Kingwood Case Pieces and Storage Cabinets

Monumental Antique French Carved Kingwood & Marquetry Four Door Armoire Unsigned C1890 Measures - 79"H x 111.5"W x 26.25"D An example of late 19th-century French craftsmanship, this ...

A fine quality antique French Louis XV style marble top & ormolu mounted tulipwood & kingwood bombe shape commode chest, circa 1900. The serpentine shaped top having the original var...

Mid 20th Century Italian Parquetry and Marquetry 2- drawer Petite Bombay chest Commode / side table in beautiful vintage condition. The surface of this beautiful, Italian bombe ches...

This is a superb and imposing antique French ormolu mounted, marquetry, burr walnut and king wood side cabinet, Circa 1900 in date. With a shaped marble top over a pair of frieze dr...

A stunning, rare, and very fine quality French Transitional Louis XV - Louis XVI style mahogany inlaid marble-top chest after Jean-François Oeben / Jean-Henri Riesener. Exquisitely hand-crafted in France, born in the late 19th / early 20th century, exceptionally executed Parisian work, retaining the original shaped marble top with contoured molded edge, over conforming solid mahogany case extensively inlaid with rich floral decoration and geometric trompe l'oeil marquetry-work. Embellished with finely sculpted and chisled gilt bronze ormolu mounts, the case fitted with three high quality locking bar mounted cabinet doors, each adorned with matched ornate escutcheon and opening thanks to the original keys, revealing a mahogany finished interior with single shelf. Featuring rare and exotic woods inlaid, all rising on bronze mounted transitional cabriole legs, ending in the finest quality patinated bronze sabots. Its three doors do not interfere with its delicate marquetry with decorations of geometric cubes and beautiful flowers on gilt gold ground, its two flat uprights with cut sides inviting finesse and harmony, while its bronzes, with antique motifs indicate the return to refined classic taste. A fine example of the Transition style, this chest subtly combines Louis XV marquetry with shapes that are already more rectilinear. From the middle of the 18th century, certain French artists, at the head of which the architects Blondel and Contant d'Ivry as well as the painter Louis-Joseph Le Lorrain, rose up against the excesses of the rococo style and advocated a calming of lines by the use of classical or even ancient principles. If the "Greek" style was too categorical a response to these requests, the Transition style, soon launched by the Marquis de Marigny, brother of Madame de Pompadour and Minister of the Arts, was much more measured and appreciated. Dutch cabinetmaker Matthijs Horrix was also front and center, a leader a Transition style. Celebrated ebanista Jean-François Oeben was one of the leaders of this new taste, with Jean-Henri Riesener following in the 19th century. Oeben a genius with inlay, he gave birth to several patterns, both sober and elegant, such as the marquetry of bottomless cubes, which was adopted by many of his colleagues including Jacques Dautriche and Charles Chevallier. Jean-François Oeben was particularly known for his "Louis XV or Transition furniture, adorned with leaf veneers, flower inlays or geometric patterns", according to Pierre Kjellberg (Le Mobilier français du XVIIIe, éditions de l'Amateur, 1989). A small secretary in the Transition cabinet...

Outstanding example of 18th century Louis XV commode with beautiful marquetry work and exquisite marble top. This commode features five separate drawers with bronze ormolu mounts. At...

A Louis XV Style Satinwood Inlaid Mahogany Parquetry and Marquetry Corner Cabinet. Lock and key present and functional. Measures 28" in width, 23" in depth and 57" in height.

Impressive pair of French 19th century chests crafted in exotic woods including mahogany and kingwood featuring the original beveled marble tops, two drawer cases with geometric inla...

Eden depicts the relationship between rationality and instinct within ourselves. When instinct takes over, the wildest part of our nature emerges, represented by the porcelain flower...

This 19th century French Louis XV style commode with doré ormolu mounts and marble top is a stunning example of refined craftsmanship and timeless elegance. Exquisitely constructed, ...

This exquisite French Louis XV bronze-mounted commode is attributed to Louis Pelletier, one of the distinguished 18th-century ébénistes of Paris. With its serpentine front, bombe sid...

A fine matched pair of French 19th-20th century Louis XV style gilt bronze-mounted (Ormolu) tulipwood, kingwood and satinwood floral marquetry Bombé his and her's commodes with marbl...

