Japonisme Wall Decorations

This is a trio of vintage botanical pictures. A Japanese, framed woodblock print in the manner of Keika Hasegawa, dating to the late 20th century, circa 1980. Hasegawa published woo...

Vintage watercolor painting of two Geisha under an umbrella - watercolor over graphite with gold gilt border - signed upper right (unidentified artist/maker...

A vintage midcentury red color silk brocade collectable Japanese ceremonial wedding kimono. One of a kind handcrafted . Fabulous museum quality ceremonial piece in pure silk with ...

A vintage Mid-Century ivory color silk brocade collectable Japanese ceremonial kimono. One of a kind. Fabulous museum quality ceremonial kimono in pure silk with intricate detailed h...

Tadashi Kaminagai (1899–1982) Casario do Rio de Janeiro, 1958 Oil on panel Signed lower right and on the reverse This rare painting by Tadashi Kaminagai, titled Casario do Rio de Jan...

Name: On the line no.2 Wall sculpture made of Japanese paper named "Washi" and brass pole. Paper object has copied from flagstone installed in a Japanese garden. Stone shaped light p...

A visually striking antique Uchikake Wedding Kimono/Robe for ceremonial occasion, circa end of Meiji to Taisho period 1910s-1930s. This bridal outer garment is of a bright red color ...

Pair of Japanese pieces XIX century Utagawa Toyokuni Two bijin-ga prints Kakémono sized Nishiki-e ink and colors on paper Circa 1840 Framed .

A silk embroidery panel that depicts an American eagle perched on the liberty shield, with laurel branches and shooting arrows under the feet and flanked by four American flags and b...

A vintage Mid-Century ivory color silk brocade collectable Japanese ceremonial kimono. One of a kind hand crafted. Fabulous museum quality ceremonial piece in pure silk with intricat...

A large Japanese Wedding Kimono with bold embroidery designs. The auspicious attire was known as Uchikake and was worn by the bride during the wedding ceremony made from silk and hea...

Wonderful image by Edmund Dulac Tipped in plate onto paper Lithograph. Published C.1930 The measurement given is the paper size not the actual coloured printed image. Free ship...

A Japanese mounted vertical hanging scroll painting by Mori Tetsuzan (Japanese, 1775-1841) circa 19th century Edo period. The watercolor and ink on silk ...

Masao Ido (1945–2016) “Rape Blossoms” (油菜の花, Nanohana / Rape Blossoms) Signed and numbered by the artist, lower margin Hand-printed woodblock print on fine Japanese washi paper I...

Wonderful image by Edmund Dulac Tipped in plate onto paper Lithograph. Published C.1930 The measurement given is the paper size not the actual coloured printed image. Free ship...

English Plate signed Mason's Patent Ironstone China 'Japan' Pattern 2150. 8.8 inches.

Wonderful pair of prints of 19th Century Japanese silk panels Amazing illuminated gold lustre Lithographs Published by A.Morel, Paris, Fra...

An impressive Japanese embroidery tapestry circa 1890s Meiji period, presented with brocade border on linen canvas in a Lucite shadow box. The stunning design features three dragons coiling and flying in the clouds. The high relief technique used to render the dragons using mostly the silver threads gives this piece a tremendous sense of motion. The most auspicious mythological creature in Japan and China, dragons were a very popular motif in textile art. In this particular piece, it is the impressive size, the superb craftsmanship, the profuse use of silver threads and near perfect condition that set it apart. Japanese Meiji textiles were widely exhibited in the west during turn of the 20th century at the international exposition. It was used to showcase the Japanese aesthetics with the techniques at their pinnacle. These expositions solidified the country's images overseas and felled the Japanese craze in the west, which turned out to be a long-lasting influence on the western art. Many pieces were purchased and stayed in the west. It is likely this estate piece was from one of the expositions based on its high quality. For two similar dragon tapestries...

A fine matching pair of hanging scrolls ink on paper mounted in green brocade borders circa Edo period (17-18th century). The Kano school painting depicts wild geese in the reeds by the margin of water, a popular subject borrowed from the Chinese tradition. Both painting were signed as Tanyu with a red seal of Morinobu, his birth name. The storage box is also present and was inscribed with the title Painting of Geese and Reeds and Kano Tanyu...

Name: On the line no.1 Wall sculpture made of Japanese paper named "Washi" and brass pole. Paper object has copied from flagstone installed in a Japanese garden. Stone shaped light p...

A stunning set of four Japanese silk mounted vertical hanging scrolls. Dating from C.1920 Taisho Period. The watercolour and ink on silk depicts a larg...

This antique and charming early 20th Century scenic wallpaper by French Zuber manufacture is made up of five rolls of wall coverings hand painted with...

