Clay Wall Decorations

Connection, blue #26" is a meta-modernistic sculpture on canvas, measuring 36" x 36" x 4". This work redefines the traditional boundary between painting and three-dimensional form, ...

Beautiful tile mural with the "FADO" motif finely painted. Quantity: 180 tiles Tile mural size: 59"H X 106.2"W (150cm X 270cm) Tile size: 5.9"H X 5.9"W (15cm X 15cm) Origin: Portug...

This exceptional pair of wall pockets captures the timeless elegance of classical European architecture, bringing a touch of Mediterranean grandiosity to the modern interior. Expertl...

This striking, extra-large Ruscha wall disc sculpture showcases the distinctive craftsmanship of mid-century German art pottery. Designed with a vibrant fat lava glaze, this piece di...

Fractured is a striking ceramic wall sculpture by Pekka Paikkari, created in 2006. This exceptional work showcases a meticulously handcrafted ceramic composition mounted on a wooden ...

This Ikat-reminiscent pattern balances the moon in its fluctuating forms, reflecting the passing of time as it rises, sets and spins. Samples are available for $18 including US ship...

Founder of Ivana Helsinki, Paola Suhonen pressed flowers in a book, creating Herbario years later. Aimée worked with these elements to create a myriad of colorful wallpapers and fabr...

This contemporary Talavera azulejo tile creates a striking geometric mosaic that can be used as a kitchen backsplash, architectural wall surface, or decorative wall installation. Whe...

An interesting framed set of three late 17th/early 18th century 5-inch manganese delft style tiles, handpainted and glazed with countryside scenes. Originating from the Netherlands,...

Whimsical Impermanence, blue #2" is a meta-modernistic sculpture on canvas, measuring 24" x 48" x 3.5". This work redefines the traditional boundary between painting and three-dimen...

Mid-Century Modern Handmade Wall Ceramic Mask by DYBDAHL, 1960s Denmark Dimensions Height: 5.11 in. (13 cm) Width: 4.33 in. (11 cm) Depth: 2.75 in. (7 cm) The fixture need 1 x E27 ...

Very decorative golden leaves as a wall design. Origin and age unknown, probably 1970s 1980s. Fit very well with the interior of the mid-century. Material: light (clay?) 32 x 25c...

Material: Clay/cooked clay and hand-painted with our own pigments. Great work of the important ceramic artist Alberto Hernández, signed and dated....

Get lost in this nocturnal fantasy jungle-scape! Flora and fauna combine to create the ultimate dreamy pattern. Samples are available for $18 including US shipping, please message u...

This Ikat-reminiscent pattern balances the moon in its fluctuating forms, reflecting the passing of time as it rises, sets and spins. Samples are available for $18 including US ship...

This monumental 20-foot-tall installation was commissioned for The Everly, a luxury apartment building in Washington, D.C. Composed of over 1,000 of my signature sculptural elements,...

Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #73 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer...

”Winter Day In Marievik” is an impressive ceramic wall sculpture made by Pekka Paikkari in 2023. This extraordinary piece of art features a unique hand crafted ceramic design layed o...

Vintage Delft tile featuring a noble man riding a horse. This characterful Delftware tile a man on horseback in expressive blue coloring on a whit...

Get lost in this nocturnal fantasy jungle-scape! Flora and fauna combine to create the ultimate dreamy pattern. Material: Screen-printed by hand on clay-coated, FSC-certified pap...

Give your home a taste of the Southwest with this graphic, oversized cactus repeat! This pattern combines saguaros, aloe, agave, peyote, prickly pear, San Pedros and more, the perfec...

Whimsical Impermanence #3" is a meta-modernistic sculpture on canvas, measuring 30" x 40" x 4". This work redefines the traditional boundary between painting and three-dimensional fo...

This Ikat-reminiscent pattern balances the moon in its fluctuating forms, reflecting the passing of time as it rises, sets and spins. Samples are available for $18 including US ship...

This rare and remarkable tile produced at the close of World War II in Delft, depicting the Nazi dragon being slayed by the Dutch people, is a superb example of Art Deco cloisonné...

This Ikat-reminiscent pattern balances the moon in its fluctuating forms, reflecting the passing of time as it rises, sets and spins. Samples are available for $18 including US ship...

Pre-owned goods are exempt from import duties for U.S. customers. Therefore, no import tariffs will be applicable to your purchase. Eva Jancke-Björk (1882–1981) for Rörstrand, Swed...

Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #63 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...

