Engraved Furniture

Antique Map of Turkey in Asia, Middle East and Persia, Bonne, c.1780 A finely engraved and beautifully hand-colored 18th-century map titled Turquie d’Asie, created by the distinguis...

W.H. BARTLETT (Artist) - J. COUSEN (Engraved by) - "A Lake Farm on the Frontier" - antique fine art steel engraving - renowned British artist - titled...

Piranesi 2 engravings "Frontals of Trajan's column pedestal" XVIII

Botanical hand-colored engraving after original oil on canvas by botanist Basilius Besler (German, 1561-1626), "Fructus Artischochi", pl. 25 from "Hortus Eystettensis...

Title: Rare 16th Century Biblical Woodcut of Aaron the High Priest, c.1560–1580 Description: A striking and historically important 16th-century German Renaissance woodcut depicting Aaron, the biblical High Priest, richly dressed in ceremonial vestments and standing within an elaborate architectural setting. The print is titled Der Hohe-Priester Aaron (“The High Priest Aaron”) in bold Gothic script above the composition. Rendered with strong linear detail and remarkable decorative richness, the image presents Aaron wearing the sacred garments described in the Old Testament, including an ornate breastplate, ceremonial robe, and priestly headdress. The figure stands beneath a vaulted architectural canopy framed by richly ornamented Renaissance columns and decorative motifs, while angelic figures appear above within the elaborate border architecture. The composition reflects the visual culture of the German Reformation and Renaissance biblical publishing tradition, where woodcuts were used extensively to illustrate scriptural narratives and sacred figures for devotional and educational purposes. The dramatic architectural framing and dense linear engraving style are highly characteristic of mid-to-late 16th-century German woodcut production. Aaron, brother of Moses, held enormous symbolic importance within both Jewish and Christian traditions as the first High Priest of Israel. Images such as this were often included in illustrated Bibles, theological works, or devotional publications and were intended to emphasize the sacred authority and ritual splendor of the priesthood described in the Old Testament. The print possesses exceptional decorative appeal due to its bold black-and-white contrast, highly detailed costume rendering, and richly ornamented Renaissance architecture. The combination of biblical symbolism and graphic strength makes it particularly attractive for collectors of early religious imagery, Reformation prints, Renaissance woodcuts, and antique ecclesiastical art. The primitive yet sophisticated visual language of early German woodcuts...

Blaeu Paraguay Map, Rio de la Plata, Antique Engraving, South America 1642 A highly decorative and historically significant map of Paraguay and the Rio de la Plata region, published...

English brass fire place fender with central engraved King Neptune figure, intertwined engraved foliage motif with decorative flanking engraved dragons an...

Johannes Brahms autographed hand signed in ink engraving etching 1885 with original cardboard to back of frame. Johannes Brahms German composer and pianist, 1833-1897 "In his lifetime, Brahms's popularity and influence were considerable. He is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the "Three Bs", a comment originally made by the nineteenth-century conductor Hans von...

These are 7 champagne glasses made from hand blown crystal by Moser in the ever popular Lady Hamilton glass cut. This pattern is an example of the "papal" cut so called because it i...

A Onix base, that quickly charge your phone, with a touch of magic. A circle, a stone, realized with the care that Onix requires. A powerful wireless charging technology ensures an efficient and reliable power delivery. The result is a magical object, with a natural feel, a piece of art that wonderfully fits on any table or bedside table, or everywhere you imagine. Designed and manufactured in Italy, 100% Italian Onix, 0% plastics. - 15w power supply included in the box. - Integrated cable: 90cm (3ft) - Base diameter: Ø 12cm (4,72in) Compatible with all Qi-enabled devices. iPhone 13...

A set of three original copperplate engravings by the renowned Parisian 18th century Engraver Antione Aveline ( b 1718 - d 1762 ). The three engravings are numbered 62, 64 and 45 and were commissioned with the permission of the Louis XV the King of France at the time. All three engravings show views and perspectives of features in the gardens of Versailles...

A magnificent, fine and impressive antique George III English sterling silver beer/water jug; part of our dining silverware collection. This magnificent a...

