Vegetable Dyed Folk Art

The design source of the rug comes from the possession of Endre Unger, which was sold at Sotheby’s in 1992. That rug with the central star was designed in the early 16th-century rug ...

This is an Antique & Unique Sarkoy (Sharkoy or Şarköy) Kilim rug from Western Turkey with a rare and beautiful color composition. Sarkoy kilims are very finely woven in slitweave in...

This is a rare antique Sewan Kazak Rug from the Sewan / Sevan region in the southwest Caucasia. This is another handsome example of the “Sewan” Ka...

This is a Central Anatolian Old Kilim from the Konya region with a rare and beautiful color composition. As early as the 13th century Marco Polo noted, in his account of his trave...

This is an antique Unique Sarkoy (Sharkoy or Şarköy) Kilim rug from Western Turkey with a rare and beautiful color composition. Sarkoy kilims are very finely woven in slitweave in a...

This Striped Old Runner Kilim is a traditional handwoven piece from Western Turkey. It measures approximately 98cm x 245cm and is made from 100% high-quality wool. Design & Features...

This offset pattern is composed of leaves and lotus palmettes filling the various compartments against the imposing ground, while heraldic lions rear across the strapwork borders. On...

The design source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.4. This was an exclusive example of a Mina Khani ...

The source of carpet comes from the book Orient Star - A Carpet Collection, E. Heinrich Kirchheim, Hali Publications Ltd, 1993 nr.64 and Islamic Carpets, Joseph V. McMullan, Near Eas...

Tapa cloth made from mulberry fiber with natural pigments, Fiji, mid-20th century.

This is a Sofreh—a type of kilim traditionally used for serving meals. Because of its intended purpose, it is woven using a particularly soft and loose flatweave, making it thinner a...

There has long been a fascination with the symbolism of the dragon and its depiction in carpet weavings. The design of ‘Dragon’ carpets consists of a field pattern composed of different colored overlaid lattices formed of pointed, serrated leaves creating intersecting lozenges, which alternately contain palmettes and are flanked by confronting stylized dragons, birds, or animal figures. The most archaic of the ‘Dragon’ carpets include dragon motifs with birds and running animals relatively naturalistically drawn, which stand either alone or in confronting pairs facing a tree. The Graf carpet, originally found in a Damascene mosque, now in the Islamiches Museum, Berlin, is considered to be the oldest example of this type, see Serare Yetkin, Early Caucasian Carpets in Turkey, Vol. II, London, 1978, p.8, fig.118. Yetkin defines four types of ‘Dragon’ carpet: ‘Archaic’, ‘Four-Dragon’, ‘Dragon-and-Phoenix’ and as a further combined development of the latter, the ‘Two-Dragon’ style, of which the present carpet falls into the ‘Dragon-and-Phoenix group along with other examples, some of which include two fragments, one in the Museum fur Kunst und Gerwerbe, Hamburg; another in the Christian Museum, Esztergom, Hungary, a complete carpet in the Kier collection; an incomplete example in the Textile Museum, Washington, D.C; the ‘Cassirer’ Dragon carpet in the Thyssen-Bornemisza collection, Lugano; the Ali Pasa Mosque carpet in Tokat, and a further example in the Vakiflar Hali Museum, Istanbul (S. Yetkin, op. cit. pp.16-20). It has been suggested that the earliest examples of the Caucasian ‘Dragon’ carpets...

This is a Bidjar rug designed in the 19th century from the Bidjar region, also known as Bijar, which is a region in northwestern Iran known for producing some of the finest and most ...

There has long been a fascination with the symbolism of the dragon and its depiction in carpet weavings. The design of ‘Dragon’ carpets consists of a field pattern composed of differ...

This is a repeat of large sweeping arabesques in muted colors adorning the midnight blue field rug designed in the early 20th century that originates from the Bidjar region in northw...

Origin and Inspiration: The Mamlouk Rug is a contemporary masterpiece that draws its inspiration from the rich textile traditions of the Mamlouk Sultanate, which reigned over Egypt a...

This Gabbeh rug, designed in the 1930s, is a type of handwoven rug that originated from Iran, specifically from the southwestern region known as Fars. The word "Gabbeh" itself means ...

The design source of the rug comes from the possession of Endre Unger, which was sold at Sotheby’s in 1992. That rug with the central star was designed in the early 16th-century rug ...

