Acrylic Wall Decorations

Metallic print mounted on acrylic Edition limited to 99 copies Measures:36” x 24”  60” x 26”.

Metallic print mounted on acrylic Edition limited to 99 copies Measures: 36’’ x 24’’  48’’ x32’’.

Ode to a quintessential symbol of New York City. Artist: Francis Augustine 1. Choose a print size: 5 sizes available: 27” x 18”, 36” x 24”, 48” x 32”, 57” x 38”, 72” x ...

Ode to a quintessential symbol of New York City. Artist: Francis Augustine 1. Choose a print size: 5 sizes available: 27” x 18”, 36” x 24”, ...

Morning mist on the valleys of Alsace. Artist: Francis Augustine 1. Choose a print size: 5 sizes available: 27” x 18”, 36” x 24”, 48” x 32”, 57” x 38”, 72” x 48” ...

Morning mist on the valleys of Alsace. Artist: Francis Augustine 1. Choose a print size: 5 sizes available: 27” x 18”, 36” x 24”, 48” x 32”...

Metallic print mounted on acrylic Edition limited to 99 copies Measures: 24’’ x 16’’  36’’ x 24’’.

Woods and leafy hills fading into the mist. Artist: Francis Augustine 1. Choose a print size: 5 sizes available: 27” x 18”, 36” x 24”, 48” x 32”, 57” x 38”, 72” x 48” ...

Metallic print mounted on acrylic. Edition Limited to 99 copies 24’’ x 16’’  36’’ x 24’’.

Metallic print mounted on acrylic Edition limited to 99 copies Measures: 24" x 16" 36" x 24".

Emblematic Mansard Roofs on a bright day.  Artist: Francis Augustine 1. Choose a print size: 5 sizes available: 27” x 18”, 36” x 24”, 48” x...

Hampton farm nestled in a starry night. Artist: Francis Augustine 1. Choose a print size: 5 sizes available: 27” x 18”, 36” x 24”, 48” x 32”, ...

Luminous view from New York’s waterfront Esplanade. Artist: Francis Augustine 1. Choose a print size: 5 sizes available: 27” x 18”, 36” x 24”, 48” x 32”, 57” x 38”, 72” ...

Luminous view from New York’s waterfront Esplanade. Artist: Francis Augustine 1. Choose a print size: 5 sizes available: 27” x 18”, 36” x 24...

Hampton farm nestled in a starry night. Artist: Francis Augustine 1. Choose a print size: 5 sizes available: 27” x 18”, 36” x 24”, 48” x 32”, ...

Emblematic Mansard Roofs on a bright day.  Artist: Francis Augustine 1. Choose a print size: 5 sizes available: 27” x 18”, 36” x 24”, 48” x 32”, 57” x 38”, 72” x 48” ...

Metallic print mounted on acrylic. Edition Limited to 99 copies 24’’ x 16’’  36’’ x 24’’.

Woods and leafy hills fading into the mist. Artist: Francis Augustine 1. Choose a print size: 5 sizes available: 27” x 18”, 36” x 24”, 48” x 32”, 57” x 38”, 72” x 48” ...

One of Six fun vintage study for an Italian Classic garden stairs with lions and fountain. Probably some scenography preparation. Really pleasant scenery and nice vivid color on the ...

One of six fun vintage study for an Italian classic garden courtyard. Probably some scenographic preparation. Really pleasant scenery and nice vivid color on the blue and white scale...

SMOKE HEAD - BY TERRY THOMAS Don't let this golden opportunity pass you by! You have the chance to be the proud owner of a striking masterpiece 'Smoke Head' by Terry Thomas, an estee...

This charming and sophisticated wall decoration has been entirely hand-painted on 100% natural cotton paper, using the sumi-e technique inspired by ancient Korean paintings. Particul...

An original signed acrylic painting on canvas by Danish-Grenadian artist Boris de Freitas (1969-) titled "long lost", 2007.

Juan Prat - Gold and Sapphire Necklace Original drawing in conté pencil, heightened with white on oatmeal coloured vergé paper by Juan Prat. The work was created during the artist's...

