String Folk Art

Steam yacht model of J.P. Morgan's "Corsair IV" mounted into a custom glass and mahogany display case with table. This model is outfitted with raised paneled mahogany cabins, planked deck, turned brass fittings, rigged masts etc... Detailed longboats and launches hang from davits. The vessel flies the New York Yacht Club burgee and the Morgan house flag. Mounted into a mahogany display case with matching table. Overall Dimensions: 56" L x 16" W x 57" H Corsair IV (1930) J.P. Morgan Jr. and his legendary business tycoon father, J. Pierpont Morgan, owned four yachts christened Corsair, and built three of them. Each yacht was bigger, faster, and more comfortable than the preceding one. The Morgan Corsair created major media attention for the times resulting in a legendary quote by the senior Morgan when he was asked how much it cost...

Found in England, this pond boat dates from the 1920s. This appears to be a model racing cutter with four cloth sails. The boat hull is painted blue and the stained deck looks like t...

Found in England, this pond boat dates from the 1920s. This appears to be a model racing cutter with four, blue cloth sails. There are brass details and fittings and black rigging. T...

Certified Kimono Meister work / Certificate of Authenticity included One-of-a-kind Japanese textile art made from vintage kimono fabrics. Sustainable artwork for modern interiors, c...

A wonderful piece of folk art, this wooden sailing ship crafted by J. Romero (signed on the base) is intricately detailed, and the finely crafted rope rigging is particularly compell...

American bear from the 20th century , the bear is nicely hand made with old fabric and have revealing its great use. the bear wearing kind of accessories included mother of pearl b...

As found in Denmark, this timeless spin top features a cow, a duck, sheep and a pig and a heart at the top. Great piece to add to a collection of these popular spinning mobiles.

A wonderful figural folk art sculpture of an O’Cedar Mop Man by contemporary Maine artist Harvey Peterson (20th/21st c). Peterson was born in Seattle, WA, and got his a BFA and MFA f...

Very incredible handmade wall tapestry, mounted on Oak side bars. Stunning piece! Measures Approx: 7 feet x 7 feet x 3 inches This is a sh...

Certified Kimono Meister work / Certificate of Authenticity included. One-of-a-kind Japanese textile art made from vintage obi fabrics. Sustainable artwork for modern interiors, collectors, boutique hotels, and lovers of Japanese aesthetics. [Size] 73cm x 53cm x 5cm [Materials] silk (outside-layer) , paulownia (wooden frame), gold leaf [Story behind the work] This work uses a vintage kimono fabric with marble pattern, that makes it look like a real piece of marble. The line in the middle symbolizes “kintsugi” - concept of wabi-sabi, which values imperfection, impermanence, and the beauty of aging. It is elegantly framed with paulownia wood originally used for kimono chest-of-drawers, and is filled with storytelling and sense of luxury. I used pieces of kimono that could no longer be used as clothing and kiritansu chest-of-drawers that would normally be discarded to create the ultimate upcycled piece. [Period / Story] The textile was created in around 1960ies. [Explanation and meaning of pattern and colors] Kintsugi (金継ぎ), which translates to "golden joinery" or "golden repair," is a traditional Japanese art form of repairing broken pottery with lacquer mixed with powdered gold, silver, or platinum. I used this tecnique here to "repair" antique kimono by transforming it into art work. Beyond its literal meaning of mending broken ceramics, kintsugi carries profound philosophical and cultural significance in Japanese tradition: ・Embracing Imperfection: Kintsugi celebrates imperfection and impermanence. Rather than disguising or concealing flaws, it highlights them, treating the breakage as part of the object's history. This philosophy encourages acceptance of imperfection as an essential aspect of life, beauty, and human experience. ・Wabi-Sabi Aesthetic: Kintsugi embodies the principles of wabi-sabi, an aesthetic worldview centered on the acceptance of transience and imperfection. Wabi-sabi values simplicity, authenticity, and the beauty of things that are imperfect, impermanent, and incomplete. Kintsugi exemplifies these principles by turning what might be considered flaws into features that enhance the object's beauty and character. ・Resilience and Transformation: The act of repairing broken things with precious metals symbolizes resilience and transformation. Instead of discarding or replacing the broken object, kintsugi honors its history and transforms it into something new and valuable. This reflects broader philosophical themes of overcoming adversity, finding beauty in imperfection, and embracing change. ・Honoring the Past: Kintsugi preserves and honors the history of the object. Rather than erasing or ignoring its past, it acknowledges and celebrates it. This aspect of kintsugi can be seen as a metaphor for honoring our own personal histories, including the challenges and setbacks we have faced, and recognizing how they have shaped us into who we are today. ・Spiritual and Philosophical Symbolism: Kintsugi has spiritual and philosophical implications, reflecting concepts such as the interconnectedness of all things, the cycle of life and death, and the pursuit of harmony and balance. The process of repairing broken objects with precious metals is seen as a metaphor for spiritual growth, enlightenment, and the journey towards wholeness. Overall, kintsugi represents not only a practical technique for repairing ceramics but also a profound philosophical and cultural perspective on life, beauty, and the human experience. It embodies values such as resilience, acceptance, and the transformative power of embracing imperfection. [Characteristics of the fabric] This vintage textile is hand-painted with a traditional painting technique where the colors are added on wet surface, which creates an effect of marble. [About the frame] Kiritansu - chest-of-drawers for kimono, is traditionally made from paulownia wood, a uniquely Japanese material closely tied to the world of kimonos. Paulownia wood is known as the lightest wood in Japan, prased for its natural luster, resistance to moisture, and resilience against cracking. Since ancient times, it has been used in crafting furniture, chests, and musical instruments. During the Edo period, it became customary to store cherished kimonos in paulownia chests...

Certified Kimono Meister work / Certificate of Authenticity included. One-of-a-kind Japanese textile art made from vintage obi fabrics. Sustainable...