Founder of Ivana Helsinki, Paola Suhonen pressed flowers in a book, creating Herbario years later. Aimée worked with these elements to create a myriad of colorful wallpapers and fabr...

Get lost in this nocturnal fantasy jungle-scape! Flora and fauna combine to create the ultimate dreamy pattern. Printing: Digital pigment print (minimum order of 4 rolls). Material:...

A fun, textural pattern inspired by the white-spotted rose anemone. Samples are available for $18 including US shipping, please message us to purchase. Printing: Digital pigment pr...

Give your home a taste of the Southwest with this graphic, oversized cactus repeat! This pattern combines saguaros, aloe, agave, peyote, prickly pear, San Pedros and more, the perfec...

This Ikat-reminiscent pattern balances the moon in its fluctuating forms, reflecting the passing of time as it rises, sets and spins. Samples are available for $18 including US ship...

A fun, textural pattern inspired by the white-spotted rose anemone. Samples are available for $18 including US shipping, please message us to purchase. Printing: Digital pigment pr...

Contemporary American ceramic artist Richard Hirsch's encaustic "Paintings of Nothing Series" #14, #16, #22 and #23 are made of ceramic raw materials, dry pigment and wax. Hirsch app...

This Ikat-reminiscent pattern balances the moon in its fluctuating forms, reflecting the passing of time as it rises, sets and spins. Samples are available for $18 including US ship...

This Ikat-reminiscent pattern balances the moon in its fluctuating forms, reflecting the passing of time as it rises, sets and spins. Samples are available for $18 including US ship...

Founder of Ivana Helsinki, Paola Suhonen pressed flowers in a book, creating Herbario years later. Aimée worked with these elements to create a myriad of colorful wallpapers and fabr...

This Ikat-reminiscent pattern balances the moon in its fluctuating forms, reflecting the passing of time as it rises, sets and spins. Samples are available for $18 including US ship...

A fun, textural pattern inspired by the white-spotted rose anemone. Samples are available for $18 including US shipping, please message us to purchase. Printing: Digital pigment pr...

An abstract, watercolor-washed pattern inspired by the wildly beautiful spotted eagle ray. Samples are available for $18 including US shipping, please message us to purchase. Pri...

Founder of Ivana Helsinki, Paola Suhonen pressed flowers in a book, creating Herbario years later. Aimée worked with these elements to create a myriad o...

A fun, textural pattern inspired by the white-spotted rose anemone. Samples are available for $18 including US shipping, please message us to purchase. Printing: Digital pigment pr...

Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #9 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painti...

Her poetic porcelain plates examine and reimagine the history of art in a way that values ​​women not only in body, but in wholeness, power, and love. Focusing on the narrative quali...

Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #79 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...

This sculptural panel was done by the well known child's book author and illustrator, Barbara Reid in 2006 in her signature style. This is an original sculpture done with plasticine,...

Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #52 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...

A 19th century blue and white Delft 6-inch tile of a bull manufactured by Ravesteijn of Utrecht; one of two similar themed tiles we are selling. This original fireplace tile was recl...

Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #40 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics...

A wonderful wall sculpture by the noted artist Anne Andersson. It is signed and dated 2006 #4 on the back. These sculptures are made of Sisal Fiber from an Agave and meticulously hand painted. The eyes are hand blown glass. the bodies are sculpted from clay. A brief bio from the artist's website follows: Anne Andersson's artwork serves as an homage to our planet’s charismatic and rare wild animals. Inspired by the majesty and beauty of exotic wildlife, and motivated by an urge to preserve them, Anne’s astonishingly realistic life-size sculptures capture the experience of seeing these animals up close—without exploiting them. Her work provides a humane alternative to trophy hunting and taxidermy. Born in Sweden...

Original Peter Astrom abstract expressionist painting entitled: Sea Creature #2 Acrylic paint and modelling paste on Arche paper H 30 in x W 22 in, Unframed Signed Peter Astrom lo...

Pair of French Abstract Relief Panels in Black Slate and White Clay by Jean-Paul Chablais 2001 These artworks are an interplay of textures and materials such as wood, slate, and cla...

Ornamental plate made with the traditional technique of ceramics, on red clay. Hand decorated, partially glazed and fired. Made by Pasquale Santoro...

Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #75 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...

Gloria Lomas Cuban-American Artist Mixed Media Plaque Wall Sculptures, Set of 3 Offered for sale is a set of three mixed media plaque wall sculptures dating from the late 80s exhibi...

Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #76 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch...

Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #14M is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Pain...

Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #10 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...

Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #78 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics...

Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #44 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...