'GESTO', quadro eseguito nel 1977, manifattura Italina. Il pittore con il gesto della pittura crea un'esaltazione grafica e metaforica alle azioni. Il quadro mostra la grande padrona...

Warner Friedman Painting "In Old Shanty Town" oil on large canvas, Industrial Graphic Minimalism. Signed on verso 1985

Without title mixed technique on photograph by Mario Schifano made in 1990-97. Inscription on the back: signature "Schifano" With certificate of authenticity. Unique piece. Biograp...

Detlef HAGENBÄUMER “Ideas”. Oil, acrylic, gouache and spraypaint on canvas. Mixed media composition.

Bold, gestural paint strokes and scribed "graffiti" sketch lines are illustrative of the technique that Christopher Draghi has adopted throughout his years in fine art. This work in...

DAMIEN HIRST (b. 1965) "Butterfly," acrylic on paper. Signed and stamped on the back. "This painting was made to celebrate the opening of Damien Hirst's Requiem at the PinciukArtCen...

'Forward Together" 1985 by Suzanne Poli was shot from her 4th floor fire escape on Christopher Street NYC. The march then known as Heritage of Pride, now named NYC Pride March. .At this time the AIDS crisis had reached massive numbers, and the Stonewall / Gay Pride...

This extremely unique piece by the late Artist, Larry Roberts, was uncovered from the archives and has never been shown. This piece has an organic shaped paper adhered to the wood, ...

‘Holistic’, a handmade painting by Lawrence Kwakye consisting of Acrylic on Linen with a beech wooden frame. The holistic painting represents the abstract world of the unknown. A place of dematerialisation and dehumanisation where life is redefined in the eye of the beholder. The viewer is challenged to see the position of humanity from another perspective. Transhumanism and the concept of an uploaded human life form was the inspiration behind this work. An imagination of a science-fiction plot. A distinctive painting with an authentic layered effect; a unique aesthetic experience. Powerful and exclusive, only one of has been made. About the artist Lawrence Kwakye (1972, Utrecht) painted his first painting when he was thirteen and with it, unknowingly opened the door to his artistic career. The famous writer and illustrator Tomi Ungerer called him an ‘undeniable talent’ at the time and compared him to the main character in Albert Camus’ novel ‘The Stranger’. As the son of a Ghanaian father and Hungarian mother, raised in the Netherlands, he was constantly exposed to surprises and changes in life and as such automatically developed a ‘contrasting’ view of the world, essential for the magical layering in his later work. Nothing is what you think it is. After secondary school, Lawrence completed his study ‘Man and Leisure time’ at the Design Academy in Eindhoven, where Lidewij Edelkoort was a guiding force. Unmistakable heritage from that time is the functional and conceptual impact of the many paintings he continued to create alongside his job as designer. Until 2010 when he changed course, established himself as an independent artist and his artistic career gained momentum. Kwakye’s cultural diversity, his sense of aesthetics, his technical innovative drive and his fascination for transition, or in other words the process of change are clearly reflected in his current work. The result is accessible, the viewer picks it up straight away, but then seduces him into a discussion about what you actually see; it is what it is...

Large photography of French rugbyman Thierry Dusautoir by Denis Rouvre Edition number 1/1 Signed Denis Rouvre Dated 2008

Acrylic on board painting of a cresting wave by Nantucket artist Paul Madden (1938-2008) circa 1975. Abstract impasto style captures the energy and color of the sea. Measures 31" by ...

Late 17th century oil on joined wood panel interpretation of The Vision of Saint Hubertus by Albrecht Durer. It was painted in 1501 and became a very po...

Large new bold rectangular painting on canvas that's a graphic rendering of skulls and bones inspired by a carved door seen in Matera Italy. Colors include a striking palette of blac...

Acrylic on canvas designed by Ugo La Pietra in 2005, Italy. Biography Ugo La Pietra born in Bussi sul Tirino, Pescara in 1938, Ugo la Pietra lives and works in Milan, where in 1964 ...

