Papercord Wall Decorations

A fabulous vintage Boho Advertisement poster. A chic poster for Navy Tobacco with a handsome young sailor. Acquired from a Palm Beach estate.

A captivating Romanticism Period painting depicts a beautiful household nestled along a scenic Roman provincial road, Via Appia, a few miles away from the capital city. The painting,...

A 19th century colorful landscape of Venice and the channel with boats. Oil on papercoard. Frame: Width: 20,47 in (52 cm) Depth: 16,14 in (41 cm) Canvas: Width: 13,77 in (35...

Mixed media on paper and wood behind aryl glass Mimmo Paladino, Italy 2009 (2/20) Mimmo Paladino found art inspired by his uncle, a painter who introduced him to traditional techniques at an early age. After attending the 1964 Venice Biennale, he made the decision to become an artist. He studied painting at the Liceo Artistico in Benevento from 1964 to 1968 and, influenced by Max Ernst and Paul Klee, experimented with collages, frottages and non-objective paintings. In 1968 he finished his academic training with a diploma and began to paint freely. In the early to Mid-1970s, the artist dealt almost exclusively with mythological themes, such as the Icarus myth, which he translated into drawings. In the process, Paladino developed his own fresco-like technique, significant for his later work, in which he painted large-scale walls with pastel colors. Paladino had his first exhibition in 1977 at the "Galerie Lucio Amelio" in Naples. Several trips to Milan as well as contact with the art critic Tommaso Trini and the gallery owner Franco Toselli soon made Paladino known nationwide. In Toselli's gallery he presented his murals for the first time in 1978. That same year he traveled to New York, where he met Sandro Chia and Francesco Clemente. Several trips to Brazil followed. In 1980 Mimmo Paladino, together with the publisher Emilio Mazzoli, published a book with texts by Achille Bonito Oliva. The art critic Oliva had introduced the term Transavanguardia at the end of the 1970s for the style of the new movement, mainly characterized by young Italian artists such as Chia, Clemente, Enzo Cucchi and Paladino, who found parallels in Germany with the Neue Wilde. In the same year Paladino participated in the Aperto 80 Biennale in Venice and in 1982 in the Biennale of Sydney. In the following years Paladino had exhibitions at the Kunstmuseum in Basel and at the Galleria d'Arte Moderna di Bologna. In 1999 he had an extensive retrospective at the Lenbachhaus in Munich and in the same year he became an honorary member of the Royal Academy of Arts in London. The Centro per l'arte contemporanea Luigi Pecci in Prato dedicated an extensive retrospective to him in 2002/2003.[1] Works by Mimmo Paladino can be found in the collections of the Tate Gallery in London, the Irish Museum of Modern Art (IMMA) in Dublin, the Metropolitan Museum of Art and the Museum of Modern Art in New York. The artist lives and works in Milan and Benevento, Italy. PLANT Mimmo Paladino's works are often mixed media on paper or wood pre-sketched with drawing pencil, using all traditional means. His oeuvre includes watercolor, oil painting, and tempera, as well as collage, frottage, engraving, drypoint, or woodcut. Paladino's paintings are often untitled. Examples 1987: The Perfect Room 1992: hortus conclusus, horse sculpture in Benevento, Chiostro di San Domenico 1993: montagna bianca 2002: Le chien 2004: ciclismo 2008: Porta di Lampedusa - Porta d'Europa, iron sculpture covered with ceramic plates on the beach of Lampedusa in memory of the migrants who lost their lives at sea EXHIBITIONS 1979: Transavanguardia, Turin 1980: Venice Biennale, Venice 1982: documenta 7, Kassel 1982: Biennale of Sydney, Sydney 1984: Merianpark, Basel, sculpture in the 20th century...

Sir William Allan (British 1782-1850) "Circassian Captives" Orientalist oil on board painting. An exceptional quality painting in every way. The details are phenomenal, the scene is captivating. The Sale of Circassian Captives to a Turkish Bashaw depicts a Circassian tribal chief selling captives of a neighboring tribe taken in war, to a Turkish Sultan...

Attributed to William Shayer Snr. (1787 – 1879) A Stable interior with a horse and donkey by a briar, baskets and panniers on the floor beside them. Oil on Canvas. This painting was part of Dauntsey Estate, Wiltshire has never been at auction. 51 x 61 cms image only. William Shayer was an English landscape painter and figure painter who became prominent during the Victorian era. William Shayer was a self-taught artist, who began by painting decorations on rush-bottom chairs. He moved on to painting carriages in the town of Guildford, after which he started doing heraldic painting...

The iconic Porsche 911 RS 1973, pop art print in the style of Andy Warhol. Vibrant wall art, a great addition to your art collection. Probably 1980s, these are signed limited editi...

Beautiful interior scene with in the foreground a Lenci Manufacture ceramic figure, in front of a mirror and a pink basket. Unidentified painter from the ...

Pair of 19th century Japanese woodblocks by Utagawa Kuniyoshi in custom frames. Each set in a custom matted ebony and gilt decorated custom frame finely matter. The pair signed and dated on reversed. -Three Courtman drinking sake and admiring the full moon, 1788-1861 -A lady admiring the chrysanthemum flower 1785-1864. Utagawa Kuniyoshi 1798 - 1861 The vogue for full-body tattoos of interlaced characters, animals and fish, the full arms and backs that writhe with complex figures and designs can be directly traced not only in their drawing but in their conception to the Japanese woodblock artist Utagawa Kuniyoshi. It was he, whilst trying to establish a flagging career in the 1820’s in Edo (Tokyo) Japan, that conceived of decorating heroic, supernatural warriors with florid designs to emphasise their toughness and in some part to elaborate on their narrative. Kuniyoshi was born Yoshisaburo and like Kunisada was apprenticed to the great woodblock artist Toyokuni I at his Utagawa School 1811. Kuniyoshi showed prodigious talent but unlike his colleague Kunisada failed to find commissions and it was not until the late1820’s that he discovered his own style and overnight success with the release of his series of warrior prints...

A pair of Japanese Woodblocks each in a fine custom matted frame with fine ebony and gilt decorations. Each signed and dated on the reverse. Listed below. -A courtyard lady in a comm...

Cuarteto Cedron, Chances Poster 1977 Polydor, France. Cuarteto Cedron is a group of Argentine musicians. Not framed, has not been folded, rolled up. Size: 78.5 x 119 cm.