Granite Tables

Modern Windy Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Windy dining table captures the effortless movement of a gentle breeze, bring...

An iconic dining table designed by Poul Kjærholm in 1963, exemplifying his pursuit of structural clarity and material honesty. The PK54 is defined by its balanced proportions and ref...

Stunning brass and granite table designed by Ed Moore, 1980s. The base is solid brass and steel. The two part top is charcoal granite framed in the solid bras...

The Arcana Coffee Table pairs natural materials with quiet precision. A sculpted solid-wood base supports a floating stone top, creating a balance between mass and lightness. Each ba...

The Samo dining table is a sculptural and architectural masterpiece designed by Carlo Scarpa for Simon Gavina’s Ultrarazionale collection. It features an oval gray granite top that a...

Make a bold statement with this vintage custom granite dining table, a luxurious piece that merges natural beauty with modernist design. The striking 60-inch round granite tabletop s...

Designed by Daniel Barbera, the 'Bronze' table is a minimalist round table consisting of classic geometry on the exterior merged with organic flowing underside. The three legged cast...

Modern Bordeira Nesting Coffee Table, Set/2, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Bordeira nesting coffee table was designed to bring the ess...

Vintage bronze dolphin leg occasional table with round black marble top.

The Dose coffee table was developed because we needed a table for our family room that looked and felt softer than any of our designs from the past. We have always loved the idea of mixing and matching materials. So what’s cool about the Dose is that you can combine them in different colors and surfaces to add some interest to the room. We chose the performance velvet for the upholstery because it has such a soft look to it but it’s super durable. A versatile table with a stone surface that sits flush in the base. Suitable as a coffee or side table on its own, or pair them up to fill a larger space. Made by hand in USA Available in: Sand/ pink composition Sand/ ming green...

A verdigris painted side table of classical form with black granite top secured by three legs designed in the style of Cedric Hartman (1...

The Scarpa's way of thinking the architecture is particularly visible in this piece. The “Samo” dining table, designed in 1971 for 'Ultrarazionale' collection by Simon Gavina, consis...

The Float series surfaces slightly overhang the rounded basket base. Perfect as a side table, nightstand, or stool. Such a nice piece. Powder coated metal ba...

Pair of end side tables or nightstands gray granite marble stone top, brass and black lacquered metal base. In the mood of Sottsass, Memphis, Mendini, Michele De Lucchi, Matteo Thun,...

On offer on this occasion is one of the most stunning and rare, lucite and granite floating coffee table you could hope to find. Outstanding design is exhibited throughout. The beau...

Designed by Daniel Barbera, the 'Bronze' square table is a Minimalist table consisting of Classic geometry on the exterior merged with organic flowing underside. The four legged cast...

This is a John Geiger modern racetrack shaped dining table with a stainless steel base and granite top. The top is racetrack shaped. The base has 4 legs that connect to a steel bar t...

Gwol Plate Table by Lee Jung Hoon. Dimensions: W 100 x D 100 x H 29.1 cm Materials: Stainless Steel and Hand-carved Granite. The dimensions of this piece are 100 x 100 x 29.1 cm; ho...

The PK61A™ coffee table expands Poul Kjærholm’s iconic PK61™ into a larger, more commanding format. Maintaining the same refined structural clarity and minimalist expression, the PK6...

Aesculus Marble Coffee Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Aesculus marble coffee table draws inspiration from the Aesculus Pavia plant, which flourishes in the gardens of Parque Terra Nostra on São Miguel...

Dining table mod. ‘Samo’ by Studio Simon. Series ‘Ultrarazionale’. Italy, 1970. Made of granite. Literature: Giuliana Gramigna, Repertorio 1950-2000, Allemandi, Torino, 2003, p.180. Excellent vintage condition. The Samo table was designed in 1970 by the project office of Studio Simon. Carlo Scarpa was the brand's artistic director, and the Venetian architect's style inspired the shapes of this table. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, which are all worth mention. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how 20th century museums were to be set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his greatest ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider being one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa began work building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this 20th century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem”, [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure”. Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded 8 years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana”, “Quatour” and “Orseolo”. While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Granite and chrome side table in the style of Nicos Zographos Polished chrome base with a black granite top. Measures: 18.5" x 18.5" x 17".   

1970s "Eclipse" Low Table, designed by Stanley Jay Friedman for Brueton. The modern polished mirrored steel waterfall table has a removable pol...

Knoll Black Granite and Stainless steel coffee table, 1970. Original.

Pair of tables with round granite tops in white and pink respectively over a brass square shaft and black pyramidal base.

Patinated brass and black granite gueridon table with cast lion paw feet and center finial.

This coffee table features a beautifully crafted top, making it a standout centerpiece for any living space. Estimated to date from the 1960s, this Italian vintage piece is distingui...

A Swedish Baroque table from the 18th century with newer honed granite top. This Baroque occasional table from Sweden features a honed marble top which rests upon a robust wood frame...

Designed by Daniel Barbera, the 'Bronze' table is a Minimalist round table consisting of Classic geometry on the exterior merged with organic flowing underside. The three legged cast...

Karl Springer for Karl Springer LTD exceptional free-form coffee table with polished brass base and black granite top, designed circa 1970. This iconic Springer low table design has ...

Circular inset black granite top with metal banded edge and three faux bamboo cluster column supports joining a lower tripartite stretcher. Ending on bronze capped saber legs.

A striking French piece from the early 20th century, this console table pairs the strength of ebonized wood with the quiet drama of a granite top. The stone’s natural veining catches...

Introducing a truly one-of-a-kind, custom-built coffee table styled after Gio Ponti featuring a polished slab of solid granite as the table top. The intricately carved feet, cut from...

