Plastic Sofas

Superb and very rare 1958 '872' sofa by Gianfranco Frattini for Cassina, Italy. This 3 seat sofa has been newly upholstered with new Pantera TM foam and finished in superb dark brow...

STUDIO sofa by Kristian Sofus Hansen & Tommy Hyldahl for Nor11 Outdoor Measures: Setup 1 (2x medium, 1x ottoman, 1x armrest): L. 240 cm / P. 96 cm / H. 70 cm / Seating H. 42cm Modu...

Baika 3 seater sofa, elegantly encased in dark chestnut wood, becomes the most understated yet striking piece in your home. This unique sofa captivates attention with its distinctive...

Huge Strips sofa designed by Cini Boeri for Arflex in the late 1960s. One of the most famous products of Arflex. Designed in 1968, it was awarded the price Compasso d’Oro and it is d...

Mr Olsen 3 seater Oak Mosaic Royal Blue by Warm Nordic Dimensions: D201 x W79 x H 78/46 cm Material: Textile upholstery, Foam, Spring system, Solid oiled oak legs, Solid smoked oak...

Mario Bellini "Camaleonda" modular sofa for B&B Italia, velvet, metal and plastic, Italy, 1970, three elements. "Camaleonda" is an icon, rediscov...

Bernard Govin is a French designer and interior architect, born in 1940. During his life, he has created a range of pieces which, fluid in appearance and with audacious, futuristic c...

Cornaro two-seater sofa, designed by Carlo Scarpa and manufactured by Studio Simon in 1974. Made of Iroko wood, foam, and azure chenille velvet. Excellent vintage condition. Born in Venice on June 2nd, 1906, Carlo Scarpa began working very early. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa was constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most incredible ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti Award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovating and restoring the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he worked on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began building a villa in Udine for the Veritti family. To shed some light on how much his work evolved over the years, it may be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, plenty of other episodes can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen in 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he carried out simultaneously on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, arising out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea,” followed by a cloister that ends by a small chapel, with an arcosolium bearing the family sarcophagi, the central pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways, teamed with the luminosity of these harmoniously blended spaces, shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all his many skills to come up with this truly magnificent space. As well as an outstanding commitment to architectural work, with the many projects we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added a couch and armchair, “Cornaro,” to the collection and the “Toledo” bed...

Modern and lively 1970s three-seater sofa upholstered in a very dramatic and eye-catching floral fabric. The sofa is in very good condition, giving fresh and cheerful touches to mod...

A curved velvet and lucite "Unicorn" sofa, designed by Vladimir Kagan and produced by Vladimir Kagan Designs, Inc. Model originally designed with metal base, present example is a ra...

Measures: W81 D42 H29 Handcrafted curved “Crest” sofa by vintage on point. We make this guy completely in house. Item is built of a solid alder interior frame with new foam and ne...

These curved Omnibus Sofas by Vladimir Kagan are RARELY seen and we just happen to have a pair. A gorgeous duet, each with 3 lucite support legs and gorgeous Joseph Noble Mohair. T...

A curved velvet and lucite "Unicorn" sofa, designed by Vladimir Kagan and produced by Vladimir Kagan Designs, Inc. Model originally designed with metal base, present example is a ra...

Mario Bellini "Camaleonda" modular sofa for B&B Italia, cognac leather, Italy, 1970, six elements. "Camaleonda" is an icon, rediscovered. First designed in 1970 by Mario Bellini, i...

Iconic Lara sofa designed by Noti Massari, Roberto Pamio and Renato Toso for Stilwood, Italy – 1968. The sofa consists of two pieces that come together in the middle. It is comple...

Mario Bellini "Camaleonda" modular sofa for B&B Italia, blue petrol velvet, Italy, 1970, four elements. "Camaleonda" is an icon, rediscovered. First designed in 1970 by Mario Belli...

Pouf, stool, ottoman - or simply the basic component for Probably the Most Flexible Sofa System in the World? The Curt single module is of course also a wonderful pouf. Or a usefu...

Artistic Man And Woman figures Polyester sofa Materials: Polyester and fiber Dimensions: 180Wx75Dx105H cm One warm morning they would lay next to each other for the last time, the...

Trix is made up of three different elements connected by an elegant system of elastics which can transform and adapt to different uses through easy rotation. Trix can be an original two-person pouf, a comfortable bed...

Cylindrical pouf with 48cm/19" seat height, upholstered in felt wool in a wide range of available colors. From the pen of Corrado Corradi Dell'Acqua, TATO recovers this hidden gem designed in 1961, which consists of a trio of cylindrical poufs with backrests...

