South Korea

Wall Decor handcrafted mother of pearl Chrysanthemum painting on wood panel by Arijian.

Emotional Color Chart 161 (Abstract painting) Acrylic on Fabriano-Terra paper - Unframed. This series, started in 2016 conveys a color and emotional language and is inspired by the series Color as Adjective, a series of drawings...

Wearing a blue-glazed short child's apron knotted around the waist, his hair drawn into one or two topknots Period : Qing Dynasty, Yongzheng Period Production Date : C 1725 Made in ...

Record of Undefined Color 33 (Abstract painting) Acrylic on canvas - Unframed. "This series, started in 2016 conveys a color and emotional language and is inspired by the series Co...

A Piece Of One Day 40 Wall Piece by Saerom Yoon Dimensions: D 9 x W 28 x H 80 cm. Materials: Resin. Saerom Yoon is an artist based in Seoul, South Korea. His work is inspired by the...

These are three small lidded boxes from the Vietnamese period, specifically from the 15th century during the Le Dynasty. Each box features intricate floral designs in blue on a white...

Pencil and Acrylic on Canvas - Unframed. This artwork is inspired by the series Color as Adjective, a series of drawings and paintings that are visual representations of fragmented ...

Emotional color chart 150 (Abstract painting) Pencil and acrylic on Fabriano-pittura paper - Unframed. "This series, started in 2016 conveys a color and emotional language and is i...

Emotional Color Chart 135 (Abstract Painting) Pencil and acrylic on Fabriano-pittura paper - Unframed. This series, started in 2016 conveys a color and emotional language and is in...

Emotional color chart 092 (Abstract Painting) Pencil and acrylic on Fabriano-pittura paper - Unframed. This series, started in 2016 conveys a color and emotional language and is in...

The teapot on the left features a rounded body densely adorned with blooming flowers and intertwining vines, creating a flowing and repetitive pattern. The delicate brushstrokes emph...

Acrylic on un-stretched canvas - Unframed. This artwork will be shipped rolled in a dent-resistant tube. This method is especially safe for large works, and provides lower shipping c...

Eckige Masse 061 (Abstract painting) Acrylic on Fabriano-pittura paper - Unframed. In her work, Lee is responding to her emotional experiences within her physical surroundings. Co...

Cizhou ware is known for its robust forms and freely applied decoration, often featuring a white slip under clear glaze. The pillow is rectangular, with a slightly curved top surface to accommodate the head of the sleeper. The decoration on this pillow features an incised design, delineated with fine lines to create a clear and simplistic representation. The motif includes floral elements, likely peony or chrysanthemum, and foliage, which were popular during the Song and Yuan periods. The carving is subtle yet skillful, showing the artistry and aesthetic preferences of the era. Period : Yuan Dynasty, 13th-14th Century Type : Pillow Medium : Cizhou Ware Provenance : Acquired in late 1990s from Hongkong Reference : 1) Datong Museum - Cizhou Pillow...

A rare brown colored stoneware dish with a central floral motif, likely a lotus, which is a recurrent symbol in Asian art representing purity and beauty. The design's fluidity and or...

Cloisonné enamel vase of baluster form and lobed sides decorated with foliage and flowers on a black background, gilt copper neck and base. Around 1900 Period: Qing Dynasty Type: Va...

The vase features broad shoulders and a tapering body. Its surface is finely carved with scrolling foliage and lotus motifs, accentuated by precise incised lines beneath a soft bluis...

Table 07 by Saerom Yoon Dimensions: D 70 x W 180 x H 80 cm. Materials: Acrylic. My oldest childhood memories go back to the time I spent in the Philippines with my parents. The gree...

This Annamese ceramic dish features a central lotus motif, enclosed by a thin circular border. The rim is adorned with intertwining vine patterns and swirling motifs. The dish has a gently curved form with a well-proportioned depth and a neatly finished rim. Dates : 15th century Le Dynasty Region : North Annam, Vietnam Type : Dish Found/Acquired : Southeast Asia , South China Sea, Hoi An Ship Reference : Double checked with reference to the original catalogue Butterfield Treasures Hoi An Hoard Auction Catalogs / San Francisco Butterfields 2000 * Vietnamese trade ceramics Around the mid-14th century, Vietnam developed its ceramics production technology by producing blue and white porcelain, and began to export it overseas. During this period, China Ming Dynasty implemented a policy of lifting the ban from 1371 to 1657 and restricted foreign trade. This served as a good opportunity in the trade history of Vietnamese ceramics, and ceramic exports...

Flying two heavenly beings depicted in the stone. They are celestial beings called an Apsara. While having the same fragment and shape, another work our gallery uploaded exhibits sma...

Decorative handcrafted vase with mother-of-pearl inlay.

