Acrylic Wall Decorations

Very dynamic and modern painting with rich colours, natural wooden frame. Need we say more? This is a very radical expressive work done by a German artist. We have not been able to ...

Volumetric piece We present you a one of a kind wall artwork, looking along the sea coastline length, “Aqua Blocks” can become a center piece to any interior. It’s fractured structu...

Our Gallery is pleased to have found a wonderful new talented California artist to represent, Scott Anderberg. We have a few of his works listed. This vibrant exuberant work is title...

Mixed media on paper by Rebecca Morgan. Dimensions: 5" x 8" Painted white float frame. Framed dimensions: 11" x 14" x 1.5" Rebecca Morgan works in painting, drawing, and cerami...

Gary Komarin (b. 1951) belongs to the generation of post-painterly abstract artists alongside such notable artists as Frank Stella, Kenneth Noland, Helen Frankenthaler and Ellsworth ...

Joy by Kristina Kralikova, a Slovak artist. Signature is on the back.

ABOUT THE ARTIST Lennie Lee, born 1958, Johannesburg, South Africa, is one of the original East London artists and curators. His house has been a London landmark for more than twent...

3 people digging in the field... are they finding or hiding something? About the artist: The paintings of Bjarne Dahl are realistic and figurative with inspiration from landsc...

"Talazac", 1990 Wood and Acrylic on Canvas 54 x 45 x 12" Born in Oakland in 1927, Tony studied at the California College of Arts and Crafts, Academy of Art San Francisco, and Clarem...

Born in 1938 in Auzolle-Grande, Gaston Planet died in Nantes in 1981. After fine arts in Nantes and the Jullian Academy in Paris, Gaston Planet devoted himself to painting. From 1961...

About the Artist: Cometabolism Studio is a design studio based in Shanghai, founded by Zhang Ning and Yang Yafei. Zhang Ning graduated from the designer maker program at Camberwell...

Canvas painting with geometric decoration in shades of red and yellow, 1962. measures: h 199x50 cm

A very attractive little abstract of a church scene painted in 1971 by Swedish Artist Sven Johannson. Offered in the original pine and dark brown hessian frame. Signed to the upper r...

Born in 1938 in Auzolle-Grande, Gaston Planet died in Nantes in 1981. After fine arts in Nantes and the Jullian Academy in Paris, Gaston Planet devoted himself to painting. From 1961...

From extremely detailed 3D scans of the most important classical sculptures of all times, Eduard Locota has digitally sliced and extracted the essential portion of the artwork, then ...

Title: Cosmic Mirage: Unveiling the Illusory Nature of Reality Size: 60''x60'' Medium: Acrylic and Mixed Media on Canvas Description: The illusory nature of reality is unveiled, beck...

Voyage and Voyage II are a set of abstract paintings in acrylic by Slovakian artist, Kristina Kralikova. 4/15/2018.

Pigment print on Hahnemuhle photo rag, box framed but with non (low) reflective glass. Edition of 15 plus three Artist's Proofs (No. 3/15). Emerging British photographic artist, ...

FI Gallery original one-of-one hand created & signed art piece by Tammy Price. Premium solid wood glass encased frame in matte black with gold tone accent. Multi shades predominantly...

