Granite Tables

Aesculus Marble Coffee Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Aesculus marble coffee table draws inspiration from the Aesculus Pavia plant, which flourishes in the gardens of Parque Terra Nostra on São Miguel...

Moveis Cantu Dining table, 1968 Workshop label Solid wood and granite top Dimensions: L 200 x W 100 x H 78 cm This 1968 dining table, designed by Moveis Cantu, embodies th...

Mid-Century Modern Landscape Coffee Tables, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Landscape nesting coff...

Amadeus Granite Dining Table with Quatrefoil Shape Top, Brazil

Modern Aire Quartz Coffee Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Aire quartz coffee table stands out as a bold expression of modern sophistication. Inspired by the captivating Grutas de Mira de Aire, its irregular design echoes the organic beauty of nature's creations. The asymmetry of the stone top, featuring dramatic veining, contrasts beautifully with the sleek metal frame and brass detail, creating a striking interplay of textures. Crafted with exquisite materials and meticulous attention to detail, the Aire quartz coffee table is a statement centerpiece designed to elevate contemporary interiors. The Aire coffee table...

A sleek minimalist pair of round sculptured side tables in a rich mahogany stain with thick polished-granite tops. Sleek thick slabs architecturally balance the base scale and compos...

Incredible black granite and chrome dining table. Black granite top sitting on three column chrome base.

Exquisite iron and black granite centre table or occasional table made in the style and manner of French designer Rene Drouet. The hand-crafted iron having a gilt finish decorated wi...

Gwol Plate Table by Lee Jung Hoon. Dimensions: W 100 x D 100 x H 29.1 cm Materials: Stainless Steel and Hand-carved Granite. The dimensions of this piece are 100 x 100 x 29.1 cm; ho...

Carlo Scarpa "Samo" oval table for Simon Gavina, granite, Italy, 1971. The Scarpa's way of thinking the architecture is particularly visible in this piece. The “Samo” dining table designed in 1971 for 'Ultrarazionale' collection by Simon Gavina consists of two grooved solid granite pillars...

Ward Bennet steel I-Beam steel and Granite coffee table, circa 1970. Original

On offer on this occasion is one of the most stunning and rare, lucite and granite floating coffee table you could hope to find. Outstanding design is exhibited throughout. The beau...

Post modern design 1980's by Joe D'urso for KNOLL International with metal label and Hand Signed by Joe D'urso. Polished granite table, chrom...

Hollywood Regency granite top on brass base center or cocktail table This lovely square shaped Hollywood Regency center or cocktail table features a hea...

Machined brass feet and banding with ring accents granite top side, end table, pedestal, or small gueridon. In style of Parzinger.

Charles dining table, Modern Collection, Handcrafted in Portugal - Europe by GF Modern. A flowing design with refined details. Charles offers the right combination of materials fo...

A striking pair of iron frame console tables, designed in a bold industrial-modern style. The sturdy, linear rectangular bases are crafted from solid iron and finished in a sleek sil...

The Arcana Coffee Table pairs natural materials with quiet precision. A sculpted solid-wood base supports a floating stone top, creating a balance between mass and lightness. Each ba...

Dramatic modern style coffee or cocktail table featuring a long black granite slab top. The rectangular granite slab is nearly 8 feet long and supported by two square polished steel ...

Clean line console table in black and ivory lacquered linen with black granite top, custom design, American, 1970s. This piece is beautifully m...

"Asolo" black granite circular tripod coffee table by Angleo Mangiarotti produced by Skipper, Italy, circa 1980 Measures: 145cm diameter, 40cm high.  

The Marcelo end table combines clean architectural lines with exceptional materials, creating a timeless design that complements both traditional and contemporary interiors. Its slen...

Steve Chase.Collectible. Furniture as Art. Large dining table. One of a Kind. This piece was obtained from the original Palm Desert estate. Chase did many variations of this top. It'...

Constructed entirely from polished pink granite, this square coffee table features a thick slab top supported by two rectangular bases positioned at opposite corners. The corner-base...

Very elegant Italian coffee table handcrafted out of granite, 1980's. It has a very nice teardrop shaped top. It is made of beautiful granite. The base is made of two separat...

Hugh Acton chrome and granite side table circa early 1970s. This example has a finely grained grey granite top and sleek chrome base.

Make a bold statement with this vintage custom granite dining table, a luxurious piece that merges natural beauty with modernist design. The striking 60-inch round granite tabletop s...

Karl Springer for Karl Springer LTD exceptional free-form coffee table with polished brass base and black granite top, designed circa 1970. This iconic Springer low table design has ...

Stunning brass and granite table designed by Ed Moore, 1980s. The base is solid brass and steel. The two part top is charcoal granite framed in the solid bras...

The Float series surfaces slightly overhang the rounded basket base. Perfect as a side table, nightstand, or stool. Such a nice piece. Powder coated metal ba...

