Ming Furniture

One side of the vase showcases a panel with the Shou character at its center, symbolizing longevity, while the opposite side displays the Fu character, signifying luck. The neck of the vase is adorned with leaves. There are similar types and decoration but varying in shape, resembling a pear, all from the same era and crafted in celadon, often referred to as 'fu shou' vases. Period: Yuan-Ming Dynasty (1271-1644) Region: Longquan, China Medium: Celadon Type: Ewer Provenance : Acquired in late 1990s from Hongkong Reference 1) British Museum - Museum number 1931,1118.5 (Type : Closely related) 2) Christies NEW YORK 24–25 MAR 2022 - Important Chinese Ceramics and Works of Art - Lot 1105 (Price realised : 9,450 USD / Type : Related) 3) Sotheby's New York 19 March 2024 - Chinese Art - Lot 172 (Price range : 15,000 USD - 20,000 USD / Type : Related) * Ming Dynasty Longquan Celadon Longquan celadon from the Ming Dynasty typically exhibits a more robust and heavier stoneware body compared to its Song Dynasty predecessors. The Ming era saw an evolution in celadon glaze, achieving a wider spectrum of green hues, from olive to bluish-greens. Ming celadons...

A fine set of 8 pieces Chinese lacquered and mother of pearl inlaid bowls with silvered interiors from the 18th century Qing Dynast...

This statue is made of a casted composite. It depicts a Chinese warrior. It has a nicely aged patina.

The Ming period or Great Ming Period is the last Han ruled dynasty in Chinese history. Considers a high mark culturally and influenced by great events at ho...

This petite ceramic vessel is a Ming-dynasty (1368-1644) bottle originally used for storing cooking oil or condiments. Dated to the 15th/16th century, the bottle has a gracefully cur...

Cast seated wearing a simple robe with his right hand resting on the hilt of a snake-entwined sword, the left hand held aloft, his face with meditative expre...

A stoneware figure depicting a seated armored warrior with a striking pose circa 15th-17th century. He is likely one of the four heavenly kings, th...

Impressive Funeral Ensamble of 10 Terracotta Glazed Figures in green and caramel colors depicting a votive procession with a palanquin, his four carriers, a horse, a stableman, two musicians, and an offering carrier. This ensemble is accompanied by a Certificate of Authenticity, and Certificate of Expertise by Jean-Yves Nathan - Specialist in Asian Arts for the CEDEA (The European Confederation of Art Experts). Burial figurines of graceful dancers, mystical beasts, and everyday objects reveal both how people in early China approached death and how they lived. Since people viewed the afterlife as an extension of worldly life, these figurines, called mingqi, sometimes referred as “spirit utensils” or “vessels of ghosts” disclose details of routine existence and provide insights into belief systems over a thousand-year period. The Ming dynasty was the ruling dynasty of China – then known as the Empire of the Great Ming – for 276 years (1368–1644 AD). Founded by Chu Yuan-chang, the rebel leader that was successful in removing the mongols from the throne. Chinese control was re-asserted in China and eastern Asia. Literature became more important, schools were created, and the justice system was reformed. The Ming dynasty is described by some as "one of the greatest eras of orderly government and social stability in human history,” was the last imperial dynasty in China ruled by ethnic Han Chinese. The practice of burying ceramic objects with the deceased went into decline from the 10th to the 14th Century AD. There was a revival in placing miniature representations of glazed terracotta objects such a furniture, food offerings, horses, miniature statues...

A pair of Chinese stoneware horseshoe cross chairs circa Ming dynasty (15th-17th century). The miniature models were traditionally made as burial offeri...

Statues of attendant crafted from terracotta, dressed in a black coat-like garment with a vest adorned with swirling patterns. Set on rectangular bases. Period: Ming Dynasty Medium...

Antique Stoneware Small Green-Glazed Mataban Jar / Vase This large antique Chinese vase/jar has six small carved handles around the rim. It...

Statues of East Asian horse rider, featuring glazes in green, are set on rectangular base. Period: Ming Dynasty Medium: Green-glazed Pottery Type: Figure Condition : Good Provenance : Acquired in early 2000s from Hongkong * Ming Dynasty Glazed Pottery Figures Ming Dynasty glazed pottery figures are renowned for their bold color palette, intricate detailing, and lifelike forms, distinguishing them from earlier traditions. These figures, which depict officials, warriors, animals, and mythical creatures, are characterized by high-gloss lead-based glazes in green, amber, ochre, and sancai (three-color) combinations. The thickly applied glaze pools in recesses, creating depth and enhancing sculptural details. With dynamic postures, expressive facial features, and meticulously rendered drapery, these figures reflect the period’s advancement in ceramic craftsmanship, offering a greater sense of movement and realism compared to the rigid and stylized forms of earlier dynasties. A defining characteristic of Ming glazed...

