Granite Tables

Aesculus coffee table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection, this coffee table is inspired by the Aesculus Pavia plant that grows in the beautiful gardens of Parque Terra Nostra on the island of São Miguel...

On offer on this occasion is one of the most stunning and rare, monumental leather chesterfield style coffee table you could hope to find. Outstanding design is exhibited throughout....

The Paris based label has distinguished themselves since their launch, with their iconic use of shagreen mixed with brass and other exotic materials. All furniture is handcrafted by skilled artisans, ultimately making each piece unique, designed in Paris and produced in the Philippines. The cosmos nesting...

"Asolo" table by Angelo Mangiarotti in black granite, Italy, circa 1980.

Amadeus Granite Dining Table with Quatrefoil Shape Top, Brazil

Side Table by Laura Griziotti for Arflex, black painted steel base and Granite top. No longer in production.

This is a Square Coffee Table, Model TA-2, designed by Davis Allen under the leadership of Gordon Bunshaft within SOM. It's possible that Nicos Zographos played a role in the executi...

Mid century hexagonal granite dining table, 1980’s

An elegant pair of stone top console tables. The Giraffe console table is a modern statement piece. The powder-coated steel console table looks stunning behind the sofa or in the...

Custom Platner coffee table, architectural commission by Platner Office manufactured by Lehigh Leopold. Honed Luna pearl granite top with bronze base.   

"G-Table Cosmos" contemporary dining table by Zieta Prozessdesign Base: Stainless steel, deep blue finish Top: Granite Measures: 75 x 230 x 120 cm. Several finishes available...

Leme tables have their lines inspired by the rudders of the boats. The rudders are designed to operate underwater, where everything is lighter and, all movement, more fluid. Based on...

Karl Springer attributed Console Table features a Faux Ivory Tusk which rests on a black lacquered Granite Base. The Tusk Supports a heavy Glass Top with round edges and is mounted v...

Transform your living space with this exquisite custom carved Javanese table, a masterpiece that seamlessly blends elegance and functionality. Crafted with precision, its honed black...

A simple form design dining table that would also make a fabulous desk. It features solid slab speckled granite construction. In very good ready to use condition.

The Giraffe console table is a modern statement piece. The powder-coated steel console table looks stunning behind the sofa or in the hallway with a bunch of flowers or as a lamp table in any room. The beauty of the Giraffe console table is that it works both against period details and modern surroundings due to its elegant proportions. The Giraffe console table is made with a steel frame and a solid granite top. The geometric leg design ensures that the table is sturdy and stable maintaining an elegant aesthetic. Please get in touch if you have any specific stones you'd like us to source. The Giraffe console hold the Design Guild...

This is a gorgeous table in the manner of Oscar Bach. The table is made of hand-wrought iron and features a beveled inset granite top which means it can be used inside or outside. Th...

The Scarpa's way of thinking the architecture is particularly visible in this piece. The “Samo” dining table, designed in 1971 for 'Ultrarazionale' collection by Simon Gavina, consis...

This Italian Verde Italia granite and bronze end table is fabulousness at its finest, circa 1980s. Dimensions: 26" high, 24" wide, 24" deep.

Stunning 1960s modern steel with bronze finish and travertine top coffee table from Spain. Matching side table also available.

Elegant polished chrome Greek key influenced coffee table. The beautiful granite top floats on top of the base.

Stunning vintage Art Deco Revival custom two-toned mahogany round side or accent table with a black granite top custom made by Rialto & designed by Zlata Pericic for Meca Design & Pr...

An incredible modernist solid granite table or bench with a recessed foot, perfect for indoors or out. The bench was designed for the lobby of the...

A pair of side tables made and designed by Cedric Hartman. These tables feature a new granite top with a beveled edge and a frame of stainless steel. Under the tabletop, on the metal...

A-symmetry, a brown marble console by Frederic Saulou Frederic Saulou. Materials: Marble granite, massif oak stained. Dimensions: 100 x 95 x 29...

"G-Table Cosmos" contemporary dining table by Zieta Prozessdesign Base: Stainless steel, deep blue finish Top: Solid oak Measures: 75 x 230 x 120 cm. Several finishes availab...

Bordeira Coffee Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection, the Bordeira modern coffee ...

Mid Century Modern cocktail table. Teak base with cream white stone top.

Very nice quality round (48") eboniesed base coffee table with granite not marble top by Baker.

For your consideration, aSide Table blue stone on a richly patinated bronze frame No label. Circa the 1970s. In the style of artist designer Cedric Hartman. Dimensions: 18.5 diamete...

A very well made custom New Haven Woodworks arts & crafts style oval cherry wood table with square tapering legs and covered with a granite top. The table is accompanied by 2 arm cha...

This is a John Geiger modern racetrack shaped dining table with a stainless steel base and granite top. The top is racetrack shaped. The base has 4 legs that connect to a steel bar t...

Chiseled granite conjoined with stainless steel corners and floating glass top end tables. Each Leg is 8 3/4 Wide and deep. 15 3/4 high Glass is 31 3/4 x 36 Glass is optional.

