Manhattan - Sculptures

Joe Peters Nautilus, 2009 Borosilicate Glass 11h x 10w x 4d in

"As an artist, I am fascinated by the inherent balance and symmetry possible in geometric structures, which reflect the order and structure underlying the natural world. By embracing...

Ernest Tino Trova Limited Edition of 2000 Silkscreen on heavy art paper Unframed This exclusive poster, created by renowned American artist Ernest Trova as an edition for Pace Columbus, is a testament to his profound influence in contemporary art and his longstanding association with Pace Gallery...

Judy Chicago Logo Pin and Pendant, 1993 Enameled pin with pendant loop in original presentation box 2 1/2 × 2 1/2 × 1/5 inches Judy Chicago's incised name and date on the verso Comes...

Nathaniel Kaz Bronze Sculpture to Isaac Bashevis Singer for Arts in Judaism Award, 1966 Bronze, Square wooden base, Metal tag Signed and dated "66" to back of bronze portion of the w...

A small scale sculpture formed with a ribbon of hand-hammered brass. Unique piece by French sculptor Jacques Jarrige from a body of work create...

Mary Jo designs all the neon as a unique piece of artwork. Each piece is hand blown glass and assembled to create a one-of-a-kind piece, which comes completely ready to install. Whit...

This piece is Vacuum formed with plastic, painted and fabricated to be 3-D. All Yuki's works represent the 2-D while tricking our eyes in the 3-D physical world.

Patinated bronze figural statue depicting Zephyrus, god of the west wind, as he embraces his bride Flora. The couple are seen draped in flowers as if they have just married. Flore et...

Sculpture by Jacques Jarrige formed by 2 stems of brass shaped hand hammered . The piece is set in an oak base. Unique piece.

Anodized aluminum (gold)

MATHURIN MOREAU French, (1822-1912) ‘La Libellule’ signed ‘Moreau Mathurin’ 27 1/2 in. 11 1/2 in. x 15 in. Notes: A fine quality Art Nouveau alleg...

51” x 45” x 6" Edition of 3 (resin, vinyl) This free standing figurative sculpture of a cowboy with pistols drawn, is created with a 'cut...

The word in Tibetan for lotus is “Pema.” In Buddhism the lotus is a symbol of purity. The lotus is planted and rooted in the mud, but grows up through the water and into the vast sky...

FRANZ BERGMANN Austrian, (1838-1894) Fetching Water Arab on a Camel Fetching Water From a Woman 11 inches high

Hand made working Pull Toy He is represented by Krause Gallery in NYC Steve Casino resides in Kentucky, but as he quips the small town atmosphere doesn't mean he isn't a world class...

Eduardo Torres – Man Reading Village Voice – Vintage Abstract Figurative Wire Sculpture, 1980 📏 Dimensions: 29" Tall x 12" Wide 🎨 Medium: Handcrafted Wire Sculpture, Mid-Century M...

This neon piece is hand blown glass. It is mounted on contoured, clear plexiglas with pre drilled holes for hanging, and comes ready to hang. This piece is offered in the following c...

A beauty sits on a rock, pouring water from a jug onto the rock beside her. Two birds play in the water as it cascades down the rock. The woman wears a crown of foliage and a piece o...

"I create geometric collages, assemblages and sculptures with vintage book parts. My work is a never-ending story where I play with deconstruction and reconstruction, and changing di...

"The Arts Council of Great Britain asked Richard Hamilton to organise a Duchamp retrospective at the Tate Gallery in 1966. The almost complete works of Marcel Duchamp opened on 18 Ju...

FRANZ BERGMANN Austrian, (1838-1894) The Music Lesson Austrian Cold-Painted Bronze Figures of a boy learning to play the Mandolin. 16 inches high

Greg Chann Wall Stack VIII, 2024 Acrylic and ink 13 x 14 x 3 in. (cha018)

Sculpture in hand-hammered aluminum from Jacques Jarrige's body of work "Waves" started in 2015. Jacques Jarrige has always explored the relationsh...

Javier Calleja Little Mickey Grey: A standout limited edition Javier Calleja Mickey Mouse art toy created by the artist in conjunction with the noted 2021 Japan exhibition, “Mickey...

ÉDOUARD DROUOT French, (1859-1945) Le Secret Patinated bronze; Signed E. Drouot. 25 1/2 X 10 X 9 1/2 inches

An enchanting miniature cold painted bronze scene of a man riding a camel with a young female water carrier beside him. The three figures are rest upon on a sloping rock, presumably ...