A Gold Cantor Brooch from the Independent Order B'nai Abraham dating back to 1904 is a piece of historical and cultural significance. Independent Order B'nai Abraham (IOBA) was fou...

Imperial Russian Copper Cachepot with Elephant-Head Handles, Moscow, c. 1900 An exceptional Imperial Russian copper cachepot or planter, produced in Moscow in the late 19th to early...

Title: Baroque Courbette Dressage Engraving after Newcastle, circa 1700 Description: This rare and highly decorative original equestrian engraving originates from *Des Welt-berühmte...

Antique Map of Palestine and the Holy Land – Lapie, Paris, 1838 This elegant and finely engraved map of Palestine, titled Carte de la Palestine ou Terre Sainte, was published in Paris in 1838 as part of the celebrated Atlas Universel de Géographie Ancienne et Moderne by the distinguished French cartographer M. Lapie. It presents a detailed and scholarly depiction of the Holy Land, a region of profound historical, religious, and cultural significance. The map encompasses the eastern Mediterranean coastline, extending inland across the varied topography of Palestine and surrounding regions. The Dead Sea (Lac Asphaltite) is prominently depicted, along with the Jordan River running north to south, anchoring the composition both geographically and visually. Major biblical and historical locations—such as Jerusalem, Jericho, Bethlehem, Nazareth, and Hebron—are carefully marked, reflecting the strong 19th-century European interest in biblical geography and pilgrimage landscapes. Lapie’s cartographic approach balances clarity with refinement. Mountain ranges are rendered with delicate hachuring, conveying the rugged terrain of the region, while subtle hand coloring distinguishes administrative or historical divisions without overwhelming the composition. The Mediterranean Sea (Mare Internum) frames the western edge, adding visual balance to the vertically oriented sheet. The engraving was executed by Pierre Antoine Tardieu, a member of the renowned Tardieu family of French engravers, known for their precision and contribution to scientific and cartographic works. His refined linework ensures exceptional readability and lends the map an understated elegance characteristic of high-quality French atlas production of the period. This map functions both as a scholarly representation of biblical lands and as a refined decorative piece. Its vertical format makes it particularly suitable for display in narrower wall spaces, such as between windows or within a gallery arrangement. It would appeal to collectors of historical cartography, as well as those with an interest in religious history and the geography of the ancient Near East. Condition: Very good condition overall. Light toning consistent with age and a central fold as issued. Margins are wide and clean. Minor spotting in places. No significant tears or restorations observed. Plate mark visible. Framing tips: This piece would display beautifully in a dark walnut or ebonized frame with a wide ivory or off-white mat, enhancing its classical and historical character. For a more contemporary look, a slim black frame with a floating mount can create a clean and sophisticated presentation. Technique: Engraving with original hand coloring Maker: M. Lapie, engraved by Pierre Antoine Tardieu, Paris, 1838 Keywords: Palestine, Holy Land, Terre Sainte, Jerusalem, Dead Sea, Jordan River, Bethlehem, Nazareth, Hebron, Jericho, biblical geography, Near East, Middle East, Levant, Mediterranean Sea, Mare Internum, ancient geography, religious maps, historical cartography, 19th century map, French cartography, Atlas Universel, Lapie map, Tardieu engraving, antique map Palestine...

Victorian Sheffield Plate Corinthian Column Lamp with Cut Crystal Font, Hinks & Sons Patent, Attributed to James Dixon & Sons or Elkington & Co., Victorian Sheffield Pl...

Vrouwenpoort, Leeuwarden – Historic Frisian City Gate View, c.1790 This attractive topographical print depicts the Vrouwenpoort, one of the four principal gates of the historic Fris...

An extremely rare William III English silver flagon, hallmarked by maker Joseph Bird, London, 1698, with Latin armorial with lion which translates to “Not the Cross, but the Light”. ...

Piaffe Dressage Lesson in the Pillars — Encyclopédie Horse Engraving, 1750 This refined mid-18th century hand-colored copperplate engraving titled Manège, La Capriole. Leçon du Piaf...