Steven Colucci is a perfectionist. As a painter, he describes himself as “a dictator, a controlling ballet master with a stick,” dispassionately choreographing his composition to achieve the exact result he desires. The paintings of the “Sea Series,” largely completed in 2010, are actually the culmination of 4-5 years of practice for the artist, during which he consistently developed and refined the language and formal elements that visually distinguish the series, sometimes repeating the same image for months until he was satisfied. Colucci’s methods and philosophy reflect his experience with movement as a performing art. While he studied with and admires Vito Acconci, Colucci is no proponent of conceptualism, finding his voice in the intense discipline of traditional forms, explaining, “If you don’t practice art like a classical pianist, every day, you can’t execute your concepts.” After completing his studies at New York’s School of Visual Arts, he moved to Paris, where he studied and performed mime and ballet, working closely with Marcel Marceau, who also painted, and Etienne Decroux, a sculptor as well as the originator of the form “classical mime,” which has roots in the sculpture of Rodin. If the word “sea” in the title of a painting conjures for you images of little easels and landscape canvases featuring sandy beaches, waves, and vast horizons, think again – Colucci’s oceanic visions are experiential, viewing them you are often looking down at the sea, within it, or even dreaming of the ocean. Water, deep or shallow, still or fast-moving, rules how we see light and subjects, as the artist works to reflect what he calls “the spirit, the soul of the water.” In “Deep Blue,” he conjures this anima via a window through levels of roiling currents of rich dark waves and dancing highlights, inviting the viewer to experience the sea as a vibrant and enveloping sensual entity. Colors, too, differ from the subdued palette of the seaside afternoon painter. Often his choices originate in what Colucci describes as the rhythm of color present in Afro-Carribean art and design. In the paintings, these hues express the water’s likeness to the seamless flow of the Dominican culture’s music and dance, which he so enjoys during frequent visits to Upper Manhattan’s El Barrio district, a movement with the melodic line that he so simply and perfectly employs in the delightfully sexy “Swimming with the Fish.” As our bodies, like the sea, are largely water, Colucci’s water visions...

About the Artist: Cometabolism Studio is a design studio based in Shanghai, founded by Zhang Ning and Yang Yafei. Zhang Ning graduated from the designer maker program at Camberwell...

Steven Colucci’s iconoclastic approach to performance and the visual arts have not only long blurred the boundaries between these disciplines, but have challenged its most basic assumptions. The title of this show references a most rudimentary dance move --the plié --and our assumptions of what to expect in relation to this. Also the suggestion that we can simply press a button and a preconceived outcome will be courteously delivered --a form of prefabricated belief in itself. Steven Colucci’s artwork turns such basic assumptions on their heads. Finding early inspiration in the New York school of abstract expressionists such as Jackson Pollock with his action painting, and then further by his professor --a then young Vito Acconci while studying at the School of Visual Arts, Steven Colucci went from exploring the raw existentialist experimentation of New York’s early painting and performance scenes, to investigating the other end of the spectrum --the rigorously measured and controlled disciplines of pantomime and ballet; studying in Paris under the tutelage of world-famous Marcelle Marceau, and engaging with the concepts of dramatic movement pioneer and intellectual Etienne Decroux. Colucci has explained the difference between the extremes of pantomime and dance as being that pantomime forces movement via an internal capacity --movement directed inward to the core of one’s self --a source requiring extreme mental and physical control. Dance by contrast is an external expression; likewise requiring great precision, although instead an extension of self or sentiment that projects outwardly. While such historical ‘movement’ disciplines serve as foundation blocks for Steven’s artistic explorations, it is the realm in between that he is best known for his contributions --an experimental movement and performance art that simultaneously honors, yet defiantly refutes tradition; rejecting a compartmentalization regarding art and movement, yet incorporating its elements into his own brand of experimental pastiche. Colucci’s performance works manifest as eerily candy-coated and familiar, yet incorporate unexpected jags of the uncanny throughout, exploiting a sort of coulrophobia in the viewer; an exploration of a cumulative artifice that binds human nature against its darker tendencies; highlighting traditions of artifice itself - the fabricated systemologies that necessitate compartmentalization in the first place. It is evident in Steven Colucci’s paintings that he has established a uniquely distinctive pictorial vocabulary; a strong allusion to --or moreso an extension of --his performance works. Colucci’s paintings depict a sort of kinetic spectrum, or as he refers to them “a technical expression of physicality and movement”. Whereas the French performance and visual artist Yves Klein used the human body as a “paint brush” to demarcate his paintings and thereby signify a residue of performance, Colucci’s utilization of nonsensical numbers and number sequences taken from dance scores, as well as heat- induced image abstraction depicting traces of movement likewise inform his vocabulary. In the strand of the choreographed, yet incorporating moments of chance, Colucci’s paintings represent an over arching structure; a rhythm of being and state, yet detail erratic moments --moments that denote a certain frailty --the edge of human stamina. Colucci’s paintings dually represent a form of gestural abstraction --and also the reverse of this --a unique anthropomorphization of varying states of movement – that sometimes present as a temperature induced color field, at others are juxtapositions of movement and depictions of physical gestural images themselves. Colucci’s use of vernacular and found materials such as cardboard evoke his mastery of set design, and also reference a sort of collective experience of urbanity and the ephemeral. Such contradictions seem to permeate not only Steven Colucci’s artwork, but also are reflected in his person – one who grew up in New York’s Bronx during a zeitgeist moment in visual and performing arts in the 1960s – one who shifts with ease from happenings and experiments in New York City, to his meticulously choreographed megaproductions at Lincoln Center or starring in the Paris ballet...

