Dining Room Sets

Designed by Philippe Starck and Eugeni Quitllet for dedon, producer of hand-woven outdoor furniture, the ‘PLAY’ armchair and chalk table incorporates high technology of a molded poly...

Wonderful 1960’s vintage Mid-Century Modern spun fiberglass forest green painted outdoor or patio dining table & four armchairs on casters. Beautiful condition, keeping in mind that these are vintage and not new so will have signs of use and wear. New paint but not done by us. Needs cushions. Please see photos and zoom in for details. We attempt to portray any imperfections, circa, Mid-20th Century. Who needs to go to a fancy restaurant for dinner when you can stay home and have fine dining like this? This is a fabulous spun fiberglass outdoor dining set comprised of a table with a cinched pedestal base and a round top with a glass insert and four armchairs on casters. So often pieces like this are Attributed to Russell Woodard, and throughout the design community there are debates and discussions as to what in fact defines a Russell Woodard piece, but in fact he never produced spun fiberglass furniture...

Set worked of gilded Cutlery for entremets. A soup spoon, a fork and a coffee spoon. Very nice set. Shells are visible on the handle of the fork and the...

Set of four sculptural "Costa" Model Dining Chairs, designed by Philippe Starck for Driade, Italy, circa 1980s. These chairs are being refinished and reupholstered and can be complet...

“Delfi” dining table, designed by Carlo Scarpa and Marcel Breuer and produced by the Italian manufacturer Studio Simon in 1969. Made of white Nax...

An Art Deco eight seat dining suite by Maurice Adams. Burr walnut veneered table with figured walnut banding and macassar ebony to base. Six fi...

Designed by Naoto Fukasawa in 2005, the Muku line for Driade was crafted from solid mahogany with a simple modern elegance. This set includes six dining chairs with arms and a dining...

Beautiful table designed by the famous Italian Mid-Century Modern designer Vittorio Dassi, 1950. The exceptional woodwork is highlighted by the curved green glass top and the rounde...

Set of six French Empire style dining chairs, France, circa 1960s. These chairs are currently being refinished and reupholstered and can be completed in your choice of finish color a...

Space Age period dining room set designed by Boris Tabacoff and manufactured for Mobilier Modulair Moderne in 1970s circa period, France. The set consists of the round dinning table...

Mid-Century Modern McGuire cane - 6 piece dining set Mid-Century Modern original McGuire pink and white woven rattan armchairs with Classic McGuire whi...

Louis table XV Style in Copper Clad designed by the renowned designer Paul Mathieu chose the name “Louise” when he created his more feminine version of ...

Vintage custom made dining chairs with armrests and dining table with a clear glass top. The chairs have a wooden seat. Beautifully man...

Gilt bronze, marble, silk, wood dining room set for twelve people with one vitrine, one longcase clock, two buffets, one mirror and one fireplace. France, l...

“Scuderia” dining table, designed by Carlo Scarpa and produced by the Italian manufacturer Bernini in 1977. Originally, Carlo Scarpa designed the table to restore the stable of Villa Valmarana in Vicenza in 1972. The table features a solid walnut structure. Available also five “Kentucky” dining...

Stunning Art Deco dining room set with expandable table and eight chairs in Makassar Veneer and Black Lacquer. Extendable dining table with top and apron veneered in bright Macassar...

Carlo Hauner and Martin Eisler are most known for well-shaped armchairs made in iron, but the production is far more complex, handcrafted, and extensive. The wood pieces produced by ...

Indulge in the artistic charm of our double quartz spoon, adorned with a sculptural stone handle. Meticulously handcrafted by italian artisans, the distinctive stone adds a touch of ...

studio Tetrarck design for Alberto Bazzani Italy in years 1970 complete set of the one table and four chairs original top glass of 0.6 inches tickness table measue 48 inches diamet...

Presumably unique spider dining set made by a master carpenter. Made of solid pine with a star-shaped table top.

Mobichalet, set of dining table and a pair of benches, oak, beech, Belgium, 1950s. This rustic dining set will come forward nicely in a relaxing a...

Indulge in the artistic charm of our double quartz spoon, adorned with a sculptural stone handle. Meticulously handcrafted by italian artisans, the distinctive stone adds a touch of ...

A ten foot dining table designed by Edward Wormley for Dunbar with expressively grained Tawi wood top and mahogany base with brass cleats. The table has th...

Vintage 5 Pieces Coastal Style Rattan dining set in the McGuire's Manner. Circa 1980s Features an intricate bent rattan fretwork in an antique washed white finish bounded by laced r...

Set of six Milo Baughman-designed thin-Line Series Dining Chairs produced by Thayer Coggin in the Early 1970s. Very Good Condition structurally but the material is unfortunately fade...

Antuérpia Extendable Dining Table 4/6-Seats, Modern Collection, Handcrafted in Portugal - Europe by GF Modern. Antuérpia dining table represents the dawn of a new modern era. The ...

Dining room sets in Louis XV Style with a set of 4 chairs & a Louise Dining Room Table is designed by the renowned designer Paul Mathieu. He chose the name “Louise” when he created h...