Florentine Matron, Roman Senator, and Renaissance Physician in Historic Dress This exquisite set of three hand-colored costume prints represents a cross-section of Italian society d...

Title: Plan of Louisbourg Harbor and Fortress, Cape Breton Island, Original 1756 Description: An original eighteenth-century copper engraving depicting the fortified harbor and city...

Edwardian English Silver-Plate Alligator Skin Motif Wine Coaster on Wood Base An elegant Edwardian English silver-plated wine coaster or bottle caddy, dating to circa 1910, featurin...

Ornate 1850s Map of the United States: Featuring Iconic Landmarks and Historical Portraits This decorative 19th-century map of the United States, created by J. Rapkin and publishe...

One the most dramatic and elegant patterns, this set of 12 Webb goblets will create a one of a kind table setting. Standing 9 3/8" tall, these goblets are all hand blown crystal, emb...

An Italian enamelled snuff box. Colorful box, created in Italy, back in the 1920. It was crafted in an octagonal shape with neoclassical and renaissance Revival motifs in solid .8...

Title: Antique Botanical Print of Aristolochia à Fleurs Labellées - 19th Century Description: This antique botanical print, titled "Aristolochie à Fleurs Labellées," is a stunning 1...

Antique sterling silver salt and pepper shakers. A set of four engraved Russian/Persian silver salt and pepper shakers. Made lat...

Title: Set of Three Hand-Colored Equestrian Engravings, circa 1727 Description: A decorative set of three antique hand-colored equestrian engravings showing riders on horseback in classical 18th-century manège poses. The plates are titled Le Courageux, Le Loyal, and L’Esperance, each depicting a finely dressed rider guiding a horse with elegance and control. These prints are from the celebrated equestrian tradition associated with Friedrich Wilhelm Baron d’Eisenberg’s Description du Manège Moderne, published in the early 18th century. The work is known for its refined depictions of classical horsemanship, riding-school movements, and noble equestrian presentation. The hand coloring adds warmth and decorative appeal, with rich tones in the riders’ coats, saddlery, and horses. The prints have an attractive aged surface and strong period character, making them especially suitable for an equestrian interior, library, study, country house, tack room, club room, or classic gallery wall. Included plates: Le Courageux, plate XXIV Le Loyal, plate XXV L’Esperance, plate X Condition: Fair antique condition. General age-related toning, staining, foxing, handling marks, creases, and wear to the paper. Some surface dirt and discoloration, particularly in the margins and background areas. Irregular sheet edges and small signs of age throughout. Tape remains on the reverse. The images remain decorative and suitable for framing. Please review all photos carefully. Details: Date: circa 1727 Artist / Author: After Friedrich Wilhelm Baron d’Eisenberg Medium: Hand-colored engraving on paper Subject: Horses, riding, classical dressage, equestrian training Style: 18th-century European equestrian Sold as: Set of three Framing: Sold unframed Please note: The framed and interior images are for presentation purposes only. The prints are sold unframed. Keywords: antique equestrian print...

This vase was designed by Anatole Riecke, a Russian glass artist renowned for his role in the Parisian Art Deco movement. Based in Paris, Riecke became particularly known for his dec...

Hawk in sterling silver on a sodalite stone-base. The hawk was made in casting. The finish was made completely by hand with chisel and engraving. The reproductions of animals in sol...

Battle of the Tagliamento 1797 – Napoleonic Wars River Crossing Scene Description: A finely executed hand-colored engraving depicting the Battle and Passage of the Tagliamento, date...

Antique Engraving of Havana, Harbor and City View, 1867 Engraving titled La Havane, published in 1867. This finely detailed view shows Havana, the capital of Cuba, nestled against t...

This exquisite mezuzah is hand-carved from authentic Jerusalem stone, originally part of the Western Wall. These historic stones, uprooted due to structural shifts over 70 years ago, were later repurposed to cover marble sinks used...

From his Empreinte Collection, a series of pieces centered around a theme of destruction and reconstruction, this six-legged bench is composed of patinated bronze cast from broken an...

