Greece - Tables

The Cathedra I low Table is the first piece in a family of three tables inspired by the quiet gravity of archetypal architecture and ceremonial forms. Its character is defined by int...

A quietly sculptural table defined by soft geometry and balanced proportions. Handcrafted in Greece from Alentes’ proprietary cast stone, its solid mass and gently contoured form len...

A quietly sculptural work, the Piedi Coffee Table expresses Alentes’ devotion to form, craftsmanship, and the distinctive design language that defines the studio’s practice. Shaped...

An exquisite 1970s coffee table by Romeo Rega straight from its first owners. The classic frame of chrome and brass with the purple acrylic fixings still holds the original oxidised...

USM Haller table designed by Swiss architect Fritz Haller and Paul Schaerer in 1964 A great modern, significant design piece that can be used as a dining table or an executive desk...

Magnificent bronze/brass table in Ado Chale style featuring exceptional dimensions at 2 meters in length. Crafted in patinated brass with a striking “goutte d'eau” shape top, it boas...

A stylish vintage 1970s square glass top coffee table attributed to David Hicks. The stacked brass plated architectural base supports a clear square glass top. There is some age re...

The Cathedra II Coffee Table is the second piece in a family of three tables inspired by the quiet gravity of archetypal architecture and ceremonial forms. Its character is defined b...

A fabulous 1970s Italian Modernist dining table with a high-polish chrome frame and a large-scale octagonal glass top. This table is comprised of two individual C-shaped sculptural b...

‘Cutting Corners’ is a limited collection of marble furnishings & lights designed to celebrate curvaceousness in slender shapes. All pieces are carved by master craftsmen, inviti...

The iconic Basilan 1 dining set designed by Afra &Tobia Scarpa in 1974 for B&B Italia - under the division of Compagnia dells Filippine. Afra &Tobia Scarpa initiated the design proje...

The PLINTH MARBLE side table is both sculptural and functional, a friendly, eclectic touch in any space. Its form resembles a thin marble plume sitting on a body of soft curves and s...

A stylish postmodern 1980s glass top marble coffee table that perfectly balances weight and transparency. This statement piece has two large, upright white marble plinths that are he...

‘Totem’ is a sensuous round table carved in travertino, inspired by the sacredness of original totems, where symbolism and ritual merged to honor togetherness and gratitude. In ‘T...

Office furniture system "From 9 to 5" designed by Richard Sapper for Castelli, Italy 1986. With cable fitting inside the metal frame so there aren't any visible cables and a glass de...

A sculptural dining table designed in the 1960s by Gastone Rinaldi for the Italian furniture brand Rima. Beautifully designed, an eye-catcher (dining chairs not included)

A generously proportioned top with softly rounded edges rests on a geometric architectural base, creating a balance between solidity and lightness. The restrained silhouette allows t...

Bamboo and wood tables a pair probably by DUX, Sweden, 1960 Very good condition, solid cabinetmaking in the style and quality of DUX of Sweden. Original from Sweden.

A simple but beautiful rectangular coffee table in its brutalist bold wooden frame and square smoked glass top. Simple craftsmanship with smooth wood finish. Also available a side t...

Pair of nightstand or end table model " Manilla" made of white painted wood and rattan by Kenneth Bergenblad manufactured by DUX, Sweden, 1960. Good vintage condition Price for the ...

Orsay table by Gae Aulenti for Knoll International, 1976. A notable piece of mid-century modern furniture with a curved metal frame and a laminate top. The table is also known as «Mo...

A quietly sculptural work, the Bloom Sculpted Side Table embodies Alentes’ devotion to form, craftsmanship, and the spatial language that defines the studio’s practice. Recalling the...

The Mushroom table is part of our mono-material object collection. A rather sculptural piece of furniture, it is both dominant and serene with its raw appeal, simplicity, and solid m...

Defined by its monolithic form, the PIASTRA Pedestal celebrates the timeless beauty of natural marble through pure geometry and refined proportions. Its refined silhouette highlights...

FEMME TABLE is part of our mono-material object collection. A piece of furniture with a distinct presence, a serene sensuality, and a sense of playfulness. Please note that shipping...

A simple but beautiful side sofa table in its brutalist bold wooden frame and square smoked glass top. Simple craftsmanship with smooth wood finish. Also available a coffee table. P...

Rediscovered in 1748, after being buried for almost two millennia under a blanket of lava and ash following the eruption of Vesuvius, Pompeii redefines our relationship with the past through its generative potential between reality and imagination. Defined by Goethe “An incredible place, worthy of peaceful thoughts”, Pompeii has the power to transform inanimate archaeological material into narrative matter, merging past and present in a relationship of reciprocity and interaction. Exploring the site, today as then, it is possible to admire the interiors decorated with frescoes that reproduce architectural partitions or that tell stories of myths and divinities, in rooms set up with marble elements that the owner used to display his most precious objects. The Pompeian frescoes were made according to different techniques with colors obtained from earth and minerals such as cinnabar (Pompeian red), ochres (Pompeian yellow), by oxidation processes of metals as in the case of cerulean or by the pulverization of roots and animal bones as in case of greens and blacks. DOMUS POMPEII is a capsule collection of five side...

