Granite Tables

Moveis Cantu Dining table, 1968 Workshop label Solid wood and granite top Dimensions: L 200 x W 100 x H 78 cm This 1968 dining table, designed by Moveis Cantu, embodies th...

High quality mid century modern black granite desk with shelf or bookcase in the back.

The Flux dining series comes in nearly endless combinations of shapes, surfaces, and colors. The Flux series can be customized to accomplish any dining design goal. We call that flux...

Vintage oval dining table designed model Samo, by Carlo Scarpa and Manufactured by Simon, Italy 1970s. Light grey granite dining table with o...

This pill-shaped dining table was originally designed for the Pieces Homes shoppable Airbnb in Kennebunk, Maine. The marble surface rests on top of a metal frame with collars that ho...

The Float series surfaces slightly overhang the rounded basket base. Perfect as a side table, nightstand, or stool. Such a nice piece. Powder coated metal ba...

Pair of end side tables or nightstands gray granite marble stone top, brass and black lacquered metal base. In the mood of Sottsass, Memphis, Mendini, Michele De Lucchi, Matteo Thun,...

Bordeira Coffee Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection, the Bordeira modern coffee ...

A Swedish Baroque table from the 18th century with newer honed granite top. This Baroque occasional table from Sweden features a honed marble top which rests upon a robust wood frame...

Rare and Exceptional French Art Deco hand-wrought iron coffee table with perfect line and pure symmetrical form by Paul Kiss. The iron has been hand-hammered and the feet end in eleg...

Such character and charm in this signed Postmodern sculpture that also functions as a coffee table. Jonathan Bonner is an accomplished sculpture artist known for his solo work and his collaborative work with Judy Kensley McKie. This sculpture from the 1980s features a granite top over an aluminum platform base with a series of six aluminum legs which resemble bird feet. Signed underneath by the artist. This Postmodern cocktail table...

Very nice Italian coffee table handcrafted out of granite, 1980's. It is made of beautiful granite. Please take notice of the very nice patterns. It has traces of use, see the...

Italian modern black marble, wood, serena stone and granite console Belvedere by Aldo Cibic for Memphis, 1980s Iconic console mod. Belvedere with  demi-lune shaped top in black marbl...

Add a touch of refined opulence and elegant sophistication with this luxurious Italian modern gilt bronze mounted granite pedestal / stand. Italy, 20th century, highly polished sol...

Coffee tables, granite, brass, black lacquered steel, Italy, 1980s These Italian side tables showcase a rectangular brown granite tabletop with a striking, vivid surface. The granit...

Onda Coffee Table by Wentz Dimensions: D 80 x W 160 x H 28 cm Materials: Granite/Quartzite, Steel/Stainless Steel. The Onda Center Table is associated with the image of the sea. The sculpture in the granite stone creates the perfect curve – marked by the amplitude from the resting balance point to the crest of the wave. A movement of water that presents strength and delicacy in a block of Brazilian stone. The black base gives a sense of depth, that matter is dense, complex and mysterious, like a night...

This is a John Geiger modern racetrack shaped dining table with a stainless steel base and granite top. The top is racetrack shaped. The base has 4 legs that connect to a steel bar t...

Side tables, granite, metal, brass, Italy, 1980s These side tables feature a red granite tabletop in round format. The granite shows a vivid surface. A brass pedestal ends in a blac...

Designed by Daniel Barbera, the 'Bronze' table is minimal form consisting of Classic geometry on the exterior merged with organic flowing underside. The three legged cast solid bronz...

Dining table mod. ‘Samo’ by Studio Simon. Series ‘Ultrarazionale’. Italy, 1970. Made of granite. Literature: Giuliana Gramigna, Repertorio 1950-2000, Allemandi, Torino, 2003, p.180. Excellent vintage condition. The Samo table was designed in 1970 by the project office of Studio Simon. Carlo Scarpa was the brand's artistic director, and the Venetian architect's style inspired the shapes of this table. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, which are all worth mention. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how 20th century museums were to be set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his greatest ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider being one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa began work building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this 20th century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem”, [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure”. Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded 8 years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana”, “Quatour” and “Orseolo”. While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

On offer on this occasion is one of the most stunning and rare, lucite and granite floating coffee table you could hope to find. Outstanding design is exhibited throughout. The beau...

Mid Century square granite top chrome base occasional coffee side end table MINT.

A striking pair of iron frame console tables, designed in a bold industrial-modern style. The sturdy, linear rectangular bases are crafted from solid iron and finished in a sleek sil...

A pair of side tables made and designed by Cedric Hartman. These tables feature a new granite top with a beveled edge and a frame of stainless steel. Under the tabletop, on the metal...

Exceptional mosaic in the style of Van Gogh`s masterpiece "Country road in Provence" , mosaic is applied to a 4cm thick granite slab. The table is made of a wooden plate with brass b...

“Antoniolupi” was born in 1950 from the intuition of the homonymous founder, in the Florentine village of Cerreto Guidi, a beautiful town immersed in the Tuscan hills in the cradle o...