This round dining table was designed by the renowned designer Paul Mathieu for Stephanie Odegard. When he first saw the extraordinary swirling colors and patterning of the Indian sandstone...

Vintage 5 pieces coastal style pencil reed dining / game set. Circa 1980s The Table features an intricate Pencil Reed Pedestal in a natural finish...

Two grand and very impressive cast concrete neoclassical style pedestal dining table bases with finely detailed winged griffins. Will support a large stone, marble or glass table top...

Wonderful set of 6 Chinese Chippendale chairs and matching table by Design Institute of America (DIA). Set features six matching ch...

Dining set designed by Alvar Aalto for Finmar Ltd., Finland, 1929. Birch. Stamped. This rare dining set by the Finish design icon Alvar Aalto is character...

Midcentury dining table with six chairs from the "Artistry" collection by Drexel Furniture Co. Produced circa 1959, the set consists of four side c...

An über chic Italian Aldo Tura tobacco coloured lacquered goatskin / parchment elliptically shaped dining table by renowned Italian Desinger Aldo Tura in the mid 20th Century, a fine...

Made of steel and fabrics with original and unprecedented patterns, Locus Solus is a reissue of a collection designed by the unpredictable flair of Gae Aulenti in 1964. The retro des...

Giacometti inspired wrought iron Bakers Rack Available now and ready to ship. This piece is in excellent condition and has spent its decades...

Sophisticated dining set Ebonized Mahogany wood dining table Six blue velvet chairs Mexico circa 1950s Attributed to Eugenio Escudero. Unmarked. Set includes six dining chairs and an oval shaped dining table. Mahogany Wood ebonized with black lacquer. Chairs have brass accents and blue velvet seats. Very comfortable. Original preowned vintage condition. Wear consistent with age and use...

Sculptural X Base Dining Table, designed by T.H. Robsjohn Gibbings for Widdicomb, American, circa 1950s. This dining table is currently being refinished and can be completed in your choice of color. The price noted INCLUDES refinishing in your choice of color. The dining table expands...

Gorgeous all original dining set by Mario Botta for Alias, Italy 1985, composed of large dining table and 10x La Tonda chairs, excellent condition overall --Table and/or Chairs CAN ...

This vintage expanding dining table includes a set of 6 elegant chairs to make a stylish statement in any dining room. When the leaf is...

"Alanda" model coffee table, design Paolo Piva for B&B italia, 1980s inverted pyramid structure in black steel , light signs of wear due to age Size cm 120 x 120 x 26 will be shi...

An extremely rare set of twelve dining chairs designed by Edward Wormley for Dunbar. Known as the Greene & Greene chair for it's crafted look with exposed tenon crest rail, rosewood ...

This dining set was designed by Arne Vodder for Sibast, in Denmark, during the 1960's. The set has a round dining table and six chairs. The dining table can be extend with two 55 cm ...

Five-piece wrought iron dining / patio set. One glass-topped table and four chairs. Painted green. Table measures: 42.5 in across.- 29-3/8 in high. - 29- 11/16 in high. With glass t...

Art Deco Paul Frankl for Johnson Furniture mahogany and cork dining set - 9 piece set. An exquisite, iconic and truly timeless and unparalleled classic dining set...

Dining table mod. ‘Samo’ by Studio Simon. Series ‘Ultrarazionale’. Italy, 1970. Made of granite. Literature: Giuliana Gramigna, Repertorio 1950-2000, Allemandi, Torino, 2003, p.180. Excellent vintage condition. The Samo table was designed in 1970 by the project office of Studio Simon. Carlo Scarpa was the brand's artistic director, and the Venetian architect's style inspired the shapes of this table. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, which are all worth mention. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how 20th century museums were to be set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his greatest ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider being one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa began work building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this 20th century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem”, [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure”. Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded 8 years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana”, “Quatour” and “Orseolo”. While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

1950s Paul Frankl black cerused oak wood dining set for Brown Saltman CA Dining table and six dining chairs Measures: Table 95 long x 41.75 depth x 29.75 height. With one extension 8...

A beautiful dining set containing one extendible dining table and four arm chairs, designed by Niels Otto Møller, manufactured by Møller in Denmark around 1960. The dining table has a round top with a diameter of 110 cm, which can be extended by placing a separate leaf in the middle. That makes the table 160 cm...

This very elegant dining set seats four people and features an adjustable oak dining table with four chairs. It has been made in Germany in the 1930s. The set has been professionally...

1970’s White powder coated patio set by Russell Woodard. Set consists of two arm chairs, two side chairs and table with glass top. Newly powder coated white, new glass top and new yellow with green thread Sunbrella cushions...

Vintage Wabi Sabi Style Rustic French Design Handcrafted Solid Oak Round Dining Table with 3 matching dining chairs. Made in France in the 1940's. So...