Andre Bus, a pair of 'Acclaim' walnut side tables, Lane of Altavista, Virginia, 1950s/1960's. Measures: Length 70, width 53, height 52 cm. Good condition.

Objects of common interest is formed by Eleni Petaloti and Leonidas Trampoukis with the focus in creating still life installations and experiential environments and objects, demonstr...

The Watson table is named after James Watson, the American scientist famous for discovering the helical structure of DNA. The form is inspired by English ...

Marble and glass side table by Vivi Magistretti for Cattelan, Italy 1980s.

Pair of nightstand white lacquer bamboo and wood by DUX, Sweden, 1960. Rare model in "torsade" wood in white lacquer on wheels. Good condition

Nightstand in teak on metal base Anonymous Sweden 1950 Pair with drawers, good condition.

Rediscovered in 1748, after being buried for almost two millennia under a blanket of lava and ash following the eruption of Vesuvius, Pompeii redefines our relationship with the past through its generative potential between reality and imagination. Defined by Goethe “An incredible place, worthy of peaceful thoughts”, Pompeii has the power to transform inanimate archaeological material into narrative matter, merging past and present in a relationship of reciprocity and interaction. Exploring the site, today as then, it is possible to admire the interiors decorated with frescoes that reproduce architectural partitions or that tell stories of myths and divinities, in rooms set up with marble elements that the owner used to display his most precious objects. The Pompeian frescoes were made according to different techniques with colors obtained from earth and minerals such as cinnabar (Pompeian red), ochres (Pompeian yellow), by oxidation processes of metals as in the case of cerulean or by the pulverization of roots and animal bones as in case of greens and blacks. DOMUS POMPEII is a capsule collection of five side...

A pair of bamboo and wood nightstand anonymous for DUX Sweden, 1960 Good condition more photo on demand.

Round glass and marble coffee table by Vico Magistretti for Cattelan, 1980s, Excellent condition Dimensions: height 60 cm including handle, diameter 60

A quietly architectural work, the Poise Sculpted Dining Table reflects Alentes’ devotion to form, craftsmanship, and the timeless spatial language that informs the studio’s practice....

Beautiful teak side table by Severin Hansen for Haslev. Made in Sweden around 1957 Good condition

Maison Jansen, adjustable lounge table Iconic model 'Petales'. Designed in 1972. Painted high-gloss panels, chromed metal bars. The four panels are loosened by pressing buttons and m...

Rare pair white nightstands by Bertil Fridhagen for Bodafors, 1960s. Bertil Fridhagen. Sweden (1905-1993). Bertil Fridhagen worked as a carpent...

An unique Marian Zawadzki hand painted ceramic low table made in Sweden by Tilgmans Ceramics in Sweden in 1960. Signed and dated. Good condition A very rare table by artist M. Zawads...

Luigi Brusotti Glass and Brass Table made in Italy around 1950 A rare crystal occasional table featuring four very thick shaped crystal legs...

Rediscovered in 1748, after being buried for almost two millennia under a blanket of lava and ash following the eruption of Vesuvius, Pompeii redefines our relationship with the past through its generative potential between reality and imagination. Defined by Goethe “An incredible place, worthy of peaceful thoughts”, Pompeii has the power to transform inanimate archaeological material into narrative matter, merging past and present in a relationship of reciprocity and interaction. Exploring the site, today as then, it is possible to admire the interiors decorated with frescoes that reproduce architectural partitions or that tell stories of myths and divinities, in rooms set up with marble elements that the owner used to display his most precious objects. The Pompeian frescoes were made according to different techniques with colors obtained from earth and minerals such as cinnabar (Pompeian red), ochres (Pompeian yellow), by oxidation processes of metals as in the case of cerulean or by the pulverization of roots and animal bones as in case of greens and blacks. DOMUS POMPEII is a capsule collection of five side...

A City's Long Table I by BRUT Collective 2020.