Born in 1938 in Auzolle-Grande, Gaston Planet died in Nantes in 1981. After fine arts in Nantes and the Jullian Academy in Paris, Gaston Planet devoted himself to painting. From 1961...

Born in 1938 in Auzolle-Grande, Gaston Planet died in Nantes in 1981. After fine arts in Nantes and the Jullian Academy in Paris, Gaston Planet devoted himself to painting. From 1961...

Contemporary Belgian artist Diane Petry creates her own three layer canvas using pima cotton, gauze and fine paper. Raw edges and applied threads add texture and dimension. All artwo...

Contemporary Belgian artist Diane Petry creates her own three layer canvas using pima cotton, gauze and fine paper. Raw edges and applied threads add texture and dimension. All artwo...

In this John Brevard painting, we see a strange and surreal creature that seems to inhabit a multidimensional world. The overall theme of the painting...

Born in 1938 in Auzolle-Grande, Gaston Planet died in Nantes in 1981. After fine arts in Nantes and the Jullian Academy in Paris, Gaston Planet devoted himself to painting. From 1961...

Steven Colucci’s iconoclastic approach to performance and the visual arts have not only long blurred the boundaries between these disciplines, but have challenged its most basic assumptions. The title of this show references a most rudimentary dance move --the plié --and our assumptions of what to expect in relation to this. Also the suggestion that we can simply press a button and a preconceived outcome will be courteously delivered --a form of prefabricated belief in itself. Steven Colucci’s artwork turns such basic assumptions on their heads. Finding early inspiration in the New York school of abstract expressionists such as Jackson Pollock with his action painting, and then further by his professor --a then young Vito Acconci while studying at the School of Visual Arts, Steven Colucci went from exploring the raw existentialist experimentation of New York’s early painting and performance scenes, to investigating the other end of the spectrum --the rigorously measured and controlled disciplines of pantomime and ballet; studying in Paris under the tutelage of world-famous Marcelle Marceau, and engaging with the concepts of dramatic movement pioneer and intellectual Etienne Decroux. Colucci has explained the difference between the extremes of pantomime and dance as being that pantomime forces movement via an internal capacity --movement directed inward to the core of one’s self --a source requiring extreme mental and physical control. Dance by contrast is an external expression; likewise requiring great precision, although instead an extension of self or sentiment that projects outwardly. While such historical ‘movement’ disciplines serve as foundation blocks for Steven’s artistic explorations, it is the realm in between that he is best known for his contributions --an experimental movement and performance art that simultaneously honors, yet defiantly refutes tradition; rejecting a compartmentalization regarding art and movement, yet incorporating its elements into his own brand of experimental pastiche. Colucci’s performance works manifest as eerily candy-coated and familiar, yet incorporate unexpected jags of the uncanny throughout, exploiting a sort of coulrophobia in the viewer; an exploration of a cumulative artifice that binds human nature against its darker tendencies; highlighting traditions of artifice itself - the fabricated systemologies that necessitate compartmentalization in the first place. It is evident in Steven Colucci’s paintings that he has established a uniquely distinctive pictorial vocabulary; a strong allusion to --or moreso an extension of --his performance works. Colucci’s paintings depict a sort of kinetic spectrum, or as he refers to them “a technical expression of physicality and movement”. Whereas the French performance and visual artist Yves Klein used the human body as a “paint brush” to demarcate his paintings and thereby signify a residue of performance, Colucci’s utilization of nonsensical numbers and number sequences taken from dance scores, as well as heat- induced image abstraction depicting traces of movement likewise inform his vocabulary. In the strand of the choreographed, yet incorporating moments of chance, Colucci’s paintings represent an over arching structure; a rhythm of being and state, yet detail erratic moments --moments that denote a certain frailty --the edge of human stamina. Colucci’s paintings dually represent a form of gestural abstraction --and also the reverse of this --a unique anthropomorphization of varying states of movement – that sometimes present as a temperature induced color field, at others are juxtapositions of movement and depictions of physical gestural images themselves. Colucci’s use of vernacular and found materials such as cardboard evoke his mastery of set design, and also reference a sort of collective experience of urbanity and the ephemeral. Such contradictions seem to permeate not only Steven Colucci’s artwork, but also are reflected in his person – one who grew up in New York’s Bronx during a zeitgeist moment in visual and performing arts in the 1960s – one who shifts with ease from happenings and experiments in New York City, to his meticulously choreographed megaproductions at Lincoln Center or starring in the Paris ballet...

