Granite Tables

Bordeira Nesting Coffee Tables, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection, the Bordeira nesti...

Available today, this midcentury modern Round Dining Table in Hardwood & Granite designed by Jorge Zalszupin, in the sixties is exquisite. The table consists of a granite top and “X” shape base made of steel and Brazilian Rosewood, as known as Jacaranda. The refinished Jacaranda has smooth yellow veins, and the granite has a purple tone with white veins giving an organic look. Besides some marks of age, the table is in excellent condition.The manufacture seal is underneath the granite top. Equally as practical as beautiful, these table will look great with a modern or mid-modern chairs but will also look incredible into a Contemporary, Minimalistic, or even Eclectic environment. The table fits 6-7 people comfortably. In regards the creator, Jorge Zalszupin (1 June 1922 – 17 August 2020) was a Polish-born Brazilian architect and designer, who founded L’Atelier, in São Paulo. He began in the 1950’s decade with craftwork and soon after, to the production in series. Jorge Zalszupin a native of Warsaw, Poland, studied architecture at Bucharest’s Ecole des Beaux Arts. While working as an architect in Paris, he found inspiration in articles about Brazilians Oscar Niemeyer and Roberto Burle Marx and immigrated to Brazil. His work as an architect created a demand for decoration and furniture proposals that suited the style of his projects and, for many years, Zalszupin designed and executed them for his clients. The demand was as great as the desire to grow and expand his business, and he then decided to found Atelier Móveis in November 1959. A significant part of Zalszupin's furniture production is tributary to his architecture. He used new design language and tendencies, while maintaining a functional view of ambience for internal spaces. L’Atelier was a design collective of architects, engineers, craftsmen, and a full-scale team of professionals that did everything from researching materials to finalizing the product. Jorge Zalszupin has developed some of the most iconic models in Brazilian Modern furniture and has grown a lot in popularity in the last few years. The “Petala” Coffee table, “Paulistana” armchair or the “Brasiliana” sofa...

One of a kind slate table. Mid-Century Modern table in black stone marble and rosewood finish.

Bordeira Coffee Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Co...

An exceptional Mission or Art & Crafts style coffee table By Stickley USA, Circa Late 20th Century Cherry wood base, with beautiful granite top. Measures: 46"W x 28"D x 19"H. Ve...

Machined brass feet and banding with ring accents granite top side, end table, pedestal, or small gueridon. In style of Parzinger.

A timeless console table designed in the early 1980s by Jean-Michel Wilmotte. In his pursuit of excellence, Jean-Michel is guided by a keen sense of elegance, proportion and refineme...

Exemplifying Lemon's unwavering commitment to elegance and artistry, the Ashby side table encapsulates the brand's ethos with perfection. Its magnificent design showcases the harmoni...

Handsome Late 20th to Early 21st Century Modern dining table attributed to Bernhardt Cascade comprised of a composite tassel style pedestal base and a round wood veneer inlaid top wi...

A pair of black granite top empire style Gueridon tables. Brass with paw feet and a circular top.

Produced for only 4 years this exceptionally rare "Sling Table" is in wonderful vintage condition. Featuring a rounded granite top on chromed legs. A perfe...

Designed by Daniel Barbera, the 'Bronze' table is minimal form consisting of Classic geometry on the exterior merged with organic flowing underside. The three legged cast solid bronz...

'Into The Inferno' is a sculptural coffee table, inspired by the process in which the elements and continuity of time shape our world. This piece conv...

Bordeira Coffee Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection, the Bordeira modern coffee ...

Mid-century Modern Italian Black Granite and Brass Dining Table Available. High-impact design dining table made of prestigious Absolute Black granite and brass castings. The four ang...

This round dining table features a stylish granite top, providing a sense of sophistication and durability. Its base consists of four solid wood legs, carefully designed to offer sta...

Dining table mod. ‘Samo’ by Studio Simon. Series ‘Ultrarazionale’. Italy, 1970. Made of granite. Literature: Giuliana Gramigna, Repertorio 1950-2000, Allemandi, Torino, 2003, p.180. Excellent vintage condition. The Samo table was designed in 1970 by the project office of Studio Simon. Carlo Scarpa was the brand's artistic director, and the Venetian architect's style inspired the shapes of this table. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, which are all worth mention. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how 20th century museums were to be set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his greatest ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider being one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa began work building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this 20th century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem”, [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure”. Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded 8 years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana”, “Quatour” and “Orseolo”. While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Introducing our exquisite Nero Sepia Granite top Coffee Table with Albamiel bottom, a stunning addition to elevate your living space. Crafted with precision and an eye for luxury, th...

Granite bistro table, c.1980s, USA. The round black granite stone table top showcases a grey speckling. The table top is sits on an angled chrome stainless steel tubular support bar ...