Rediscovered in 1748, after being buried for almost two millennia under a blanket of lava and ash following the eruption of Vesuvius, Pompeii redefines our relationship with the past through its generative potential between reality and imagination. Defined by Goethe “An incredible place, worthy of peaceful thoughts”, Pompeii has the power to transform inanimate archaeological material into narrative matter, merging past and present in a relationship of reciprocity and interaction. Exploring the site, today as then, it is possible to admire the interiors decorated with frescoes that reproduce architectural partitions or that tell stories of myths and divinities, in rooms set up with marble elements that the owner used to display his most precious objects. The Pompeian frescoes were made according to different techniques with colors obtained from earth and minerals such as cinnabar (Pompeian red), ochres (Pompeian yellow), by oxidation processes of metals as in the case of cerulean or by the pulverization of roots and animal bones as in case of greens and blacks. DOMUS POMPEII is a capsule collection of five side...

Table with metal base made of MDF lined beechwood. The base is bent, galvanised metal, oven-painted with acrylic grey color. Measures: 86 cm x 140 cm x 76 cm The adjacent stool (...

Rediscovered in 1748, after being buried for almost two millennia under a blanket of lava and ash following the eruption of Vesuvius, Pompeii redefines our relationship with the past through its generative potential between reality and imagination. Defined by Goethe “An incredible place, worthy of peaceful thoughts”, Pompeii has the power to transform inanimate archaeological material into narrative matter, merging past and present in a relationship of reciprocity and interaction. Exploring the site, today as then, it is possible to admire the interiors decorated with frescoes that reproduce architectural partitions or that tell stories of myths and divinities, in rooms set up with marble elements that the owner used to display his most precious objects. The Pompeian frescoes were made according to different techniques with colors obtained from earth and minerals such as cinnabar (Pompeian red), ochres (Pompeian yellow), by oxidation processes of metals as in the case of cerulean or by the pulverization of roots and animal bones as in case of greens and blacks. DOMUS POMPEII is a capsule collection of five side...

Bjorn Wiinblad (1918-2006). Unique Oval coffee table, frame and edging in brass, table top dark olive green Tiles hand made by Biorn Winblad. Measures: 120 x 87 cm. H. 52 cm. Good ...

Since the opening of her interior design studio in Paris in 1999, India Mahdavi keeps pushing the boundaries of her creative consulting from design to architecture, as well as scenography and styling. Venturing the whole world, she developed a rigorous aesthetic and architectural vocabulary unceasingly renewed, that can be seen in every project. Among her most important projects are institutions like Claridges in London, Monte Carlo Beach in Monaco, or more intimate places where she restored a singular identity like the Hotel du Cloitre in Arles or Thoumieux house in Paris. Rich of artistic complicities, she has just signed with the M/M (Paris) le Café Français on Bastille square in Paris, and works with Joseph Dirand on L’Apogée Courchevel for the group Oetker. Landscapes project is an abstract color composition inspired by Iznik tiles...

The PLINTH MARBLE side table is both sculptural and functional, a friendly, eclectic touch in any space. Its form resembles a thin marble plume sitting on a body of soft curves and s...

The PLINTH MARBLE side table is both sculptural and functional, a friendly, eclectic touch in any space. Its form resembles a thin marble plume sitting on a body of soft curves and s...

Since the opening of her interior design studio in Paris in 1999, India Mahdavi keeps pushing the boundaries of her creative consulting from design to architecture, as well as scenography and styling. Venturing the whole world, she developed a rigorous aesthetic and architectural vocabulary unceasingly renewed, that can be seen in every project. Among her most important projects are institutions like Claridges in London, Monte Carlo Beach in Monaco, or more intimate places where she restored a singular identity like the Hotel du Cloitre in Arles or Thoumieux house in Paris. Rich of artistic complicities, she has just signed with the M/M (Paris) le Café Français on Bastille square in Paris, and works with Joseph Dirand on L’Apogée Courchevel for the group Oetker. Landscapes project is an abstract color composition inspired by Iznik tiles...

Ruins by Roberto Sironi is a series of works that re-signify architectural fragments belonging to different historical periods and great archaeological sites, modelling the forms acc...

Alekos Fassianos Estate and Carwan Gallery present the first retrospective of the late artist’s design works. Carwan Gallery will replicate new, small e...

Ruins by Roberto Sironi is a series of works that re-signify architectural fragments belonging to different historical periods and great archaeological sites, modelling the forms acc...

Alekos Fassianos Estate and Carwan Gallery present the first retrospective of the late artist’s design works. Carwan Gallery will replicate new, small editions of most of Fassianos’s...

Jeonghwa Seo is a Korean designer whose practice is mostly based in furniture manufacture. Having studied at Hongik University in Korea before obtaining a master degree from the Desi...

The new commission by Carwan Gallery is a reflection on the link between India Mahdavi’s work and the erasure of colour from classical art and architecture. The challenge given to M...

Objects of common interest is formed by Eleni Petaloti and Leonidas Trampoukis with the focus in creating still life installations and exper...

Alekos Fassianos Estate and Carwan Gallery present the first retrospective of the late artist’s design works. Carwan Gallery will replicate new, small editions of most of Fassianos’s...