American Wall Decorations

During the beginning of the 1980’s, Warhol began accepting commissions from a range of manufacturers and businesses; this screen print was an experimental design for French mineral w...

Written by and starring Sylvester Stallone in the iconic lead role, "Rocky" was released in 1976 and went on to become the highest grossing film of the year. Critically acclaimed as ...

Oil on canvas, signed lower left. Wildlife artist Julie Jeppsen is known for her paintings combining realism and atmosphere of wild animals in landscape. Julie is a self-taught ar...

Exhibiting grand chivalric presence and fine medieval craftsmanship, this monumental vintage wall panel features a detailed engraved brass effigy of a knight mounted flush to a faux-...

Brutalist patinated brass wall sculpture in the style of Jean Claude Dresse.

Original signed lithograph Seems Like Manhattan II by Gary Lichtenstein. Signed and numbered 7/30. Two additional Seems Like Manhattan lithographs...

A wonderful lithograph print by famed Japanese American artist Masami Teraoka titled "McDonald's Hamburgers Invading Japan/Geisha and Tattooed Woman" from his series McDonald's Hambu...

Exhibition poster and announcement for a show of Sister Mary Corita Kent's new serigraphs held at New York City's Morris Gallery from December 7-31, 1966, ...

Lee Reynolds, American (1936-), oil on canvas impressionistic garden scene of cobble stones, blue iris, crimson fox gloves and red poppies. Finished in simpl...

Signed William Friedle Brutalist wall sculpture.

Original vintage Asia travel poster for The Orient by Clipper Pan American World Airways The World's Most Experienced Airline featuring artwork by Charles Baskerville (1896-1994) dep...

Original US movie poster for Bruce Brown's cult 1966 surfing documentary. This poster was created before the film had its theatrical release and was used for the 16mm release of the ...

Painted by Dunbar Beck, one of America's most accomplished and successful muralists, this painting of a half-nude man floating over a succession of dancing couples below was one of a...

This is a nice sculpture by Bijan. It's made of copper and different metals. It's a hand crafted work of art depicting an Asian evening scene of the sun going down behind a bonsai tr...

