and “artificial” items from 19th century British society. They saw a plethora of uninteresting items on display at the Great Exhibition of 1851 and became inspired to launch a Campaign for originality and uniqueness. William Morris was an English designer, as well as an uplifting social activist and writer. Morris is credited with sparking the rebirth of textile arts and traditional means of production. In 1861, Morris and a small group of designers opened an incredibly fashionable design company that grew to be largely successful. Morris left behind works in many different mediums such as textiles, books, furniture, stained glass, and area rugs. But in the end, he is most remembered for the magnificent wallpapers that he designed. He got much of his inspiration from the natural world. Through his interior decor pieces, Morris set out to convert rooms or spaces into meadows with beautiful trees meandering, vines, and plants. This concept of taking something Industrial and man-made, and converting it into something natural is what William Morris meant when he once said: “-any decoration is futile… when it does not remind you of something beyond itself.” Morris was a huge commercial success and his works are some of the most sought-after pieces in the world of design and decor. He is also credited with almost single-handedly reviving the British textile arts as well as their methods of production. Morris was also severely critical of machine-made goods, exclaiming, “Today almost all wares that are made by civilized man are shabbily and pretentiously ugly.” Houses were filled “with tons and tons of unutterable rubbish,” which, he suggested, should be heaped onto a gigantic bonfire! “As a condition of life, production by machinery is altogether evil.” He masterminded one of the most well-known styles of Arts & Crafts, recognizable by its twisting and arching patterns and simple, elegant floral design prints. Although Morris believed that Persian carpets were the greatest ever made, he adopted the coarser Turkish (Ghiordes) knot for his hand knotted carpet manufacture. They were woven at a thickness of 25 knots to the square inch at that time. Morris & Co.’s rugs are reminiscent of Persian garden design carpets in that they are smartly styled depictions of English gardens. Donegal also started producing highly desirable Irish rugs in the late 19th century. The Donegal rugs were predominantly created by English architects C.F.A. Voysey and Gavin Morton. The handcrafted Voysey rugs are typically woven in England, Scotland, and Ireland. Voysey had a knack for using contrasting shapes to decorate flat monochromatic spaces. Dark outlines added a flair of drama to his signature pattern and Celtic rug...

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.31. This blue background rug has a variation of masi awi...

This is a Central Anatolian Old Kilim from the Sivas region with a rare and beautiful color composition. Sivas In the third century, Sivas was a Roman city known as Sebastea, the capital of Armenia Minor. Flourishing under Byzantine rule, Sivas reached a peak of prosperity under the Seljuks, only to be plundered in the fourteenth century by Tamerlane, as it was an important venue on the Persian and Iraqi trade routes. The Sivas region is inhabited by Turkish and Kurdish people, and until the genocide wrought by the Turks early this century, many Armenians dwelt there as well. Sivas gained certain fame as the site for the Sivas Congress of September 1919, convened by Mustafa Kemal...

This is an antique Central Anatolian Kilim from the Yahyali region in Kayseri with a rare and beautiful color composition. The earliest recorded occupation of Kayseri dates back to ...

This is a large Antique Soumak ( Sumak, Sumac ) Kilim from the Caucasus region with a rare and beautiful color composition. Of the four countries that make up the Caucasus, Azerbaijan produces the most kilims, and the land has a long history of weaving. The nomadic tribes wove kilims and carpets as well as a wide range of storage bags and sacks, such as saffrash, khurgin and chula, and donkey and horse trappings. Smaller bags for salt, utensils, and other items are also common. Not only are the Azerbaijani weavers prolific, but they also employ many techniques at the loom. These include slitweave- known locally by the word kilim, warp-faced patterning (jajim), supplementary weft (zili), weft wrapping (popularly known as soumak), and extra weft wrapping (verneh). Furthermore, flatweaves are defined by regional names such as palas and shadda, so it is possible to ascribe a variety of weaving names to particular provenances as follows: soumaks are made in Kuba, palas, and kilims in Hajikabul, zili in Khizy, verneh and zili in Kazakh, shadda, verneh and zili in Barda, jajim in Agjabedi, and palas and kilims in Jabrail. Soumak weave is a technique in which new weft threads are added to a plain weave fabric, and one or two warp threads are wound from the front to the back. The resulting kilim is denser and firmer, giving it a unique feel and look. This technique is commonly used in the Caucasus region. Soumak Kilims have a very beautiful contrast between orange that shines like the sun, deep purple-tinged indigo, and astringent dark red. You can also see the unevenly dyed abrage in this sumac, which is like a magic carpet with an oriental atmosphere. Features of the Caucasian kilim, such as the unique cosmic geometric floral pattern, are also found in this Soumak. It has a bright look, but it also has a faded and textured feel, so it can be used in a good old atmosphere. The woven fabric is particularly solid, so it is recommended for use in a solid living room or under a dining table without moving or twisting. A nice kilim under a long wooden dining table.