Day 16 - Emotional Layers Collection by Michele Bagnod Michele’s collection “emotional layers” it’s a self-discovery through layers of colors. Nothing is prepared before and everyth...

About the Artist: Cometabolism Studio is a design studio based in Shanghai, founded by Zhang Ning and Yang Yafei. Zhang Ning graduated from the designer maker program at Camberwell...

The copolymer selects components images of Taobao shop to generate motifs according to the mathematical logic of traditional decorative motifs, which are then alienated into purely d...

Contemporary New York artist Elena Lyakir's Diptych, Destiny and Fate, were photographed in 2013 and are part of her Land and Sea Series. This is a meditation on the essence of seein...

Contemporary New York artist Elena Lyakir's Where Swallows Hide was photographed in 2017 and is part of her Aves Series. It's an ongoing exploration of how we relate to the visual ex...

Raoul Morren, a self-taught artist and curator, explores a spectrum of artistic mediums, including collage, painting, photography, sculpture and video. Drawing profound inspiration f...

From extremely detailed 3D scans of the most important classical sculptures of all times, Eduard Locota has digitally sliced and extracted the essential portion of the artwork, then ...

Edward McHugh I'm In Touch With Your World, 2020-21 Acrylic, ink, thread, polyester resin on double-refined fiberboard Measurements: 47 x 38 x 3 in

Edward McHugh Life's The Same, 2020-21 Acrylic, ink, thread, iron oxide, polyester resin on double-refined fiberboard Measures: 40 x 34 x 3 in

Edward McHugh Centerfold, 2020-21 Acrylic, ink, thread, polyester resin on double-refined fiberboard 45.5 x 56.5 x 3 in

Late 17th Century Russian Orthodox Icon of the Nativity of the Mother of God painted over gold leaf and gesso laid on a wooden board. It has been framed with a gold gilded museum mou...

Born in 1938 in Auzolle-Grande, Gaston Planet died in Nantes in 1981. After fine arts in Nantes and the Jullian Academy in Paris, Gaston Planet devoted himself to painting. From 1961...

"Laughter" by Louis Shields Abstract mixed-media on canvas Structural Series 2018 Measures: 20" H 16" W Colors: Tan, grey with accents of red.