A handsome and sophisticated mixed media on canvas by American artist John Rigsby. Found in a original state of preservation. His works are few and far between. The following biography was submitted by John David Rigsby, Jr., son of the artist. The author is Lisa Rigsby Peterson, daughter of the artist, and owner of the copyright of the biography. John David Rigsby was born on October 10, 1934, the seventh child of an Alabama Depression-era sharecropper's son. He and his family moved frequently, from one one-room structure to another, often with no running water, no plumbing, no heat but the stove. His father was killed in a car accident when Rigsby was just 9 years old. Life for the remaining eight family members proved tumultuous and difficult -- food wasn't plentiful, nor money. The family moved from place to place, following work -- Rigsby attended 30 different schools before graduating from high school. Despite living in poverty, Rigsby demonstrated academic and artistic aptitude at a young age. Two oil paintings on covers ripped off of old books that he painted when he was eight years old show the promise of an imaginative and gifted eye. Rigsby was drafted by the U.S. Army in 1953. As he later wrote, "When basic training at Fort Jackson, South Carolina, was over, I was told to go out and find a job. Jasper Johns was painting visual aids for the 28th Regimental Headquarters. He suggested the Band Training Unit." Rigsby played the clarinet in that unit, and after 2 years of service, he enrolled at the University of Alabama on the G.I. Bill to study art. After just two years, he left school and followed his mentor (and one of the greatest and longest-lasting influences on his art), Japanese artist and U of A art instructor Tatsu Heima, to New York City. Heima introduced him to Isamu Noguchi and suggested that Rigsby work as Noguchi's assistant. Instead, Rigsby chose a job as a guard at the Metropolitan Museum of Art, since "the notion of seeing all of that art appealed more to me than the boring task of studio assistant." The opportunity was a rich one for Rigsby. He had a chance to study the masters, and cited Rembrandt with his simplicity and elegance as another of the most important influences on his work. In the years between 1957 and 1963, when Rigsby eventually earned his BFA in sculpture, the artist traveled back and forth between New York and Tuscaloosa, alternating study with forays into the fertile New York art scene. Rigsby exhibited some of his early sculpture work in 1958 at a small New York gallery, which was also exhibiting the work of Willem and Elaine de Kooning and Theodore Stamos. Shortly thereafter, searching for an educational venue closer to New York City, Rigsby visited New Haven, Connecticut, and spent an afternoon speaking with Josef Albers at Yale. Albers agreed to accept Rigsby into the Yale program on the condition that he take freshman drawing all over again. A brilliant opportunity, but, in Rigsby's words, "When it was time to register, I was hitchhiking back to Alabama, looking for food and shelter." Rigsby had his first one-man show at the University of Alabama in 1959. A visiting critic from New York, J.F. Goosen, reviewed the show and wrote "here is a talent which produces art because that is the thing for a gifted person to do. In his effortless ease of conception and execution, he has already achieved a goal that eludes many artists for a lifetime." Finally, in 1963, Rigsby received his degree in sculpture, dissolved a short-lived marriage, visited his family, packed up his car and headed permanently for New York. That year, his work was included in a group show at the Delgado Museum in New Orleans - which led to a one-man exhibit at the Delgado in 1964. During 1964, Rigsby took drawing classes at Columbia University, and worked at the General Post Office at night. He met his future wife, Linda Palmieri, and married. In 1965, his daughter Lisa was born, followed in 1966 by the birth of his son, John David Jr. In 1966, Rigsby had a successful one-man show at the Pietrantonio Gallery in New York. Shortly thereafter, he and the family moved to Tunis, Tunisia at the suggestion of a colleague, who urged him to "come paint by the light of Klee." Rigsby worked for the United States Information Agency as a teacher, and he spent the next year and a half painting over ninety paintings inspired by the smells, light, and Phoenician and Roman art surrounding him. He also executed a number of character and landscape drawings, capturing the Tunisian way of life. During his time in Tunisia, Rigsby's work was shown there in two major exhibits. Upon the family's return to the U.S. in 1968, Rigsby once again exhibited at the Pietrantonio Gallery. Later that year, Rigsby enrolled in Southern Connecticut State College's Urban Studies program, earning a master's degree in 1970. During his time at SCSU, Rigsby worked as the city of Bridgeport's Curator of Exhibits, driving a mobile art gallery from schools to neighborhood fairs and housing projects. After completing his degree, Rigsby had an exhibit at the Telfair Museum in Savannah, Georgia. This exhibit caught the attention of a member of the search committee looking to hire an artist for a newly-developed program in neighboring South Carolina. In 1970, Rigsby was selected as the first Artist-in-Residence in the state of South Carolina for the National Endowment for the Arts Artists in Schools program. His work with the newly-integrated students at Beaufort (SC) High School over the term of his residency precluded substantial work on his own art. He did, however, set up a studio in downtown Beaufort, and was able to create a modest number of paintings, which were included in exhibits at the Columbia Museum in South Carolina in 1971 and Yale University in 1973. At the end of his residency in 1974, Rigsby was named the National Visual Arts Coordinator of the Artists in Schools program for the NEA, a post he held for two years. In this position, Rigsby traveled the country, reviewing grant applications, meeting with state leaders in government, education and the arts to promote program concepts and explore local opportunities. The message he repeated over and over again echoed that of one of the other major influences on Rigsby as an artist - Ruth Asawa Lanier, whose words taught him that all of the work that the artist does is the artist's work, not simply the paintings he creates. In his capacity as National Coordinator, as well as many times in the future, Rigsby stressed that artists function in the same way as any other person in society, and deserved the same respect and place for their work as did all other professions. After two years traveling the country, Rigsby was ready for a change, saying "for the first time in my adult life, there was not a body of paintings to show for the years put into my work." In 1976, a summer retreat to the mountain community of Central City, Colorado, led to a permanent relocation. Eventually settling in the small town of Evergreen, Rigsby followed his own advice about artists becoming actively involved in their communities, and he established the Evergreen Visual Arts Center. The Center provided working space for artists, classes for adults and children, and, most importantly, a place for Rigsby to create his own work. Buoyed by the opportunity to concentrate once again on his art, and inspired by his new surroundings, Rigsby entered an extremely prolific period in his career. In 1977, he organized a traveling exhibition of his paintings, which showed at the Kimball Arts Center in Utah, the Kennedy Center in Washington, D.C., and the Arvada Center in Colorado. 