Organic Modern Gimonde Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Gimonde marble dining table is a bold expression of exclusive desig...

A Lotto Rosso / Super Loto dining table designed by Ettore Sottsass and produced by Poltronova, Italy, 1970s. In very good original condition. Fast ship...

Blossom (M size) coffee table. Steel Base (in sage green RAL 6021). Top - top quality green granite (20mm) installed on top. Images presenting only examples of the stones. When you...

The Gaspar table is 2 pieces of granite formed to join each other, creating a surface at coffee table or console height. The interior of the table can be used to store items like ma...

Available today, this midcentury modern Round Dining Table in Hardwood & Granite designed by Jorge Zalszupin, in the sixties is exquisite. The table consists of a granite top and “X” shape base made of steel and Brazilian Rosewood, as known as Jacaranda. The refinished Jacaranda has smooth yellow veins, and the granite has a purple tone with white veins giving an organic look. Besides some marks of age, the table is in excellent condition.The manufacture seal is underneath the granite top. Equally as practical as beautiful, these table will look great with a modern or mid-modern chairs but will also look incredible into a Contemporary, Minimalistic, or even Eclectic environment. The table fits 6-7 people comfortably. In regards the creator, Jorge Zalszupin (1 June 1922 – 17 August 2020) was a Polish-born Brazilian architect and designer, who founded L’Atelier, in São Paulo. He began in the 1950’s decade with craftwork and soon after, to the production in series. Jorge Zalszupin a native of Warsaw, Poland, studied architecture at Bucharest’s Ecole des Beaux Arts. While working as an architect in Paris, he found inspiration in articles about Brazilians Oscar Niemeyer and Roberto Burle Marx and immigrated to Brazil. His work as an architect created a demand for decoration and furniture proposals that suited the style of his projects and, for many years, Zalszupin designed and executed them for his clients. The demand was as great as the desire to grow and expand his business, and he then decided to found Atelier Móveis in November 1959. A significant part of Zalszupin's furniture production is tributary to his architecture. He used new design language and tendencies, while maintaining a functional view of ambience for internal spaces. L’Atelier was a design collective of architects, engineers, craftsmen, and a full-scale team of professionals that did everything from researching materials to finalizing the product. Jorge Zalszupin has developed some of the most iconic models in Brazilian Modern furniture and has grown a lot in popularity in the last few years. The “Petala” Coffee table, “Paulistana” armchair or the “Brasiliana” sofa...

Designed by Daniel Barbera, the 'Bronze' table is a minimalist round table consisting of classic geometry on the exterior merged with organic flowing underside. The three legged cast...

A Superb Granite top conference table raised on two cylindrical bronze veneered legs. Iron support (not seen) structure.

A brass side table with Rosso Tranas Rubino granite top designed by Cedric Hartman.

Custom made Italian modern tripod table featuring a solid brass sand cast base which supports an exotic granite top with grey, pink and lavendar tones.

An elegant pair of stone top console tables. The Giraffe console table is a modern statement piece. The powder-coated steel console table looks stunning behind the sofa or in the ...

This oval dining table features a stylish granite top, providing a sense of sophistication and durability. Its base consists of four solid wood legs, carefully designed to offer stab...

Set/3 Saara Nesting Coffee Tables, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Saara marble coffee table set is a tribute to Africa’s scenic beauty ...

One of a kind table created by artist Rhys Coren in collaboration with artisanal marble expert Peter Noyce. A collage of Imperial Black granite, Calacatta Viola marble and Thassos ...

Mid Century Modern Stainless Steel Pedestal Italian Granite Round Top Table by Brueton The Mid Century Modern Stainless Steel Pedestal Table by Brueto...

Armona Coffee Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collec...

The fitted series coffee and side tables feature a recessed powder coated steel frame that snugly fits two levels of display surface. Mix and match to find the perfect combination th...

"Consle No. 1" J.M. Szymanski d. 2018 This unique console table is inspired by the ancient Asian decorative arts. The inverted legs give this unique table a highly dynamic look. Its...

Willy Rizzo coffee table signed - 1978 Brass structure and granite platean Table signed on one of the legs (the signature is rare on...

A beautiful late 20th century Italian table with wonderfully scrolled hand-wrought iron base and a black leathered granite top with an ogee edge. T...

Milo Baughman lazy-Susan cocktail table produced by Thayer Coggin. This design was developed in the 1960s and works extremely well with Milo Baughman's circular sofas. The top is ros...

Ebony oak with a granite center in the form of a parsons style table. Beautiful grain in both the oak and the granite which sits flush. In excellent vintage condition with minimal wear.

The Lyra coffee table embodies a resolute solidity of form that captivates with its understated yet commanding presence. Its simplistic yet robust sh...

