British Wall Decorations

Our Wall Shelf is as perfect place for books, trinkets and curiosities. It defines a wall space and elevates the objects it holds. We love the way these shelves can transform a wall-...

Great image by Heinrich Leutemann From the Reynard The Fox series Fine steel engraving Published by A.H. Payne C.1850 Unframed.

Great image of a cactus Lithograph with original hand colour Published by S.Curtis 1838 Unframed. Free shipping

Collection: Carolina Tree of Life with Parakeets Product Code: 25B Colors: Prunus Roll dimensions: 70cm x 10m (27.6in x 10.9yards) Area: 7sq.m (...

Great set of animal prints Lithographs after the drawings by Cpt. brown. Original hand color. Unframed The measurement given below is for one print. Free shipping

Leslie Charlotte Benenson, Original Pastel of a Spanish Stallion, "Dans Don Juan" Dated 21 July 1996 This striking original pastel is a fine example of the equine studies of the Bri...

After Montague Dawson (British, 1895-1973), colour lithograph, matted and framed under non-glare glass. "Horn Abeam", Sir Francis Chichester's yacht Gypsy Moth IV published in 1967 b...

Soft River Tortoises – Antique Reptile Natural History Print, c.1895 This charming antique natural history print depicts softshell river tortoises in a tranquil wetland habitat, combining scientific observation with the gentle artistic style characteristic of late nineteenth-century zoological illustration. The scene presents two tortoises moving through calm waters bordered by reeds and aquatic vegetation, while a small bird perches quietly in the background, adding depth and atmosphere to the composition. The artist carefully captures the distinctive characteristics of softshell tortoises, including their flattened bodies, elongated necks, and streamlined forms adapted for life in rivers and lakes. Unlike the heavily armored tortoises familiar to most viewers, these species possess flexible shells and are highly specialized aquatic reptiles. Their unusual appearance fascinated nineteenth-century naturalists who sought to document the diversity of animal life from around the world. The subtle color palette of soft greens, warm browns, and muted earth tones creates a peaceful and decorative image. The delicate rendering of water reflections, grasses, and shoreline plants demonstrates the period's growing interest in depicting animals within their natural environments rather than as isolated scientific specimens. This approach reflects the evolving relationship between zoology, illustration, and public education during the Victorian era. Natural history prints of reptiles are less commonly encountered than birds, butterflies, or botanical subjects, making them particularly appealing to collectors seeking unusual examples of nineteenth-century scientific illustration. The serene composition and attractive coloration also make this print highly decorative for contemporary interiors. Today, such works are collected for their historical significance, artistic quality, and connection to the golden age of natural history publishing. Whether displayed in a study, library, conservatory, or modern interior, this print offers a fascinating glimpse into the nineteenth-century exploration and documentation of the natural world. This is an original antique color lithograph, not a reproduction. The print is sold unframed. Any framed images are shown for presentation and interior inspiration only. Condition: Good antique condition with age-related toning, occasional foxing, and minor handling wear consistent with age. Original margins preserved. Please review the photographs carefully for a complete assessment of condition. Framing tips: This print displays beautifully in a dark walnut, ebonized, or natural oak frame with a warm ivory museum mat. The vertical format makes it ideal for gallery walls, studies, natural history collections, and contemporary interiors. Keywords: Soft River Tortoises, Softshell Turtle, Turtle Print, Reptile Art...

Antique Botanical Prints of Curly Palm, Spiny Date Palm & Trachycarpus – c.1897 Description: A striking set of three antique botanical prints depicting elegant palm species, produce...

Super image of Lord Willingdon Originally a plate from Punch or The London Charivari Published 1934 The measurement given is the paper size not the actual image.

Title: Antique English Botanical Prints – British Wildflowers & Herbs for Interiors c.1902 Description: This harmonious group of six original hand-colored botanical plates originate...

A 19th-century English sporting painting depicting a mounted rider surrounded by a group of hounds in an open landscape. The composition is centered on the horse and rider, with the ...

