Ming Furniture

A petite Chinese Ming Dynasty glazed pedestal from the 15th or 16th century with polychrome finish. Crafted in China during the prestigious Ming Dynasty, this petite pedestal table...

Statues of horse and rider, featuring glazes in green, amber, are set on rectangular bases. Period: Ming Dynasty Medium: Green and Amber-glazed Pottery Type: Figure Provenance : ...

PAIR of Antique Chinese (late 19th Century) famille rose globular porcelain vases decorated with cranes amid a tree growing from grasses surrounded by blooming pink and orange flower...

Antique Chinese pottery storage jar in the manner of Cizhou ware, likely dating to the Ming Dynasty (1368–1644). The vessel features a rounded baluster form with a narrow neck and ha...

Early Chinese stone Budha hand fragment. A stone sculpture of a Buddha hand in a traditional gesture known as Verada Mudra, meaning Compassion / Sincerity. Once part of a large Buddha sculpture...

A museum calibre circa 1610 blue and white Chinese 'Kraak' charger or shallow bowl of massive scale, the round cavetto molded body with slightly scalloped flat rim boldly and exquisitely painted in vibrant underglaze blue with flowering peach, peony, and scroll-filled basket with protruding roots on a fenced terrace within an eight pointed scalloped medallion with ruyi-heads separating panels of starburst-lattice and fish-roe diaper, the rim with Rinaldi 'Border VII.2' having eight radiating panels filled with peach-sprays and auspicious symbols alternating with narrow swastika and tassel panels, the reverse painted with large 'ogival' or round panels with fungus and dots alternating with narrow panels containing stylized lingzhi motifs. An exceptionally fine example with the added rarity of an intact period (likely trader's or merchant's) wax seal. According to Hans van Baarsen...

A Small Chinese Carved Timber Gilt and Polychrome Figure, Ming Dynasty Provenance: Private Old Australian Collection Acquired in Beijing Market in 1980s. Description: The cavity in...

A Small Chinese Carved Timber Polychrome Figure, Ming Dynasty Provenance: Private Australian Collection Acquired in the Beijing Market in 1980s. Description: The cavity in the ba...

17th century Ming dynasty Chinese Zitan libation cup silver inlaid, of deep oval form , the exterior carved in high relief and undercut around the sides and base with gnarled branche...

Lovely Ming-Dynasty four-panel screen, made in the 1970s by Charles R. Gracie and Sons, Inc. in New York City. Composed of exquisite coromandel wood, the panels depict a bustling sce...

Fabulous mid century flip top server/bar by George Zee of Hong Kong. From the estate of an executive of the Ford Foundation. Purchased in Hong Kong while on business in the 1960’s. Exceptional craftsmanship, solid as a rock. Double doors open to expose shelving along with 3 drawers. Ample storage. Brass hinges,unique joinery and detailed carved flush pulls...

A decidingly charming Chinese polychromed and gilt cast bronze figure of Nanhai Guanyin, Guanyin of the South Sea, Ming Dynasty, 16th/17th century, China. Guanyin, the bodhisattva of compassion, is portrayed here as a beatific figure seated upon a raised lotus pedestal over waves. Guanyin is dressed in heavy robes, and wears an elaborate headdress. The small figure of Amitabha Buddha in the headdress positively identifies this figure as Guanyin. Guanyin rests one hand in his lap, holding a cup of pure water said to be able to alleviate all suffering. His other hand is raised, holding a willow branch which is used to sprinkle the healing waters. The two lotus blossoms to either side of Guanyin would originally have supported figures of the acolytes...

Pair of sturdy, well made cerused light wood Ming style pedestals.

