South Korea

17th century, painted in underglaze blue with eight figures including officials in a garden landscape, marked on the bottom with a sitting rabbit(blue hare), Transitional period(Late...

An exquisite 1930s–1940s American Sweetheart ID link bracelet by R.F. Simmons—the iconic American metal craft company founded in Attleboro, Massachusetts, in 1873. Crafted with high...

This work will be shipped rolled. Emotional Color Change series combines colour and language to visually represent the external environment. The process involves mixing two or three...

The vessel has a rounded body rising to a tall neck, surmounted by a rare cover modeled in the form of mountain peaks. The entire surface is painted with layers of yellow, white and ...

A globular jar on a spreading footring, with cylindrical neck and domed cover topped by a lotus-bud finial. Body and cover are combed overall with overlapping wave-like petals, a mot...

Dune Stone Stool & Side Table in Lime Plaster by Plature Dimensions: L 42 x D 30 x H 41 cm. Materials: Lime plaster. Available in Wildseed, Muddy Ground, Dull Brown, or Gray Stone. ...

The green-glazed beasts seated on their haunches, a short spout beside their turned heads, their mane and tail splashed with yellow or brown glaze Period : Qing Dynasty, Yongzheng P...

Crystal Series: Raw Side Edition is a sculptural contemporary acrylic side table that celebrates the raw beauty of material, color, and process. Defined by its expressive, unpolished...

Console Table 01 by Saerom Yoon Limited Edition No. 06 of 8 + 2AP Dimensions: W 110 x D 43 x H 80 cm Materials: Acrylic. My oldest childhood memories go back to the time I spent in ...

This octagonal blue-and-white covered box is densely decorated on each facet with dragons twisting their elongated bodies as they move through clouds, filling the entire surface with...

This Yue ware celadon ewer features a softly rounded body rising from a stable foot to a wide, flaring mouth. A translucent olive-green glaze is evenly applied, pooling gently in rec...

The vessel’s plump ovoid body—rising from a low foot to a short neck with a flaring mouth—evokes the silkworm’s cocoon, a form that echoes the central role of sericulture in early Ch...

Letter From The Past 77 (Abstract painting) Acrylic on canvas — Unframed. This artwork features an intriguing composition of horizontal lines in varying heights and vibrant colours....

Sinneswelt-teile 19 (Abstract painting) Acrylic on Canson Montval paper — Unframed. In this new series, Sense World, the artist has experimented with various colour combinations and...

Fade Coffee Table by Wonwoo Koo x DVIRA Dimensions: D 85 x W 140 x H 34,7 cm. Material: Stainless steel Finish: Proprietary multi-stage hand-applied oxidation patina — matte black gr...

This compelling series, initiated in winter 2024, serves as a visual diary reflecting fluctuating inner emotions during a period of significant political and social transition in Sou...

This cloisonné ewer features a brass body covered with turquoise-toned enamel and densely arranged lotus and floral motifs. The spout and handle are shaped in the form of a phoenix o...

The Kendi is decorated with cobalt blue underglaze depicting flowers and a mythical bird, reflecting the artistic finesse and symbolic expressions of the era. These designs often carry symbolic meanings, with birds sometimes representing immortality or spiritual transcendence in Chinese mythology. The Kendi's form, with a bulbous body and spout for drinking, is a traditional vessel style in Asia, valued for both its functionality and aesthetic appeal. Period : Qing Dynasty, Kangxi Period Production Date : 1690-1699 Made in : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Vung Tau ship Reference : Double checked with reference to the original catalogues 1) Christies Amsterdam 1992 - Vung Tau Cargo / Christies 2) Qing Dynasty Export...

This olive-brown celadon ewer features an octagonal lobed body, a tall curved spout, loop handle, and a domed cover with a bud-shaped finial. The olive glaze is suffused with fine cr...

Loop Series Chain Champagne Glass in Borosilicate Glass by Studio-Chacha Dimensions: Ø 10 x H 33 cm. Materials: Borosilicate glass. Cha Shin-sil is a Seoul-based designer and founde...

a Line 5 (Abstract painting) Acrylic on Canson-Arches huile paper - Unframed. In her work, Lee is responding to her emotional experiences within her physical surroundings. Color is...

This vase features a flared neck and a well-balanced globular body, representing a典型 form associated with Cizhou ware. The body is decorated with freely painted floral motifs and abs...

This artwork, acquired in Hong Kong during the 1990s, is presumed to have been produced in the same kiln from the Han dynasty, based on the head of the Sotheby's reference piece, which also originated from Hong Kong. Furthermore, given its almost identical shape to the piece from the Artemis Gallery...

A pair of antique Korean embroidered silk peony roundels, mounted in matching lacquered wood frames. Each panel depicts a pair of full-bloom peonies (모란) worked in fine silk thread o...