English Victorian Majolica oyster plate, circa 1890.

Antique British Botanical Prints, Umbellifers Set of Four, Hand-Colored c.1800 This attractive set of four original hand-colored botanical plates comes from English Botany; or, Colo...

After Johann Heinrich Richter (German, 1784–1850) A finely executed portrait after Johann Heinrich Richter's celebrated likeness of Princess Eugénie de Beauharnais, Duchess of Hohen...

Wonderful print of St John Chrystostom Illuminated Chromolithograph Published circa 1880 Unframed. Free shipping The measurement is the paper size

Original vintage educational poster by the notable British cartoonist and illustrator Fougasse (Cyril Kenneth Bird; 1887-1965) promoting the respect and care of animals featuring a fun illustration of a large angry bird looking at a startled person in a bird's nest on a tree with his hat flying up, the bold advice on the side - When you find a bird's nest, don't touch, don't stay long, don't go often. How would you like it yourself? - and information below - Notes and posters regarding Britain's wildlife and domestic animals and birds are available from UFAW (Universities Federation for Animal Welfare), 230 High Street, Potters Bar...

Great map of North America Original color. Good condition Published by Alexander Gross Unframed.  

Queen Elizabeth I Portrait Engraving, Antique British Royal Print 1784 A striking and highly decorative 18th-century copperplate engraving depict...

Sensational image by Gustave Doré From Milton's " Paradise Lost " Woodcut engraving Published C.1870 Unframed. Free shipping

Antique Map Turkey in Asia, Ottoman Empire Anatolia Syria Iraq Black 1884 This detailed and beautifully engraved antique map titled Turkey in Asia was published in the New and Revised Edition of Black’s General Atlas of the World, issued in Edinburgh in 1884 by the respected Scottish cartographic publisher Adam and Charles Black. The map illustrates a vast portion of the Middle East during the late nineteenth century, when the region formed the Asian territories of the Ottoman Empire. The map centers on Anatolia, the great peninsula that today forms modern Turkey, shown here as the heartland of Ottoman Asia. The rugged mountain ranges, river systems, and historic provinces are carefully engraved, reflecting the high standard of Victorian atlas cartography. Numerous cities and towns are clearly marked, including Constantinople (Istanbul), Smyrna (Izmir), Angora (Ankara), Trebizond, and many other regional centers that played important roles in trade and administration. Extending southward, the map covers Syria and the Levant, including Damascus, Aleppo, and the Mediterranean coastal cities that historically linked the Ottoman interior with European commerce. Further south appear Palestine and the Sinai region, together with the eastern Mediterranean coastline. The map also includes the northern portion of Egypt, showing the Nile Delta and the strategic area surrounding the Suez Canal, which had opened only fifteen years earlier in 1869 and had quickly become one of the most important maritime routes in the world. To the east the map extends into Mesopotamia, depicting the great river valleys of the Tigris and Euphrates, including the historic cities of Mosul, Baghdad, and Basra. These regions formed key administrative provinces of the Ottoman Empire and were vital corridors connecting Anatolia with Persia and the Arabian Peninsula. The composition also includes parts of Armenia, Kurdistan, and the Caucasus along the northern and northeastern margins, as well as portions of Persia and Arabia to the southeast. An inset map of Cyprus appears at the bottom, highlighting the island’s strategic importance in the eastern Mediterranean. Cyprus had recently come under British administration in 1878, reflecting the shifting geopolitical dynamics of the region during the late nineteenth century. The map is engraved with remarkable clarity, featuring finely drawn coastlines, mountain relief, and a delicate latitude and longitude grid. Land areas are distinguished with subtle printed color, a typical feature of high-quality Victorian atlas production. The understated color scheme and precise engraving give the map both historical authority and strong decorative appeal. Maps from Black’s General Atlas were widely respected for their accuracy and clarity and were used throughout the British world in schools, libraries, and government institutions. Today they are highly appreciated by collectors for their elegant engraving and for the insight they provide into the political geography of the late nineteenth century. This map was published in the New and Revised Edition of Black’s General Atlas of the World, Edinburgh, 1884. This example is an original antique steel engraving with original printed color applied at the time of publication. It is not a modern reproduction. Any presentation images showing the print framed are for visual inspiration only. The map is supplied unframed. Condition: Good antique condition with light age toning consistent with age and a central fold from the original atlas binding. A small tear near the folding split. The engraving remains crisp and the printed color remains clear and attractive. Framing tips: This map displays beautifully in a wide horizontal frame. A dark walnut or classic black frame combined with an ivory or museum-white mat will emphasize the delicate engraving and warm tones of the nineteenth-century printed color. Technique: Steel engraving with original printed color Maker: Adam & Charles Black, Edinburgh, 1884 Keyword block: Turkey in Asia, Ottoman Empire, Anatolia, Asia Minor, Syria, Palestine, Mesopotamia, Iraq, Baghdad, Mosul, Basra, Damascus, Aleppo, Constantinople, Istanbul, Smyrna, Izmir, Angora, Ankara, Armenia, Kurdistan, Caucasus, Persia, Iran, Arabia, Nile Delta, Egypt, Suez Canal, Cyprus, Eastern Mediterranean, Middle East map, Ottoman provinces, nineteenth century Middle East, Victorian atlas map, Black’s General Atlas, antique Turkey map...

