Granite Tables

Vintage bronze dolphin leg occasional table with round black marble top.

The Granada Round Coffee Table is a refined living space centerpiece. Its Absolute Black Granite top provides a subtle, monochromatic element to the design, while the simple and slee...

Named after the traditional Indian game of Seven Stones, the Pitthu Console reinterprets the iconic stacked-stone form through a refined, contemporary lens. A live edge Ash wood top ...

Named after the traditional Indian game of Seven Stones, the Pitthu Console reinterprets the iconic stacked-stone form through a refined, contemporary lens. A live edge Ash wood top ...

An iconic round coffee table by Charles and Ray Eames for Herman Miller, featuring a sleek black granite top and elegant cast aluminium four-star base. Clean lines, refined proportio...

Machined brass feet and banding with ring accents granite top side, end table, pedestal, or small gueridon. In style of Parzinger.

Organic Modern Bordeira Marble Coffee Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Bordeira marble coffee table was designed to bring the esse...

Natural Bolete Side Table by Henry D'ath Dimensions: D 40 x W 45 x H 45 cm Materials: Wood, Granite. Available finishes: Natural, Black ink. Henry d’ath is a New Zealand-born, Ho...

Pair of tables with round granite tops in white and pink respectively over a brass square shaft and black pyramidal base.

The Paris based label has distinguished themselves since their launch, with their iconic use of shagreen mixed with brass and other exotic materials. All furniture is handcrafted by skilled artisans, ultimately making each piece unique, designed in Paris and produced in the Philippines. The cosmos nesting coffee...

Karl Springer for Karl Springer LTD exceptional free-form coffee table with polished brass base and black granite top, designed circa 1970. This iconic Springer low table design has ...

Elegant Art Deco square outdoor dining table. The wrought iron base is painted a delicate grey color. It has a scrolled apron, cabriole leg...

Hugh Acton chrome and granite side table circa early 1970s. This example has a finely grained grey granite top and sleek chrome base.

An American bronze table with acanthus leaf motif, granite top, and lower shelf, circa 1920's. This antique rectangular-shaped occasional table f...

This coffee table features a beautifully crafted top, making it a standout centerpiece for any living space. Estimated to date from the 1960s, this Italian vintage piece is distingui...

Knoll black granite and stainless steel side/end tables, 1980. Custom made for a Corporate Headquarters, top is incised with graphic grid pattern.

Clean line console table in black and ivory lacquered linen with black granite top, custom design, American, 1970s. This piece is beautifully m...

Very nice and solid cone shape metal base black granite top cafe gueridon small dining or game table by Apollo Woodworking and Metal corp.

Custom coffee table, architectural commissioned interior by Platner Studio, manufactured by Lehigh Leopold. Honed Luna Pearl granite top with bronze base.  

Modern Bordeira Marble Coffee Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Bordeira marble coffee table was designed to bring the essence of nature into interior spaces, drawing inspiration from the captivating lines of Bordeira Beach. Through its sweeping curves, ocean meets the land in perfect harmony, expressing the true freedom of organic design. A favorite piece among designers, the Bordeira marble coffee table combines fine craftsmanship and noble materials, making it the ideal centrepiece for contemporary interiors. The Bordeira coffee table...

Striking solid bronze & green 1" thick floating solid granite top, and solid patinated bronze base, circa 1970's a one of a kind rare piece can be used in between club chairs or as e...

Mid-Century Modern Landscape Coffee Tables, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Landscape nesting coffee table draws inspiration from the or...

A Superb Granite top conference table raised on two cylindrical bronze veneered legs. Iron support (not seen) structure.

TOT Dining Table Orinoco Granite Natural Stone One of a Kind Sculptural Table Spain TOT is a remarkable one of a kind dining table that transforms natural stone into architectural s...

Cosmic Blue Cosmos Granite Sculptural G-Table by Zieta Dimensions: D 120 x W 230 x H 75 cm. Materials: Stainless steel and granite. Finish: Cosmic blue. Available in colors: Beige...

Granite top square coffee table on stainless steel legs. Measures: 42'.

Fungus Side Table by David Valner Dimensions: D 39 x W 56 x H 59 cm. Materials: Handcrafted glass, metal, granite, and polyurethane foam. Weight: 24 kg. “The fungi kingdom, an infin...

A wonderful black granite two-tier doré bronze ormolu and brushed silver Gueridon / cocktail height end table in the manner of Jansen.

Dining table mod. ‘Samo’ by Studio Simon. Series ‘Ultrarazionale’. Italy, 1970. Made of granite. Literature: Giuliana Gramigna, Repertorio 1950-2000, Allemandi, Torino, 2003, p.180. Excellent vintage condition. The Samo table was designed in 1970 by the project office of Studio Simon. Carlo Scarpa was the brand's artistic director, and the Venetian architect's style inspired the shapes of this table. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, which are all worth mention. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how 20th century museums were to be set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his greatest ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider being one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa began work building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this 20th century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem”, [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure”. Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded 8 years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana”, “Quatour” and “Orseolo”. While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

The Dose coffee table was developed because we needed a table for our family room that looked and felt softer than any of our designs from the past. We have always loved the idea of mixing and matching materials. So what’s cool about the Dose is that you can combine them in different colors and surfaces to add some interest to the room. We chose the performance velvet for the upholstery because it has such a soft look to it but it’s super durable. A versatile table with a stone surface that sits flush in the base. Suitable as a coffee or side table on its own, or pair them up to fill a larger space. Made by hand in USA Available in: Sand/ pink composition Sand/ ming green...