CHARLES BRUNIN Belgian, (1841-1887) Le Pecheur Napolitain a L’oiseau Bronze Patinated bronze; Signed ‘Ch. Brunin Roma’ and with Tiffany and Co. foundry mark located on the base 2...

Craig Coleman's artistic vision the sacred and profane coexist. His subject is the elemental everyman in confrontation with himself; naive, megalomaniac...

Hand made wall sculpture He is represented by Krause Gallery in NYC Steve Casino resides in Kentucky, but as he quips the small town atmosphere doesn't mean he isn't a world class ...

"I create geometric collages, assemblages and sculptures with vintage book parts. My work is a never-ending story where I play with deconstruction and reconstruction, and changing di...

HENRI-HONORÉ PLÉ French, 1853-1922 Femme de Mequinez An important orientalist polychrome patinated bronze bust sculpture with gilt highlights surmounted on rouge marble. H 26 ...

Greg Chann creates contemporary modern abstract geometric sculptures. His constructions are complex interwoven systems of physical elements varying in size,...

L. TOLDUCCI (ITALIAN SCHOOL) 19th Century La Lezione Di Lettura Finely Carved Italian Carrara Marble Sculpture of a Girl Reading. S...

Angelo Canevari's "Canopo" is a 22 x 12-inch bronze anthropomorphic sculpture. It is part of the "Canopo" series. With a modern interpretation, Canevari revisited the sacred vases of...

ÉMILE CORIOLAN HIPPOLYTE GUILLEMIN French, (1841-1907) Pair of Female Gypsies Both signed ‘Ele Guillemin’. 22 1/2 ...

"Slinky" (maquette) Abstract, Tabletop Size, Metal Sculpture by Kevin Barrett Bronze Kevin Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculpture and ...

Daniela Cutait studied fine arts at FAAP in the early 1990s and has always been curious, creative, communicative and restless. The artist orbited through the universe of stones, jewe...

A cold-painted cast bronze miniature statue depicting a north African woman picking dates from a palm tree. The incredibly crisp and detailed casti...

Heide Hatry is a NYC-based German artist, former rare bookseller, and best known for her work employing animal parts or other discarded, disdained, or “taboo” materials. She has cura...

"Magic Circle Deep Color" by Rogan Brown Laser and hand cut paper, hand-painted, framed in plexiglass shadowbox Available by commission. Please allow 12-14 weeks production time. R...

Born in Pasadena and raised in Orange County, Elizabeth Turk earned her M.F.A. at the Rinehart School of Sculpture, Maryland Institute College of Art in Baltimore. In Turk’s work, the shape of the line is created by extreme loss. That is, the reductive process of carving creates a positive, fragile form in which the absence of the original material is a focus. Turk encourages us to consider how nature has shaped these organic materials long before the artist’s manipulation of them into new forms. When viewed as components in a complex natural system, their singular beauty and inherent mystery is revealed. Turk compels us to view works of art not only as objects to be coveted and collected, but also as expressions of the natural world and our evolving relation to it. A recipient of numerous awards, including a MacArthur Foundation Fellowship (2010), a Barnett and Annalee Newman Foundation Fellowship (2010), and a Smithsonian Artist Research Fellowship (2011), Turk is internationally recognized for transforming her signature medium of marble into strikingly intricate objects that defy convention and challenge our preconceptions of what marble can do. Through the use of electric grinders, dental tools...

A Fine Quality Polychrome-Patinated Bronze Bust of an Orientalist Princess. The Princess wears a luxurious gold and silver brocade vest, with patinas that skillfully imitate gold an...

Heide Hatry is a NYC-based German artist, former rare bookseller, and best known for her work employing animal parts or other discarded, disdained, or “taboo” materials. She has cura...

KAWS Holiday Changbai Mountain (KAWS black Changbai): A beautifully composed KAWS COMPANION published to commemorate KAWS' larger-scale ...

Heide Hatry is a NYC-based German artist, former rare bookseller, and best known for her work employing animal parts or other discarded, disdained, or “taboo” materials. She has cura...

"Skipper" by Carole Eisner Rolled and welded steel I-beams Carole Eisner has worked with scrap and recycled metal for 40 years creating elegant, abstract forms welded in steel. The ...

Line is the operative formal element in the work shown here, but there are many other lines in play. Pieces walk a line between drawings that might be tapestries or sculptures or pa...

George William Bell Abstract Form Study in Chestnut I, 2022 Blown glass 8¼ x 7¾ x 6½ in.

Daniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks...