Engraving, Signed, 1928, representative stylized horses running, framed Contact us before ordering to confirm product availability. Measures: Frame H 46...

Map of the Volcano Islands of Santorini – Antique French Engraving by Portier, c.1790 This antique French engraving presents a detailed view of the volcanic islands at the center of...

Pair of 18th Century Albertus Seba coloured serpent engravings (double folio). A pair of engravings with hand colouring from Albertus Seba’s (blog article here) very rare publicatio...

Tumblers are in! This set of hand blown crystal tumblers were made by T. G. Hawkes, iconic glassblowers and engravers in Corning, NY. These are wheel cut in the "Gravic Fruit" patter...

Antique Imperial Hall of Audience Beijing Print — Chinese Architecture, Ferrario 1815 This finely hand-colored copperplate engraving depicts the Imperial Hall of Audience in Beijing...

Dovedale — has designed two different humidors, a smaller humidor carrying fifty cigars and a more substantial to take a hundred cigars. Both are lined with Spanish cedar to keep the...

Title: Baroque Dressage Horse Training Engraving, Newcastle Riding School 1700 Description: This rare and highly decorative original equestrian engraving originates from Des Welt-be...

Large English Sheffield silver-plated five-light candelabra centerpiece, crafted in England during the 19th century. This impressive and highly decorative piece features an exception...

Decorative silver 800 mushroom shape box. The body is embossed and cheased completely by hand.

Ancient Raetia & Noricum Map — Roman Alpine Provinces, Wilkinson 1823 This finely engraved antique map depicts the Roman provinces of Vindelicia, Raetia, and Noricum, illustrati...

Early 19th Century Botanical Engraving by John Curtis – Hand Coloured Natural History Plate An original early 19th-century hand-coloured botanical engraving from the celebrated natural history publications of John Curtis (1791–1862), one of Britain’s most respected botanical and entomological illustrators. This beautifully detailed plate illustrates a flowering plant in scientific profile, showing bloom structure, leaves, buds, and root system with precision typical of early Victorian natural history illustration. Curtis’s work bridges science and art — created for study, yet prized today for its elegance and balance. These engravings formed part of the golden age of British botanical publishing, when artists collaborated with engravers and colourists to produce plates that were both accurate and visually refined. Each impression was printed from an engraved plate and then carefully coloured by hand, meaning no two examples are ever exactly identical. The composition has the clarity collectors seek: • Central botanical specimen • Naturalistic colour palette • Fine line engraving • Period scientific titling This makes it ideal as a single framed piece or as part of a gallery wall of antique botanical studies. About John Curtis John Curtis was a leading figure in British natural history illustration. He is best known for British Entomology and botanical works that combined taxonomic accuracy with graceful composition. His engravings are held in major museum collections and remain highly collectible in the decorative arts market. Period Early 19th century, circa 1820–1840. Technique Copperplate engraving with original hand colouring on laid paper. Condition Good antique condition consistent with age. Light toning and minor handling marks may be present, as expected with early 19th-century works on paper. Please see the images. Why Collect Curtis Botanical Prints...

Monumental Art Moderne Bronze Pelican Sculpture, Streamline Moderne Style, Circa 1930s/1940s Possibly inscribed/signed 'JHI' Monumental Art Moderne Bronze Pelican Sculpture execut...