An English oil on board painting from the late 19th century depicting a hunting scene and set in antique frame. Created in England during the last quarter of the 19th century, this o...

An unsigned 19th-century pastoral oil on canvas, probably English, depicting cattle and sheep at rest within an open rural meadow beneath a broad, cloud-filled sky. The composition i...

This charming reverse glass painting is titled "Painting" and part of a set with another subject titled "Architecture". The scene depicted is a fête champêtre or outdoor party, a pop...

'A COURAGEOUS JUMP', a modern framed and mounted black and white photograph after an original 1930's skiing photograph. The frame is black with a burgundy undercoat, the glazing is clarity+ premium synthetic glass. Black & white alpine photos are the perfect addition to any home or ski lodge, so please do check out our other ski photos...

After Montague Dawson (British, 1895-1973), colour lithograph, matted and framed under non-glare glass. "The Thermopylae Leaving Foochow", published 1962 Frost & Reed Limited of Bristol & London, England. Born in Chiswick in West London in 1895, Montague Dawson was the grandson of the eminent Victorian landscape painter Henry Dawson (1811-1878). He studied under the celebrated seascape artist Charles Napier Hemy (1841–1917) at the Royal Academy and also worked in an art school in Bedford Row. Dawson joined the navy...

Great image of a Reed Warbler Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Alexander Francis Lydon. Original hand...

An English Baroque rustic tapestry from the second quarter of the 18th century, centrally woven, featuring a rustic scene in the manner of David Teniers II, in which several villager...

Original vintage movie poster for the American psychological supernatural horror film - The Exorcist - adapted by William Peter Blatty from his 1971 novel inspired by the real life exorcism of Roland Doe in the 1940s, directed by William Friedkin and starring Ellen Burstyn, Linda Blair, Lee J Cobb...

An authentic English pub sign (one-sided) featuring a portrait painting of Lord Nelson in full regalia, titled: Free House - The Lord Nelson. A free house in Great Britain is a publ...

Impressive oil painting on board of the Esk river, executed in an impressionist style, with trees and rocks on a sunny day in Gilnockie Scotland. Signed by prolific English artist H....

19th Century Green Majolica Leaves Plate Wedgwood.

Set of twelve late 18th Century botanical prints by Woodville. Showcasing various medicinal plants, in distressed with linen matting. Ve...