A French 19th/20th Century Louis XV Style Gilt-Bronze Mounted Kingwood, Amaranth, Satinwood and Tulipwood Bois Satiné and Bois de Bout Floral Marquetry Two-Drawer Commode of bombé serpentine...

A Very Fine and Impressive French 19th century Louis XV style gilt bronze-mounted tulipwood, kingwood and fruitwood marquetry bombé two-drawer commode with marble top, by Maison Boud...

A fine French 19th-20th century Louis XV style gilt bronze-mounted kingwood, amaranth, satinwood and Tulipwood Bois Satiné and Bois de Bout Floral Marquetry Two-Drawer Commode of bom...

A superb quality palatial French Louis XVI style ormolu mounted, satinwood, kingwood parquetry and Vernis Martin style paneling three-door raised Vitrine Display Cabinet attributed to Paul Sormani (1817-1877). A Vernis Martin Panel signed "V. Gossen." The lower part of the cabinet with three frieze drawers supported by two square-sectioned on tapered legs, fronting an ormolu mounted parquetry back panel, on toupie feet. The ormolu stamped with the initials "P.S." on the reverse. Circa: Paris, 1870. Height: 101 inches (256.5 cm). Width: 56 inches (142.2 cm). Depth: 20 inches (50.8 cm). Sormani, Paul (1817-1877): Born in Venice, Paul Sormani set up in Paris in the middle of the 19th century. He specialized in creating furniture and works of art and was known for his high quality reproductions of Louis XV and XVI furniture...

Elegant sideboard designed by Gianni Moscatelli for Formanova in the 1970s, an expression of Italian modernist design. The frame is made of wood with a natural finish, while the base...

Antique 19th century French marquetry inlaid cabinet, with beautiful marquetry inlay forming floral and scroll motifs with extensive ormolu mounts on the edges, around the panels and...

A very fine French 19th century Louis XV style Ormolu Mounted Kingwood, Satinwood and Vernis Martin Decorated Single-Door Vitrine, in the manner of François Linke (1855-1946). The wh...

This superb Louis XV style French commode is a striking example of refined craftsmanship and timeless design. Featuring a beautifully figured kingwood veneer arranged in a parquetry ...

This exquisite antique commode embodies the elegance of mid-19th century Italian craftsmanship, designed in the sophisticated Louis XV style. Featuring rich kingwood veneer, the piec...

Pair Louis XV Style Kingwood and Marble Top Commodes rouge and white molted marble top

Stunning Identical Pair of French Single Drawer Kingwood Writing Desks or Side Tables of oval form and unusual small proportions of outstanding quality, last quarter of the Nineteent...

Lovely French Vitrine in the Louis Xv style This Vitrine is Bombe Shaped and Extremely Elegant with Gilt Bronze Ormolu Mounts and Very Finely Painted Panels Dates C1880s.

A fine and large French late 19th century Louis XVI style mahogany, kingwood bandings and fruitwood marquetry armorial commode with Sycamore Marquetry...

Rare and important sideboard in solid and veneered African rosewood, part of the "Programma S11" series-one of the most emblematic creations by Angelo Mangiarotti for La Sorgente del...

A very fine French 19th century finely chased ormolu-mounted kingwood, tulipwood, and satinwood marquetry and parquetry commode with original Breche Violette marble-top. With three l...

***Reduced In-House Delivery Rates - Click on “Ask Seller” to Request a Quote*** French Louis XVI Rosewood, Kingwood Marquetry & Ormolu Side Cabinet 20thC Measures- 32.5"H x 31.25"...

French Louis XIV Style Kingwood, Ormolu and Satinwood Inlaid Bombay Commode with Green Marble Top 20thC Measures - 32.75"H x 48"W x 19"d A striking Louis XIV style bombe commode craf...

Late 19th Century French Inlaid Kingwood Bronze Mounted Armoire By Fernand Kohl Dimensions : 91.5” Tall X 72" Wide X 21" Deep This armoire was made in Paris France by Fernand Kohl ...

A rare early François Linke bureau plat (c.1889, a masterwork of the Belle Époque by France’s most celebrated ébéniste. Originally from the Estelle D...