Yaku collection is characterised by linear features, simplicity and elegance where wood and its veins have the leading role. The dining table and bench are made of MDF covered in mul...

A sofa bed, how boring! Boring, my ass. How many configurations you can create with six Curt modules, we didn't even calculate anymore because we were lazy. Without a doubt, with ...

Divano componibile vintage anni '70 formato da un set di quattro sedute ampie e comode, produzione italiana in pelle e camoscio. Design fine ed elegante, si presta ad ogni occasio...

Le Bambole leather pouf or foot rest, designed by Mario Bellini for B&B Italia. Price for the foot rest only ! The Le Bambole Sofas are available i...

Modern and lively 1970s two-seater sofa upholstered in a very dramatic and eye-catching floral fabric. The sofa is in very good condition, giving fresh and cheerful touches to moder...

Original condition.

Archizoom vintage original white "Superonda" sofa for Poltronova, Italy, 1960s An icon of Italian Design of the Post-modern Radical design era. The Superonda was a symbol of the new...

Three-seater “Simone” sofa, designed and manufactured by Studio Simon in 1975. The structure is made of black lacquered wood. A black leather big seat completes the sofa. The m...

Set composed of three Bonanza lounge chairs, designed by Afra and Tobia Scarpa and produced by the Italian manufacturer C&B Italia (now B&B Italia...

Fabulous Contemporary NaughtOne for Herman Miller Hush high wing back sofa or settee with yellow & black fabric and polyester powder coated yellow metal wire sled base, 3 available selling separately. Beautiful condition, keeping in mind that these are vintage and not new so will have signs of use and wear. They have been professionally cleaned. No outstanding flaws have been detected. Please see photos and zoom in for details. We attempt to portray any imperfections. Circa, Early 21st Century. Do you know where a Bee sits??? On it’s BEE-HIND!!! LOL! Ok, just a little fun about the beautiful black & yellow fabric that we think is the bees-knees!!! It’s striking! We have three (selling separately) NaughtOne for Herman Miller Hush high wing back sofas or settees comprised of molded plywood inner frames with distinctive profiles and a metal wire sled base finished in a hard-wearing polyester bright yellow powder coat to match the fabulous horizontal channeled, high quality foam seat & back cushions. The wing style sides, and inner frame is covered in a wonderful black & white tweed, some call it the “bumblebee look.” Aren’t they AWESOME??? We certainly think they are something to BUZZ about!!!! Ha ha! NaughtOne is owned and sold by Herman Miller and the Hush high wing back sofa is available with two or three seat capacity, ours are the two-seater sofas. The Hush sofa...

Alberto Rosselli Set For Saporiti 'Confidential', Italy 1970s Incredibly rare full set of one armchair, loveseat and a three seater sofa + extra extra rare ottoman by Alberto Rossel...

Baika 3 seater sofa, elegantly encased in dark chestnut wood, becomes the most understated yet striking piece in your home. This unique sofa captivates attention with its distinctive...

Pangolin sofa by Egg Designs Dimensions: 200 L x 130 D x 75 H Materials: Foam inner, leather upholstery Founded by South Africans and life partners, Greg and Roche Dry - Egg is ...

Mario Bellini “Le Bambole” pouf for B&B Italia, lapin fur, Italy, 1971. This timeless Postmodern design icon came into being between 1970 and 1972. The search for a new shape for ...

Vintage Russell Woodard Woven Spun Fiberglass White Mid-Century Modern 54" Sofa. Item features a woven spun fiberglass frame, clean modernist lines, quality American craftsmanship, g...

STUDIO sofa by Kristian Sofus Hansen & Tommy Hyldahl for Nor11 Measures: Setup 4 (1x large, 1x corner, 1x medium, 2x armrest): L 230-190cm / P 96cm / H 70cm / Seating H 42cm Modula...

Available now, the VIP sofa was conceived to attend Brazil’s growing market of office furniture in the seventies decade. The sofa fits two comfortably and consists of a fiberglass structure with smooth gray velvet. Not only beautiful and well designed, this piece is also known for its comfort. The base has been refinished and the sofa has been re-upholstered in silky velvet. This futuristic looking sofa effortlessly flexes into any Mid-Century Modern, modern, Danish modern or contemporary environment. This sofa is currently displayed in the gallery with two Ax chairs from Peter Hvidt and looks spectacular. The last two images are vintage publications showcasing the piece Dimensions: H27.6, W63, D33.5 (in) H70, W160, D85 (in) About Jorge Zalszupin a native of Warsaw, Poland, studied architecture at Bucharest’s Ecole des Beaux Arts. While working as an architect in Paris, he found inspiration in articles about Brazilians Oscar Niemeyer and Roberto Burle Marx and immigrated to Brazil. His work as an architect created a demand for decoration and furniture proposals that suited the style of his projects and, for many years, Zalszupin designed and executed them for his clients. The demand was as great as the desire to grow and expand his business, and he then decided to found Atelier Móveis...