Beautiful vintage burl wood “drum” side table designed by Paul Mayen for Habitat International, circa 1970s. This beautifully restored side table offers...

Green teal velvet wall mount console with black granite top. Customization is available in different sizes and fabrics (COM).

Karl Springer for Karl Springer LTD exceptional free-form coffee table with polished brass base and black granite top, designed circa 1970. This iconic Springer low table design has ...

A 1960s mid century modern monumental double pedestal dining /conference table designed by Florence Knoll for Knoll spanning over 10’. This table features two chrome pedestal bases ...

Large granite square dining table with beautiful natural stone pattern and a central lag. The edges have been honed so no sharp edges/corners. Very good condition, timeless piece ...

Granite and chrome side table in the style of Nicos Zographos Polished chrome base with a black granite top. Measures: 18.5" x 18.5" x 17".   

590 Million Years Love Table by Alina Alamorean One Of A Kind. Dimensions: D 90 x W 170 x H 82 cm. Materials: Granite and iron steel. This table can be used as an office desk. Diffe...

Large free-form coffee table in Zimbabwe black granite with the inclusion of a large Brazilian agate. The base consists of 4 asymmetrically arranged blackened solid brass supports. ...

Elegant Art Deco square outdoor dining table. The wrought iron base is painted a delicate grey color. It has a scrolled apron, cabriole leg...

In this listing you will find a stunning oval Mid Century Modern Coffee or Cocktail table attr. to Bendixen Design. It features a sleek oval top in black granite and a very sculptura...

A nicely crafted cane and rattan console table, with polished granite top, from San Francisco furniture makers McGuire, circa 1970's. This vintage table has a rectangular-shaped polished granite top, which rests upon a cane and rattan base with a decorative design about the apron in an open geometric design, and presented upon four straight legs. The black granite top is complimented with a newer gray painted finish about the table base and legs. This vintage McGuire table...

Amazing vintage burl wood and granite “Drum” coffee table, designed by Paul Mayen for Habitat International in the USA, circa 1970s. This exquisite table, professionally restored to ...

Pair of tables with round granite tops in white and pink respectively over a brass square shaft and black pyramidal base.

This elegant console table is a masterful study in contrasting textures and materials. The expansive top is made from luxurious Estremoz marble, which has a beautiful honed finish t...

DELTA T Coffee Table Rainbow Avocado Granit by Frédéric Saulou Limited edition : 2/8 Dimensions: L 150 x W 60 x H 34 cm Materials: White glass, Inox, Rainbow Avocado granit Weight :...

Teak Color Finish Wooden X Base Side Tables With Black Granite Tops

Very handsome large Art Deco table, with a wrought iron base of neoclassical inspiration. Tasteful design with minimalist lines. The black granite top has canted corners. Raised on s...

Tres belle table basse datant des années 80. Piètement composé de 3 éléments - granit + un plateau verre tres bon état

Elegant 1980s postmodern coffee table with glass top, black painted metal foot, and gray granite base. Excellent Condition. Made in italy.

Architectural coffee table made from a solid travertine base. The table was designed by Willy Ballez. All these tables are hand made, so they are always a bit different. The mode...

"Asolo" black granite circular tripod coffee table by Angleo Mangiarotti produced by Skipper, Italy, circa 1980 Measures: 145cm diameter, 40cm high.  

A brass side table with Rosso Tranas Rubino granite top designed by Cedric Hartman.

Exceptional Brueton quality! Simple design this circular PBLR table constructed of mirror like finish stainless steel flat apron, square legs welded, ground and polished into a seaml...

Whitewashed Granite Top White Painted Single Drawer Washstand or Work Table Measures 30" and 21" in width, 31" in height. Knee clearance is 25"

A fabulous, hand-forged Giacometti inspired console table! It has a sculptured metal base with a hammered texture that adds depth and character. At the center, a bold sunburst motif,...

This round dining table features a stylish granite top, providing a sense of sophistication and durability. Its base consists of four solid wood legs, carefully designed to offer sta...

Vintage Round Granite Top Bistro Side Tables - Pair Vintage pair of modern round granite top polished tops with steel bases bistro side tables.

Belle table basse ancienne, avec plateau en granit en forme stylisée de grappe de raisin sur pietement en fer forgé martelé. Dim Plateau : 82l x122L x 2,7 épaisseur cm Dim piètemen...

A Minimalist desk or table fashioned from a rectangular slab of black granite perforated by stainless steel column legs.

Vintage bronze dolphin leg occasional table with round black marble top.

Maré Coffee Table by Wentz Dimensions: D 80 x W 160 x H 25 cm Materials: Granite, Steel. Also available in Black Brazilian Granite, White Brazilian Quartzite. The Mesa Centro...

Console No. 1 J.M. Szymanski d. 2018 This unique console table is inspired by the ancient Asian decorative arts. The inverted legs give this unique table a highly dynamic look. Its ...

Single end table with granite top and parchment faux snake skin drawer with metal hardware. Please confirm location NY or NJ

Designed by Daniel Barbera, the 'Bronze' table is a Minimalist round table consisting of Classic geometry on the exterior merged with organic flowing underside. The three legged cast...