Set of three oil on canvas paintings of saints: one full-length one of Saint Peter holding the keys to heaven and two smaller ones. Would make a fabu...

The image shows a human skull in the forest. The author reflects his difficult period in life . On the back of the painting is a study of a nude lady. The author of the work is Juraj...

The painting depicts a man dressed in a waterproof coat standing in a rainy night illuminated by yellow light from the street. The author of the work i...

In this painting, the viewer is presented with a figure that seems to embody the concept of nonduality and the interconnectedness of all things. The figure is depicted with a futuris...

Interested in collapsing the contradictions between form and formlessness, Daniele Albright's work focuses on the immaterial as the indeterminate and shifting space between perceptio...

BIO The career of Peruvian-Palestinian artist Omar Ananias:

Ananias's artistic career began with sculpture and drawing under the guidance of his mother as his principal mentor, following in the footsteps of his family's long tradition of opera singers, musicians, classical dancers, painters, writers, and other artists. She owns "The House of Nymphs," an exquisite oceanfront artist retreat in Peru with a very unique private collection of artists, including friends, relatives, and Omar's earliest works.



Omar has also trained as a professional contemporary dancer and a yoga/mindfulness teacher since he was fifteen years old and, as a result, sought accreditation as an art therapist.

His work with sexual workers, the disabled, indigenous populations living in the Amazon Rainforest, prisons, and orphanages has brought him well-known recognition. He has worked for more than 20 years with various governments and organizations all over the world.



Techniques and inspiration used by Ananias:

His artwork has drawn inspiration from various sources including: the natural world, his personal encounters with marginalized communities, and the indigenous knowledge of the rain forest. Additional inspiration is drawn from Kris Gebhardt, Viviana Quea, Gam Klutier, Hideaki Yamanobe, and Carola Kastman.



Omar Ananias's love of the natural world also inspires him to create landscape designs and live plant sculptures made of clay, glass, and wood, in addition to his digital portraits and mixed-media abstract paintings on canvas.

He uses many self-made and unconventional instruments/materials for his paintings such as condor feathers, Peruvian gold...

Belgian intimist painter and draftsman, Jan Hoogsteyns (1935), is best known for his dreamlike and foggy work using gray and greyed down poetic colors and tonalities. With mist-grey,...

Pair of Large Knife & Fork Lithographs in Acrylic Frames Dimensions Height: 87" Width: 22" provenance: from the estate sale of Ozzy Osborne, Los Angel...

A Japanese silk haori float-mounted on an acrylic rod to a stretched pink cloth canvas in a custom formed acrylic shadow box by artist Greg Copeland...

Interested in collapsing the contradictions between form and formlessness, Daniele Albright's work focuses on the immaterial as the indeterminate and shifting space between perceptio...

Title: “Identity”. Size: 53 in. X 62 in. Year: 2013. Artist Jason Stallings. Mixed media collage on canvas. “Identity” explores the concept of how social media shapes the identity...

Incredible acrylic painting by Ron Pelley, signed and dated 1979. Subject is a cold loggers gaze of satisfaction.  

An innovative collection in which classical sculpture, contemporary design elements and augmented reality coexist. From extremely detailed 3D scans o...

Title: “Female Figure #2”. Size: 48 in X 48 in. Year: 2010. Artist Jason Stallings An interpretation of the artwork of Willem de Kooning. Multi-media on canvas. In good condition....

Dan Hôo, signed and dated. Acrylic on canvas entitled “Les lumières de la Raison”, in green, yellow and orange tones. Work dated year 2023.

Dan Hôo, signed and dated. Acrylic on canvas entitled “Les données des sens”, in green and blue tones. Contemporary Sino-French work.

Late 17th century oil on joined wood panel interpretation of The Vision of Saint Hubertus by Albrecht Durer. It was painted in 1501 and became a very po...

Very cool modern abstract painting made of acrylic and hood lead signed by artists titled “Frenchy”.