1978 brought more exhibits, notably in Aspen and Denver, as Rigsby's work continued. He took an extended trip to visit his mentor, Tatsu Heima, in Japan, where he climbed Mt. Fuji, followed by travels to Tehran, Delhi, and several European countries. He chronicled his impressions from his travels in a small collection of paintings upon his return to the U.S. - the beginning of a practice which would continue through the rest of his life. In 1979, Rigsby's marriage failed, and at the same time he lost the lease to his Evergreen studio to redevelopment plans. In response to the personal chaos around him, Rigsby began a series of what he called "hard-nosed process paintings," the watercolor paintings of dots which marked his work from this period. The paintings gained him an NEA Individual Artist grant in 1980, as well as a Yaddo fellowship in 1981. The polka dot paintings were followed by a series of cupcake-like images, again examining space and color. During the early 1980s, Rigsby lived in a suite of old dentists' offices in a rundown part of Denver, with a studio in an area that reminded him of the Bowery in New York. In 1984, Rigsby founded the Progreso Gallery in the building where he lived, using the space both to show his own work and also to mount shows of the work of many Colorado artists. The gallery also served as a focal point for Denver's local arts community, hosting weekly discussion groups and classes. In 1984, Rigsby traveled to the Baja Peninsula and then in 1985 to Yugoslavia. After each sojourn, Rigsby returned to create vibrant and explosive paintings based on his experiences, showing them at his Progreso gallery and another alternative gallery in Denver, the Edge Gallery. The economic recession of the mid-eighties hit the art market and Rigsby hard, however, and although he continued to create new works of art, major exhibitions were difficult to come by. In 1987, Rigsby decided to leave Denver and spent six months in Barcelona, Spain. It was an electrifying trip for him. Rigsby wrote of that time: "The streets alone are a visual feast, and the additions of museums from Saarinen, Picasso and Miro to 12th century icons produced artistic indigestion. My paintings are always about the way things look and feel. Barcelona was a time machine extending those sensory and emotional concerns back to the Middle Ages. I felt the need to reduce my work to essential elements of color, scale, drawing and format. The [resulting] color studies speak eloquently for themselves, and in doing so, redefine all of the work I've done in the past 35 years of painting." Rigsby completed over a hundred paintings while in Barcelona - color studies, street portraits of the characters he encountered on a daily basis, and a number of dark landscape paintings. He found time to run with the bulls in Pamplona, and began writing stories about his adventures that were later published. Upon his return to Denver in 1988, Rigsby continued to explore the alter egos of the color studies - he concentrated on a series of dark paintings, all prominently featuring back. He commented about these black paintings that he " decided it was time to explore the perception of the eye and physical space as defined by low -light conditions…I find these paintings elegant, joyous and light-filled, with no feeling of heaviness at all." In mid-1988, Rigsby moved permanently to Houston, Texas, where he would spend the last five years of his life. Once in Houston, Rigsby made a discovery that would serve as the inspiration and material for some of the last works of his career. In 1989, he discovered a salvage yard filled with scrap rubber, and he began working on black rubber sculptures, as well as paintings with rubber elements incorporated. He made strong connections in the Houston alternative arts scene, and became a regular contributor and art critic for a local weekly newspaper, The Public News. From 1989 through 1992, he exhibited his sculptures and paintings at Houston's Brent Gallery, Fountainhead Gallery, and Blaffer Gallery. He also produced an installation of his rubber sculptures on the roof of the Diverse Works Gallery in Houston. 1992 also marked Rigsby's return to Denver when he exhibited his sculptures at the Payton-Rule Gallery in Denver, leading to an Absolut Rigsby commission by Carillon Importers. The 1990s were a tremendous struggle for Rigsby, with financial crises compounded by physical trauma (he accidentally sawed off the top joint of the index finger of his left hand while working in his studio). Although his work was being shown, it wasn't selling, and the tremendous financial pressure he felt weighed heavily upon him. He spent an increasing proportion of his time going to flea markets and garage sales, rehabilitating and repairing the things he bought there, and then re-selling them simply to raise enough money to keep a roof over his head. He had little time to paint or sculpt, the things in life that had always, no matter what the circumstances, brought him joy. Rigsby's final works were a series of intricate paintings and drawings on used books that he purchased at the flea market. Most of these drawings, which he referred to as sculptural form drawings, were executed on page after page of science texts, music books, and a Korean bible and fill hundreds of pages. Additionally, Rigsby created an exquisite book he titled 28 de los Angeles, in which his twenty-eight simple and elegant drawings of angels resonated with the influence of Rembrandt he had so admired in his early days. In a sense, Rigsby's final works, art created on used books which were the only materials he could afford, brought his work and life full circle from his childhood days. Rigsby's life, though begun and ended in adversity, was nonetheless illuminated and enriched by the irresistible impulse he had to create art and beauty. John David Rigsby was killed in a one-car accident in Colorado in August, 1993. Biography from the Archives of askART Following is a review by Michael Paglia of the artist's July 2004 retrospective at the Denver Museum of Contemporary Art. It was submitted by John Rigsby, Jr., son of the artist. There's a magnificent retrospective at Denver's Museum of Contemporary Art devoted to the work of the late John David Rigsby, who was a major powerhouse in Colorado's art scene. "Dots, Blobs and Angels" surveys more than forty years' worth of the remarkable artist's paintings and sculptures. The year 1993 was strange, and by that I mean terrible. Many of the city's galleries closed because of bad economic times, and then the artists started dying. In a matter of a few months, Denver lost three significant artists: Rigsby, experimental photographer Wes Kennedy...

