Ming Furniture

This cylindrical cloisonné vessel is made with a brass body filled with turquoise-toned enamels that are fired to create a vivid, multi-colored surface. The exterior is densely decor...

Description Nice Dutch Delft blue plate with nice decoration Porceleyne Claeuw Delft - 1658=1840 In 19th with Willem III as a child 18th century. Diameter: 232 cm. Condition: Good ...

18 century chest in original black lacquer. This Ming style chest is constructed of wood with multiple layers of original black and red lacquer, acco...

A stunning pair of 20th century Chinese yoke back armchairs crafted of cypress, baimu. The chairs of typical style and construction, and k...

The eroded surface of this petite, Ming-dynasty medicine jar tells a story of trade, tradition and lost treasure. A porous, matte surface texture suggests the jar spent many years su...

Nice Dutch Delft blue plate with nice decoration of the month of august In 18th c chinese style 18th century. Diameter: 22 cm. Condition: Typical rimflaws and restoration Condition ...

The eroded surface of this petite, Ming-dynasty medicine jar tells a story of trade, tradition and lost treasure. A porous, matte surface texture suggests the jar spent many years su...

The eroded surface of this petite, Ming-dynasty medicine jar tells a story of trade, tradition and lost treasure. A matte texture and traces of marine life suggest the jar spent many...

A Ming dynasty period glazed terracotta funeral table mingqi from 15th-16th century with food in dishes. This rare Ming dynasty period glazed terracotta funeral table, dating from the 15th to 16th century, beautifully embodies the traditional Chinese practice of creating Mingqi—terracotta models meant to assist the deceased in the afterlife. This piece depicts a typical Chinese altar, adorned with green tempera glaze and meticulously crafted miniature foods, such as cakes and breads, representing offerings. The modeled and painted details give a glimpse into the customs of wealthy Chinese burials...

A vintage Chinese Ming style elmwood prayer table from the mid 20th century, with fretwork top and horse hoof feet. Created in China during the midcentury period, this low elmwood prayer table captures our attention with its square fretwork top sitting above a waisted apron. Raised on four straight legs with horse hoof extremities, the table is adorned with a discreetly carved apron on all sides. With its clean lines and warm patina, this Ming style Chinese prayer table...

Japanese Meiji Period Bronze Incense Holder / Jardiniere. A substantial incense holder in the Chinese Ming style. Sides and bottom covered in a r...

Porcelain plaque in nice wooden frame, with characters and figures showing respect to an elderly man. Made in 1982. Marked with seal mark Dimension: Plaque 535mm x 310mm. The p...

Fine cast bronze figures created over 400 years ago during China's Ming dynasty are rare and highly appreciated. In this exceptional example, a spirited young boy stands on a lotus b...

Vintage Century Furniture Chin-Hua Chinese Ming lacquered Black Wood Bench. Offered is a stunning vintage Century Furniture Chin-Hua Ming wood bench...

The eroded surface of this petite, Ming-dynasty medicine jar tells a story of trade, tradition and lost treasure. A matte texture and traces of marine life suggest the jar spent many...

Famous late ming dynasty chinese blue and white porcelain plate, double phoenix, from the shipwrecked binh thuan Period: Ming Dyn...

A small and charming Chinese cizhou ware glazed pottery figure of a Taoist deity or official, Song to Ming Dynasty, 13th - 15th century, China, ex. Christi...

The eroded surface of this petite, Ming-dynasty medicine jar tells a story of trade, tradition and lost treasure. A matte texture and traces of marine life suggest the jar spent many...

This is a Henredon Ming style carved walnut chest with solid brass campaign hardware. It was part of the Campaign Collection that Henredon produced in the 1960s. It is in very good c...

This Ming-dynasty (1368-1644) storage jar is attributed to the kilns of Yunnan province, loosely decorated with cobalt underglaze in a manner typical of the region. Dated to the 15th...

A beautifully crafted Mid-Century Chinese Ming Revival blanket chest featuring a richly figured hardwood exterior and aromatic camphor wood interior. The façade is adorned with carve...

This Ming-dynasty (1368-1644) storage jar is attributed to the kilns of Yunnan province, loosely decorated with cobalt underglaze in a manner typical of the region. Dated to the 15th...