Fade Side Table by Wonwoo Koo x DVIRA Dimensions: D 45 x W 40 x H 50 cm. Material: White oak veneer / Black Wonwoo Koo I majored in furniture design in Seoul and have been involved ...

A Piece Of One Day 40-26 Wall Piece by Saerom Yoon Dimensions: D 130 x H 160 cm. Materials: Resin. Saerom Yoon is an artist based in Seoul, South Korea. His work is inspired by the ...

Sculptural Object by Dongwook Choi Crest and Trough series Dimensions: 42 x 40 x 45 cm Materials: FRP, chrome coated There may be a visual difference...

At the center of the vase, within a rounded frame, a bird is depicted perched on a small branch. The bird’s feathers and body are finely detailed, while the beak and eyes are rendere...

The vessel features a compressed body supported by three tapered feet and a flat, outwardly flaring rim. Three slender flanges originate from a subtle ridge on the shoulder and exten...

Decorative handcrafted vase with mother-of-pearl inlay.

This work is a group of Qingbai (青白磁) porcelain figurines produced during the Five Dynasties to the Northern or Southern Song period (10th–13th century). A transparent glaze is appli...

The bowl has a wide, thinly potted rim and a low foot, characteristic of Song dynasty forms. A finely carved and lively twin-fish design decorates the interior, a classic auspicious ...

Loop Series Chain 02 in Borosilicate Glass by Studio-Chacha Dimensions: Ø 9 x H 23 cm. Materials: Borosilicate glass and champagne glass. Cha Shin-sil is a Seoul-based designer and ...

The table bearing pig head, rice cakes, dishes of meat, fish and fruit. Known as Mingqi, these terracotta models were customarily included in Chinese burial practices, particularly among the affluent, to aid the deceased in their journey through the afterlife. This tradition extends back to the Neolithic Period. A unique terracotta funeral table...

Dichroic glass table sculpted by Studio-Chacha Dimensions: 85.5 x 69 x 40 cm Materials: Glass, film Studio-Chacha is a high-end art furniture...

Proportions of stone shelf 01 by Lee Sisan Dimensions: W 110 x D 35 x H 150 cm Materials: Stainless steel, natural stone Each piece is made to order a...

A Piece Of One Day 34 Wall Piece by Saerom Yoon Dimensions: D 100 x W 100 x H 200 cm. Materials: Resin. Saerom Yoon is an artist based in Seoul, South Korea. His work is inspired by...

Loop Series Stream 2 Candle Holder in Borosilicate Glass by Studio-Chacha Dimensions: Ø 10 x H 37 cm. Materials: Borosilicate glass. Cha Shin-sil is a Seoul-based designer and found...

Emotional Color Change 34 (Abstract painting) Acrylic on canvas — Unframed. Kyong Lee's series combines colour and language to visually represent the external environment. The proce...

This porcelain stemcup has a domed foot, a high stem and an elongated deep bowl with a partially broken flared rim. River landscapes featuring trees, pavilions, bridges and figures, ...

Fade Lounge Sofa by Wonwoo Koo x DVIRA Dimensions: D 80 x W 88 x H 70 cm. Material: Leather, Fabric, wood Leather color customization available upon request Wonwoo Koo I majored in...

* Set Item(Teabowl and saucer) The saucer with four carp swimming among floating dumps of water weed, the teabowl with a central carp medallion within a band of smaller fish and wate...

Famous late ming dynasty chinese blue and white porcelain plate, double phoenix, from the shipwrecked binh thuan Period: Ming Dyn...

The vase has a hexagonal shape, with a structure that extends seamlessly from the rim to the base, creating a sense of visual stability. The neck features sculpted handles in the for...

At the center, it features five elegant cranes depicted against a pond setting, each portrayed in varying postures. The background harmoniously incorporates lotus flowers and other aquatic plants. Cranes in East Asian culture symbolize purity, longevity, and loyalty, and their depiction here enhances the themes of peace and harmony. The outer rim of the plate is encircled by a continuous lattice border, within which are alternately placed floral and geometric patterns, delicately executed. Period : Qing Dynasty, Kangxi Period Production Date : 1690-1699 Made in : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Vung Tau ship Size : 20cm (Diameter) x 3.5cm (Height) Condition : Excellent Reference : Double checked with reference to the original catalogues 1) Christies Amsterdam 1992 - Vung Tau Cargo / Christies 2) Qing Dynasty Export Blue and White(淸代外销靑花瓷) - Vung Tau Cargo Catalogue / Guangxi Fine Art Publishing House 3) Asian Ceramic Found along Maritime Silk Route / National Maritime Museum of Korea * Vung Tau Cargo Porcelain...

Ovoid form escalating to a cylindrical neck with a flaring rim, adorned at the shoulder with three narrow grooved horizontal bands. Each side is equipped with an incised double-loop ...