A very nicely potted and painted blue and white Kosometsuke plate of a desirable cobalt blue! Stunning piece with design of Turkish style Arabesque pattern and central a Lingzhi Fung...

A magnificent pair of male and female courtiers from the Ming Dynasty (1368-1644 CE) in excellent condition. They are wearing traditional Daopao robes in green and black garments wit...

A very nicely potted and painted blue and white Kosometsuke Kaiseki dish plate of a desirable cobalt blue! Stunning piece with design of a landscape in the style of the yuan painter ...

Vintage brass Ming style table lamp. The lamp is in good vintage condition with visible wear due to age and use. Lampshade in not included, circa 1980...

Inspired by the Ming Dynasty, this elegant statue of Guanyin, Goddess of Compassion, was hand carved in the 20th century. The artist captures the timeless and spiritual aura of Guany...

A Chinese Ming Dynasty period miniature terracotta armoire with green glazed finish and bracket feet. Created in China during the Ming Dynasty (1368 - 1644), this exquisite miniature...

Pair of jarlet from the late Ming dynasty cargo. An identical piece is included on page 145 of the Bin Thuan catalog titled 'The Age of Discovery: Asian Cera...

Lovely plate great scene of a monk Marked at base. Condition 1 line to rim and some rimfritting/mushikui. 2 firing flaws in base, 1 next to rim and 1 in circle. Size: 188 x 23...

Statues of Chinese horse and rider, featuring glazes in green, amber, are set on rectangular bases. Period: Ming Dynasty Medium: Green-glaze...

Breathtaking pair of Chinese blue and white porcelain urns Double gourd form with intricate hand painted arabesques and motifs Classy pair ready to add light and oomph to any room Pl...

The pair of Blue White Porcelain Vases with Gilt Silver Phoenix Dragons, dating from the 20th century, is an exquisite examples of decorative art, blending traditional Chinese porcel...

A group of three glazed terracotta musician figures, depicting a central performer holding a looped wind instrument accompanied by two attendant musicians. Each figure stands on a rectangular base and is covered with richly applied green and blue glazes. Such figural representations of musicians are comparatively uncommon, making this ensemble particularly notable within its category. Period: Ming Dynasty Medium: Green and Blue glazed Pottery Type: Figure Provenance : Acquired in early 2000s from Hongkong Reference : 1) V&A Museum - Accession number C.1501913 (Type : Closely related) * Ming Dynasty Glazed Pottery Figures Ming Dynasty glazed pottery figures are renowned for their bold color palette, intricate detailing, and lifelike forms, distinguishing them from earlier traditions. These figures, which depict officials, warriors, animals, and mythical creatures, are characterized by high-gloss lead-based glazes in green, amber, ochre, and sancai (three-color) combinations. The thickly applied glaze pools in recesses, creating depth and enhancing sculptural details. With dynamic postures, expressive facial features, and meticulously rendered drapery, these figures reflect the period’s advancement in ceramic craftsmanship, offering a greater sense of movement and realism compared to the rigid and stylized forms of earlier dynasties. A defining characteristic of Ming glazed pottery is its elaborate surface detailing, often achieved through raised relief elements and contrasting glazes. Equestrian figures, for example, feature carefully sculpted saddles, harnesses, and decorative embellishments, while human figures are adorned with intricate robes and headdresses. The large scale of these tomb figures, often more imposing than those from previous periods, underscores the increasing importance of funerary art during the Ming era. Unlike later Qing Dynasty figures...