Rattlesnake and Cobras – Antique Reptile Natural History Print, c.1895 This striking antique natural history print depicts several of the world's most feared and fascinating serpents, including cobras and a rattlesnake, shown within a lush tropical landscape. The composition combines scientific observation with dramatic visual storytelling, presenting the reptiles in lifelike poses among bamboo, foliage, and water, creating a scene that is both educational and highly decorative. At the center of the image, two cobras confront one another with expanded hoods, displaying the distinctive markings that have made these snakes among the most recognizable reptiles in the world. Above them, another snake coils through bamboo stems while clutching its prey, illustrating the predatory behavior that fascinated nineteenth-century naturalists. The detailed rendering of scales, coloration, and anatomy reflects the period's growing interest in zoology and the scientific classification of animal species. During the nineteenth century, illustrated natural history books introduced readers to exotic wildlife from Asia, Africa, and the Americas. Advances in lithographic printing allowed artists and publishers to create increasingly accurate and visually appealing images, making scientific knowledge accessible to a broad audience. Prints such as this served both as educational illustrations and as decorative works of art. The subtle palette of greens, browns, ochres, and soft earth tones gives the print a refined appearance while preserving the dramatic presence of the reptiles. The tropical setting and dynamic composition make this an especially attractive example of Victorian-era zoological illustration. Today, antique reptile prints...

Mexico, Antique Map, Central America and Gulf of Mexico, Blackie Atlas 1860 Description: This original antique map titled Mexico presents a detailed mid-19th-century view of Mexico ...

Wonderful prints of Regency furniture Aquatints with original color. From Ackermann's Repository. 3 dated 1825. One dated 1810 Unframed.

Title: Collection of 10 Original Antique Tropical Fern Lithographs by E.J. Lowe, 1856 Description: An elegant collection of ten original hand-colored botanical lithographs depicting a remarkable diversity of tropical fern species from the celebrated botanical publications of Edward Joseph Lowe. Produced in London in 1856, these finely executed plates capture the graceful forms, intricate venation and distinctive reproductive structures that made ferns one of the greatest botanical fascinations of the Victorian era. The collection includes the following species, identified by their historical Latin names and corresponding English descriptive names: Polypodium latipes – Broad-Stalked Polypody Fern Polypodium karwinskianum – Karwinski's Polypody Fern Polypodium scolopendroides – Hart's-Tongue-Like Polypody Fern Polypodium simplex – Simple Polypody Fern Polypodium peltideum – Shield-Leaved Polypody Fern Polypodium spectabile (Pinna) – Showy Polypody Fern Polypodium terminale – Terminal Polypody Fern Polypodium palustre – Marsh Polypody Fern Polypodium concinnum – Elegant Polypody Fern Polypodium longissimum – Long-Leaved Polypody Fern Polypodium refractum – Bent or Recurved Polypody Fern The scientific names shown beneath the plates reflect the nineteenth-century botanical classification used by Edward Joseph Lowe. While many of these species have since been reassigned to other genera, the historical nomenclature remains an important part of the original publication. Several of the English names are descriptive translations, as no universally accepted common names exist today. Edward Joseph Lowe was one of the most influential British botanists of the Victorian period and a leading authority on ferns during the famous "Pteridomania" movement, when the cultivation and collection of ferns became immensely popular throughout Britain and Europe. His beautifully illustrated works successfully combined scientific accuracy with exceptional decorative quality and remain among the finest botanical publications of the nineteenth century. This collection presents an outstanding variety of fern forms, from broad pinnate fronds and finely divided foliage to deeply lobed and shield-shaped leaves. Displayed together, the ten prints form a harmonious botanical ensemble that is equally suited to a period interior, contemporary home or professional collection. Maker: Edward Joseph Lowe Place of publication: London Date: 1856 Technique: Original hand-colored lithographs Subject: Tropical ferns and botanical natural history Number of prints: 10 Condition: Good overall antique condition with age-appropriate toning, occasional foxing or small stains, and minor edge wear consistent with age and use. Some sheets retain small binding remnants or marginal irregularities from the original volume. Please study the images carefully. The prints are original antique lithographs, not reproductions. All items we offer are authentic period works of art over 100 years old. The pieces are sold unframed; any framed images are shown for presentation and interior inspiration only and may not always be to scale. Keywords: Edward Joseph Lowe, antique fern prints...

