Javanese Folk Art

A teak wood bowl crafted on the island of Java, Indonesia. The bowl was cut from a much larger slab of wood and maintains a minimalist design.

Wonderful hand carved wooden wall plaque with intricate detail of a scene from Ramayana. According to the Hindu epic Ramayana relates the story of the life of Rama, the seventh incar...

An antique, hand-carved burl bowl with its original surface. Slightly out-of-round. Possibly European in origin, circa 19th century.

Beautiful wall hanging made of wood with interesting motifs of starburst drops and hearts hand-painted with muted green turquoise color. Great piece to hang on the wall or overhead door.

I have acquired something very unique. I would like to introduce an old Japanese wooden carved frog ornament. The frog is standing and in a pose similar ...

A vintage Balinese dulang offering tray featuring a deep red lacquer finish softened by time. The surface shows gentle wear, revealing underlying wood tones and creating a layered, t...

Africa, Bongo Peoples, stone female commemorative figure from Southern Sudan. A fine specimen in naturally weathered condition; hand carved from a porous orange-black stone, 20th century. Similar funerary stone sculptures in various sizes were likely crafted over many centuries. Original patina from appropriate age. A nice custom base included. Dimensions: 30 inches high and 9.5 inches wide and 8 inches deep mounted on a custom iron base. Provenance: Old Brussels, Belgium collection acquired in 1998. History: The Bongo are an ethnic group living in South Sudan, mostly in the Tonj District. They speak the Bongo language, one of the Bongo-Baka languages. Unlike the Dinka and other Nilotic groups, the Bongo are not a cattle herding people and do not use cows for bride price. Subsistence farming is the primary source of food, though money is obtained by working in forestry, building, selling honey, and other various means. For similar examples see Barakat Gallery...

This wooden crane figurine was crafted in Japan in the late 20th century. The artist utilized the natural shape of the wood, particularly the roots, to carve the crane's body. The base is carved from a knot, and its powerful, organic contours convey the base's sense of life. This piece elevates nature's natural form to the crane with minimal modification. Cranes have long been considered symbols of longevity and good fortune, and have been used in wedding and New Year's decorations. The idea of ​​emanating the crane's shape from the roots of a tree seems to reflect the Japanese view of nature and their cherishing the "signs of things." The slender legs simply slide into the base, allowing for easy disassembly. This figurine is easy to transport and store, making it a convenient display piece. Weighing just 0.75 kg, it can be easily placed anywhere. It enhances the traditional atmosphere when placed in a Japanese-style alcove, or in front of a modern white-walled space or exposed concrete wall, the contrast of the materials creates a striking art piece. Placing it on a windowsill, entryway shelf...

A burl wood bowl produced in Sweden, 19th century.

Crafted from ironwood this Dayak tribe ceremonial bowl features a wonderful smooth texture and subtle wood patterns all around. A wonderful decorative bowl...

A monumental Australian aboriginal throwing club, crafted from a very hard wood and it dates to the early 20th century. Incised longitudinal fluted design with a pitch coated handle. Condition: Very good condition. Display base not included. Dimensions: 26.5 inches in length. Lifetime guarantee of authenticity: All of our works of art come with our lifetime authenticity guarantee. Red base not included. History: The throwing stick...

19th century exceptionally large buffalo mold from Burma Materials: wood, metal Measures: H 23 in x L 18.5 in, 58.4 cm x 47 cm. Wooden buffalo mold for making papier mâché toy...