Plastic Sofas

1970s Marius & Marius Leather Sofa and Pouf Set by Mario Marenco for Arflex - Set of 3 A rare vintage seating set designed by Mario Marenco for Arflex in the 1970s, featuring two lux...

The Pillow Sofa is designed by Muller Van Severen and presented by BD. This sofa has been improved into a new playful and modular system. The independent pillows are crisp and richly...

This is a Cloverleaf Middle Unit, originally designed by Verner Panton for Verpan in 1969. This particular example was produced by Verpan in Denmark in 2024. This piece is made up en...

Considered a classic of contemporary design, this sofa was designed by Faye Toogood, becoming an instant hit with the modern furniture realm. Perfect for those looking to make a statement in their interior or exterior spaces, the Roly Poly Sofa...

"MT2" is an iconic sculptural polyethylene monobloc sofa, designed by Ron Arad and manufactured by Driade, sand white colored outside and red, lilac, black or violet colored inside. ...

The Pillow Sofa is designed by Muller Van Severen and presented by BD. This sofa has been improved into a new playful and modular system. The independent pillows are crisp and richly...

Frau sofa bed DESCRIPTION PIECES 1 DESIGN PERIOD 1970 PRODUCTION YEAR 1970 COUNTRY OF PRODUCTION Italy DESIGNER Frau COLOR Gold, red, orange, yellow, cream MATERIALS Fabric, ...

Iconic mid century Italian design at its best. A sensational three seater sofa with red original upholstery, black enamelled wrought tubular metal structure, brass details. Designed ...

Fabulous Contemporary NaughtOne for Herman Miller Hush high wing back sofa or settee with yellow & black fabric and polyester powder coated yellow metal wire sled base, 3 available selling separately. Beautiful condition, keeping in mind that these are vintage and not new so will have signs of use and wear. They have been professionally cleaned. No outstanding flaws have been detected. Please see photos and zoom in for details. We attempt to portray any imperfections. Circa, Early 21st Century. Do you know where a Bee sits??? On it’s BEE-HIND!!! LOL! Ok, just a little fun about the beautiful black & yellow fabric that we think is the bees-knees!!! It’s striking! We have three (selling separately) NaughtOne for Herman Miller Hush high wing back sofas or settees comprised of molded plywood inner frames with distinctive profiles and a metal wire sled base finished in a hard-wearing polyester bright yellow powder coat to match the fabulous horizontal channeled, high quality foam seat & back cushions. The wing style sides, and inner frame is covered in a wonderful black & white tweed, some call it the “bumblebee look.” Aren’t they AWESOME??? We certainly think they are something to BUZZ about!!!! Ha ha! NaughtOne is owned and sold by Herman Miller and the Hush high wing back sofa is available with two or three seat capacity, ours are the two-seater sofas. The Hush sofa...

Muller Van Severen's Pillow Sofa Velvet Sofa For Bd Barcelona Muller Van Severen’s Pillow sofa modular arrives at BD. Initially designed by MVS for KASSL Editions, the Pillow sofa ...

Incredible and important 'Gran Visir' modular sofa by Luciano Frigerio Italy 1971 with the unique opportunity to choose your own upholstery colour and type of fabric!! The modules c...

Carlo Scarpa “Cornaro” sofa for Gavina, wood and turquoise velvet, 1973. The Cornaro sofa represents a sublime exemplification of the harmon...

Original condition.

Malawi is a welcoming, refined and charming sofa whose design is inspired by the deepest soul of the brand Roberto Cavalli: a piece of furniture with a feminine and ultra-chic style ...

Muller Van Severen's Pillow Sofa Velvet Modular Sofa For Bd Barcelona Muller Van Severen’s Pillow sofa modular arrives at BD. Initially designed by MVS for KASSL Editions, the Pill...

Ciottolo #1 Seat by Imperfettolab Dimensions: D 580 x W 90 x H 50 cm Materials: Fiberglass. Also available in different dimensions and colors. Please contact ...

This is a absolutley rare design by Bernard Govin for Ligne Roset. Bernard Govin is well knowned for his Asmara living Room suite landscape. This is a design after 1970.The Model n...

Afra & Tobia Scarpa “Soriana” chaise longue, Alcantara and metal, Italy, 1969. The Soriana lounge chair is low and soft and invites the sitter to sink in. Its peculiar feature is the...

STUDIO sofa by Kristian Sofus Hansen & Tommy Hyldahl for Nor11 Measures: Setup 4 (1x large, 1x corner, 1x medium, 2x armrest): L 230-190cm / P 96cm / H 70cm / Seating H 42cm Modula...

Senzafine leather sofa by Eleonore Peduzzi Riva for Zanotta. Armrests and backrests leather cover feature side pockets to incorporate the white frames.

Galore Seater Module Left Amber by Warm Nordic Dimensions: D82 x W83 x H 76 cm Material: Textile upholstery, Powder coated black steel legs, Wooden frame, foam, spring system. Wei...