A fine 18th century French Louis XVI marquetry commode, expertly crafted by master ébéniste Jean-Baptiste Lependu from solid oak secondary wood with tulipwood, kingwood and satinwood...

A fine pair of antique quality early 20th-century French Louis XV style bedside cabinets each shaped in the classic bombe form and veneered in beautifully figured kingwood laid in a ...

This exquisite French Louis XV commode showcases the elegance and craftsmanship of 18th-century design, beautifully blending artistry with function. The commode features a fine marble top, richly veined and shaped to follow the serpentine contours of the case. Below, the cabinet is masterfully veneered in kingwood and satinwood, highlighted by intricate instrumental inlays depicting musical motifs surrounded by floral sprays, a hallmark of refined French decorative artistry. The serpentine front and cabriole legs, adorned with gilt-bronze ormolu mounts, embody the graceful curves typical of the Louis XV style. The central panel’s inlaid guitar and sheet music bring an air of sophistication and romance, while the surrounding floral marquetry adds depth and vibrancy to the design. The drawers are fitted with gilt-bronze pulls and escutcheons, further enhancing the luxurious presentation. Ideal for a living room, entryway, or master suite, this inlaid French commode...

An extraordinary Louis XV period (1715-1774) French ormolu mounted tulipwood and kingwood marquetry bombé sauteuse commode by master Parisian ébéniste André-Antoine Lardin. circa late 1740s In our 40+ years we have not came across a chest of drawers that captures our attention like this one! Exquisitely hand-crafted in Paris in the mid-18th century, exceptionally executed in opulent and luxurious period King Louis 15th taste, featuring a curvacious serpentine-front bombe-form solid wood case fitted with two drawers, adorned with finely chased, chiseled and gilded bronze doré mounts, including rare and most distinctive sculptural fiolated scroll Rocaille handles, flanking ornate keyhole escutcheons with original key included. In absolutely stunning rare and exotic precious tulipwood and kingwood veneer work with striking warm rich highly figured grain patterns, elegant floral marquetry inlays and fascinating early sunburst panels. Topped with the original serpentine shaped Brèche de Médous marble-top with stepped molded edge. The Breccia de Médous is extracted in the towns of Médous and Asté, near Bagnères-de-Bigorre in the Hautes-Pyrénées. This dramatic breccia is composed of angular elements of contrasting colors ranging from black to yellow to gray creating a bold but subdued visual display. Signed, retaining the original LARDIN blind stamp to top proper-right rear post underneath marble. André-Antoine Lardin (1724-1790) is a celebrated Master Cabinetmaker, earning maître in 1750, and particularly respected for his extraordinary woodworking veneer - marquetry work. - PROVENANCE / ACQUISITION: From the important collection of Loyd-Paxton, Dallas, Texas. Property from the magnificent Estate of Mr. and Mrs. Robert Morris Graham Sr., El Paso, Texas, but also with homes in Dallas, Texas and Pebble Beach, California. Acquired from the highly reputable auction house Heritage Auctions, Dallas, Texas. 2024 Furniture & Decorative Art Featuring The Collection of Mrs. Henry Ford II Signature Auction Catalog #8167 Loyd Paxton Gallery, Dallas, Texas. With one of the finest collections in the world and prominent customers to match, including Sir Elton John, Truman Capote, Saudi Prince Faisal, and the Sultan of Brunei. Rare French antiques from Loyd-Paxton made their way into Versailles when it underwent renovations, and the Metropolitan Museum of Art in New York purchased furnishings, including a dazzling Louis XIV Boulle desk that had been owned by the Sun King himself. Betty Jo Graham might not hold celebrity status but her remarkable life and many contributions to American history and the arts community of El Paso, Texas, make her deserving of the limelight nonetheless. Affectionately known to her friends as BJ, led a remarkable life that intertwined a deep passion for music with significant contributions to her community and country. BJ embarked on her vocal journey at the age of 12, studying under the esteemed Mini Ferguson Owens at the University of Wichita. Her pursuit of musical excellence continued in the same institution, where she later attended college. BJ's life was not solely dedicated to music; she also played a vital role in American history. During the tumultuous times of World War II, she contributed her skills to the Cessna AT-17 training program, a crucial effort in preparing pilots for combat. She worked as an electrical wiring diagram analyst for Boeing Engineering Development on the iconic Enola Gay project in 1956. BJ's heart always remained with music. She continued to refine her vocal skills with notable figures such as Maude Douglas Tweedy in New York City and John Charles Thomas in Apple Valley, California. Her love story with Robert Morris Graham