Trix is made up of three different elements connected by an elegant system of elastics which can transform and adapt to different uses through easy rotation. Trix can be an original two-person pouf, a comfortable bed...

Trix is made up of three different elements connected by an elegant system of elastics which can transform and adapt to different uses through easy rotation. Trix can be an original two-person pouf, a comfortable bed...

Cini Boeri for Knoll, pair of love seats, part of the 'Gradual' set, black leather, fiberglass, Italy, 1970s. This pair of stunning black love seats w...

Mid-Century Wingback Italian sofa. It consists of a solid handcrafted wood structure with a curved high back and ebonized conical leg. Reupholstered in ...

With its monolithic structure and its perfect integration with the floor it is on, the Sosa sofa offers an image that is different from the usual form and appearance that includes your sitting and waiting areas. It can easily adapt to your living spaces with its customizable fabric and material options. -32 DNS HR Foam -1st grade Alder frame Upholstered product use and care Dry clean your product and refer to the sales form for special care instructions. When choosing your fabric, submit your flammability certificate request. Avoid using upholstery...

Mario Bellini "Le Bambole" living room set for B&B Italia, three-seater sofa and two armchairs, faux-fur, foam and metal, Italy, 1971, set of three. The search for a new shape for u...

Exceptional and substantial Vladimir Kagan custom unique double sided sofa. This piece is designed as a multi-directional sofa, allowing access and co...

Sesann two-seater sofa, designed by Gianfranco Frattini in 1970 and produced by the Italian manufacturer Cassina. It features wool bouclé upholstery and a chrome tubular cage as s...

Italian design sofa, produced by B&B Italia to a design by Antonio Citterio circa 1986. Modern and attractive piece of furniture, designed to be placed in any kind of Environment ...

Yeti Sofa by Pepe Albargues by Vladimir Naumov Dimensions: W 202 x D 110 x H 82 cm. Materials: Mongolia fur, pine wood structure, plywood and tablex, foam cm...

Customizable, just ask. Oversized round lounge / club chair with recessed based and roll arm back. Upholstered with eight-way hand-tied springs and high density foam. Features perfo...

intage Soriana 2 seater with original textile from the 70ties designed by Tobia Scarpa for Cassina. This original fabric can't be found similar w...

Cylindrical pouf with 38cm/15" seat height, upholstered in felt wool in a wide range of available colors. From the pen of Corrado Corradi Dell'Acqua, TATO recovers this hidden gem designed in 1961, which consists of a trio of cylindrical poufs with backrests...

Two-seat sofa upholstered in felt wool, with a wide range of available colors. Truno is a compact two-seater sofa designed by Corrado Corradi Dell'Acqua in 1960. The seat composed of a single cushion embraced on three sides by the wide back anticipates the shapes that would be repeated by the designer also in some of his later products, such as the very famous Angolo armchair. Its deep, leg...

Cylindrical pouf with 68cm/27" seat height, upholstered in felt wool in a wide range of available colors. From the pen of Corrado Corradi Dell'Acqua, TATO recovers this hidden gem designed in 1961, which consists of a trio of cylindrical poufs with backrests...

Handsome club-like sofa with horizontal channel tufting on outside back and tight seat and back. Frame is made with solid hardwood and upholstery is don...

Ciottolo#1 by Imperfettolab 2017 Dimensions: W 272 x D 125 x H 50 cm Materials: Fiberglass Varnished seat in fibreglass. Imperfetto lab Who we are ? We are a family. Verte...

Two-seater “Simone” sofa, designed and manufactured by Studio Simon in 1975. The structure is made of black lacquered wood. An azure velvet big seat completes the sofa. The min...

Two seater major Tom sofa designed by Thomas Dariel. Dimensions: D 89 x W 174 x H 87 cm. Materials: structure in solid timber and plywood. Memory foam base and seating fully uphols...

Camaleonda sofa, designed by Mario Bellini and manufactured by B&B Italia in 1972. The set features seven modules with backrest (four big modules and three small ones) and one armres...

Two seats "Continuous Sofa" by Faudet-Harrison Dimensions: 166 x 89 x 75cm Materials: European hardwood frame, zig-zag springs, jute webbing, hessian straps. Natural fiber, animal ...