This Annamese ceramic plate features a central floral motif rendered in underglaze blue, complemented by delicate green-painted leaves—an innovative characteristic of Annamese ceramics of the time. The rim is adorned with swirling cloud patterns and additional stylized floral designs. The use of green overpainting, a distinctive element in Annamese ceramics, parallels similar examples documented in The Age of Discovery: Asian Ceramics Found Along the Maritime Silk Road, particularly on pages 59, 64, and 66 of the Annamese ship catalog. Such pieces were widely traded along the Maritime Silk Road, showcasing the rich cultural exchange between Vietnam and other regions. Year/Period : 15th century Region : North Vietnam, Vietnam Type : Dish Found/Acquired : Southeast Asia , South China Sea, Hoi An Ship 1) Butterfield Treasures Hoi An Hoard Auction Catalogs / San Francisco Butterfields 2000 2) Asian Ceramic Found along Maritime Silk Route / National Maritime Museum of Korea * Vietnamese trade ceramics Around the mid-14th century, Vietnam developed its ceramics production technology by producing blue and white porcelain, and began to export it overseas. During this period, China Ming Dynasty implemented a policy of lifting the ban from 1371 to 1657 and restricted foreign trade. This served as a good opportunity in the trade history of Vietnamese ceramics, and ceramic exports...

Pair of Ming Dynasty Bowls with Pattern of Interlocking Hexagons, Wanli period (1572-1620). This handsome pair of bowls with a slightly fluted rim features an outer pattern of hexago...

Imperial Majesty: 19th-Century Ming Dynasty Emperor Silk Painting This exquisite silk painting, dating back to the 19th century, depicts a majestic Ming Dynasty emperor in all his regalia. Hand-painted with meticulous detail and presented in a beautiful frame, this artwork showcases the rich tradition of Chinese silk painting. The vibrant colors and intricate brushwork capture the emperor's imperial stature and the grandeur of the Ming Dynasty. The painting's subject matter and artistic style make it a captivating addition to any collection. Dimensions: Framed measurements: 24 3/4" W x 31" H x 1 1/4" D Condition: Very good antique condition. This Antique Chinese Imperial Emperor Ancestral Painting...

A Chinese Deep Brown Glazed Footed Bowl, 15th Century Provenance: The Collection of Dr. John Yu AC Dimension: Height: 7.3 cm. Dimension: 15.5 cm Dr. Yu was the Founding Chair of V...

Famous late ming dynasty chinese blue and white porcelain plate, double phoenix, from the shipwrecked binh thuan Period: Ming Dyn...

Bixia Yuanjun figure of bronze dated Ming Dynasty 1368-1644. Base of hardwood. Height excluding base 26cm; Heigh including base 31cm. Goddess of fertility. Condition: Corrosion ...

17th century, painted in underglaze blue with eight figures including officials in a garden landscape, marked on the bottom with a sitting rabbit(blue hare), Transitional period(Late...

Vintage set of Chinese in Ming style dining chairs in solid wood. Glossy redwood frames - two with arms, and four without. Includes teal color...

A mid 20th century black lacquered Ming style coffee table embellished with pierced brass fretwork just beneath the top having two stone inserts. The slender profile and clean lines ...

An impressive pair of solid Ebony Mid 20th Century Chinoiserie lounge chairs with distinct influences seen in later designs by Michael Taylor for Baker, Far East Collection; 1960's. ...

This miniature ceramic table is from Shanxi Province and may have been made to represent Mingqi, a type of ancient Chinese burial good. Mingqi were plac...

The Brendan Bass Estate Collection pays homage to the beauty of vintage and antique pieces, each artfully concealing endless stories collected through the generations in which they ...

A cast iron bell, when struck with a wooden beam, announced the time of day to villagers. This monumental example is covered in relief casts of chrysant...

These ceramics feature finely detailed depictions of birds and cloud motifs using underglaze blue, showcasing an elegant and refined design. The vase portrays a bird in mid-flight, w...

Annamese Blue and White Ceramic Box, Chu Dau kiln, Vietnam, circa 1500. A ceramic covered flat top circular box with lid decoration in under glaze cobalt blue of a landscape scene co...

Lightweight and open, these elegant nanmu shelves are crafted in the Ming style with simplicity of form and thoughtful detail. Tall bookcases such as this were traditionally given pr...

A Chinese 16-17th century Ming stone table carved from a solid piece of stone. This table has a traditional scalloped apron and legs ending in scrolled feet. In well-preserved origi...

Modeled after wooden architectural forms, this miniature gate is constructed with two vertical posts and three horizontal crossbars, set on footed bases with projecting support brack...

This petite ceramic bottle is a Ming-dynasty (1368-1644) vessel originally used for serving rice wine or spirits. The gracefully curved form is known as a yuhuchunping, or pear-shape...