A Pair of Botanical Prints from Paxton’s Magazine of Botany: Rhododendron standishii and Camellia japonica miniata (Low’s) S. Holden, del. & lith. (Rhododendron); lithographer unid...

William Hogarth, The Bruiser – Satirical Churchill Bear Engraving, 1763 Description: A powerful and highly sought-after satirical engraving by William Hogarth, titled The Bruiser, ...

Set of Two Original Antique Engravings of Peru by C.T. Middleton, 1778 Description: A decorative matching set of two original antique copperplate engravings illustrating traditional...

A collection of antique Statuary Carrara marble chimneypiece/mantelpiece tablets from the 18th and 19th century’s. The collection consists of 41 carved elements, including centre ta...

Stunning example of a view of St. Paul's Cathedral in London complete with its original good gilt frame. Circa 1940s. Cast in very fine relief, in our opinion this panel is made of...

Wonderfully executed collaborative engraving from the end of the 18th century. Artists Jean Baptiste Michel (Paris) & Willim Leney (London) printed by "W.H. Miller" muted color palet...

1805 Copperplate Engraving of Dodo and Ostrich from Abraham Rees' Cyclopaedia This rare and finely detailed copperplate engraving, created by T. Milton...

Original vintage mid-century design travel advertising poster for British European Airways - Fly Freight BEA - featuring colourful artwork by the notable British graphic designer Abr...

An English 19 th century oil on canvas of horse and jockey painting in carved gilt wood frame. This 19th c English oil on canvas is a 19 th c...

Small-Format Butterfly Engravings with Botanical Studies, 1835 This elegant set of six hand-colored butterfly engravings originates from the celebrated Victorian scientific publicat...

Victorian Judge in Robes – Vanity Fair Judges Series No. 4, 1870 Description: Published April 2, 1870, this striking Vanity Fair portrait belongs to the Judges series. The figure is...

Wonderful pair of prints of architectural drawings by Lutyens Published 1906 Unframed and not matted. The size is for one of the prints Free shipping.  

A fabulous oil on canvas portrait of a distinguished gentleman in period attire, circa 1790. The historic age of the work is expressed as dark coloration and craquelure texture in th...

Glorious set of 15 prints of London buildings Steel engravings. Published by Tallis, circa 1840 Unframed.

Wonderful image by E.J Detmold Tipped in plate. On paper Lithograph. Published C.1920 The measurement given is the paper size not the actual printed image.

Stooped Victorian Philosopher – Vanity Fair Men of the Day No. 12, 1870 This original chromolithograph was published in Vanity Fair on October 22, 1870, as Men of the Day No. 12. Ca...

Collection: Mercia Vines Product Code: 28A Color: Cream Roll dimensions: 70cm x 10m (27.6in x 10.9yards) Area: 7sq.m (8.4 sq.yards) Pattern repeat: 70cm (...

An English oil on canvas painting signed C. Goddard, depicting a horse and hound dogs. This English oil on canvas painting, signed by C. Goddard, presents a serene scene of a white horse and four hound dogs gathered in front of a stable. The grouping suggests a sense of companionship and belonging among the animals, with the horse tethered...

Set of 2 antique prints of various pears and apples. It shows the Downton Pear, Rouse Lench Pear, Eastnor Castle Pear, Monarch Pear, and the Malcarle or Charles Apple. These prints o...

This rare original British animation poster was designed to advertise Walt Disney shorts. In England posters were not produced for every short cartoon, ...

Title: Antique Costume Print – Indian Chief, Exotic Dress & Arms, 1749 Description: A striking and highly decorative antique costume engraving depicting an Indian chief in cerem...

Victorian Conservative Statesman Reading – Vanity Fair No. 64, 1870 Description: Published October 1, 1870, this Vanity Fair caricature depicts a Conservative statesman reading a do...

Victorian Cabinet Minister – Vanity Fair Statesmen No. 6, 1869 Description: This early Vanity Fair chromolithograph was published on March 13, 1869. The sitter is portrayed leaning ...