Sr., whom she married in 1975, was filled with shared adventures and travels across the globe, living in places from Dallas, Texas, to Pebble Beach, California, and El Paso, Texas. As a trustee of the El Paso Symphony Orchestra and a board member of the El Paso Symphony Youth Orchestra and El Paso Pro-Musica, she played a pivotal role in nurturing the musical landscape of her community. Her support extended to various causes, including the El Paso Opera, Holocaust Museum, Museum of Art, and many more, showcasing her belief in the transformative power of art and culture. Betty Jo Graham's journey through life reflects a profound dedication to her passions, community, and the arts. Her legacy, marked by her music, history, and philanthropy contributions, inspires and impacts many, ensuring that her melodious spirit will be remembered and cherished for future generations. After traveling the globe and living in cities across the country, Graham and her husband, Robert Morris Graham Sr., eventually settled in El Paso, where she served as a trustee of the El Paso Symphony Orchestra and a board member of the El Paso Symphony Youth Orchestra and El Paso Pro-Musica. Though Graham had a lifelong passion for music and played a pivotal role in nurturing the musical landscape of her community, her philanthropy extended to various causes, including the El Paso Opera, El Paso Holocaust Museum and El Paso Museum of Art, showcasing her belief in the power of art and culture. A patron of the arts, Graham was also a collector of fine jewelry, with a particular fondness for eye-catching, statement-making rings, necklaces, earrings and more, and Heritage was honored to present Property from the Estate of Mrs. Betty Jo “B.J.” Graham as part of its Spring Fine Jewelry Signature Auction. Inscription to placard on reverse: FROM THE COLLECTION OF LOYD-PAXTON DALLAS, TEXAS Signatures: Original blind stamped LARDIN to top of rear post. Bronzes not removed to inspect for foundry marks. - DIMENSIONS: (approx) 33" High, 42" Wide, 20.75" Deep - CONDITION REPORT: Overall a superb example, especially considering its nearly 300 years old. Beautifully aged warm patina, antique wood glow and lustrous sheen. Strong, sturdy, stable, structurally sound. Evidence of restorations, likely by Loyd-Paxton, including high-quality bespoke upholstered drawer lining. Typical wear commensurate with age, use, handling and exposure, including minor nicks to edge, age splits scattered throughout body, expected antique character and charm. Marble top is in great shape. Accompanied by two working keys. Overall outstanding presence, delivered cleaned, waxed, with hand rubbed polished patina, ready for immediate use and generational enjoyment! - INTERESTING ADDITIONAL INFORMATION: This elegant commode typifies the fashion for furniture mounted with exotic and rare woods, exquisite marquetry-work, and decadent Rococo bronzes. Andre Antoine Lardin, also known as N.B. Lardin was born in 1724 and died on 10 August 1790. He held his master's title from 1 July 1750 and was particularly respected for the exceptional quality of his veneering / marquetry. A well known and regarded maître ébéniste, Lardin’s career is somewhat thinly documented, most likely due to the upheaval and record destruction during the Revolution, notably when the guilds in Paris and elsewhere were abolished in 1791. Lardin worked for various marchand-mercier (furniture dealers) and probably also for a private clientele. He ran his workshop first in the Rue de Charenton and from 1770 in the Rue Saint-Nicolas. His two sons, André Antoine II and Louis François, worked with him for some time and the second-named became his successor in the Rue Saint-Nicolas. Lardin is known to have worked for the marchands André-François Carré, this superb commode having almost most certainly been commissioned through the intervention of one of these fashionable dealers. The marchand-mercier André-François Carré, is recorded rue Froidmanteau, "Magasin de glaces, porcelaine ébénisterie et curiosités pour les cabinets d'histoire naturelle." Carré also worked with two vernisseurs (vernis Martin): Porchon and Prévost. All of Lardin's furniture is classic in form and decor, well crafted and mostly veneered in rosewoods or violet wood. Lardin worked in the taste of the time with geometric patterns, cartouche fields and simulated fluting. Furniture with elaborate inlays such as birds, trophies, urns, landscapes, or flowers and sunburts such as this stunning example appear more rarely. The stamp JME stands for Jures Menuisiers Ebeniste and notes the guild affiliation of the master. The Corporation des Menuisiers-Ébénistes was a French craft guild which was concerned with the profession of woodworking. Some JME stamps are worn down from the marble slab over the years and no longer apparent, but in this case lacking the JME stamp is likely indicative of work made prior to reaching maître ébéniste (master cabinetmaker), denoting an early and exceedingly scarce example. Eighteenth century French furniture...