Heritage layer side table by Lee Jung Hoon Dimensions: D 100 x W 29.4 x H 471cm Materials: walnut, stainless steel, steel. Also available in different dimension. The Heritage ...

The vessel consists of a rounded cylindrical body, a gently curved upper section, and a small circular opening, suggesting that it was used for storing grain or valuable goods. Thre...

These blue and white teabowls showcase bird-and-flower and crab motifm decorated with blooming flowers and a flying bird, representing the vibrancy of nature. The fine brushstrokes u...

Proportions Of Stone Low Table in Natural Stone, Glass & Aluminum by Lee Sisan Dimensions: L 92 x H 140 cm Materials: Glass, aluminum, and natural stone. Dimensions may vary. Pl...

Crystal Series Gradient - Acrylic Custom for Genesis is a rare sculptural acrylic table that embodies the designer’s exploration of light, color, and material. Created as a bespoke p...

Each teabowl is delicately painted with blue pigments, showcasing scenes of mountains, trees, boats, figures, and animals. The graceful brushstrokes and gentle curves evoke tradition...

Graffiti Console V2 Table by Wonwoo Koo Dimensions: D 40 x W 140 x H 85 cm. Materials: Stainless Steel Finish: Multi-stage hand- applied coating — matte black surface with subtle to...

Fluid Loop Series Flow Champagne Glass in Borosilicate Glass by Studio-Chacha Dimensions: Ø 8 x H 30 cm. Materials: Borosilicate glass. Cha Shin-sil is a Seoul-based designer and fo...

An exquisite Georgian to Early Victorian era pocket watch key fob charm, dating from circa 1820s to 1840s. Masterfully hand-engraved throughout its tapered body with intricate floral...

Black glazed bottle from the late Ming dynasty binh thuan cargo. An identical piece is included on page 146 of the Bin Thuan catalog titled 'The Age of Disco...

Layered Steel Brass Edition Chair with Wax Finish by Hyungshin Hwang Dimensions: D 30 x W 52,5 x H 112,5 cm. Materials: Brass with wax finish. Hyungshin Hwang (b. 1981, Seoul, South...

Layered steel seat XV by Hyungshin Hwang Dimensions: D 37 x W 60 x H 84 cm Materials: stainless steel Layered Series is the main theme and concept of work of Hwang, who continue...

This Ming Dynasty painted pottery horse is depicted standing on a tiered rectangular pedestal. The horse has a well-proportioned body, with sturdy legs and a slightly arched neck. The eyes and muzzle are subtly outlined and incised. The mane is sculpted with deep, parallel grooves. The tail is long and slightly curved left, extending downward. The saddle is prominently featured at the center of the horse’s back, detailed with a raised, rounded seat and an attached stirrup hanging down one side. The saddlecloth is textured with a crosshatch pattern, bordered by a row of carved fringe-like elements. The horse's legs display subtle musculature, and the hooves are clearly defined, with black pigment accentuating their edges. The original painted pigments, including white, black, and ochre, are still visible, though faded in some areas. The black pigment highlights the mane, tail, and parts of the bridle, while the ochre tones accentuate the saddle and decorative elements. Period: Ming Dynasty Medium: Green, black, and ochre glazed Pottery Type: Figure Provenance : Acquired in late 1990s from Hongkong Reference : Asian Civilisations Museum - Accession No. C-1384 / 1994-00441 - Ming Dynasty Figure of Horse (Type : Closely Related) * Ming Dynasty Glazed Pottery Figures Ming Dynasty glazed pottery figures are renowned for their bold color palette, intricate detailing, and lifelike forms, distinguishing them from earlier traditions. These figures, which depict officials, warriors, animals, and mythical creatures, are characterized by high-gloss lead-based glazes in green, amber, ochre, and sancai (three-color) combinations. The thickly applied glaze pools in recesses, creating depth and enhancing sculptural details. With dynamic postures, expressive facial features, and meticulously rendered drapery, these figures reflect the period’s advancement in ceramic craftsmanship, offering a greater sense of movement and realism compared to the rigid and stylized forms of earlier dynasties. A defining characteristic of Ming glazed pottery is its elaborate surface detailing, often achieved through raised relief elements and contrasting glazes. Equestrian figures, for example, feature carefully sculpted saddles, harnesses, and decorative embellishments, while human figures are adorned with intricate robes and headdresses. The large scale of these tomb figures, often more imposing than those from previous periods, underscores the increasing importance of funerary art during the Ming era. Unlike later Qing Dynasty figures...

Statues of horse and rider, featuring glazes in green, amber, are set on rectangular bases. Period: Ming Dynasty Medium: Green and Amber-glazed Pottery Type: Figure Provenance : ...