A whimsical yet very strong piece depicting the two figures from Gillie and Marc's iconic figures of the Dog/Bunny Human Hybrid, which has picked up much esteem across the globe. Her...

FRANZ BERGMANN Austrian, (1838-1894) Bath Tent Two nude women in a bathing tent, reverse impressed with "B" within a vasiform mark for Franz Bergman. 17 1/2 inches high

Anthony Caro Bronze Belt Buckle, 1993 Bronze sculpted belt buckle. Stamped on the verso 3 × 4 1/2 inches Exhibition History: Victoria and Albert Museum, L...

"Striper" by Kevin Barrett Sculptural wall piece in bronze metal Barrett is noted for creating contemporary metal sculpture and sculpture wall pieces for indoor and outdoor display....

Seymour Lipton Maquette for Laureate, ca. 1968-1969 Nickel silver on monel metal Unique 18 × 8 1/2 × 7 inches Marlborough-Gerson Gallery, New York Acquired from the above by the previous owner, 1969 thence by descent Christie's New York: Monday, June 30, 2008 [Lot 00199] Acquired from the above Christie's sale This unique sculpture by important Abstract Expressionist sculptor Seymour Lipton is a maquette of the monumental sculpture "Laureate" - one of Lipton's most iconic and influential works located on the Riverwalk in downtown Milwaukee, Wisconsin. Laureate is a masterpiece that was commissioned by the Allen-Bradley Company in memory of Harry Lynde Bradley and as an enhancement for the newly constructed Performing Arts Center. It is located on the east bank of the Milwaukee River at 929 North Water Street. The Bradley family in Milwaukee were renowned patrons of modernist sculpture, known for their excellent taste who also founded an eponymous sculpture park. For reference only is an image of the monumental "Laureate" one of Milwaukee's most beloved public sculptures. According to the Smithsonian, which owns a different unique variation of this work, "The full-size sculpture Laureate was commissioned by the Marcus Center for the Performing Arts in Milwaukee. In the initial drawings, Seymour Lipton combined details from the architectural plan with a wide variety of images, ranging from musical instruments to a lighthouse on the island of Tobago. He transformed the basic shapes from these sketches into a welded sculpture, which evokes a figure composed of columns, harp strings, and coiled rope. Lipton created this piece to celebrate achievement in the arts. The dramatic silhouette commands your attention, reflecting the title Laureate, which means worthy of honor and distinction. The final version of the piece is over twelve feet high and stands out against the pale, flat buildings of the arts center.,," Provenance Marlborough-Gerson Gallery, New York Acquired from the above by the previous owner, 1969 thence by descent Christie's New York: Monday, June 30, 2008 [Lot 00199] Acquired from the above Christie's sale About Seymour Lipton: Born in New York City in 1903, Seymour Lipton (1903-1986) grew up in a Bronx tenement at a time when much of the borough was still farmland. These rural surroundings enabled Lipton to explore the botanical and animal forms that would later become sources for his work. Lipton’s interest in the dialogue between artistic creation and natural phenomena was nurtured by a supportive family and cultivated through numerous visits to New York’s Museum of Natural History as well as its many botanical gardens and its zoos. In the early 1920s, with the encouragement of his family, Lipton studied electrical engineering at Brooklyn Polytechnic Institute and pursued a liberal arts education at City College. Ultimately, like fellow sculptor Herbert Ferber, Lipton became a dentist, receiving his degree from Columbia University in 1927. In the late 1920s, he began to explore sculpture, creating clay portraits of family members and friends. In addition to providing him with financial security, dentistry gave Lipton a foundation in working with metal, a material he would later use in his artwork. In the early 1930s, though, Lipton’s primary sculptural medium was wood. Lipton led a comfortable life, but he was also aware of the economic and psychological devastation the Depression had caused New York. In response, he generally worked using direct carving techniques—a form of sculpting where the artist “finds” the sculpture within the wood in the process of carving it and without the use of models and maquettes. The immediacy of this practice enabled Lipton to create a rich, emotional and visual language with which to articulate the desperation of the downtrodden and the unwavering strength of the disenfranchised. In 1935, he exhibited one such early sculpture at the John Reed Club Gallery in New York, and three years later, ACA Gallery mounted Lipton’s first solo show, which featured these social-realist-inspired wooden works. In 1940, this largely self-taught artist began teaching sculpture at the New School for Social Research, a position he held until 1965. In the 1940s, Lipton began to devote an increasing amount of time to his art, deviating from wood and working with brass, lead, and bronze. Choosing these metals for their visual simplicity, which he believed exemplified the universal heroism of the “everyman,” Lipton could also now explore various forms of abstraction. Lipton’s turn towards increasing abstraction in the 1940s allowed him to fully develop his metaphorical style, which in turn gave him a stronger lexicon for representing the horrors of World War II and questioning the ambiguities of human experience. He began his metal work with cast bronze sculptures, but, in 1946, he started welding sheet metal and lead. Lipton preferred welding because, as direct carving did with wood, this approach allowed “a more direct contact with the metal.”