Dining room sets in Louis XV Style with a set of 4 chairs & a Louis XV dining room table is designed by the renowned designer Paul Mathieu. He chose the name “Louise” when he created his more feminine version of Louis XV furniture and this elegant dining room sets. The characteristic cabriole leg, curving outward at the knee and inward towards the foot in an "S" shape was born during Louis XV period. It is during the same era that English furniture makers produced the Queen Anne and Chippendale styles. The dining room sets are inspired from the style of 18th-century French furniture which was guided by the court. When Louis XV, who reigned from 1715–74, focused royal life on the smaller salons of Versailles rather than its grand chambers, it transformed the aesthetics away from the imposing and angular furniture that characterised the style of Louis XIV. A broader focus on comfort and more delicate forms define antique Louis XV furniture dining room sets, with nature-inspired carvings, wood inlays, curved cabriole legs, asymmetrical shapes and rounded oval seat backs. The furnishings changed throughout the king’s life, as he ascended to the throne as a child and then grew to establish his own tastes. The dining room sets are made with great precision by our master craftsmen and hand carvers. This dining room set is more than just a dining room set as it is a true piece of art! Pieces like the bergère, an upholstered armchair with a wide cushion that fit the flowing dresses in fashion at the time, reflected this more informal court. Introduced at the start of Louis XV’s reign, bergère chairs in this style were deeper and broader than other chairs of the period. Louis XV tapestries and carpets tended to be floral and colourful, and design elements were borrowed from Asia. Dutch-born cabinetmaker Bernard van Risenburgh brought lacquer techniques influenced by Japan and China into his luxuriously made furniture. Along with its fine details, the furniture of the era also featured new innovations including mechanical devices. Jean François Oeben, a royal cabinetmaker, created such intricate pieces as a mechanical table for Madame de Pompadour, Louis XV’s mistress. It involved a sliding top and a writing surface that extended from its marquetry panels. During the later years of Louis XV’s reign, there was a shift from the ostentatious rocaille style, part of the exuberantly decorative Rococo movement in Europe for which designers such as Nicolas Pineau and Juste-Aurèle Meissonier are known. The style under Louis XVI would return to boxier forms, but with a neoclassical touch inspired by the ancient world. For the dining room sets the curved legs and side arms of this exceptionally elegant chair are hand carved from solid pieces of teak. Pattern makers trace and cut complex forms that will cover the chair in a skin of copper or purest silver (assayed at 96% purity, beyond sterling at 92.5%). The metal finishes will tarnish over time. Regular non-abrasive household metal polishes can be used to restore the original lustre. For the dining room sets the curved legs and side rails of this exceptionally elegant table are handcarved from solid pieces of teak. Pattern makers trace and cut complex forms that will cover the table from thick sheets of copper or silver. Once the table is joined together, it is meticulously encased in a tight-fitting skin of copper or purest silver. The silver used was assayed at 96% purity, which exceeds the minimum standard for sterling of 92.5%. Available options for the metal skins are White Bronze, Antiqued Bronze, Brass, Silver and Copper. Both silver and copper will tarnish over time. Regular non-abrasive household metal polishes can be used to restore the original finish. Dining room sets include: Set of 4 chairs Louis XV style in white bronze clad, club chair by Paul Mathieu...

Fabulous 8pc indoor outdoor dining set of spun fiberglass by Russell Woodard. Set includes table with a glass top, not pictured, glass is per...

Armona dining table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collec...

1989, USA, French Art Deco-inspired design. Beautifully constructed of bubinga and ebony, the table raised on open columned standard and central stepped plinth, with a circular inlai...

Set composed of four Medea dining chairs and their circular table, designed by Vittorio Nobili for Fratelli Tagliabue in 1954. Made of teak plywood, excellent vintage condition. Reported at “Compasso d’Oro Prize at Milano Triennale, in 1956. The Medea chair was manufactured in Italy between 1950 to 1959. The manufacturer of this chair was Fratelli Tagliabue. Vittorio Nobili designed it. Although he designed this chair in vintage times, it is suitable for our modern needs. This chair adds elegance and looks to its surroundings. This chair was reported at the prestigious Industrial Design Award, Compasso d’Oro, in 1955. Other iconic pieces, such as Soriana by Afra and Tobia Scarpa...

The extremely rare Memphis style sculptural dining set is statement piece which is also comfortable and packed with personality! Just look at the lines and sculptural shape on this beauty! Just stunning, but then your eyes are immediately drawn to the stunning colors oval table top by Benjamin Le. Influenced by the mid 20th century designs. This mid century modern race track table...

1950s Mexico City French inspired Dining Table Set Forged iron and bronze. New glass top Table 30 x 59 inches diameter Set includes 6 dining chairs. 33.25 tall x 20 d x 20.5 w Seat 19.5 h chairs No label Dining table 4 legs clean and modern simple lines. Brass ball at feet. Please note beautifully decorated bronze sabots at tips on legs. Suggestive of French influence Jean Royère. The chairs (6) have a beautiful X weave pattern on back, welded into forged iron frame. All firm and sturdy. Original vintage unrestored condition. Patina present. Original upholstery is sun faded. Retains vintage nail...