Striking solid bronze & green 1" thick floating solid granite top, and solid patinated bronze base, circa 1970's a one of a kind rare piece can be used in between club chairs or as e...

Custom coffee table, architectural commissioned interior by Platner Studio, manufactured by Lehigh Leopold. Honed Luna Pearl granite top with bronze base.  

48" Herman Miller Eames Aluminum Group Granite Dining Table. Aluminum and metal Base.

Shane Schneck’s bowler table is a compact side table that is ideal for small spaces. The single tube that extends upwards creates a defined profile, which doubles as a functional han...

Designed by Daniel Barbera the great dining table base consist of a singular bronze sculpted form paired with toughed grey tinted glass. The great dining table is the culmination of ...

Very nice round coffee or side table handcrafted out of granite, 1980s. Fabricated in Italy. It is made of beautiful granite. Please take notice of the very nice patterns. It...

Named after the traditional Indian game of Seven Stones, the Pitthu Console reinterprets the iconic stacked-stone form through a refined, contemporary lens. A live edge Ash wood top ...

Console Model 'Valmarana' by Carlo Scarpa for Simon, ash and granite, Italy 1972.  

A mid century modern rectangular coffee table with a chrome base and rose granite top. We have several of these tables available.

The Following Item we are Offering are An Important Pair of Rare Outstanding Pair of Estate Jansen Style Bronze Mounted Black Granite Gueridon Tables. Each supported with 3 Bronze M...

Granite top square coffee table on stainless steel legs. Measures: 42'.

Designed by Daniel Barbera, the 'Bronze' table is a minimalist round table consisting of classic geometry on the exterior merged with organic flowing underside. The three legged cast...

A wonderful black granite two-tier doré bronze ormolu and brushed silver Gueridon / cocktail height end table in the manner of Jansen.

The Scarpa's way of thinking the architecture is particularly visible in this piece. The “Samo” dining table, designed in 1971 for 'Ultrarazionale' collection by Simon Gavina, consis...

Pair of tables with round granite tops in white and pink respectively over a brass square shaft and black pyramidal base.

Vintage granite dining table with a brass base by Belgochrom Beautiful stone pattern in the table top. Good condition. 1970s - Belgium Height: 78cm Diameter: 120cm Ref: 26031201...

Circular inset black granite top with metal banded edge and three faux bamboo cluster column supports joining a lower tripartite stretcher. Ending on bronze capped saber legs.

Gueridon, granite top and iron, circa 1970, France. Measures: Height 75 cm, diameter 80 cm.

This coffee table features a beautifully crafted top, making it a standout centerpiece for any living space. Estimated to date from the 1960s, this Italian vintage piece is distingui...

A round dining table with a classic Victorian wooden base and a sleek black granite top. The base newly lacquered, The top with a 1.25" beveled edge.

Dining table designed by Warren Platner. U.S.A., Knoll International, 1966. Vintage dining table designed by Warren Platner in the 1960s for Knoll. Original nickel-plated steel wire...

Dining table mod. ‘Samo’ by Studio Simon. Series ‘Ultrarazionale’. Italy, 1970. Made of granite. Literature: Giuliana Gramigna, Repertorio 1950-2000, Allemandi, Torino, 2003, p.180. Excellent vintage condition. The Samo table was designed in 1970 by the project office of Studio Simon. Carlo Scarpa was the brand's artistic director, and the Venetian architect's style inspired the shapes of this table. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, which are all worth mention. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how 20th century museums were to be set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his greatest ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider being one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa began work building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this 20th century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem”, [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure”. Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded 8 years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana”, “Quatour” and “Orseolo”. While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Cosmic Blue Cosmos Granite Sculptural G-Table by Zieta Dimensions: D 120 x W 230 x H 75 cm. Materials: Stainless steel and granite. Finish: Cosmic blue. Available in colors: Beige...

Rare and Exceptional French Art Deco hand-wrought iron coffee table with perfect line and pure symmetrical form by Paul Kiss. The iron has been hand-hammered and the feet end in eleg...

Stunning mid-century square burl wood side table/end tables by Paul Mayen for Habitat International, circa 1970s. The olive burl wood side table has been meticulously restored, resul...

Great, high quality late 19th-early 20th century Directoire style bronze gueridon with black polished granite top, paw feet and bronze...

Modern Silhueta Console Table, Modern Collection, handcrafted in Portugal - Europe by GF Modern. The Silhueta stone console table celebrates the fluid forms and organic elegance of ...

The Granada Round Coffee Table is a refined living space centerpiece. Its Absolute Black Granite top provides a subtle, monochromatic element to the design, while the simple and slee...

Teak Color Finish Wooden X Base Side Tables With Black Granite Tops

A gorgeous Modern Italian double pedestal dining table In the manner of Matteo Grassi Italy, Circa 1970s Beautiful thick Italian granite top, with polished steel drum pedestals. ...