[ii] From this, Lipton developed the technique he would use for the remainder of his career: “He cut sheet metal, manipulated it to the desired shapes, then joined, soldered, or welded the pieces together. Next, he brazed a metal coating to the outside to produce a uniform texture.”[iii] In 1950, Lipton arrived at his mature style of brazing on Monel metal. He also began to draw extensively, exploring the automatism that abstract expressionist painters were boasting at the time. Like contemporaries such as Jackson Pollock, Lipton was strongly influenced by Carl Jung’s work on the unconscious mind and the regenerative forces of nature. He translated these two-dimensional drawings into three-dimensional maquettes that enabled him to revise his ideas before creating the final sculpture.The forms that Lipton produced during this period were often zoomorphic, exemplifying the tension between the souls of nature and the automatism of the machine. In the years following the 1950s, Lipton’s optimism began to rise, and the size of his work grew in proportion. The oxyacetylene torch—invented during the Second World War—allowed him to rework the surfaces of metal sculptures, thus eliminating some of the risks involved with producing large-scale finished works. In 1958, Lipton was awarded a solo exhibition at the Venice Biennale and was thus internationally recognized as part of a small group of highly regarded avant-garde constructivist sculptors. In 1960, he received a prestigious Guggenheim Award, which was followed by several prominent public commissions, including his heroic Archangel, currently residing in Lincoln Center’s David Geffen Hall. A number of important solo exhibitions of his work followed at The Phillips Collection in Washington, DC (1964); the Milwaukee Art Center and University of Wisconsin, Milwaukee (1969); the Virginia Museum of Fine Arts in Richmond (1972); the Everson Museum in Syracuse, NY (1973); the Herbert E. Johnson Museum of Art of Cornell University in Ithaca, NY (1973); the National Collection of Fine Arts, Smithsonian Institution (now the Smithsonian American Art Museum) in Washington, DC (1978); and a retrospective in 1979 at The Jewish Museum in New York. In 1982 and 1984 alone, two exhibitions of his sculpture, organized respectively by the Mint Museum (Charlotte, NC) and the Hillwood Art Gallery of Long Island University (Greenvale, NY), traveled extensively across museums and university galleries around the nation. In 2000, the traveling exhibition An American Sculptor: Seymour Lipton was first presented by the Palmer Museum of Art of Pennsylvania State University in University Park. Most recently, in 2009, the Ackland Art Museum in Chapel Hill, NC mounted The Guardian and the Avant-Garde: Seymour Lipton’s Sentinel II in Context. Since 2004, Michael Rosenfeld Gallery has been the exclusive representative of the Estate of Seymour Lipton and has presented two solo exhibitions of his work—Seymour Lipton: Abstract Expressionist Sculptor (2005) and Seymour Lipton: Metal (2008). In 2013, Michael Rosenfeld Gallery presented Abstract Expressionism, In Context: Seymour Lipton, which included twelve major sculptures by the artist, along with works by Charles Alston, Norman Bluhm, Beauford Delaney, Willem de Kooning, Jay DeFeo, Michael Goldberg, Adolph Gottlieb, Hans Hofmann, Lee Krasner, Norman Lewis, Conrad Marca-Relli, Boris Margo, Alfonso Ossorio, Richard Pousette-Dart, Milton Resnick, Charles Seliger...

Inspired by amateur archaeologists such as Heinrich Schliemann who discovered Troy and by past elaborate hoaxes like that of the Piltdown Man, Joshua travels the world performing sta...

Inspired by amateur archaeologists such as Heinrich Schliemann who discovered Troy and by past elaborate hoaxes like that of the Piltdown Man, Joshua Goode travels the world performi...

Terracotta life-size male head. Rushton sculpts all of his busts using live models over the course of multiple sittings. While realistic and classical in character, his sculptures ...

Terracotta life-size female head. Rushton sculpts all of his busts using live models over the course of multiple sittings. While realistic and classical in character, his sculpture...

Krystal Klear Glass, with Yellow 4GLN/Orange Rg/Our Mix Purple IV & F Violet570. My sculptures focus on both the exterior and the interior form of the vessel. I describe volume on t...