Plastic Case Pieces and Storage Cabinets

Coil drop cabinet wall mounted/ side table by Bram Kerkhofs Dimensions: D 40 x W 40 x H 75.2cm Materials:Stainless steel, aluminium, elastic rope (natural rubber, polyethylene). ...

Meander I2 side table / low cabinet by Bram Kerkhofs. Dimensions: D 51 x H 73cm. Materials: Stainless steel, aluminum, elastic rope (natural rubber, polyester). Other dimensions are available. Meander is the latest fruit of an ongoing research that started from the system ‘Coil’ in which round elastic rope is connected to a stable material, resulting in screens from parallel stretched strings. Using flat elastic band with different widths and playing with interspacing, meander allows to create semi-transparent screens with a lot of variations. Out of its system Meander can be implemented exterior, as architectural screens packing buildings or dividing space, or interior, as room dividing screens. But above all it allows to create sensual objects that play with shape, transparency, motion and optical confusion. The possibilities are endless! Bram Kerkhofs (° 1977) is a Belgian furniture designer looking for new forms and methods to challenge the functionality and flexibility of a furniture piece. Educated as a goldsmith he is fascinated by connections, hinges, knots and joints, and especially by the functional opportunities they generate. His work is filled with mathematical principles resulting in intelligible algorithms to make them understandable. He draws particular attention to the relationship between construction and material, bringing simplicity into complexity, with a lasting alertness to the final function. This time-intensive design and development process results in innovative construction systems automatically expressing his signature. Many of his designs must be seen in a bigger picture, as parts to a whole, in which he explores the endless possibilities for links, combinations and variations. Bram wants to clarify complex constructions and gives the consumer and the spectator insight into his thinking process. That is why his work partly revolves around people, as the manipulators...

Coil #3 cabinet wall mounted by Bram Kerkhofs Dimensions: D 80 x W 40 x H 122.4 cm. Materials: stainless steel, aluminium, elastic rope (natural rubber, polyethylene). Other dim...

Coil #5 cabinet by Bram Kerkhofs Dimensions: D80 x W40 x H225.6cm Materials: stainless steel, aluminium, elastic rope (natural rubber, polyethylene). Other dimensions are available. Coil is a modular cabinet system in which the ‘shell’ is formed completely around a base as a semi-transparent curtain from a vertical and parallel woven elastic rope. It forms the middle between a classic open rack and a display cabinet and can be used on all sides. Coil redefines the cabinet as an object in its use. To put something in or to get it out, the elastics have to be pushed aside. Coil is a good example to clarify my dealings with materials and their properties. To be able to attach the elastic rope, the rope must be stretched so that the rope becomes thinner. The top and bottom shelf of the cabinet are provided with a specific cut-out curve at the edge so that the stretched elastic can be inserted, after which it relaxes nicely in the recessed opening. Due to its modular construction, the coil can vary in height by 40 cm each. The inner shelves are slightly smaller. This keeps them away from the screen. Coil has a fixed rounded rectangular format of 40 x 80 cm (W x H) and can be combined with quarter circle modules with a radius of 40 and 80 cm. This makes it possible to build freestanding walls as a composition of curved and straight forms, as functional room dividers. Bram Kerkhofs (° 1977) is a Belgian furniture designer looking for new forms and methods to challenge the functionality and flexibility of a furniture piece. Educated as a goldsmith he is fascinated by connections, hinges, knots and joints, and especially by the functional opportunities they generate. His work is filled with mathematical principles resulting in intelligible algorithms to make them understandable. He draws particular attention to the relationship between construction and material, bringing simplicity into complexity, with a lasting alertness to the final function. This time-intensive design and development process results in innovative construction systems automatically expressing his signature. Many of his designs must be seen in a bigger picture, as parts to a whole, in which he explores the endless possibilities for links, combinations and variations. Bram wants to clarify complex constructions and gives the consumer and the spectator insight into his thinking process. That is why his work partly revolves around people, as the manipulators...

This is a custom Italic Desk, designed by Alcoa / Reynolds / GF Studios for Gordon Bunshaft and SOM's Reynolds Metals Headquarters in Richmond, VA. The design is largely seen as a co...

Coil square circle cabinet wall mounted/ side table by Bram Kerkhofs Dimensions: D 40 x W 40 x H 75.2cm Materials:Stainless steel, aluminium, elastic rope (natural rubber, polyethylene). Other dimensions are available. COIL is a modular cabinet system...

Plastic shelf circa 1960-1970. Disassembles into 2 parts May be an old L'Oreal display.

- Made in Czechoslovakia - Made of beechwood, plastic - Maker: Interier Praha - Plastic four drawers - Drawers lacquered in high gloss - Upper surface - glass - Completely rest...

An extraordinary and rare pair of storage cabinets with integrated corner bar column from the S11 series, designed by Angelo Mangiarotti for La Sorgente dei Mobili in the late 1960s....

Low cabinet with four doors and internal shelves. Handpainted hardwood structure embellished with hand-drawn graphic details designed by the author, protected with a clear matte scra...

Adjustable floor Lectern in methacrylate for paintings.  

A wonderful vintage plexiglass display case to share and protect your unique collection. A light fixture is included, but has not been tested a...

An elegant and timeless sideboard, original design by the Portuguese Architecture & Interior Design Studio Ding Dong. This sideboard is made of wood, with a combination of matte & hi...

At the core of the “Branch-Ish Shelf” is one reoccurring element; the branch textured prints. Here, Schimmel and Schwiekle took an image of a natural branch into the 3D modelling sof...

Brass Lotus Pattern Handcrafted into Mother-of-Pearl Buffet Encased in Oak Body. Our Golden Lotus cabinet makes an unorthodox elegant buffet that w...