Steven Colucci’s iconoclastic approach to performance and the visual arts have not only long blurred the boundaries between these disciplines, but have challenged its most basic assumptions. The title of this show references a most rudimentary dance move -- the plié -- and our assumptions of what to expect in relation to this. Also the suggestion that we can simply press a button and a preconceived outcome will be courteously delivered -- a form of prefabricated belief in itself. Steven Colucci’s artwork turns such basic assumptions on their heads. Finding early inspiration in the New York school of abstract expressionists such as Jackson Pollock with his action painting, and then further by his professor -- a then young Vito Acconci while studying at the School of Visual Arts, Steven Colucci went from exploring the raw existentialist experimentation of New York’s early painting and performance scenes, to investigating the other end of the spectrum -- the rigorously measured and controlled disciplines of pantomime and ballet; studying in Paris under the tutelage of world-famous Marcelle Marceau, and engaging with the concepts of dramatic movement pioneer and intellectual Etienne Decroux. Colucci has explained the difference between the extremes of pantomime and dance as being that pantomime forces movement via an internal capacity -- movement directed inward to the core of one’s self -- a source requiring extreme mental and physical control. Dance by contrast is an external expression; likewise requiring great precision, although instead an extension of self or sentiment that projects outwardly. While such historical ‘movement’ disciplines serve as foundation blocks for Steven’s artistic explorations, it is the realm in between that he is best known for his contributions -- an experimental movement and performance art that simultaneously honors, yet defiantly refutes tradition; rejecting a compartmentalization regarding art and movement, yet incorporating its elements into his own brand of experimental pastiche. Colucci’s performance works manifest as eerily candy-coated and familiar, yet incorporate unexpected jags of the uncanny throughout, exploiting a sort of coulrophobia in the viewer; an exploration of a cumulative artifice that binds human nature against its darker tendencies; highlighting traditions of artifice itself -- the fabricated systemologies that necessitate compartmentalization in the first place. It is evident in Steven Colucci’s paintings that he has established a uniquely distinctive pictorial vocabulary; a strong allusion to -- or moreso an extension of -- his performance works. Colucci’s paintings depict a sort of kinetic spectrum, or as he refers to them “a technical expression of physicality and movement”. Whereas the French performance and visual artist Yves Klein used the human body as a “paint brush” to demarcate his paintings and thereby signify a residue of performance, Colucci’s utilization of nonsensical numbers and number sequences taken from dance scores, as well as heat-induced image abstraction depicting traces of movement likewise inform his vocabulary. In the strand of the choreographed, yet incorporating moments of chance, Colucci’s paintings represent an over arching structure; a rhythm of being and state, yet detail erratic moments -- moments that denote a certain frailty -- the edge of human stamina. Colucci’s paintings dually represent a form of gestural abstraction -- and also the reverse of this -- a unique anthropomorphization of varying states of movement -- that sometimes present as a temperature induced color field, at others are juxtapositions of movement and depictions of physical gestural images themselves. Colucci’s use of vernacular and found materials such as cardboard evoke his mastery of set design, and also reference a sort of collective experience of urbanity and the ephemeral. Such contradictions seem to permeate not only Steven Colucci’s artwork, but also are reflected in his person -- one who grew up in New York’s Bronx during a zeitgeist moment in visual and performing arts in the 1960s -- one who shifts with ease from happenings and experiments in New York City, to his meticulously choreographed megaproductions at Lincoln Center or starring in the Paris ballet...

Series of interpretive paintings inspired by Master Works. "The Daughters of Darley Boit" [John Singer Sargent].

Series of interpretive paintings inspired by Master Works. "Cypresses" [Vincent van Gogh].

Fraser Taylor, Bulk Green 2008 Oil on canvas.

This unique painting exhibits the artist uncanny ability to provide much movement and direction in his complicated winding compositions. Extraordinary talent is obvious when viewing ...

Large Mid century Modern Abstract Acrylic Painting on Canvas Lily Pond Unframed Signed Lower Right Titled on Reverse Estate of Artist See Bio on picture below

This is part of an airbrush series Larry created on wood panel. The frame is also customized by him. Larry did a large scale version of this airbrush on a garage door in Chicago - ou...

The abstract paintings of Ethan Boisvert often begin with a random sketch and find form and narrative through an overlay of direct painting, drips, homemade print making  techniques ...