Muller Van Severen's Pillow Sofa Velvet Sofa For Bd Barcelona Muller Van Severen’s Pillow sofa modular arrives at BD. Initially designed by MVS for KASSL Editions, the Pillow sofa ...

This is a rare and stunning Modular sectional sofa designed by Jo Otterpohl in 1969 for german manufacturer COR. It is a pure 70ties design. It consist 5 ...

Botera High chair is padded with four different types of foam, following the chair's design focus of comfort. A chunky cushion forms the base from which the high or low backrest is d...

Contemporary Large 'Aqueduct' by Poiat Small version : H. 77 cm x W. 299 cm x D. 102 cm (SH 40 cm) Aqueduct collection 2022 by Timo Mikkonen & Antti Rouhunkoski Upholstery: Larsen ...

Ennio chiggio Environ One sofa for Nikol International, Italy 1970s in original fabric. This rare sofa exemplifies the seventies Italian design. Created by the renowned Italian desi...

Galore 3 Seater Fresh Peach by Warm Nordic Dimensions: D222 x W83 x H 76 cm Material: Textile upholstery, Powder coated black steel legs, Wooden frame, foam, spring system. Weight...

STUDIO sofa by Kristian Sofus Hansen & Tommy Hyldahl for Nor11 Measures: Setup 4 (1x large,1x corner, 1x medium, 2x armrest): L 230-190cm / P 96cm / H 70cm / Seating H 42cm Modular...

Raphael Raffel Sofa, 1970s Newly reupholstered in an ivory wool bouclé by Pierre Frey.

Set of 2 Pianura lounge chair, designed by Mario Bellini and manufactured by the Italian brand Cassina in 1970. It features a brown velvet upholstery and a solid walnut structure. ...

Studio sofa by Kristian Sofus Hansen & Tommy Hyldahl for Nor11 Setup 2 (1x medium, 1x ottoman classic): Measures: L170cm / P96cm / H70cm / Assise H42cm Modular sofa: assemble diffe...

A delightful combination of a seat, cushion and relaxation paradise, the Disfatto Sofa by Dennis Guidone is exceptionally comfortable and playful. Featuring a directional bamboo plywood platform...

Rare armchair realized by Stefano Giovannoni for Domodinamica in 1980s. Aluminum, leather, metal, polyurethane. Very good condition.

Very unique and unusual sofa. Inspired by the Maria Pergay, Michel Boyer era. Sourced in the south of France. Postmodernism. The bench is made of multiple materials, creating a beautiful composition. The base of the sofa is made of steel and has a beautifully patinated leather seat. The back of the sofa is made of resin. Due to the green strokes, it is multi-dimensional. Even if it's a functional sofa, it merely looks like a piece of art. It can both be used as a stand-alone sofa or bench and could be the perfect addition to any residential project, but would also look great in any gallery or high-end retail shop. The minimalist design of this French sofa is perfect for any clientele that wants to create a unique kind of atmosphere. It has a very industrial, apocalyptic, and postmodern feel to it. It is for sure an eye-catcher! Please note that it is a heavy object. Check out Daddy Deco...

Customized Sofa by J & P Custom Upholstery NYC, Down Over Foam Cushions, Hand Tied Springs. Since Schumacher was founded in 1889, our family-owned company has been synonymous wit...

STUDIO sofa by Kristian Sofus Hansen & Tommy Hyldahl for Nor11 Measures: Setup 4 (1x large, 1x corner, 1x medium, 2x armrest): L 230-190cm / P 96cm / H 70cm / Seating H 42cm Modula...

Lemax, sofa, leather, fiberglass, Italy, late 1960s / 1970s This sofa from Italy is exemplary for the technological advancements and aesthetics of the 1960s and 1970s...

The Pillow Sofa is designed by Muller Van Severen and presented by BD. This sofa has been improved into a new playful and modular system. The independent pillows are crisp and richly...

The Pangolin pleated leather sofa is designed by Egg Designs and manufactured in South Africa. This Sofa was inspired by the plight of the fragil...

Beautiful and authentic sofa model Lady by Marco Zanuso for Arflex, Italy 1950s. It has recently been upholstered with a fine velvet "OPERA" burnt orange/earth color produced by Mai...

Cupido 180 Glossy Lacquer Base And Beech Wood Sofa by Casa Casati Dimensions: D 86 x W 180 x H 70 cm. Materials: Beech wood, marine plywood, lacquer, polyurethane, polyester fibre, ...

Experience the bold, futuristic design of the "Elco" daybed by Rodolfo Bonetto. This piece epitomizes mid-century Italian modernism, showcasing Bonetto's forward-thinking approach to...

This two-piece corner sofa makes an excellent seating option perfect for waiting or living room. Simple and unique Mid-Century design set this piece apart from similar items. Please ...