Large coffee table in black Zimbabwean granite with Pyrite cubes in the center, forming an abstract motif. The base consists of 4 solid brushed brass supports arranged asymmetrically...

Large puzzle-shaped coffee table in black Zimbabwean granite and Madagascar rock crystal inclusions. The base consists of 4 solid brushed brass supports arranged asymmetrically. Zi...

The Flux dining series comes in nearly endless combinations of shapes, surfaces, and colors. The Flux series can be customized to accomplish any dining design goal. We call that flux...

A gorgeous French Regency Louis XVI style coffee table Possibly Maison Jansen France, Circa 1960s Beautiful granite top, with faux marble painted wood base with gold gilt details....

Massive spiral aluminum leg table with raised polished black granite top, circa 1970s. Spiral legs screw to a large solid aluminum top while granite...

Coffee tables, granite, brass, black lacquered steel, Italy, 1980s These Italian side tables showcase a rectangular brown granite tabletop with a striking, vivid surface. The granit...

Chiado Console, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Chiado console table honors Lisbon’s historic quarter, cap...

Vintage 1980s Modern Black Granite Stone Rectangular Dining Table with Narrow Octagonal Pedestal Base. Circa Late 20th Century. Measurem...

A very Decorative and well-made table from William Switzer. Hand Crafted in Italy, the table has a decidedly Neoclassical air with the Modern touch of a swirling base in chosen mahog...

The Elementary I Natural Granite Limited Edition Console Table by Grzegorz Majka Limited Edition Of 8 Pieces. Dimensions: D 50 x W 180 x H 50 cm. Materials: Natural granite and soli...

Mid Century Modern Round Iridescent Granite Tulip Base Dining Center Table MINT!

Round dining table By Alfred Hendrickx for Belform - Circa 1960 Belgium design - Vintage Measures : Ø 120cm H69cm Material : white laminated wooden top - Granite Wear consistent wi...

Born from need, the frame series is something easy, but unique. Not a reinvention of the wheel, but a colorful cube with some sexy surfaces. Unbounded op...

A Fine Louis XVI Style gilt-bronze Gueridon in the manner of Adam Weisweiler. This fine gueridon has a rouge granite circular top above a laurel and ...

Dining table mod. ‘Samo’ by Studio Simon. Series ‘Ultrarazionale’. Italy, 1970. Made of granite. Literature: Giuliana Gramigna, Repertorio 1950-2000, Allemandi, Torino, 2003, p.180. Excellent vintage condition. The Samo table was designed in 1970 by the project office of Studio Simon. Carlo Scarpa was the brand's artistic director, and the Venetian architect's style inspired the shapes of this table. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, which are all worth mention. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how 20th century museums were to be set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his greatest ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider being one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa began work building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this 20th century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem”, [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure”. Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded 8 years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana”, “Quatour” and “Orseolo”. While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

A striking and highly sculptural dining table designed by Koen Dawaele for Pia Manu, the renowned Belgian art and design workshop active since the 1950s. Known for their handcrafted ...

Cocktail tables with gold galvanised brass turned legs and inlaid tops in Labradorite Blue Green, Portoro black marble and White Granite. Size set: 80D x 48.5 H , 65D x 42,5 H De...

Hollywood Regency granite top on brass base center or cocktail table This lovely square shaped Hollywood Regency center or cocktail table features a hea...

Secant oval table antique brown granite soft black by Warm Nordic Dimensions: D100 x W60 x H36 cm Material: Granite , Powder coated steel Weig...

This striking console table is a bold fusion of art and function, handcrafted by self-taught postmodern sculptor Curtis Norton. Its impressive three-dimensional forged stainless stee...

Very nice Italian coffee table handcrafted out of granite, 1980s. It is made of beautiful granite. Please take notice of the very nice patterns. The table is in very good cond...

Specimen coffee table by Batten and Kamp Dimensions: D110 x H30 cm Materials: Cast aluminium, granite stone, tempered low iron glass. The coffee table ‘Specimen’ features an aluminium casting of a gnarled branch and a cut and polished granite boulder in a cyclical composition under a sheet of glass. The casting is suspended by many thin legs in a structure loosely reminiscent of the support material used in 3D printing or the way an entomologist might pin an insect specimen...

Unique coffee table that, with a twist of the knob, reveals a hidden bar compartment. The coffee has a brass and mirrored glass base with a granite and lacquered wooden top. Very g...

Bolete Side Table by Henry D'ath In collaboration with Batten and Kamp Dimensions: D 40 x W 45 x H 45 cm Materials: Wood, granite. Available in natural or black ink finishes. The Bo...

Conference table or dining table with high quality Star Galaxy granite plate oval. stands on 5 steel columns. ideal for the office or at home as a dining table. some scratches on th...

Granite Top Heavy Silvered Wrought Iron Base Round Gueridon Cafe Center Table

Sleek, industrial style dining table with honed granite top on custom black steel base. Designed by Brendan Bass for the Vision and Des...