A Very Fine and Palatial French 19th Century Transition Louis XIV-XV Style Kingwood and Ormolu Mounted Two-Door Vitrine Cabinet, the arched top surmounted with gilt-bronze moldings a...

French Louis XV style kingwood veneer commode, the shaped marble top above a bombe case with ormolu bronze mounts, highly decorated throughout with marquetry inlay with two drawers, ...

A fine French 19th-20th century Louis XV style Kingwood and ormolu-mounted single-door Vitrine, the demilune shaped cabinet with and arched bonnet, molded trim above a bombé glazed d...

A Very Fine French 19th century Louis XV Style Ormolu-Mounted Kingwood and Satinwood Parquetry Vernis Martin Decorated Meuble D'Appui Side-Cabinet by François Linke (1855-1946) - Index Number 204 - Paris. The serpentine Griotte de Campan Rouge marble top above a single bombé door painted with a scène of a couple running through the forest flanked by cupids and angels over a waterfall, the interior fitted with one wooden shelf, the front angles each with a scrolling foliate clasp, the bombé sides decorated with square parquetry fields, on cabriole legs and acanthus-cast sabots. The lockplate engraved 'Ct. LINKE - PARIS'. The ormolu cast stamped 'FL' on the back. Circa: Paris, 1890-1900. François Linke (1855-1946) was one of the most celebrated ébénistes of his time. Born in Pankraz, Bohemia, Linke moved to Paris in 1875 and six years later established independent ateliers at 170, rue de Faubourg St. Antoine. As was the practice among contemporaries and noteworthy predecessors, such as Alfred Beurdeley and Henry Dasson, Linke initially produced furniture derived from styles popular during the 18th century ancien régime. By 1900, his worldwide reputation as an individualistic master of high quality furniture was already established. However, with a huge display, placing his extravagant pieces in room settings and winning the Médaille d'Or for his Grand Bureau...

Exquisite 18th-Century Louis XV Secretary Desk This stunning Louis XV Secretary Desk, dating back to 1770, showcases the elegance of 18th-century Fr...

This exceptional French sideboard, signed by the prestigious Maison Krieger of Paris, exemplifies the artistry and refinement of 19th-century French cabinetry. Monumental in scale and richly detailed, this piece is crafted from luxurious satinwood and kingwood, showcasing intricate inlay work and geometric parquetry veneers that highlight its superior craftsmanship. The sideboard is topped with a stunning original marble slab, perfectly shaped to follow the serpentine contours of the cabinet. Bronze ormolu mounts, delicately cast and gilded, accent the corners, drawer pulls, and feet, adding richness and elegance. The cabinet doors are beautifully decorated with classical marquetry motifs, while the central panel features intricate garland and ribbon inlays that evoke the grandeur of the Louis XVI style. On each end, curved glass display cabinets...

A French Louis XV Style gilt metal mounted Kingwood edestal vitrine cabinet, circa 1880. Very nice quality, very rare, unusual form. Pedestal and vitrine with glass shelves and re...

A very fine French 19th/20th century Louis XVI style mahogany, kingwood and tulipwood parquetry three-door vitrine with ormolu-mounted floral wreaths, ribbons, female masks and centr...

A very fine quality antique French Louis XV rosewood, marquetry, ormolu and marble topped secretaire abattant, circa 1880. The serpentine shaped secretary is modeled as a semainier (...

Antique Victorian freestanding quality marquetry inlaid kingwood chest of drawers having a quality attractive kingwood crossbanded top with floral marquetry inlay and a brass edge, k...