A round dining table with a classic Victorian wooden base and a sleek black granite top. The base newly lacquered, The top with a 1.25" beveled edge.

Exceptional mosaic in the style of Van Gogh`s masterpiece "Country road in Provence" , mosaic is applied to a 4cm thick granite slab. The table is made of a wooden plate with brass b...

A 1960s mid century modern monumental double pedestal dining /conference table designed by Florence Knoll for Knoll spanning over 10’. This table features two chrome pedestal bases ...

Mahogany veneered round tea table, with a column leg on a tripod base, and a black granite top. France, 19th c.

Designed by Daniel Barbera, the 'Bronze' table is a Minimalist oval table consisting of Classic geometry on the exterior merged with organic flowing underside. The four legged sandca...

Introducing a truly one-of-a-kind, custom-built coffee table styled after Gio Ponti featuring a polished slab of solid granite as the table top. The intricately carved feet, cut from...

Granite and chrome side table in the style of Nicos Zographos Polished chrome base with a black granite top. Measures: 18.5" x 18.5" x 17".   

A striking French piece from the early 20th century, this console table pairs the strength of ebonized wood with the quiet drama of a granite top. The stone’s natural veining catches...

Gueridon, granite top and iron, circa 1970, France. Measures: Height 75 cm, diameter 80 cm.

Very elegant Italian coffee table handcrafted out of granite, 1980's. It has a very nice teardrop shaped top. It is made of beautiful granite. The base is made of two separat...

Stunning mid-century square burl wood side table/end tables by Paul Mayen for Habitat International, circa 1970s. The olive burl wood side table has been meticulously restored, resul...

Classic post modern tiered Italian black Granite coffee piece comprised of 2 triangular shape tables of different heights, they can be configured in any manner to form a square or a ...

Carlo Scarpa "Samo" oval table for Simon Gavina, granite, Italy, 1971. The Scarpa's way of thinking the architecture is particularly visible in this piece. The “Samo” dining table designed in 1971 for 'Ultrarazionale' collection by Simon Gavina consists of two grooved solid granite pillars...

Massimo Papiri, production Appia Antica Roma, Italy 1970s. Sculptural coffee table made of black granite marble with a polished finish, used as a display base or as a design piece of...

A gorgeous Modern Italian double pedestal dining table In the manner of Matteo Grassi Italy, Circa 1970s Beautiful thick Italian granite top, with polished steel drum pedestals. ...

Very nice round coffee or side table handcrafted out of granite, 1980s. Fabricated in Italy. It is made of beautiful granite. Please take notice of the very nice patterns. It...

Secant oval table antique brown granite soft black by Warm Nordic Dimensions: D100 x W60 x H36 cm Material: Granite , Powder coated steel Weig...

Incredible black granite and chrome dining table. Black granite top sitting on three column chrome base.

Dining table designed by Warren Platner. U.S.A., Knoll International, 1966. Vintage dining table designed by Warren Platner in the 1960s for Knoll. Original nickel-plated steel wire...

Teak Color Finish Wooden X Base Side Tables With Black Granite Tops

Designed by Daniel Barbera, the 'Bronze' square table is a Minimalist table consisting of Classic geometry on the exterior merged with organic flowing underside. The four legged cast...

Fungus Side Table by David Valner Dimensions: D 42 x W 67 x H 56 cm. Materials: Handcrafted glass, metal, granite, and polyurethane foam. Weight: 25 kg. “The fungi kingdom, an infin...

Designed by Daniel Barbera, the 'Molecule' table is pedestal table base, that has a range of sizes for different types of usage. The single solid bronze base is sandcast and worked t...

A unique bespoke cherry and Egyptian granite coffee table made by Sean Feeney (b.1956). With two drawers. Commissioned Circa 2003.  Complete with original design drawings and specif...

Designed by Daniel Barbera, the 'Bronze' table is a Minimalist oval table consisting of Classic geometry on the exterior merged with organic flowing underside. The four legged sandcast solid bronze base is hand finished to a smooth mirror polish, with the option of a satin or blackened bronze. This table base is mated to a super white...

Make a bold statement with this vintage custom granite dining table, a luxurious piece that merges natural beauty with modernist design. The striking 60-inch round granite tabletop s...

The Scarpa's way of thinking the architecture is particularly visible in this piece. The “Samo” dining table, designed in 1971 for 'Ultrarazionale' collection by Simon Gavina, consis...

Designed by Daniel Barbera the great dining table base consist of a singular bronze sculpted form paired with toughed grey tinted glass. The great dining table is the culmination of ...

Designed by Daniel Barbera, the 'OSSO' oval table is a minimal yet organism life inspired form. The four-legged cast solid bronze base is rough cast and lightly worked to show the honesty of the process, but this can also be hand finished to a smooth mirror polish with the option of a satin or blackened bronze. This table base is mated to a Baltic brown granite stone top with a texture finish. Other varieties of stone and timber are also available. The size of this bronze square table...

A set of three graphic hexagonal granite stone side/coffee tables, graduating in height with bevelled edges. Dark grey and white, with hues of pink running throughout. French, c. 198...