Midcentury, green leather, two seat sofa from a Milan airport.

Contemporary upholstered garden sofa with armrests. Frame and legs are made of thermally treated Ash wood. Upholstered seat and back cushions are removable and made of high density p...

Wallpaper* design awards winner 2021 - Best use of material. The Jää bench and coffee table set offers a large seating option for both indoor and outdoor u...

The Pillow Sofa is designed by Muller Van Severen and presented by BD. This sofa has been improved into a new playful and modular system. The independent pillows are crisp and richly...

Cornaro two-seater sofa, designed by Carlo Scarpa and manufactured by Studio Simon in 1974. Made of Iroko wood, foam, and azure chenille velvet. Excellent vintage condition. Born in Venice on June 2nd, 1906, Carlo Scarpa began working very early. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa was constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most incredible ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti Award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovating and restoring the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he worked on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began building a villa in Udine for the Veritti family. To shed some light on how much his work evolved over the years, it may be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, plenty of other episodes can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen in 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he carried out simultaneously on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, arising out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea,” followed by a cloister that ends by a small chapel, with an arcosolium bearing the family sarcophagi, the central pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways, teamed with the luminosity of these harmoniously blended spaces, shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all his many skills to come up with this truly magnificent space. As well as an outstanding commitment to architectural work, with the many projects we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added a couch and armchair, “Cornaro,” to the collection and the “Toledo” bed...

This is a large three-seater Williams sofa, initially designed by Rodolfo Dordoni for Minotti in 2009. This example dates to 2011. Its design consists of a solid stainless-steel fram...

About This Piece This customizable sectional sofa features a modern solid walnut frame with two solid walnut panels on the return ends, tight seat and back cushions and blind tuft detail along the outside back. Walnut can be replaced with oak, mahogany or wenge. Our upholstered frames are built with real hardwoods and glue-and-dowel joinery, never plywood or pine. The frames are made to outlast the fabric and foam for future reupholstery. Upholstery is done with eight-way hand-tied springs and cushions are made of high density medium firmness foam wrapped in down/feather casements. Loose cushions are made with zipper for easy laundering. How We Work Made to order by Connecticut-based furniture design and manufacturing company The Tailored Home. Submit your customization desires by 1stdibs messenger for a quote. After orders are placed our workshop manager creates a visual work order for your approval for quality reasons. Customization Options The lengths of the sofa pieces are fully customizable. Height and depth are inherent to the design and are partially customizable. Ask for details. The fabric shown comes in more colors, just ask. We also carry thousands of other materials and can send you samples and fabric pricing upon request. We accept your fabric for a COM fee of 5% of the cost of the piece. Exposed wood can be lacquered in any Benjamin Moore color (for additional charge) or stained in one of our stain options. Custom color matches cost $75 per sample. Welting, piping, tape or trim can be added. We accept inspiration photos of pieces you like. Measurements (Sectional shown): Total footprint: 264” W x 105.5” W x 33” H Right arm chaise...

Newly reupholstered Minotti sofa, its bold geometry complemented by the intricate design of the new textile. Roomy seating area makes way for creative lounging, while the open space ...

Josephine 230 Sofa by Munna Dimensions: D 103 x W 230 x H 83 cm. SH: 42 cm. Materials: Wood, foam, and upholstery. Finish: Cotton Velvet upholstery and wild silk. Available in all M...

STUDIO sofa by Kristian Sofus Hansen & Tommy Hyldahl for Nor11 Outdoor Measures: Setup 1 (2x medium, 1x ottoman, 1x armrest): L. 240 cm / P. 96 cm / H. 70 cm / Seating H. 42cm Modu...

Introducing the Amanta Modular Sofa Set, designed by Mario Bellini for C&B Italia and launched in 1966. This piece reflects mid-century modern design with its sleek lines and functio...

Two Camaleonda seats and one backrest designed by Mario Bellini for B&B Italia in 1970. The offer includes two seats and one backrest (=three parts)...

The Pillow Sofa is designed by Muller Van Severen and presented by BD. This sofa has been improved into a new playful and modular system. The independent pillows are crisp and richly...

'Aqueduct' Sofa by Poiat Setup 4 Dimensions : H. 77 cm x W. 370 cm x D. 230.5 cm (SH 40 cm) Aqueduct collection 2022 by Timo Mikkonen & Antti Rouhunkoski Upholstery: Larsen ...

The unique personality of the architectural office is held in a playful sofa with a striking visual presence. Arquitectura-G plays with the concept of solidity through extremely simple bodies. Its prismatic square and triangular cushions sit on prismatic blocks that rise above solid-turned aluminium legs. Available in three sizes, the Masheb works as an individual module or can intertwine with multiple elements to adapt to both casual situations and formal environments. It is a rectilinear system with the softness of Alcantara and the versatile and carefree pleasure of a refined geometry. It has a modular sofa...