This is a beautifully detailed old Malatya Region, Anatolian Chuval kilim, featuring a bold, three-dimensional texture and precise geometric patterns. Originally used by nomadic trib...

The most dramatic of the Gerous ( Garrus, Gerus, Garus ) carpets are those with an "asymmetric" design. Only a section of the original is shown, in the same way, many Lotto carpets w...

The source of the carpet comes from the book Orient Stars Collection, Anatolian Tribal Rugs 1050-1750, Michael Franses, Hali Publications Ltd, 2021 fig.21. This 13th century carpet i...

This is an Antique Unique Sarkoy (Sharkoy or Sarköy) Kilim rug from Western Turkey with a rare and beautiful color composition. Sarkoy kilims are very finely woven in slitweave in a...

Antique Woman’s Silk Tie-Dyed Kerchief (chabot), Cambodia This small, graphically intriguing resist-dyed textile was made by the Cham people of Cambodia, a muslim group with histori...

The source of carpet comes from the Mercer Collection Sotheby’s 2000 (catalog cover). This Mamluk-Cairene carpet is known, curiously featuring some type ...

Turkish Court Manufactury Rugs were woven in the Egyptian workshops founded by the Ottoman Empire in the 16th century. Those carpets were woven in Egypt, following the paper cartoons...

The source of carpet comes from the book How to Read - Islamic Carpets, Walter B. Denny, The Metropolitan Museum of Art, New York 2014 fig.61,62. The five-star-medallion carpet was d...

Antique Man's Ceremonial Head Cloth (Iket Kepala), South Sumatra Malay people, Palembang region A beautifully subtle weft ikat ceremonial head cloth with elaborate silk chain-stitch...

The source of the rug comes from the book Oriental Rugs Volume 1 Caucasian, Ian Bennett, Oriental Textile Press, Aberdeen 1993, nr.256. This is a hexagon columns...

The source of carpet comes from the book How to Read - Islamic Carpets, Walter B. Denny, The Metropolitan Museum of Art, New York 2014 fig.61,62. The five-star-medallion carpet was d...

This vibrant hand-woven Kente cloth is an authentic West African textile created within the esteemed Ewe–Asante (Ashanti) weaving tradition of Ghana, one of Africa’s most celebrated and historically significant textile arts. Woven from a luxurious blend of silk and cotton, this piece reflects generations of master craftsmanship and cultural storytelling. The design features a dynamic palette of magenta, green, golden yellow, and deep black, arranged in rhythmic geometric bands that are both visually powerful and symbolically rich. In traditional Kente language, these colors represent vitality, growth, prosperity, and spiritual strength, making the textile not only decorative but deeply meaningful. Kente cloths were historically worn by royalty and nobility and used in ceremonial and important social occasions, symbolizing status, wisdom, and cultural identity. Today, authentic Kente is highly sought after by collectors and interior designers for its bold graphic presence and refined hand-woven texture. Dimensions: 80” x 135” Date of Manufacture: 3rd Quarter of the 1900s Place of Origin: Ghana, Africa Material: Silk, Cotton Condition: Good The Persian Knot Gallery, SKU: 2323 African Kente Cloth, Ewe Kente Textile, Ashanti Kente, Hand Woven African Textile, Ghanaian Kente Cloth, Silk And Cotton Kente, African Wall Hanging, Tribal Textile Art, Vintage African Fabric, Ghana Textile...

This is a Derbend Kazak rug, also known as a Daghestan rug, designed late 19th century. It is a type of hand-woven rug that originates from the Caucasus region, specifically from the...

This is a Bidjov Kazak rug, designed late 19th century, is a type of handwoven rug that originated from the Caucasus region, specifically from the town of Bidjov, a few miles north o...

Antique Japanese Recycled Saki-Ori Farmer’s Jacket This early 20th C farmer’s jacket from the northern Japan sea coast region was strip woven from repurposed cotton scraps in a tech...

The source of carpet comes from the book Turkish Carpets from the 13th – 18th centuries, Ahmet Ertug, 1996 pl.16. This 15th-century carpet is from Ulu Mosque, Divrigi Sivas region, c...

This unusually-shaped carpet is known as a "makden" and was originally used by a nomadic traveler as an artful covering for his horse. Placed between the saddle and the horse, the makden cushioned the rigid saddle and kept the horse warm in cold climates. Most under-saddle carpets...