Round nautical rope mirror Audoux Minet, circa 1960. Size: 13 inches diameter.

This is Central Anatolian Antique Kilim from the Konya region with a rare and beautiful color composition. This highly collectible antique kilim has wonderful special colors and tex...

Wonderful bulbous form antique Native American Apache Olla Basket, circa early 1900s, with vertical geometric columns interspersed with animal figur...

With a dark rich patina. Made with oak staves, handle and a mahogany base. In excellent condition. Attributed to Sherwin Porter Boyer (1907-1964). Measures: 6”.    

The design source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.4. This was an exclusive example of a Mina Khani ...

Antique Kuba Shoowa Cut-Pile & Embroidered Cloth, DR Congo A graphically compelling example of a Kuba raffia fiber prestige cloth with cut pile and stitched embroidery. In very good...

This is a Central Asian Old Tekke Bukhara Turkmen Carpet from the Turkmenistan Bukhara region with a rare and beautiful color composition, high-quality materials like; wool & dyes. ...

This is a South Anatolian Vintage / Semi-old Handwoven Kilim from the town of Mut in Mersin Province, located in the Mediterranean region of Anatolia, Turkey. These kilims are renown...

Add a touch of vintage charm to your decor with this beautiful Art Deco child’s armchair, crafted in handwoven wicker. This delightful chair from France combines rustic elegance with...

This vintage square carpet presents a disciplined yet visually compelling composition, centered around a precise focal point from which concentri...

Leather and straw Conical Fulani hat Mali west Africa conical leather and straw Tribal Fulani hat. The hat has a weave of the straw and the patterns woven ...

A late 19th or early 20th century Kuba Prestige cloth, mostly embroidered with cut pile borders.

This is a South Eastern Anatolian antique Kilim from the Malatya region with a rare and beautiful color composition. Malatya is Turkey's main kilim production area, and there are many variations. This is one of them, a runner-type kilim. The thread is thin, and the weave is very fine and dense. Some metallic threads are used in this antique kilim, which is rarely seen in Anatolian kilims. Red, navy blue, and gray are the colors that determine the impression of this kilim. Other colors, such as brown, yellow, and light blue, are also used in the patterns. The wavy horizontal striped pattern, plain pattern, and lined motif pattern are woven together to create a kilim that looks like an obi. The pattern of the motif and the pattern of the wave are about the same amounts, giving a lively impression without getting busy. The deep shades of colors and patterns that are familiar to each other are unique to antiques. However, it still retains good coloring, which makes it hard to believe that it is an antique. The runner type is a good type to make this kilim unique. Also, for those who want to create a different kind of home, the use of runners is very effective. Malatya is a town built on one main street that continues for several miles. It is situated in the Tohmasuyu River basin, which is encircled by the high peaks of the eastern Taurus Mountains. This is a fertile agricultural region, particularly for apricots, and has been a prolific weaving area for many years. The modern town was established in 1838; old Malatya, which is close by, was once an important city in Armenia Minor. In Roman times it was important as a garrison town on the eastern frontier, and the settlement came under Ottoman rule in the early fifteenth century. Considering the number of kilims woven in this region there is a surprising lack of diversity in design, especially in the larger kilims; this is possibly a direct result of the Kurdish tribal tradition of weaving only one type of design. Small prayer rugs...

This is an old vintage kilim from the Kars region in northeastern Anatolia. The old sector and newer southern districts of Kars are joined by a bridge built by the Seljuk Turks over...

This is a South Anatolian Vintage / Semi-old Handwoven Kilim from the town of Mut in Mersin Province, located in the Mediterranean region of Anatolia, Turkey. These kilims are renown...

Victorian Acrobat Rings France, 1880 Made from iron, rope and fabric. 8.75"w x 1"d x 28"h Ref. O2171

This is Eastern Anatolian Old Vintage Kilim from the Mut, Adana region with a rare and beautiful color composition. This highly collectible antique kilim has wonderful special colo...

Vintage Papua New Guinea Tribal Tapa Cloth A striking vintage tapa cloth from Papua New Guinea, handcrafted from natural barkcloth and decorated with traditional tribal motifs. Made...

Native American Hand-Painted Gourd Vase / Pot with Abstract Motif This beautiful hand-painted gourd vase is both sculptural and organi, a striking example of Native American artistr...

Hand-sewed rice straw art by Arko. Title: A head-sea over the night sky This work has the feelings of contemporary, tribal art, contemporary craft art, created with the respect for ...