Black glazed bottle from the late Ming dynasty binh thuan cargo. An identical piece is included on page 146 of the Bin Thuan catalog titled 'The Age of Disco...

Japanese Meiji Period Bronze Incense Holder / Jardiniere. A substantial incense holder in the Chinese Ming style. Sides and bottom covered in a r...

Chinese bronze vase, Gu, the trumpet-shaped upper section cast with four blades filled with archaic designs. Center and lower sections depicting Toadies with very intricate backgroun...

Chinese Mahogany Stool with thick Safari Theme Cushion Measures 21" in width, 17" in depth and 19.5" in height with Cushion and 16.5" in height without cushion.

This temple jar is a traditional porcelain vessel from Jingdezhen, a town long distinguished by imperial patronage. This piece is a porcelain vase with a design reminiscent of the fa...

A Chinese stoneware day bed model circa Ming dynasty (15th-17th century). The miniature models were traditionally made as burial offering objects. Pottery models of daily life necess...

The heavily potted dish is molded in the central roundel below the fluted cavetto and the everted rim with lipped edge, and is covered overall with a glaze of sea-green color, except for the unglazed ring on the base. The wood stand is not included with the item. Period: Ming Dynasty (1368~1644) Region: Longquan, China Medium: Celadon Type: Dish Provenance : Acquired in late 1990s from Hongkong Reference : 1) Christies NEW YORK 22–23 MAR 2018 - Fine Chinese Ceramics and Works of Art - Lot 722 2) Sotheby's Paris 11 December 2020 - Arts d'Asie - Lot 8 (Price realised : 4,032 EUR / Type : Closely related) 3) Christies LONDON 21–28 MAY 2020 - The Art of China - Lot 31 (Price realised : 5,250 GBP / Type : Closely related) * Ming Dynasty Longquan Celadon Longquan celadon from the Ming Dynasty typically exhibits a more robust and heavier stoneware body compared to its Song Dynasty predecessors. The Ming era saw an evolution in celadon glaze, achieving a wider spectrum of green hues, from olive to bluish-greens. Ming celadons...

Blue and white baluster form porcelain vase with Zhongfeng mark on base, c. 1960s. Beautiful vase with a sweeping mountainous scene and unique calligraphy script. A unique Chinese p...

A magnificent pair of male and female courtiers from the Ming Dynasty (1368-1644 CE) in excellent condition. They are wearing traditional Daopao robes in green and black garments wit...

A very nicely decorated plate with beautiful Brown Glaze and an underglaze scene in white. The rim covered with a metal ring. Dated to the late Ming or transitional period. The back...

A scarce 600 year old (approx) Chinese pottery Ming Dynasty (1368-1644) large glazed earthenware míngqì tomb figure, modeled as horse sculpture with saddle, stirrups, and integral ba...

A near pair of Ming Dynasty style vintage wedding armchairs from the mid-20th century, with woven rattan seats, curving armrests and natural wood patina. Crafted during the mid-20th ...

This painting table from Shanxi retains most of its original black lacquer finish. The table top is of standard mitered frame construction with a floating panel. Both ends of the t...

Description Very happy to share this lovely early 17th century dish, Jingdezhen made for the Japanese market. Its very rare and the highest quality of literati ware! Kosometsuke dec...