A Japanese silk Fukusa panel circa late 19th-early 20th century of Meiji Period. The front was beautifully decorated with Yuzen-zome, a labor intensive resist-dye technique invested by an artist monk Miyazaki Yuzensai (1654 -1736) of Edo period. The auspicious composition features a group of red-crown cranes, the symbol of longevity. Three of them perch on the rock by the ocean (East Sea) an two of them are in flight. Additionally, two egrets frolic in the wave. Yuzen dying was used extensively to showcase the amazing details such as the waves and the gradual coloring effect. Embroidery was used sparsely to highlight areas such as the legs of the crane to render it more dimensional details. The piece has a red silk backing and still retains four blue tassels on corners as well as decorative stitches along the edges. Fukusa is a traditional Japanese textile...

A vintage Japanese formal silk Kimono in an "ink green" color with striking geometrical design. The garment is hand-stitched Meisen kimono from a crepe l...

A Japanese festival kimono expertly mounted and displayed in a large acrylic shadow box. This impressive ceremonial garment circa late 19th-early 20th century was made from a thick l...

This is a pair of Japanese hand painted MCI Porcelain wall plates. They are octagonal shaped and painted in blue, red and pink colors in a white b...

Nicknamed Great White Fleet, the sailing of the United States Navy battleships around the globe from December 16, 1907 to February 22, 1909 by order of Uni...

A vintage Japanese silk Kuro Tomesode Kimono, circa 1960s-1980s. Kuro Tomesode is a dress for married woman for the most formal occasions, equivalent of the evening gowns in the west. It is overall black, decorated only with patterns of bright colors on the bottom. This kimono has three Mon family crests on the front and back shoulder. It is lined with white silk in its interior. On the front, it features exposed white stitches around neck and breast, a very subtle and elegant touch. The bottom part of the kimono is decorated with lavish woven design with embroidery accents that depicts a group of pheasants among peonies and other blossoms along a flowing stream. Great contrast in the colors and attention to details. An very elegant textile for wall...

<> This canvas has been upcycled from an early 20th-century maru-obi, featuring a subtle yet sophisticated depiction of the phoenix—a legendary symbol of peace and renewal. Ren...

An exquisite Japanese embroidery piece circa end of 19th-early 20th century of Meiji period. The silk panel depicts an idyllic water scenery, in which three mandarin ducks swim in th...

Rare perfect antique collection Japanese Indigo Boro Futon cover : also to use. The rare antique boros are now valued as pieces of art, therefore they are...

A massive Japanese embordered tapestry professionally displayed in a custom acrylic shadow box. The fine work of textile art is dated to 1890-1920s, late Meiji (1868-1912) or possibl...

A Japanese formal silk Kimono in a light blue color with striking floral design. The garment is hand-stitched from a crepe like silk and dated to circa 1940-60s. The garment is spars...

Japanese Noh Theater Ko-Omote Mask, Early 20th Century DIMENSIONS: Height: 8.5 inches Width: 4.5 inches Depth: 3 inches ABOUT A finely carved and painted Ko-Omote mask used in trad...

A visually striking vintage Uchikake Wedding Kimono/Robe for ceremonial occasion, circa 1930s-1950s in the Oriental Art Deco style. The bridal garment...

Meiji Period (1868-1912) – Ca. 1880/1890 This group of portraits was shown at Chicago World’s Fair in 1893. DIMENSIONS (Framed) Width: 24” inches Height: 57.5

Japanese 17th century school "Tale of Genji Scene" painting on paper, mounted to board. Nicely framed and boxed. Professor Melissa McCormick at Harvard b...

A matted and framed Japanese silk panel with elaborate embroidery circa late Meiji to Taisho period (1910-30s). On a bright background, two rooster...

A rather fascinating silk embroidery panel that depicts an American eagle perched on a shield, with laurel branches and shooting arrows under the...

A Japanese formal Kimono made with a very fine black linen gauze augmented with applied modern circle pattern. The garment was hand-stitched and dated to circa 1930-50s. The black ga...

A Gorgeous 19th Century KPM Hand-Painted Porcelain Plaque of a Japonism Beauty, Signed by the Artist Wagner Wien .n C. Kiesel. The beauty is seen in a beautiful orange and white kimono...

Watanabe Seitei, also known as Watanabe Shotei (1851–1918), was born in late Edo period. He was one of the earliest Japanese artists who visited and be...

A beautiful 19th century French japonisme oil-on-canvas painting of a Geisha holding a fan. This beautiful Geisha is modeled after the Japonisme movement brought up by French artists integrating Japanese artistic styles into their art work. During the mid-1870s, the demand for Japanese decorative arts...

A beautiful Japanese textile art panel with an embroidered dragon on a swirling cloud background, nicely framed with a linen matt in an antique-fi...

On offer is a Japanese summer kimono woven from indigo blue linen with ivory color fine stripes patterns with apparently darker weft additions. The elega...