B.S.P Storage 2 by Atelier SOHN Dimensions: D 36 x W 38 x H 84 cm. Materials: Waste plastic dust and recycled plastic. Donghoon,Sohn is a Founder / Designer of Atelier SOHN. He und...

Set of 2 Casulo cubes #2 by Mameluca Material: electrostatic sluminum paint, recycled rubber blanket. Dimensions: D 45 x W 45 x H 90 cm Opening a cube and transforming it into a...

Casulo Cube #2 by Mameluca Material: Electrostatic Aluminum paint, recycled rubber blanket. Dimensions: D 45 x W 45 x H 90 cm Also available in different dimensions. Opening a ...

Coil circle cabinet wall mounted / side table by Bram Kerkhofs Dimensions: D 40 x W 40 x H 75.2cm Materials:Stainless steel, aluminium, elastic rope (natural rubber, polyethylene)....

Paul Evans — Commode buffet Acier chromé et brossé, fibre de verre laquée H. 81 x L. 140 x P. 60 cm Chrome and brushed steel, fiberglass lacquered top H. 31.8 x W. 55 x 23.6 in...

Calling all serious collectors and lovers of glam—this is not just a credenza; it’s a showstopper, a one-of-a-kind, super rare prototype straight from the genius mind of Paul Evans. Let’s get one thing clear: this piece isn’t just furniture; it’s a statement, a mood, a literal golden wave of fabulousness. Originally owned by the legendary Todd Merrill (yes, that Todd Merrill—master of modern design and author of Modern Americana), this baby was snapped up by a private collector before making its way to us. And let me tell you, it’s dripping in glam from top to bottom. This Cylindrical Console (measuring a jaw-dropping 96” long, 32” tall, and 26” deep) was a prototype floor model from Evans' final design studio in NYC—his post-Pennsylvania chapter, when he was at the height of his boundary-pushing creativity. This is 1980s excess at its absolute finest. Picture it: brass-plated steel shimmering like a pool of liquid gold, with a wavy, undulating front—three connected cylinders flowing together in a perfectly elegant squiggle. It’s not just a visual feast; it’s a party for your living room. Each cylinder pulls open (hello, semi-circles!) to reveal luxuriously upholstered tan suede shelves inside. That’s right—three shelves per cylinder, giving you all the storage you could dream of, but with a touch of decadence. Oh, and did we mention the wheels? Yes, each cylinder moves like a dream. There are also 3 laminated, moveable shelves on the inside so you can store as much as you'd like. The top? Clad in crisp white plexiglass for that extra hit of 80s glam. This credenza was the final visual iteration of Evans’ experimental genius. It’s more than a piece of furniture; it’s history, art, and design all rolled into one. And because it’s a prototype, you won’t find another like it anywhere. This is the Paul Evans piece for the collector who already has everything—except this. A little on Evans -- Paul Evans—an iconic American designer who’s often associated with the Studio Craft movement—wasn’t just creating furniture; he was crafting art. Known for his sculptural, metallic designs, Evans blurred the line between function and form with his unique metalworking techniques, often blending bronze, copper, and steel into futuristic, brutalist shapes. He was constantly innovating, and this Cylindrical Console is a perfect example of his creative genius. Evans worked alongside Philip Lloyd Powell and was just down the street from the legendary George Nakashima in New Hope, Pennsylvania. Both Evans and Powell created some of the most groundbreaking and collectible furniture of the 20th century. While Powell leaned into the organic, hand-carved wood aesthetic, Evans went full throttle with high-gloss metals, merging craftsmanship with avant-garde artistry. By the time this prototype was made in the 1980s, Evans had moved to New York City, leaving his Pennsylvania roots behind and embracing a new, highly reflective, glamorous aesthetic. His partnership with Directional Furniture solidified his place as a master of bold, modern design. His pieces, like this one, have become legendary in the world of design collecting—fetching top-tier prices for their rarity and unmistakable style. About Todd Merrill Todd Merrill, a tastemaker in his own right, has spent decades curating some of the finest examples of 20th-century American furniture and Studio Craft. He’s known for representing top-tier designers and artists, both contemporary and classic, in his New York gallery, Todd Merrill Studio. His influence extends into the world of rare and custom furniture, often showcasing unique, one-of-a-kind pieces much like this stunning Paul Evans prototype. Todd Merrill is a legend in our (antique dealers) industry. The man was writing Modern Americana while I was sitting in Comm Theory class in college. With this piece you’re not just buying a credenza—you’re investing in an unforgettable slice of design history. Glam, bold, and just oozing with charisma, this Paul Evans prototype is not just sexy—it’s the conversation piece that will have your guests swooning. This piece is currently in our gallery alongside a Gabriella Crespi coffee table...

The concept of Djivan Schapira’s Solar Sailer Collection marries visual motifs of retro futurism and the high-end French decorative arts techniques (marquetry, lacquer) learned from ...

This sculptural console is part of a line of contemporary furniture designed by blending digital technology with fine traditional craftsmanship. Rendered in fiberglass, this painted ...

"Gadames" dresser in chipboard, green plastic laminate, plate glass, and blue plastic. Designed by Paola Navone for Studio Alchimia, Milan, Italy, 1980.

Beautiful black rubber and brass credenza with an aniline dyed wood interior by Brian Thoreen. Made to order in Los Angeles with a lead time of 10-12 weeks. Please inquire for custo...

Beautiful rubber and brass credenza with an aniline dyed wood interior by Brian Thoreen. Made to order in Los Angeles with a lead time of 10-12 weeks. Please inquire for custom sizi...

Aksel Kjersgaard adjustable bookstand with three bookshelves, 1970.