CENTRAL AVENUE MODERN ALL TAPESTRY SALE! Spectacular Mid Century Modern, Scandinavian, Evelyn Ackerman Style Hand Tufted, Freeform, Colorful, Wool & ...

Original vintage travel advertising poster for the World Fair event held in New York at the Flushing Meadows Corona Park from 30 April 1939 to 31 October 1940. Great Art Deco design ...

Copy of Modern Abstract oil painting consisting of black ground with with red,white, yellow and blue collage in a Cubist style Condition: Good; Wear consistent with age and use

Beautifully executed original oil on canvas by California artist Edward Holslag. Painted in 1915 with rich warm tones depicting a countryside landscape ...

Introducing "CHAMP DE COULEUR" - Our newest limited-release art print series. This first work in the collection is an interplay of colors and geometry. "Champ De Couleur" skillfully ...

Massive Purvis Young acrylic on scavenged plywood By self-taught Miami-born artist Purvis Young (1943-2010), a very large size painting on scavenged plywood. Purvis Young painted por...

Josef Albers abstract lithograph from formulation and articulation, published by Harry N. Abrams Inc., New York, and Ives Sillman Inc., New Haven, circa 1972. This work is from portf...

Mary Weatherall American Abstract Oil Painting, c. 1980 A vibrant American abstract composition by Mary Pennington Updike Weatherall (1930–2018), executed in richly layered oil on c...

Original B&W Abstract Painting in Antique gilt Frame by Shannon Weir, acrylic on panel

A dramatic maritime composition with strong movement and atmosphere, this large vintage oil painting captures several sailing vessels navigating choppy coastal waters beneath an expa...

A beautiful piece of textile art, this petite needlework sampler exemplifies the best of American Antiques. A wonderful example of late 19th Century women's art work, the sampler d...

Superbly handcrafted pair of Mid-Century-Modern wooden wall art sculpture panels. The artworks feature dimensional female and male faces or mask wood relief with stylized shapes and ...

Late 19th century black and white etching by Henry Pruett Share. Vertical nighttime winter landscape of farm buildings and rabbit prints in the snow by a small pond. Signed in plate ...

A hard to find mixed metal flower cart sculpture by C. Jere for Artisan House, circa 1970s. The piece has tremendous detail and craftsmanship incudin...

Thomas Carey Strobel "Optical" Three-Dimensional Op Art This is an unusual piece of three-dimensional Op Art aptly titled "Optical." The work is constructed of a series of 3D acryli...

Whimsical scissors open and close as real scissors do, excellent rustic piece for the light at heart design. Can be mounted on a wall or just standing against a wall (as shown here).

Abstract oil on canvas painting, probably American, circa 1960s. Artist signed lower right. It measures 30"H x 36"W, framed. The canvas measures 17.5"H x 23.25"W.

Organize your entryway hallway or mudroom with this industrial, brushed steel, wall-mount, school gymnasium, shelf unit coat rack. The unit features three graduated shelves; two of s...