A Japanese silk Fukusa panel circa late 19th-early 20th century of Meiji Period. The front was beautifully decorated with Yuzen-zome, a labor intensive resist-dye technique invested by an artist monk Miyazaki Yuzensai (1654 -1736) of Edo period. The front cover likely depicts a scene from the Tale of Genji, showing a nobleman and his servant pays a visit to a lady in a fenced thatch-roof house under a high peak. The details of blossom trees and pines, as well as the characters, and scenery with a gradual color are astounding. It is telling that the Yuzen dying was used such an mastery. The piece has a red silk backing and still retains two red tassels on the lower corners as well as decorative stitches along the edges. There is a patched design on the back likely a Mon symbol (family crest). Fukusa is a traditional Japanese textile...

An antique ink and color on paper hanging scroll (kakejiku) with brocade border. It appears to be a fragment of a larger hand scroll depicting a procession of a lord with his entoura...

Artistically framed for display in a slight shadow frame with non-reflective pixie glass, these pair of embroidery art panels from Japan are dated circa 1910-1930s, end of Meiji to early Taisho period. This period was the peak of the Japanese oversea expositions, when all things Japonisme took Europe and America by storm and left long-lasting impact on western art and design. The influence, however, was clearly not one-directional; As when Japanese artists, artisans and dealers experienced western art, it in turn inspired and impacted on the aesthetics of the Japanese art made for the western tastes. An interesting crop of art forms quickly emerged with a particular outlook that bridged the east and west, with the fundamental techniques still rooted in Japanese traditions. These rare hyper-realistic embroidered portraits were such an example. They took the essential format of the western portrait that permeated the Victoria and Edwardian Society, but substituted with exotic Japanese subjects and executed in traditional embroidery techniques which had been perfected for centuries by the natives. The two portraits on offer, one an elder man with long white beards and a pair of round spectacles lighting a pipe, and the other a grinning man with a peasant attire, were both set in black background, stimulating an appearance of Classic western oil painting or perhaps even the photograph. The fine stiches were maneuvered into an impressively hyper-realistic imagery that was far removed from the traditional Japanese embroidery...

A Japanese Sumi ink painting with light color wash mounted with brocade borders as a hanging scroll (Kakejiku). The painting depicts the famously eccentric Buddhist monks Hanshan and Shide (known in Japan as Kanzan and Jittoku). Often as a pair, they have been a popular motif in Japanese Zen painting...

Known as Jinabori during 16th century when warfare was common in feudal Japan, the sleeveless jacket was created to be worn outside of the armor by samurai warriors. In addition to s...

Japanese Edo Period Ko-jo Mask of an Old Man, ca. 1820 Edo Period (1603-1868) DIMENSIONS: Length: 15” (with beard) Length: 8” (without beard) Height: 4” Width: 5.5” ABOUT A Japanese Edo Period (1603-1868) Ko-jo Mask of an Old Man refers to a traditional theatrical or ceremonial mask crafted during Japan’s Edo period (1603–1868). Here's a breakdown of what this object typically represents and why it's significant: The term "Ko-jo" (or Kojo) roughly translates to "old man" or "aged person" in Japanese. A Ko-jo mask often portrays the face of an elderly man, typically with exaggerated age features: deep wrinkles, sagging skin, a long nose, bushy eyebrows, and sometimes a beard. These masks are usually used in Noh, Kyogen, or folk performances, and occasionally in Shinto rituals. In Noh theater, masks are used to express character types, moods, and spiritual roles. The Ko-jo mask might represent a wise elder, a spirit of age and wisdom, or even a deity. In Kyogen, which is the comedic counterpart to Noh, old-man masks are used more playfully, often satirizing elderly characters in lighthearted scenes. The Ko-jo mask may also symbolize ancestral reverence or longevity, tying it to folk beliefs and ritual performances. Edo period masks...

A set of three paintings of ink and watercolor on silk mounted within brocade borders as scrolls by Watanabe Seitei (1851-1918). This is a very rare an...

A striking 19th century antique Imari plate with a scalloped edge. Featuring vibrant oranges, blues, and green. The multi-color design depicts traditional Japanese motifs, showcasing...

Name: A Blind on the Pine Tree Wall sculpture made of J brass, Ranma(Japanese antique transom). Artist statement Draw a line through the landscape car...

A striking Japonist wall clock crafted in dark carved wood, adorned with inlaid panels of deep green hardstone. The radiating fan-shaped structure is enriched with fantastical and my...

Antique Japanese watercolor painting on paper showing a small green bird perched on the branch of a tree tipped with red berries. ...

UTAGAWA HIROSHIGE (After) - The Fifty-three Stations of the Tōkaidō Road - Kanagawa : View of the Embankment (Kanagawa, dai no kei) - Vintage embroidered textile tapestry - based on ...

A realistic oil on canvas of a person with umbrella bowing to a monk standing on steps by artist Francis Neydhart, (1860-1948). Fronted by a sun-dappled street in front of a large bu...

Japanese woodblock print (ukiyo-e), Japan, 19th century, depicting an elegant female figure in an intimate moment. This delicate work illustrates a courtesan or geisha, recognizable ...

Japanese prints, Art, are exempt from all U.S. import tariffs but please, do check. 'Kumotatsu' contemporary Japanese woodblock print by Nishijima Katsuyuki This exquisite contempo...