Named after the traditional Indian game of Seven Stones, the Pitthu Console reinterprets the iconic stacked-stone form through a refined, contemporary lens. A live edge Ash wood top ...

A wonderful black granite two-tier doré bronze ormolu and brushed silver Gueridon / cocktail height end table in the manner of Jansen.

SHIPPING FROM BIELLA, ITALY Italian 1970s Monumental Blue Pearl Granite Double Pedestal Dining Table Exceptional Italian architectural dining table, circa 1970s, featuring a monume...

Italian modern rectangular red granite and travertine coffee table, 1970s Rectangular coffee table with red granite top. The table is composed of five elements that can be assembled ...

Shane Schneck’s bowler table is a compact side table that is ideal for small spaces. The single tube that extends upwards creates a defined profile, which doubles as a functional han...

An American bronze table with acanthus leaf motif, granite top, and lower shelf, circa 1920's. This antique rectangular-shaped occasional table f...

Designed by Daniel Barbera, the Spargere table inspired by organism evolution, and how nature uses minimum form yet can create super strong structures. The four legged sandcast solid...

Very elegant Italian coffee table handcrafted out of granite, 1980's. It has a very nice teardrop shaped top. It is made of beautiful granite. The base is made of two separat...

MODERN COFFEE TABLE Mid-century balance, refined through material The Modern Coffee Table is a study in proportion and restraint, combining a grounded mid-century sensibility with ...

Very nice round coffee or side table handcrafted out of granite, 1980s. Fabricated in Italy. It is made of beautiful granite. Please take notice of the very nice patterns. It...

A round dining table with a classic Victorian wooden base and a sleek black granite top. The base newly lacquered, The top with a 1.25" beveled edge.

Onda Coffee Table by Wentz Dimensions: D 80 x W 160 x H 28 cm Materials: Granite/Quartzite, Steel/Stainless Steel. The Onda Center Table is associated with the image of the sea. The sculpture in the granite stone creates the perfect curve – marked by the amplitude from the resting balance point to the crest of the wave. A movement of water that presents strength and delicacy in a block of Brazilian stone. The black base gives a sense of depth, that matter is dense, complex and mysterious, like a night...

A mid century modern rectangular coffee table with a chrome base and rose granite top. We have several of these tables available.

Designed by Daniel Barbera the great dining table base consist of a singular bronze sculpted form paired with toughed grey tinted glass. The great dining table is the culmination of ...

The Following Item we are Offering are An Important Pair of Rare Outstanding Pair of Estate Jansen Style Bronze Mounted Black Granite Gueridon Tables. Each supported with 3 Bronze M...

Conference table or dining table with high quality Star Galaxy granite plate oval. stands on 5 steel columns. ideal for the office or at home as a dining table. some scratches on th...

Rare and Exceptional French Art Deco hand-wrought iron coffee table with perfect line and pure symmetrical form by Paul Kiss. The iron has been hand-hammered and the feet end in eleg...

Cosmic Blue Cosmos Granite Sculptural G-Table by Zieta Dimensions: D 120 x W 230 x H 75 cm. Materials: Stainless steel and granite. Finish: Cosmic blue. Available in colors: Beige...

Hand Carved French Console Table, with Granite Top This is a very unusual piece, the table has a waxed finish, it is hand carved in stained walnut with an Urn and Swag decoration, i...

Classic post modern tiered Italian black Granite coffee piece comprised of 2 triangular shape tables of different heights, they can be configured in any manner to form a square or a ...

Alexander Girard, alongside legends like Charles and Ray Eames and George Nelson, redefined postwar American design. While his peers often leaned into the austere, Girard brought the soul—infusing Modernism with a playful sense of color, texture, and pattern. Famous for his textiles designs, Girard also designed a small range of furniture for Herman Miller and Braniff Airways which was produced for only a short time.   This original side table is a stunning testament to that creative exuberance. Custom-designed for Braniff International Airways, this isn't just a piece of furniture; it’s a fragment of aviation and design history. Rare piece of Herman Miller history often seen only in museum collections.  Why This Piece Stands Out: The Stone: Our particular example features a striking Blue Pearl Granite top, dancing with white and blue flecks that truly come alive when caught in the light.  Italian-made stone tops were a hallmark of the higher-end production. The stone features distinct, reflective "eyes" or "pearls" of labradorite. These create a holographic, blue-silver shimmer against a dark charcoal background.  Authentic Pedigree: Unlike later reissues, this base is crafted from welded die-cast aluminum, maintaining the structural integrity of the original design. It also retains the original Herman Miller logo attached to the underside. As well as a made in Italy stamp on the Granite. Although the raw stone was likely quarried in Norway, Italy has historically been the world's primary hub for high-end stone finishing and fabrication, explaining the "Made in Italy" stamp found on authentic vintage Herman Miller tables...

Designed by Daniel Barbera, the 'Bronze' table is a Minimalist oval table consisting of Classic geometry on the exterior merged with organic flowing underside. The four legged sandca...

The Viola console table, designed and crafted by Decorus, features a polished stainless steel base and a black granite top with a sculptural sphere detail. The modern design makes it...

Great, high quality late 19th-early 20th century Directoire style bronze gueridon with black polished granite top, paw feet and bronze...

Mid-century Modern Italian Black Granite and Brass Dining Table Available. High-impact design dining table made of prestigious Absolute Black granite and brass castings. The four ang...

An unusual reclaimed table top, suitable for interior or exterior use. The granite centre edged in white Carrara marble. The stands shown are for display only and are not included...

Gueridon, granite top and iron, circa 1970, France. Measures: Height 75 cm, diameter 80 cm.