Antique Blaeu Maps, Indonesia & Moluccas – VOC Era, c.1642 A rare and highly decorative pair of original 17th-century maps by Willem Blaeu, depicting Indonesia and the Moluccas—the heart of the historic spice trade. Richly hand-colored and engraved at the height of the Dutch Golden Age, these maps capture the geography and ambition of the VOC in Southeast Asia. The larger map, “India quae Orientalis dicitur et Insulae Adiacentes,” presents a sweeping view of South and Southeast Asia, including India, Indochina, and the Indonesian archipelago. It reflects the expanding geographic knowledge of the Dutch East India Company (VOC) during its rise as a dominant global trading power. Complementing this is the iconic “Moluccae Insulae Celeberrimae,” a detailed map of the Spice Islands, the epicenter of the global clove and nutmeg trade. The map is richly adorned with sailing ships, compass roses, and a striking cartouche, alongside an inset of Bachian Island, underscoring the strategic importance of the region. Together, these maps form a compelling visual narrative: from the broader Asian trading network to the highly contested and lucrative spice-producing islands. As a pair, they offer both geographical scope and detailed insight, making them particularly desirable for collectors and interior designers seeking a cohesive and historically resonant display. This combination is especially appealing for Southeast Asian, maritime, or colonial-themed interiors, where the connection between global trade routes and the Moluccan spice trade can be appreciated as a unified story. Note: Interior mockups shown are for visual inspiration only and do not represent the exact scale. We do not sell reproductions, only original works of art over 100 years old. Condition: Both maps in very good condition, with original hand color. Light toning consistent with age. Central fold as issued. Margins good. No major restorations visible. Plate marks visible. Framing tips: Best presented as a pair in matching dark walnut frames with wide ivory mats. Hang with the India map centered and the Moluccas map slightly offset or below for a layered gallery effect. Creates a strong narrative wall suitable for luxury interiors. Technique: Copperplate engraving Maker: Willem Janszoon Blaeu, Amsterdam, c.1635–1645 Keywords: antique map, Blaeu map, Willem Blaeu, Dutch Golden Age, 17th century map, VOC map, Dutch East India Company, East Indies map, Southeast Asia map, Indonesia map...

This is a beautiful hand-colored map titled “New York City & County Map with Vicinity entire Brooklyn, Williamsburgh, Jersey City &c.” The work was published in 1855 by Charles Magnu...

Map of Tonkin. This early engraved map shows the historical region of Tonkin in northern Vietnam, centered on the Red River Delta and the capital, present-day Hanoi (here marked as T...

Set of 3 Biblical Engravings – Vision of Candlesticks, Apostle Jude & Judgment of Angels (1735) This dramatic and theologically rich set of three antique engravings, published in 1735, illustrates apocalyptic and apostolic themes from the Book of Revelation and the Epistle of St. Jude. Executed in detailed copper engraving, each scene presents spiritual visions, divine authority, and prophetic symbolism with powerful visual intensity. Ideal for collectors of esoteric religious art or as a striking triptych display. The first engraving, from Revelation Chapter I, is titled “The Vision of the Seven Golden Candlesticks.” It shows the Apostle John falling to the ground in awe as he beholds Christ standing among seven candlesticks, with stars in his hand and a sword issuing from his mouth. Christ appears elevated on clouds, radiant and commanding, symbolising divine authority over the churches. The candlesticks represent the seven churches of Asia, and the vision initiates John's apocalyptic revelation. The imagery is intense and mystical, filled with light, cloud, and motion. The second engraving, from the Epistle of Jude, illustrates “The Apostate Angels reserved as Prisoners in Chains of Darkness to the Judgment of the Great Day.” An angel descends from the heavens bearing chains, binding demonic figures who writhe in terror as beams of divine light strike them. The Apostle Jude, seated below with a scroll and astonished gaze, points to the celestial vision. The composition is dramatic, balancing divine justice with earthly witness, and filled with cloud formations, angelic figures, and dynamic motion. It vividly conveys the judgment and order of the unseen spiritual realm. The third engraving shows “St. Jude the Apostle” standing upon a stone pedestal, carrying a large wooden cross...

This image features two lithographs depicting different species of primates, originally drawn by Carel Christiaan Antony Last for Heinrich Rudolf Schinz's *Volledige Natuurlijke Hist...

A charming and elegant book-shaped chest, made in Veneto and dating from the late 18th century, in the full Louis XVI style. This compact yet well-proportioned piece is made entirely...

Antique Map of Dakota Territory – Rand McNally Railroad Map, 1888 This detailed 1888 map of Dakota by Rand, McNally & Co. captures the region in the final year before its division i...