A stunning and most decorative French 18th century Régence Period Kingwood, Ormolu, and Rouge Royale marble Tombeau commode. This impressive five drawer commode is raised by elegantl...

French Louis XV style kingwood veneer commode, the shaped marble top above a bombe case with ormolu bronze mounts, highly decorated throughout with marquetry inlay with two drawers, ...

Kingwood and marquetry commode, in Louis XVI transitional style, of serpentine bombe form, fitted three drawers above a shaped apron and tall angular splayed legs, inlaid with panels...

Rococo style gilt bronze and Vernis Martin vitrine cabinet French, 19th Century Height 194cm, width 120cm, depth 50cm This large and exquisite vitrine cabinet is a true statement pi...

A pair of 20th Century Italian Bombe commodes featuring a display of burr walnut boxwood and kingwood. These commodes have green and white veined marbles and are finished with their ...

A rare and stunning fine quality French Transitional Tulipwood, Kingwood, ormolu, Brocatelle Violette secrétaire bookcase by renowned Parisian cabinetmaker Maison Gouffé. circa 1925 ...

An important French mid-19th century gilt-bronze mounted kingwood, satiné and parquetry bombé commode after the model by Charles Cressent attributed to Maison Millet, Paris the serpentine Brocatelle Violette d'Espagne marble top above two long drawers centred by a flaming urn, flanked to each side by a child holding oak branches and headed by courting doves, the front angles with a bust of a boy and a girl each holding a dove, each bombé side with intertwined oak branches, on oak tree trunk supports and foliate-cast feet. The original model for the present commode dates from the 1730s and is the work of Charles Cressent (maître in 1720; d. 1768). Entering the collection of the Dukes of Hamilton after the French revolution, the commode was sold at the celebrated Hamilton Palace sale (lot 1806) in 1882. It was purchased by Ferdinand Rothschild and is now in the collection at Waddesdon Manor, Buckinghamshire. This impressive Régence style commode is reminiscent of the work of François Linke, however none of the mounts appear to be stamped or recorded in his oeuvre. Maison Millet was an active client of François Linke and it is believed that this commode with its distinctive high quality mounts and construction are characteristic of the production of this celebrated Parisian cabinet maker. Maison Millet was established by Théodore Millet in 1853, and continued until 1902 from premises at 11, Rue Jacques-Coeur, Paris before relocating to 23, Boulevard Beaumarchais. Maison Millet was a highly regarded furniture company that was described as producing 'meuble et bronze d'art, genre ancien et moderne'. The firm won several awards in the series of exhibitions in London and Paris, such as the gold Medal in the 1889 Paris Exposition Universelle. In 1902 Maison Millet was authorised by the director of the Palais de Versailles to replicate Marie-Antoinette's celebrated Grand Cabinet à bijoux. Literature: Sir Anthony Blunt...

This exceptional 18th century French Louis XV bombe chest of drawers, dating from circa 1750–1760. It is a superb example of 18th-century craftsmanship and refined Rococo design. The...

A Very Fine French 19th Century Ormolu-Mounted Louis XV Style Double-Door Vitrine attributed to Francois Linke. The front bombe Vernis Martin panel decorated with a painted scene wit...

Exquisite Louis XVI Secretary Desk – France, c. 1780-1800 This stunning Louis XVI secretary desk, crafted in France between 1780 and 1800, is a masterpiece of 18th-century craftsman...

This small Louis XVI style dresser comes from France and dates back to the second half of the 19th century. The two drawer commode stands on...

This exquisite French Louis XVI style cabinet exemplifies the grandeur of 19th-century craftsmanship with its Sevres porcelain plaques, ormolu bronze mounts, and intricate marquetry ...

This is a gorgeous pair of antique Victorian Gonçalo Alves & King-Wood  side cabinets, dating from Circa1880. Each cabinet has a  cupboard door which opens to a central shelf. They ...

A fine quality Louis XV - XVI Transition style breakfront chest of drawers Exquisitely hand-crafted in Genova, Italy in the mid-20th century, the important Mediterranean port city ...

An elegant and most decorative pair of Italian early 19th century Louis XV st. Walnut, Kingwood, and Ormolu commodes. Each wonderfully detailed end table/chest is raised by slender c...