The figure stands on a rectangular base. The horse is depicted in a poised stance, with strong, muscular legs and a slightly bowed head. The mane is carefully sculpted with deep, flowing grooves, adding a dynamic texture to the piece. The head features expressive details, including a well-defined muzzle, flared nostrils. The bridle and harness are delicately painted in faded green, contrasting against the creamy beige body. The saddle is adorned with intricate details, including decorative tassels and a textured pattern, indicative of the elaborate tack used in the Ming period. Traces of original polychrome pigments in green, black, and ochre remain on the surface, hinting at the sculpture’s once-vibrant appearance. The weathered patina and areas of flaking paint add to its historical authenticity, reflecting centuries of age. The overall craftsmanship and detailing exemplify the Ming Dynasty’s refined ceramic artistry, making this piece a remarkable representation of of asian culture during this period. Period: Ming Dynasty Medium: Green, black, and ochre glazed Pottery Type: Figure Condition : Good(chips on the upper saddle.) Provenance : Acquired in late 1990s from Hongkong Reference : Asian Civilisations Museum - Accession No. C-1384 / 1994-00441 - Ming Dynasty Figure of Horse (Type : Closely Related) * Ming Dynasty Glazed Pottery Figures Ming Dynasty glazed pottery figures are renowned for their bold color palette, intricate detailing, and lifelike forms, distinguishing them from earlier traditions. These figures, which depict officials, warriors, animals, and mythical creatures, are characterized by high-gloss lead-based glazes in green, amber, ochre, and sancai (three-color) combinations. The thickly applied glaze pools in recesses, creating depth and enhancing sculptural details. With dynamic postures, expressive facial features, and meticulously rendered drapery, these figures reflect the period’s advancement in ceramic craftsmanship, offering a greater sense of movement and realism compared to the rigid and stylized forms of earlier dynasties. A defining characteristic of Ming glazed pottery is its elaborate surface detailing, often achieved through raised relief elements and contrasting glazes. Equestrian figures, for example, feature carefully sculpted saddles, harnesses, and decorative embellishments, while human figures are adorned with intricate robes and headdresses. The large scale of these tomb figures, often more imposing than those from previous periods, underscores the increasing importance of funerary art during the Ming era. Unlike later Qing Dynasty figures...

Characterised by the delicate drawing which distinguishes the weavings of the short and noble Yongzheng period (1723-1735), it has a beautifully drawn...

A stunning pair of fine antique lacquered Chinese armchairs in wonderful condition. Impressively sized and dripping with quality, this beautiful pair will add stunning bygone Orienta...

The circular domed cover moulded with a brown glaze that falls short of the straight foot. The pattern on the left features a central circular design with simple shapes and lines car...

This Annamese ceramic dish features a central lotus motif, enclosed by a thin circular border. The rim is adorned with intertwining vine patterns and swirling motifs. The dish has a gently curved form with a well-proportioned depth and a neatly finished rim. Dates : 15th century Le Dynasty Region : North Annam, Vietnam Type : Dish Found/Acquired : Southeast Asia , South China Sea, Hoi An Ship Reference : Double checked with reference to the original catalogue Butterfield Treasures Hoi An Hoard Auction Catalogs / San Francisco Butterfields 2000 * Vietnamese trade ceramics Around the mid-14th century, Vietnam developed its ceramics production technology by producing blue and white porcelain, and began to export it overseas. During this period, China Ming Dynasty implemented a policy of lifting the ban from 1371 to 1657 and restricted foreign trade. This served as a good opportunity in the trade history of Vietnamese ceramics, and ceramic exports...

A gorgeous rare pair of large blonde Chinese bent-arm Horseshoe-back armchairs in lovely antique condition. Almost certainly made in Shandong Province in 19th Century China, these ex...

Teacup from the late Ming dynasty shipwreck. An identical piece is included on page 141 of the Bin Thuan catalog titled Asian Ceramic Found along Maritime Si...

A fabulous vintage Boho Glazed ceramic vase. A classic Ming style in a black high gloss finish. Rests on a wooden plinth. Acquired from a Palm Beach estate.

Over four hundred years ago, these rare stone finials once adorned the garden or courtyard of a traditional Qing-dynasty home. Hand-carved in Shanxi province, they offer a rare glimp...

Accentuate your space with our Vintage Boho Gilt tipped European Trope Character Bracket. This unique piece features gilt detailing and characterful design, blending Bohemian charm w...

Magnificent Lady Guanyin Bodhisattva seated in Royal Relaxation pose hand-carved in Gilded Wood with traces of paint still visible. This expressi...

A pair of exceptional small patinated bronze castings of a male and female Chinese Deities or Gods possibly representing Shouxing God of Longevity Immortality and Good Fortune, and G...

Sharing new arrival. An amazing Blue and white porcelain dish, Kosometsuke for the Japanese Market. Very interesting. China, Ming dynasty. ⁠ Decorated in the centre with a river lan...

Beautiful serving dish in blue and white with central a reverse decorated floral lotus scene, the walls with branches and the border with geometric design. The base has a six charact...