Cordy Ryman (born 1971, New York) "Green Wire Revisited" Mixed Media Artwork, 2011. Acrylic, enamel, wire on wood. Signed, titled, and dated on verso. Provenance: DCKT Contemporary, New York gallery (label on verso). Measures 13.5" x 13" approx. Bio: Ryman is the son of artists Robert Ryman and Merrill Wagner.

Cordy Ryman (born 1971, New York) "Blue Rings" Mixed Media Artwork, 2004. Acrylic, wood, fiberboard, and nails. Signed, titled, and dated on verso. Measures 21.75" x 18" approx. Bio: Ryman is the son of artists Robert Ryman and Merrill Wagner.

Bernardo Nieves is a Venezuelan artist born on October 18th, 1961, in the quaint, small-town (at the time), city of Barquisimeto. A plastic self-taught artist who has sought instruction and knowledge with great effort, that began as a craft simple craft "hobby" which takes a big part in his life that today is grateful for. From his first steps in painting, passion for landscaping washes are printed on cardboard chimo-sepia, where he expressed his vision through cobbled streets, adobe houses, and mills. In this quest for artistic development, reconciles with oil, and monochrome images become hearty in colorful expressions by the nobility of the art. This new knowledge drives him to plot their future goals. At the end of this decade and early next, develops their technical experience in new materials and strengthens brushwork. In the 80s, a new inspiration emerges from the vegetation decorating fields, valleys, and forests. And these reasons are the ones he will project to a higher level by giving importance to his image as an artist. Towards the end of the century decade, he fully converts in "artist" by trade, then, what began as a pleasure is now his passion in one hundred percent of his time. Individual and group exhibits were already part of their commitments and his time was most devoted to art; during the last five years of the '90s was when his career took a new impulse and his image reached more interesting levels. It is here, while changes in his artistic life are in full swing, the artist pierced the thin line that divides the creative artist and the creator-artist and in the effort to show his graphics concepts, he developed mural projects which found acceptance among his colleagues and Barquisimeto people. So many events together were not enough to Bernardo, who while all these facts, internally was engendering a new graphic idea that definitely will take him to what he is now: the artist that succeeded. From the year 2000 an overturn of his motivations are mixed with trends and those landscapes: the Avila, forests, and valleys, suddenly a "coup" of artistic movement when the first Equus figure came out. These floating horses, first in earthy ochre, of long and slender limbs, have occupied the whole life of the artist. From stained canvases...

Signed and Framed Cityscape Acrylic Painting on Board made in America circa 1970s. Depicting a Man walking empty Streets in the City. Framed Black and White in 3D Effect. The Artist signed the painting at the right bottom side, P. COWDY. In all original pristine condition with some wear as documented...

Thierry Despont, best-known as a very successful architect, was also an accomplished artist. In his painting practice, when not analyzing the smallest, most detailed creatures of the...

Without title mixed technique on photograph by Mario Schifano made in 1990-97. Inscription on the back: signature "Schifano" With certificate of authenticity. Unique piece. Biograp...

“Winter2”, Abstract Painting Dimensions: 40cm x 40cm x 1,5 cm Technique: Acrylic on canvas Author: Miha Zorz Year: 2020

Joy by Kristina Kralikova, a Slovak artist. Signature is on the back.

This captivating vintage painting by Purvis Young showcases the artist’s signature expressive style, with dynamic brushstrokes and vibrant colors that bring life and movement to this...

A vibrant collection of three large serigraphs by the iconic pop artist Peter Max, each hand-signed in the bottom right and accompanied by a certificate of authenticity. These limite...

This charming and sophisticated wall decoration has been entirely hand-painted on 100% natural cotton paper, using the sumi-e technique inspired by ancient Korean paintings. Particul...

This charming and sophisticated wall decoration has been entirely hand-painted on 100% natural cotton paper, using the sumi-e technique inspired by ancient Korean paintings. Particul...

Rogelio Polesello, No. 8, 1983. Acrylic on canvas, 52" x 52" (130 x 130 cm) Chromatic Elegy, Energía Cromática Born in Buenos Aires, Rogelio Polesello studied at the Prilidiano Pue...

This charming and sophisticated wall decoration has been entirely hand-painted on 100% natural cotton paper, using the sumi-e technique inspired by ancient Korean paintings. Particul...