Imperial Mughal India Blaeu Map, Ganges Delta & Persia c.1642 A richly detailed and highly decorative map of the Mughal Empire, centered on northern India and extending from Persia to the Ganges delta, engraved and published by Willem Jansz. Blaeu in Amsterdam around 1642. This impressive composition captures one of the most powerful and culturally significant regions of the early modern world at the height of the Mughal period. The map presents a sweeping view of the Indian subcontinent, with the Indus and Ganges river systems clearly delineated, alongside a dense network of cities including Agra, Delhi, Lahore, and Patna. To the west, Persia and the surrounding regions are shown, while the eastern section reveals Bengal and the intricate river delta flowing into the Bay of Bengal. Blaeu’s engraving is both precise and visually refined, enhanced by original hand coloring that highlights political boundaries, rivers, and coastal outlines. The composition is enriched with decorative elements including a bold title cartouche, a heraldic shield, and finely engraved ships navigating the seas. Subtle pictorial details such as animals and terrain further animate the landscape, offering insight into European perceptions of the Mughal world. Published in the renowned Toonneel des Aerdrycx atlas, this map represents the pinnacle of Dutch Golden Age cartography. Maps of India and the Mughal Empire are particularly sought after due to their historical importance and strong decorative appeal. A striking and historically significant piece, ideal for collectors of Asian cartography or as a sophisticated focal point in an interior. Condition: Very good overall with strong original hand color. Central fold as issued. Light age toning and minor spotting in the margins. Plate mark visible. Framing tips: Beautiful in a dark walnut or ebonized frame with a wide ivory mat, allowing the cartouches and river systems to stand out clearly. Technique: Copper engraving with original hand color Maker: Willem Jansz. Blaeu, Amsterdam, circa 1642 Authenticity note: This is an original 17th-century engraving, not a reproduction. All items we offer are authentic period works of art over 100 years old. The map is sold unframed; any framed images are shown for presentation and interior inspiration only. Keywords: India, Mughal Empire, Mogol, Hindustan, Ganges, Indus, Bengal, Persia, Pakistan, Afghanistan, Delhi, Agra, Lahore, Patna, Gujarat, Deccan, Orissa, Bengal delta, Bay of Bengal, Arabian Sea, Indian Ocean, Tibet, Kashmir, Kabul, Kandahar, Multan, Surat, Goa, Calcutta, Dhaka, Myanmar, Burma, Southeast Asia, Central Asia, Mughal India map, Mongolia, Blaeu India map, antique India map, Dutch Golden Age map, 17th century Asia, decorative cartouche, ships engraving, Asian trade routes, spice trade, VOC routes, historic India geography, collectors Asia map, interior wall map India, decorative antique map, historic Asia geography, European view of India, rare India map, museum quality map, hand colored map India, fine engraving India, classical cartography Asia, antique wall decor India, designer interior map, high end wall art India, Blaeu Mughal map...

19th Century Japanese sterling silver vase with finely carved and embossed chrysanthemum flowers and butterfly. It has its maker’s mark on the bottom.

Winner of the DNA Paris Design Awards 2023. This MW05 "Pattern" sofa is a unique piece, manufactured in France. It was produced as a single copy by its designer, Olivier Santini. The...

Continental German (19/20th Century) green glass decanter with a center of engraved vine, fluted at the bottom & top of center towards the neck with round green glass stopper.

Decorative Map of Liverpool and Environs, Victorian Mersey Atlas Map, 1885 Description: This finely engraved Victorian map titled “Map of the Environs of Liverpool” presents the gre...

Of the most decorative and modern pieces by the designer, Argentine architect Alberto Churba. Alberto Churba Konex Platinum Award 1982: Design He was born on 08/02/1932. Konex Platinum Award 1982. Professor of Drawing and Painting, graduated from the National School of Fine Arts (1954). In 1960 he created the Churba Studio (CH-Center of Art and Design), specialized in the design of furniture, textiles, carpets and glass. His works were exhibited in important galleries, museums and institutions dedicated to national and international art, including the Cinta 5 armchair exhibited at the Victoria and Albert Museum (V&A, England) and at the Museum of Modern Art (MOMA, USA. ). Among other works, he designed upholstery textiles and beach canvases...