This Important Monumental Regal Irish Georgian carved mahogany granite slab console / hall table was made in the early 19th Century. A most impressive Cla...

Ettore Sottsass Montenegro Carrara Marble & Granite Console for Ultima Edizione 1980s The Montenegro console table, created by Ettore Sottsass in...

The Scarpa's way of thinking the architecture is particularly visible in this piece. The “Samo” dining table, designed in 1971 for 'Ultrarazionale' collection by Simon Gavina, consis...

Tavolo da pranzo "Paracarro", design Giovanni OFFREDI per SAPORITI. Italia, 1973

Spectacular Italian dining table made of granite stone. From the 1980’s. It has two granite stone pedestal based one of them has a small chip, other than that the table remains in g...

Bordeira Coffee Tables, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection, the Bordeira modern coffee...

Bordeira Nesting Coffee Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection, the Bordeira nestin...

Charles dining table, Modern Collection, Handcrafted in Portugal - Europe by GF Modern. A flowing design with refined details. Charles offers the right combination of materials fo...

This is a gorgeous table in the manner of Oscar Bach. The table is made of hand-wrought iron and features a beveled inset granite top which means it can be used inside or outside. Th...

One of a kind slate table. Mid-Century Modern table in black stone marble and rosewood finish.

Introducing the Claudia Coffee Table by Lamas Design, a stunning blend of elegance and functionality, perfect for both indoor and outdoor settings. Crafted from certified noble wood...

The Geometra Dining Table from Katz Studio stands as a minimalist statement, combining the reflective elegance of a polished bronze base with the robust beauty of Adamantium Granite....

CONSOLE NO. 3 J.M. Szymanski d. 2020 A refined and sleek design, this console table is carved out of blackened and waxed steel. Horsehair accents help enhance the intrigue of the t...

Cool 1980’s polish Chrome and white, gray and black speckled granite dining table base or pedestal by Pace Collection. In beautiful condition minor wear consistent with age. No gla...

Custom Granite cocktail table with custom metal base.

A nicely crafted cane and rattan console table, with polished granite top, from San Francisco furniture makers McGuire, circa 1970's. This vintage table has a rectangular-shaped polished granite top, which rests upon a cane and rattan base with a decorative design about the apron in an open geometric design, and presented upon four straight legs. The black granite top is complimented with a newer gray painted finish about the table base and legs. This vintage McGuire table...

Marble Cube, Modern Collection, Handcrafted in Portugal - Europe by GF Modern. Marble Cube in Calacatta Bianco marble, a decorative piece that draws the eye with it's beautiful colo...

Three stunning blue granite side or occasional tables. These were custom ordered and priced individually.

Charles dining table, Modern Collection, Handcrafted in Portugal - Europe by GF Modern. A flowing design with refined details. Charles offers the right combination of materials fo...

First developed in 1976, the Cirkante extendable dining table became an instant classic. Thanks to the combination of design and functionality, the table can accommodate to 8 people, even in the small houses of the past. This feature is very useful, given the current trend towards smaller homes. In the center of the table there is a removable red Belgian Rouge Royal marble square centerpiece. In addition, this table comes with a set of 4 beautiful organically shaped oak Orchidee chairs...

Italian modern black marble, wood, serena stone and granite console Belvedere by Aldo Cibic for Memphis, 1980s Iconic console mod. Belvedere with  demi-lune shaped top in black marbl...

Post modern design 1980's by Joe D'urso for KNOLL International with metal label and Hand Signed by Joe D'urso. Polished granite table, chrom...

Secant oval table antique brown granite soft black by Warm Nordic Dimensions: D100 x W60 x H36 cm Material: Granite , Powder coated steel Weig...

Drink Table with black granite top joined to a solid oak ebonized base. Ebony wedges at center table top are driven permanently into place to combine stone top with wood base. The wo...

48" Herman Miller Eames Aluminum Group Granite Dining Table. Aluminum and metal Base.

A handsome matching set of glass drink tables designed and produced by Kaiser Newman in the 1990s. The tables features a black polished stone base and a spun aluminum stem with glass...

The Paris based label has distinguished themselves since their launch, with their iconic use of shagreen mixed with brass and other exotic materials. All furniture is handcrafted by skilled artisans, ultimately making each piece unique, designed in Paris and produced in the Philippines. The cosmos nesting coffee tables...

Made in the 1970s, this table was designed by architect and edgineer Cedric Hartman. In the beginning of his career, he made a name for himself with the iconic 1UWV floor lamp, but s...

Late 19th Century Victorian ocassional table. Features a rectangular form made from walnut with a granite top and hand dovetailed frieze drawer. The desk is supported by turned leg...