Antique Japanese Recycled Saki-Ori Farmer’s Vest This late 19th C recycled farmer’s vest from northern Japan was strip woven from repurposed cotton scraps in a technique known as sa...

Antique Tribal Dayak Plaited Rattan Longhouse Mat (Tikar), Kalimantan The tightly woven longhouse sleeping mats of Kalimantan are almost exclusively constructed by women, who begin ...

Kazak rugs have primarily been produced as village productions rather than city pieces. Made from materials particular to individual tribal provinces and the rugs of the Caucasus typically display bold geometric designs in primary colours. Kazak rugs are a type of Armenian rug...

This striking hand-woven Kente cloth is an authentic West African textile created within the revered Ewe–Asante (Ashanti) weaving tradition of Ghana, celebrated for its vibrant color, symbolic geometry, and extraordinary craftsmanship. Woven from a luxurious blend of silk and cotton, this piece exemplifies the artistry and cultural depth that have made Kente one of the world’s most recognized and collected textiles. The design features a dynamic palette of turquoise green, golden yellow, warm brown, and glowing orange, arranged in rhythmic bands and geometric motifs. Each color carries traditional meaning—green for renewal and growth, yellow for wealth and vitality, and rich earth tones for grounding and stability—creating a composition that is both visually captivating and culturally resonant. Kente cloths were historically worn by royalty and used for important ceremonial occasions, making them powerful expressions of prestige, heritage, and identity. Today, they are prized by collectors and interior designers alike for their bold graphic presence and textural richness, whether displayed as wall art, draped over furniture, or incorporated into curated interiors. Dimensions: 83” x 118” Date of Manufacture: 3rd Quarter of the 1900s Place of Origin: Ghana, Africa Material: Silk, Cotton Condition: Good The Persian Knot Gallery, SKU: 2322 African Kente Cloth, Ewe Kente Textile, Ashanti Kente, Hand Woven African Textile, Ghanaian Kente Cloth, Silk And Cotton Kente, African Wall Hanging, Tribal Textile Art, Vintage African Fabric, Ghana Textile...

Antique Lawa Woman’s Ikat Skirt Cloth, Thailand The Lawa people are a relatively small animist/Buddhist ethnic group (est. pop 17,000) living in the mountainous region of northern T...

Mamluk Carpet with All-Over Leaf Lattice Contemporary Modern Rug Origin and Inspiration This carpet is inspired by a rare Mamluk design preserved in the collection of the MAK – Muse...

Antique Japanese Stencil-Dyed Han-Juban With Fan Motif Han-juban are short, waist length garments that are worn under kimono. It’s not uncommon for older examples to be missing thei...

Offered by Andres Moraga. Wedding blanket or tent hanging, "Arkilla Jenngo" Woven by Fulani weavers for a Tuareg noble family Inland Delta Region, Nige...

Offered by Andres Moraga Wedding blanket or tent hanging, "Arkilla Jenngo" Woven by Fulani weavers for a Tuareg noble family First half 20th century Inland Delta Region, Niger or Mal...

Kazak rugs have primarily been produced as village productions rather than city pieces. Made from materials particular to individual tribal provinces and the rugs of the Caucasus typ...

A very finely woven wool veil used as a head cover in the wedding ceremony among the Ait Abdellah Berber people of the Moroccan Anti Atlas region. The pattern is obtained with the re...

A rich and luxurious kain limar songket, shoulder cloth for a woman, ikat dyed and woven silk (limar) with supplementary weft woven metallic gold thread brocade (songket), circa 1900...

This is an antique Karachov Kazak Rug from the Karachov / Karachoph region, Southwest Caucasus. The town of Karachov (sometimes rendered Karatchoph o...

This unusually-shaped carpet is known as a "makden" and was originally used by a nomadic traveler as an artful covering for his horse. Placed between the saddle and the horse, the makden cushioned the rigid saddle and kept the horse warm in cold climates. Most under-saddle carpets...

This is a Vintage & Unique Sarkoy ( Sharkoy or Şarköy ) Kilim rug from Western Turkey with a rare and beautiful color composition. Sarkoy kilims are very finely woven in slitweave i...

This offset pattern is composed of palmettes and flowers, one has the impression that it is only part of a larger scheme designed 19th-century rug from the Bidjar region, Eastern Kur...