This Ming-dynasty (1368-1644) storage jar is attributed to the kilns of Yunnan province, loosely decorated with cobalt underglaze in a manner typical of the region. Dated to the 15th...

An unique bronze figure of Young Buddha Shakyamuni, with a wonderful smile and youthful visage. Seated in the full lotus position (padmasana) atop a double-lotus throne, Buddha is in...

With its balanced silhouette and subdued color palette, this lotus offering vase from the early Ming dynasty (1368-1644) resonates calm and sophistication. Sculpted centuries ago in ...

Antique Shanxi Province Ming Dynasty Elm and Rattan Coffee Table Beautiful Antique Shanxi Province Ming Dynasty–style coffee table crafted from solid elm with a finely woven rattan ...

A large scale square frame with staggered panels surrounding the center mirror. A top and bottom panel on the front are decorated with gilt foliate scrolled motifs. The back with thr...

The central field showing a medallion of overlapping petal motifs, radiating out to auspicious Chou character (twisted peach tree) & lotus blossom designs, segmented by undulating li...

A Chinese Ming Dynasty period stucco head of a court lady from the 15th or 16th century, mounted on a wooden stand. Crafted in China during the Ming Dynasty, this stucco head is moun...

Statues of horse and rider, featuring glazes in green, amber, are set on rectangular bases. Period: Ming Dynasty Medium: Green and Amber-glazed Pottery Type: Figure Provenance : ...

A very nicely decorated Plate, 4th quarter 16th century. Small dish on footring, wide flat rim. Decorated in underglaze blue with a striding phoenix in schematically rendered landscape with a cloud motif. The sides and rim are undecorated. On the base a mark in seal script, possibly shou (long life) Pictured in: A Selection from the Collection of Oriental Ceramics...

A Chinese Ming Dynasty period miniature terracotta armoire with green glazed finish and bracket feet. Created in China during the Ming Dynasty (1368 - 1644), this exquisite miniature...

The extremely rare and monumental, ivory background large carpet shown here is decorated by an harmonious pattern of blue and light blue scrolling lotus flowers connected to each oth...

A very nicely decorated plate with beautiful Brown Glaze and an underglaze scene in white. The rim covered with a metal ring. Dated to the late Ming or transitional period. The back...

Mid-19th Century W. Chinese Ningxia Carpet 16' 6" ( 503 cm ) x 18' ( 549 cm ) A fierce lion dog confronts a flaming pearl in the centre of this ivory ground large antique Ningxia ca...

A bird on a tree. Stoneware with underglaze blue and painted green. The leaves were creatively expressed with green-glaze. The use of green overpainting, a distinctive element in Annamese ceramics, parallels similar examples documented in The Age of Discovery: Asian Ceramics Found Along the Maritime Silk Road, particularly on pages 59, 64, and 66 of the Annamese ship catalog. Such pieces were widely traded along the Maritime Silk Road, showcasing the rich cultural exchange between Vietnam and other regions. Dates : 15th century Le Dynasty Region : North Annam, Vietnam Type : Dish Found/Acquired : Southeast Asia , South China Sea, Hoi An Ship Reference : Double checked with reference to the original catalogue 1) Butterfield Treasures Hoi An Hoard Auction Catalogs / San Francisco Butterfields 2000 2) Asian Ceramic Found along Maritime Silk Route / National Maritime Museum of Korea * Vietnamese trade ceramics Around the mid-14th century, Vietnam developed its ceramics production technology by producing blue and white porcelain, and began to export it overseas. During this period, China Ming Dynasty implemented a policy of lifting the ban from 1371 to 1657 and restricted foreign trade. This served as a good opportunity in the trade history of Vietnamese ceramics, and ceramic exports...

Large Martaban Ming dynasty stoneware storage vase with dragons, 14th century. Beautiful Ochoa and yellow-brown glaze with decorated dragons and Ming clouds. Applied snail or dragon ...

This vintage coffee table pairs a substantial beveled hexagonal glass top with a finely proportioned hardwood base influenced by traditional Ming furniture forms. The geometric fram...

