Granite Tables

A Superb Granite top conference table raised on two cylindrical bronze veneered legs. Iron support (not seen) structure.

The Float series surfaces slightly overhang the rounded basket base. Perfect as a side table, nightstand, or stool. Such a nice piece. Powder coated metal ba...

Introducing the Claudia Coffee Table by Lamas Design, a stunning blend of elegance and functionality, perfect for both indoor and outdoor settings. Crafted from certified noble wood...

This extra-large bar cart is crafted from an antique autopsy table. The reclaimed autopsy table base is made from heavy-duty steel and the base is newly ...

Charles dining table, Modern Collection, Handcrafted in Portugal - Europe by GF Modern. A flowing design with refined details. Charles offers the right combination of materials fo...

Heavy grade materials coffee table made of solid black granite top and solid brass frame with tapered legs.

This is a John Geiger modern racetrack shaped dining table with a stainless steel base and granite top. The top is racetrack shaped. The base has 4 legs that connect to a steel bar t...

“Antoniolupi” was born in 1950 from the intuition of the homonymous founder, in the Florentine village of Cerreto Guidi, a beautiful town immersed in the Tuscan hills in the cradle o...

Striking solid bronze & green 1" thick floating solid granite top, and solid patinated bronze base, circa 1970's a one of a kind rare piece can be used in between club chairs or as e...

Incredible black granite and chrome dining table. Black granite top sitting on three column chrome base.

Pair of side tables in Red Granite. The diameter given applies to the table top.

Each with circular inset black granite tops with metal banded edge and three curved legs and conforming small shelf, all ending on paw feet.

Classic Saarinen style Oval Dining Table with remarkable gray Granite top with chamfered edge and reflective Mica inclusions throughout. The Mica reads as Silver, and although the m...

The Dose coffee table was developed because we needed a table for our family room that looked and felt softer than any of our designs from the past. We have always loved the idea of mixing and matching materials. So what’s cool about the Dose is that you can combine them in different colors and surfaces to add some interest to the room. We chose the performance velvet for the upholstery because it has such a soft look to it but it’s super durable. A versatile table with a stone surface that sits flush in the base. Suitable as a coffee or side table on its own, or pair them up to fill a larger space. Made by hand in USA Available in: Sand/ pink composition Sand/ ming green...

The Scarpa's way of thinking the architecture is particularly visible in this piece. The “Samo” dining table, designed in 1971 for 'Ultrarazionale' collection by Simon Gavina, consis...

Classic Console Table: A study in quiet elegance, the Classic Coin Console Table bridges antiquity and modern living. Its proportions-72" wide, 18" deep, and 30" high-create a strik...

Custom coffee table, architectural commissioned interior by Platner Studio, manufactured by Lehigh Leopold. Honed Luna Pearl granite top with bronze base.  

Ettore Sottsass Montenegro Carrara Marble & Granite Console for Ultima Edizione 1980s The Montenegro console table, created by Ettore Sottsass in...

High quality mid century modern black granite desk with shelf or bookcase in the back.

Stunning mid-century square burl wood side table/end tables by Paul Mayen for Habitat International, circa 1970s. The olive burl wood side table has been meticulously restored, resul...

Gwol Plate Table by Lee Jung Hoon. Dimensions: W 100 x D 100 x H 29.1 cm Materials: Stainless Steel and Hand-carved Granite. The dimensions of this piece are 100 x 100 x 29.1 cm; ho...

'Down to Earth' was excavated from our inner landscape, inspired by the physical immensity and powerful visuals of the Australian desert. Hand sculpted to create a red earth sedime...

Mid Century Modern cocktail table. Teak base with cream white stone top.

This pill-shaped dining table was originally designed for the Pieces Homes shoppable Airbnb in Kennebunk, Maine. The marble surface rests on top of a metal frame with collars that ho...

Green teal velvet wall-mount console with a black granite top. Currently out of stock but available for custom order in different sizes and fabrics. Please inquire about estimated p...

This cylinder shaped table has a floating granite top. The granite top rest upon brass balls and gives this table a look unlike many of its kind. The base is constructed of walnut an...

Elegant Vintage Brutalist Granito Terrazzo Coffee Table with Teak Frame Discover a true masterpiece of design with our vintage brutalist granito terrazzo coffee table, reminiscent o...

Teak Color Finish Wooden X Base Side Tables With Black Granite Tops

The Flux dining series comes in nearly endless combinations of shapes, surfaces, and colors. The Flux series can be customized to accomplish any dining design goal. We call that flux...

Machined brass feet and banding with ring accents granite top side, end table, pedestal, or small gueridon. In style of Parzinger.

This Art Deco-inspired European console table features a striking scalloped granite top, supported by an elegant yet angular black iron base. The sculptural wall-mounted frame showca...

Exceptional mosaic in the style of Van Gogh`s masterpiece "Country road in Provence" , mosaic is applied to a 4cm thick granite slab. The table is made of a wooden plate with brass b...

Stunning black granite dining table with bits of blue iridescent flecks. The table is in impeccable condition and can be used as a 4/5 person dining table or an entry table. The geom...