Antique Japanese Nabeshima Carpet (Dantsu) Nabeshima dantsu (carpets) are some of the earliest examples of rug making in Japan. The original weavers learned their craft from Chinese...

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.28. This was an exclusive example of offset rows of flow...

Origin and Inspiration: This stunning revival of the Akstafa Kazak Rug is a modern creation deeply rooted in the rich weaving traditions of the Caucasus, specifically inspired by the...

This is a Western Anatolian Antique Runner Kilim from the Cine, Aydin region with a rare and beautiful color composition. This highly collectible antique kilim has wonderful, specia...

Para-Mamluk Carpet with Kufic Border – Transitional Design Inspired by the Zaleski Collection, 16th Century Origin and Inspiration The Para-Mamluk carpet represents a rare and refi...

The source of carpet comes from the book Völker, Angela, Die orientalischen Knüpfteppiche das MAK, Vienna: Böhlau, 2001: 42–5. This rug with the central star was designed in the early 16th-century rug by Mamluk Sultane of Cairo, Egypt. It is exhibited at MAK – Museum of Applied Arts, Vienna Austria. The interpreted design is composed of a flower lattice pattern taken from a part of the MAK Museum’s rug...

The source of carpet comes from the book Arts & Crafts Carpets, by Malcolm Haslam, and David Black, 1991, fig.49. This Hammersmith carpet was designed by William Morris in 1882, in the United Kingdom. In 1887 English artist and bookbinder T.J. Cobden Sanderson, suggested that a new group be named the “Arts and Crafts Exhibition Society” As a result, he was the first to use the term “Art and Crafts” and also is credited with naming this new emerging movement. The Arts & Crafts movement was inspired by the degradation of product standards that resulted from the factory production age. The rise of machinery in manufacturing caused a noticeable decline in uniqueness and crafts. These anti-Industrial reformers promoted economic advancement and social change. They wanted to eliminate poor quality and “artificial” items from 19th century British society. They saw a plethora of uninteresting items on display at the Great Exhibition of 1851 and became inspired to launch a Campaign for originality and uniqueness. William Morris was an English designer, as well as an uplifting social activist and writer. Morris is credited with sparking the rebirth of textile arts and traditional means of production. In 1861, Morris and a small group of designers opened an incredibly fashionable design company that grew to be largely successful. Morris left behind works in many different mediums such as textiles, books, furniture, stained glass, and area rugs. But in the end, he is most remembered for the magnificent wallpapers that he designed. He got much of his inspiration from the natural world. Through his interior decor pieces, Morris set out to convert rooms or spaces into meadows with beautiful trees meandering, vines, and plants. This concept of taking something Industrial and man-made, and converting it into something natural is what William Morris meant when he once said: “-any decoration is futile… when it does not remind you of something beyond itself.” Morris was a huge commercial success and his works are some of the most sought-after pieces in the world of design and decor. He is also credited with almost single-handedly reviving the British textile arts as well as their methods of production. Morris was also severely critical of machine-made goods, exclaiming, “Today almost all wares that are made by civilized man are shabbily and pretentiously ugly.” Houses were filled “with tons and tons of unutterable rubbish,” which, he suggested, should be heaped onto a gigantic bonfire! “As a condition of life, production by machinery is altogether evil.” He masterminded one of the most well-known styles of Arts & Crafts, recognizable by its twisting and arching patterns and simple, elegant floral design prints. Although Morris believed that Persian carpets were the greatest ever made, he adopted the coarser Turkish (Ghiordes) knot for his hand knotted carpet manufacture. They were woven at a thickness of 25 knots to the square inch at that time. Morris & Co.’s rugs are reminiscent of Persian garden design carpets in that they are smartly styled depictions of English gardens. Donegal also started producing highly desirable Irish rugs in the late 19th century. The Donegal rugs were predominantly created by English architects C.F.A. Voysey and Gavin Morton. The handcrafted Voysey rugs are typically woven in England, Scotland, and Ireland. Voysey had a knack for using contrasting shapes to decorate flat monochromatic spaces. Dark outlines added a flair of drama to his signature pattern and Celtic rug...

This is an old kilim from Manastir, in Central Anatolia. At first glance, it gives a completely different impression from other Central Anatolian kilims—both in color and design. Ma...

Origin and Inspiration The Mamlouk Revival Carpet is a contemporary masterpiece inspired by the celebrated carpets of the Mamluk Sultanate, which flourished across Egypt and the gre...