Statues of attendants crafted from terracotta, featuring glazes in green, Set on rectangular bases. Period: Ming Dynasty Medium: Glazed Pottery Type: Figure Condition : Excellent(It has soil on it, which is presumed to be evidence of excavation) Provenance : Acquired in late 1990s from Hongkong Reference : V&A Museum - Accession number C.1501913 (Type : Closely related) * Ming Dynasty Glazed Pottery Figures Ming Dynasty glazed pottery figures are renowned for their bold color palette, intricate detailing, and lifelike forms, distinguishing them from earlier traditions. These figures, which depict officials, warriors, animals, and mythical creatures, are characterized by high-gloss lead-based glazes in green, amber, ochre, and sancai (three-color) combinations. The thickly applied glaze pools in recesses, creating depth and enhancing sculptural details. With dynamic postures, expressive facial features, and meticulously rendered drapery, these figures reflect the period’s advancement in ceramic craftsmanship, offering a greater sense of movement and realism compared to the rigid and stylized forms of earlier dynasties. A defining characteristic of Ming glazed pottery is its elaborate surface detailing, often achieved through raised relief elements and contrasting glazes. Equestrian figures, for example, feature carefully sculpted saddles, harnesses, and decorative embellishments, while human figures are adorned with intricate robes and headdresses. The large scale of these tomb figures, often more imposing than those from previous periods, underscores the increasing importance of funerary art during the Ming era. Unlike later Qing Dynasty figures...

This miniature ceramic table is from Shanxi Province and may have been made to represent Mingqi, a type of ancient Chinese burial good. Mingqi were plac...

Black glazed bottle from the late Ming dynasty binh thuan cargo. An identical piece is included on page 146 of the Bin Thuan catalog titled 'The Age of Disco...

I really found something intriguing. This plate decorated with what are often seen as European houses. Something seen on Transitional Kraak plates and bowls. I borrowed a few picture...

A Bartmann jug (from German Bartmann, "bearded man"), also called a Bellarmine jug, is a type of decorated salt-glazed stoneware that was manufactured i...

This tabletop altar with scrolled edges, a scalloped apron, and turned legs from China's Shanxi province is a rare find. We conservatively estimate it to be late Ming dynasty (circa ...

Imperial Majesty: 19th-Century Ming Dynasty Emperor Silk Painting This exquisite silk painting, dating back to the 19th century, depicts a majestic Ming Dynasty emperor in all his regalia. Hand-painted with meticulous detail and presented in a beautiful frame, this artwork showcases the rich tradition of Chinese silk painting. The vibrant colors and intricate brushwork capture the emperor's imperial stature and the grandeur of the Ming Dynasty. The painting's subject matter and artistic style make it a captivating addition to any collection. Dimensions: Framed measurements: 24 3/4" W x 31" H x 1 1/4" D Condition: Very good antique condition. This Antique Chinese Imperial Emperor Ancestral Painting...

A Ming style ceramic table lamp in white. Decorated with hand painted iris and lily flowers with foliage in a golden brown color palette. Stands on a brown wooden base with four Ming...

Chinese monumental orange, white and blue porcelain floor vase celebrating Japanese Imari ware in both palette and design, decorated with medallion...

A striking pair of chinoiserie-style horseshoe-back armchairs, rich with sculptural presence and timeless elegance. Their glossy black frames curve gracefully from back to armrest in...