Stunning jet black marble table amazing features can be set up multiple ways feel free to reach out with any questions

Very elegant Italian coffee table handcrafted out of granite, 1980's. It has a very nice teardrop shaped top. It is made of beautiful granite. The base is made of two separat...

A verdigris painted side table of classical form with black granite top secured by three legs designed in the style of Cedric Hartman (1...

A striking and highly sculptural dining table designed by Koen Dawaele for Pia Manu, the renowned Belgian art and design workshop active since the 1950s. Known for their handcrafted ...

This elegant square table embodies the refined simplicity of mid-century modern design. The top is crafted from black granite with subtle flecks and reflective inclusions that catch ...

Introducing a truly one-of-a-kind, custom-built coffee table styled after Gio Ponti featuring a polished slab of solid granite as the table top. The intricately carved feet, cut from...

A pair of side tables made and designed by Cedric Hartman. These tables feature a new granite top with a beveled edge and a frame of stainless steel. Under the tabletop, on the metal...

Modern Bordeira Stone Coffee Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Bordeira stone coffee table was designed to bring the essence of nat...

Dining table mod. ‘Samo’ by Studio Simon. Series ‘Ultrarazionale’. Italy, 1970. Made of granite. Literature: Giuliana Gramigna, Repertorio 1950-2000, Allemandi, Torino, 2003, p.180. Excellent vintage condition. The Samo table was designed in 1970 by the project office of Studio Simon. Carlo Scarpa was the brand's artistic director, and the Venetian architect's style inspired the shapes of this table. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, which are all worth mention. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how 20th century museums were to be set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his greatest ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider being one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa began work building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this 20th century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem”, [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure”. Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded 8 years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana”, “Quatour” and “Orseolo”. While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Down to Earth Coffee Table by Odditi Unique and Numbered Dimensions: ⌀ 140 x H 30 cm Materials: Onyx, Sandstone, Granite, Recycled Brick, Recycled Copper 'Down to Earth' was excavat...

Designed by Daniel Barbera, the 'Bronze' table is a Minimalist oval table consisting of Classic geometry on the exterior merged with organic flowing underside. The four legged sandca...

Exceptional Brueton quality! Simple design this circular PBLR table constructed of mirror like finish stainless steel flat apron, square legs welded, ground and polished into a seaml...

The luxury Rivage coffee table presents a perfect curved movement with rounded edges. Like a stone polished within centuries, it will perfectly fit into your home. Its three cylindri...

This sophisticated round black granite dining table dates to the 1980s and exemplifies the era’s emphasis on bold materials, sculptural form, and refined modern glamour. Measuring 54...

Rare and Exceptional French Art Deco hand-wrought iron coffee table with perfect line and pure symmetrical form by Paul Kiss. The iron has been hand-hammered and the feet end in eleg...

Designed by Daniel Barbera, the 'OSSO' oval table is a minimal yet organism life inspired form. The four-legged cast solid bronze base is rough cast and lightly worked to show the honesty of the process, but this can also be hand finished to a smooth mirror polish with the option of a satin or blackened bronze. This table base is mated to a Baltic brown granite stone top with a texture finish. Other varieties of stone and timber are also available. The size of this bronze square table...

Bolete Side Table by Henry D'ath In collaboration with Batten and Kamp Dimensions: D 40 x W 45 x H 45 cm Materials: Wood, granite. Available in natural or black ink finishes. The Bo...

This is a custom-made Black Granite and Chromed-Steel Dining or Conference Table, initially commissioned in 2006 by a Hedge Fund for use in their HQ. The top is comprised of high-qua...

Designed by Daniel Barbera, the 'Bronze' table is a Minimalist oval table consisting of Classic geometry on the exterior merged with organic flowing underside. The four legged sandcast solid bronze base is hand finished to a smooth mirror polish, with the option of a satin or blackened bronze. This table base is mated to a super white...

DELTA T Coffee Table Rainbow Avocado Granit by Frédéric Saulou Limited edition : 2/8 Dimensions: L 150 x W 60 x H 34 cm Materials: White glass, Inox, Rainbow Avocado granit Weight :...

Cedric Hartman mixed metal and granite side table, circa.1970s, USA. The round striking blue granite stone table top showcases a cream and black vei...

This Giraffe console table is made with a yellow powder-coated steel frame and a natural granite stone top. This luxury console has been designed to be geometric and compact with bea...

A Swedish Baroque table from the 18th century with newer honed granite top. This Baroque occasional table from Sweden features a honed marble top which rests upon a robust wood frame...

Natural Bolete Side Table by Henry D'ath Dimensions: D 40 x W 45 x H 45 cm Materials: Wood, Granite. Available finishes: Natural, Black ink. Henry d’ath is a New Zealand-born, Ho...

Fungus Side Table by David Valner Dimensions: D 39 x W 56 x H 59 cm. Materials: Handcrafted glass, metal, granite, and polyurethane foam. Weight: 24 kg. “The fungi kingdom, an infin...

"Asolo" black granite circular tripod coffee table by Angleo Mangiarotti produced by Skipper, Italy, circa 1980 Measures: 145cm diameter, 40cm high.  

Vintage oval dining table designed model Samo, by Carlo Scarpa and Manufactured by Simon, Italy 1970s. Light grey granite dining table with o...