A haunting and poetic composition from artist Louis Shields, "Orpheus" is a limited edition archival print from the artist's 2018 Dancer Series. The original mixed-media painting on ...

Adorable and rare Brunschwig & Fils hand-printed wallpaper border inspired by Victorian design from the Victoria & Albert Museum. Have not been able t...

Circa 1950's framed pinball game playing field top. From an old light up, stand up coin operated pinball game. Great graphics with playful beach scene. Works great in multiple settin...

Pair of antique late 19th century Currier & Ives hand colored lithograph prints: "The Miniature Ship Red, White, and Blue - On her Voyage from New York to London, August 1866, with C...

Spectacular coastal richly encrusted with great selection of Florida sea shells and barnacles clusters, in Tony Douquet style, wall bracket.

Limited edition serigraph on wove paper (314 of 495) "Peter Max 2015" embossed seal in lower left Colors are very vibrant and bright Hand signed "Max" in pencil in lower right hand c...

“Studio 1988”: an original limited edition print by John Baldessari, signed, 1980s. Offset lithograph and screen print in colors on Somerset paper. Matted, framed, and ready to hang,...

While best known for his architectural practice—which played integral roles in the restoration of the Statue of Liberty, re-imagining of the Ritz in Paris, and designing the interior...

Introducing "Le Havre", a limited edition, signed and numbered print that captures the renowned landscape of Le Havre bathed in the fiery hues of sunset. This geometric abstract, ali...

Three dimensional construction of painted and mounted blocks by the Chicago Imagist George Marshall Cohen (1919-1999). Cohen was a founder of the Chicag...

A glamorous original c1960s TWA Hollywood travel poster by David Klein. With its night sky, searchlights, palm silhouettes and glowing sunset colour, the design evokes the magic of t...

A commanding vintage wall relief by Finesse Originals, this sculptural work bridges abstraction and elemental narrative, evoking the tension between sea, stone, and structure. Often ...

This original 1955 US 1 Sheet film poster for Rebel Without a Cause is a superb piece of classic American cinema. With its clean layout, rich colour and unforgettable full-length ima...

"In Rooms Withdrawn and Quiet" stone lithograph from the Rilke portfolio by Ben Shahn, circa late 1960s. It is presented silver painted wood frame with cream and signed in the stone ...

Original black and white single-weight glossy studio promotional photograph from 1939. Few films have enjoyed such enduring popularity as the 1939 adaptation of L. Frank Baum's child...

On hold for exhibition. Available for shipment after May 20, 2026. Wall Sculpture #850 An organically shaped mixed medium wall sculpture with glazed ceramic panels woven together us...

Mid-Century Modern heavy impasto floral still life oil painting circa 1950s A brilliant original oil painting by a mystery artist. The painting is si...

Nice original watercolor of a footbridge over a pond in Central Park NYC. Skyscrapers of the day in the background. In excellent vintage condition with minimal wear, needs a new mat....

Original US film posters for Star Wars 1977. The film was directed by George Lucas and starred Mark Hamill, Harrison Ford, Carrie Fisher. This size poster was designed for drive in f...

Jennifer Gibbs draws artistic inspiration primarily from meditation and nature. Her extensive body of work ranges from abstract expressionism to delicate botanicals to her charcoal l...

4-tier Mid-century wall-hanging shelves feature a striking round brass-colored metal frame. The shelves are suspended within the circular frame, creating a unique, eye-catching displ...

Large wall mount sun spots sculpture by Silas Seandel in excellent original condition. Impressive example of Brutalist metal work from recognized and noted ma...

Keith Haring AIDS Dance-A-Thon New York, NY 1990: Rare early 1990s Keith Haring foundation sponsored event poster - published on the occasion of AIDS Dance-A-Thon shortly after Hari...

Andy Warhol Beethoven lithograph, American, circa 1980s.

Beautiful semi-nude woman with translucent negligee, holding a bottle of "Brookfield Rye" whiskey is the focal point of this chromolithographic tin advertising sign, used to promote ...

Gorgeously detailed and voluptuously painted, this superb depiction of pan playing his pipes in a paradise full of extravagant life -- including rabbits, squirrels, crested birds and...

Title: Stump Speech, #4 Year: 2013 A to-scale rendering of the cross section of a tree discovered in Prospect Park, Brooklyn, comprising hundreds of c...