This Ming Dynasty painted pottery horse is depicted standing on a tiered rectangular pedestal. The horse has a well-proportioned body, with sturdy legs and a slightly arched neck. The eyes and muzzle are subtly outlined and incised. The mane is sculpted with deep, parallel grooves. The tail is long and slightly curved left, extending downward. The saddle is prominently featured at the center of the horse’s back, detailed with a raised, rounded seat and an attached stirrup hanging down one side. The saddlecloth is textured with a crosshatch pattern, bordered by a row of carved fringe-like elements. The horse's legs display subtle musculature, and the hooves are clearly defined, with black pigment accentuating their edges. The original painted pigments, including white, black, and ochre, are still visible, though faded in some areas. The black pigment highlights the mane, tail, and parts of the bridle, while the ochre tones accentuate the saddle and decorative elements. Period: Ming Dynasty Medium: Green, black, and ochre glazed Pottery Type: Figure Provenance : Acquired in late 1990s from Hongkong Reference : Asian Civilisations Museum - Accession No. C-1384 / 1994-00441 - Ming Dynasty Figure of Horse (Type : Closely Related) * Ming Dynasty Glazed Pottery Figures Ming Dynasty glazed pottery figures are renowned for their bold color palette, intricate detailing, and lifelike forms, distinguishing them from earlier traditions. These figures, which depict officials, warriors, animals, and mythical creatures, are characterized by high-gloss lead-based glazes in green, amber, ochre, and sancai (three-color) combinations. The thickly applied glaze pools in recesses, creating depth and enhancing sculptural details. With dynamic postures, expressive facial features, and meticulously rendered drapery, these figures reflect the period’s advancement in ceramic craftsmanship, offering a greater sense of movement and realism compared to the rigid and stylized forms of earlier dynasties. A defining characteristic of Ming glazed pottery is its elaborate surface detailing, often achieved through raised relief elements and contrasting glazes. Equestrian figures, for example, feature carefully sculpted saddles, harnesses, and decorative embellishments, while human figures are adorned with intricate robes and headdresses. The large scale of these tomb figures, often more imposing than those from previous periods, underscores the increasing importance of funerary art during the Ming era. Unlike later Qing Dynasty figures...

Consisting of a large baluster vase (H: 14.25") with arrow handles and a near pair of smaller baluster vases with mythical beast loop handles. The large vase, of yuhuchunping form, ...

Ayutthaya Lacquered and Gilt Copper Bronze Buddha Head Circa 15th Century A beautifully lacquered and gilt bronze Buddha head from the Kingdom of Ayutthaya, Thailand, circa 15th ...

Pair of sturdy, well made cerused light wood Ming style pedestals.

This piece is a small ceramic vessel with a distinctive silhouette modeled after a pomegranate, notable for its full, well-balanced curves. The mouth, reminiscent of the fruit’s caly...

This monumental Ming-dynasty bell once pealed in a Chinese village, sounding out in celebration or giving notice of important events. Expertly forged, the cast-iron bell is detailed with characters in intricate relief, and its exaggerated scallop rim is traced with oversized rivets. Covered in scales and ending in expressive faces, the bell's handle is cast in the form of a two-headed hong dragon, thought to be the embodiment of a rainbow and thus visible only after rainfall. Frosted with snow or lit from within by flickering candles, this sculptural bell takes on a magical presence in the winter garden.

A Ming dynasty pottery horse modelled in a standing posture on a rectangular base, with a robust yet stylised anatomy, elongated neck, covered in a warm buff-toned slip with survivin...

Pair of Ming Dynasty Bowls with Pattern of Interlocking Hexagons, Wanli period (1572-1620). This handsome pair of bowls with a slightly fluted rim features an outer pattern of hexago...

This book stand is all original without any replacement pieces. The piece has very clean lines and a simple form typical of the Ming style which emphasizes purity of form. The two ...

A museum calibre circa 1610 blue and white Chinese 'Kraak' charger or shallow bowl of massive scale, the round cavetto molded body with slightly scalloped flat rim boldly and exquisitely painted in vibrant underglaze blue with flowering peach, peony, and scroll-filled basket with protruding roots on a fenced terrace within an eight pointed scalloped medallion with ruyi-heads separating panels of starburst-lattice and fish-roe diaper, the rim with Rinaldi 'Border VII.2' having eight radiating panels filled with peach-sprays and auspicious symbols alternating with narrow swastika and tassel panels, the reverse painted with large 'ogival' or round panels with fungus and dots alternating with narrow panels containing stylized lingzhi motifs. An exceptionally fine example with the added rarity of an intact period (likely trader's or merchant's) wax seal. According to Hans van Baarsen...

Antique Stoneware Small Green-Glazed Mataban Jar / Vase This large antique Chinese vase/jar has six small carved handles around the rim. It...

Description Sharing with you this very rare Transitional period jug. It is unusual in the combination of European and Chinese motifs at a date so early in the seventeenth century. Fe...