This Ming Dynasty painted pottery horse is depicted standing on a tiered rectangular pedestal. The horse has a well-proportioned body, with sturdy legs and a slightly arched neck. The eyes and muzzle are subtly outlined and incised. The mane is sculpted with deep, parallel grooves. The tail is long and slightly curved left, extending downward. The saddle is prominently featured at the center of the horse’s back, detailed with a raised, rounded seat and an attached stirrup hanging down one side. The saddlecloth is textured with a crosshatch pattern, bordered by a row of carved fringe-like elements. The horse's legs display subtle musculature, and the hooves are clearly defined, with black pigment accentuating their edges. The original painted pigments, including white, black, and ochre, are still visible, though faded in some areas. The black pigment highlights the mane, tail, and parts of the bridle, while the ochre tones accentuate the saddle and decorative elements. Period: Ming Dynasty Medium: Green, black, and ochre glazed Pottery Type: Figure Provenance : Acquired in late 1990s from Hongkong Reference : Asian Civilisations Museum - Accession No. C-1384 / 1994-00441 - Ming Dynasty Figure of Horse (Type : Closely Related) * Ming Dynasty Glazed Pottery Figures Ming Dynasty glazed pottery figures are renowned for their bold color palette, intricate detailing, and lifelike forms, distinguishing them from earlier traditions. These figures, which depict officials, warriors, animals, and mythical creatures, are characterized by high-gloss lead-based glazes in green, amber, ochre, and sancai (three-color) combinations. The thickly applied glaze pools in recesses, creating depth and enhancing sculptural details. With dynamic postures, expressive facial features, and meticulously rendered drapery, these figures reflect the period’s advancement in ceramic craftsmanship, offering a greater sense of movement and realism compared to the rigid and stylized forms of earlier dynasties. A defining characteristic of Ming glazed pottery is its elaborate surface detailing, often achieved through raised relief elements and contrasting glazes. Equestrian figures, for example, feature carefully sculpted saddles, harnesses, and decorative embellishments, while human figures are adorned with intricate robes and headdresses. The large scale of these tomb figures, often more imposing than those from previous periods, underscores the increasing importance of funerary art during the Ming era. Unlike later Qing Dynasty figures...

A Pair Southeast Asian all sides Carved Fruitwood Two-Part Side Table Cabinets with glass top. Measures measure 20" in width x 20" in depth x 23" in height. Cabinets inside measureme...

Antique Chinese cloisonne on copper arrow vase, possibly Ming Dynasty 16th century. Bottle form with pair of "arrow" tubes on either side of ...

Ming musicians (men) 7.75h A set of glazed musicians with drums and trumpets. The base of the sculpture is 2 inches by 2.25 inches - the stand measures 3 inches by 3 inches. Whi...

Marvelous vintage Ming style rosewood side or end table with square beveled edge glass inset top, made in China. Beautiful condition, keeping in mind that this is vintage and not new...

Antique Brown-Glazed Mataban Jar Vase This large antique Chinese urn has six small figural handles made of beasts and multiple dragons carv...

This is a mid-century James Mont inspired Ming style white lacquered credenza. It was manufactured by Sanford Furniture Company. It does have brass c...

Description Sharing with you this nice and rare Persian plate: Provenance -Helen Espir Collection Condition Rimfritting, chipping. SIze 23.1cm Period 1...

An antique Ming style “tea table”. Square with a single drawer that opens with a halfmoon shaped cup drawer pull. A serpentine skirt tops straight square legs that support a mid-heig...

Description Sharing with you this very nice s blue-and-white Kraak porcelain bowl from the late Ming dynasty. Circular form with a full round decoration of a scholar in landscape and...

One side of the vase showcases a panel with the Shou character at its center, symbolizing longevity, while the opposite side displays the Fu character, signifying luck. The neck of the vase is adorned with leaves. Period: Yuan-Ming Dynasty (1271-1644) Region: Longquan, China Medium: Celadon Type: Ewer Provenance : Acquired in late 1990s from Hongkong Reference 1) British Museum - Museum number 1931,1118.5 (Type : Closely related) 2) Christies NEW YORK 24–25 MAR 2022 - Important Chinese Ceramics and Works of Art - Lot 1105 (Price realised : 9,450 USD / Type : Related) 3) Sotheby's New York 19 March 2024 - Chinese Art - Lot 172 (Price range : 15,000 USD - 20,000 USD / Type : Related) * Ming Dynasty Longquan Celadon Longquan celadon from the Ming Dynasty typically exhibits a more robust and heavier stoneware body compared to its Song Dynasty predecessors. The Ming era saw an evolution in celadon glaze, achieving a wider spectrum of green hues, from olive to bluish-greens. Ming celadons...

A spectacular and chic pair of Ming Style armchairs with embossed leather seats. Made from extremely hardwood with a gorgeous weathered patina through the ebony glaze. The alligator ...

Found in England, this exceptional Ming Dynasty style barrel stool commands attention through the intricacy of its delicately carved and etched surface. Fashioned in the classical dr...

Statues of Chinese horse riders, featuring glazes in green, are set on rectangular bases. Period: Ming Dynasty Medium: Green-glazed Pottery Typ...