The interior of the cups is adorned with intricate designs inspired by nature, such as flowers, trees, and fish. They are skillfully arranged to create a focal point at the base of e...

Pencil and acrylic on Fabriano-pittura paper - Unframed. This series, started in 2016 conveys a color and emotional language and is inspired by the series Color as Adjective, a seri...

Heritage layer side table by Lee Jung Hoon Dimensions: D 100 x W 29.4 x H 471cm Materials: walnut, stainless steel, steel. Also available in different dimension. The Heritage ...

Layered oak wood stool by Hyungshin Hwang Dimensions: D 33 x W 30 x H 42 cm Materials: weathered oak Layered Series is the main theme and concept o...

Console Table 04 by Saerom Yoon Limited Edition No. 08 of 10 + 2AP Dimensions: D 43 x W 110 x H 85 cm. Materials: Acrylic. My oldest childhood memories go back to the time I spent i...

The Pixel Dots series explore the intersection of technology, information, and post-futuristic aesthetics. It reflects the images of the structured circuit boards or the complex, int...

The Pixel Dots series explore the intersection of technology, information, and post-futuristic aesthetics. It reflects the images of the structured circuit boards or the complex, int...

The Pixel Dots series explore the intersection of technology, information, and post-futuristic aesthetics. It reflects the images of the structured circuit boards or the complex, int...

This monochrome painting is an interplay of threads and lines, composed to create a sense of depth and optical intrigue. The contrast and the intricate layering of lines forms a limi...

This monochrome painting is an interplay of threads and lines, composed to create a sense of depth and optical intrigue. The contrast and the intricate layering of lines forms a limi...

This monochrome paintings is an interplay of threads and lines, composed to create a sense of depth and optical intrigue. The contrast and light effects evoke spatial illusions and e...

This monochrome painting is an interplay of threads and lines, composed to create a sense of depth and optical intrigue. The contrast and the intricate layering of lines forms a limi...

This painting shows data visualization incorporating semiotic and non-linguistic information on the tessellated plane. The process evolves by reinterpreting and reshaping it through ...

Right arm raised and both hands pierced and held in a fist, also wearing layered armor with epaulets at the shoulders, extensive pigment remaining. TL testing was not conducted due t...

Material Notes Wall Decoration in Resin, Wood & Marble by Fict Studio Dimensions: D 5 x W 22 x H 30 cm Materials: Resin, wood, and marble. Dimensions may vary. Please contact us...

This work is a group of Qingbai (青白磁) porcelain figurines produced during the Five Dynasties to the Northern or Southern Song period (10th–13th century). A transparent glaze is appli...

Stoneware painted with underglaze cobalt blue and remnants of overglaze enamel. This work has been presented as a centerpiece in the Annamese gallery of the Asian Art Museum of San Francisco, underscoring its significant artistic and historical standing. Year/Period : 15th century Region : North Vietnam, Vietnam Type : Ewer Found/Acquired : Southeast Asia , South China Sea, Hoi An Ship Reference : 1) Phoenix Art Museum - OBJECT NUMBER 2000.108.1 2) Asian Art Museum of San Francisco - Annamese Collection 3) Butterfield Treasures Hoi An Hoard Auction Catalogs / San Francisco Butterfields 2000 * Vietnamese trade ceramics Around the mid-14th century, Vietnam developed its ceramics production technology by producing blue and white porcelain, and began to export it overseas. During this period, China Ming Dynasty implemented a policy of lifting the ban from 1371 to 1657 and restricted foreign trade. This served as a good opportunity in the trade history of Vietnamese ceramics, and ceramic exports...

With one hole on the back of the frog and the monkey in the mouth, body decorations. The central object appears to be a parrot-shaped ceramic, which might serve as a pouring vessel, ...

This blue and white porcelain jar was produced at a southern folk kiln (minyao) during the mid to late Ming dynasty. It features a well-balanced form with rounded shoulders, a short ...

The modelled animal figures and landscapes of this piece represent the Daoist ideology of the Han dynasty. The mountain-shaped lid refers to the sacred dwellings of the immortals, th...

Each burner features a unique design with traditional pillar-shaped structures and intricate openwork carvings. The lids are adorned with delicate floral and nature-inspired motifs, ...

Heritage Bench by Lee Jung Hoon Dimensions: D 60 x W 200 x H 36.5 cm Materials: Granite, Ash, Stainless Steel. The Heritage series, created by designer...

This piece, directly referred to as a Money Tree, is a captivating work that embodies wishes for material prosperity. It takes center stage in the Asian collections of institutions s...

This Longquan celadon figure is defined by a composed frontal presence: half-lidded eyes, a calm oval face, and a hooded mantle that reads as a single, clean silhouette. The robe is modeled with restrained but deep folds—glaze pools in the recesses into a richer olive tone, while the raised edges fire thinner and lighter, sharpening the relief and giving the carving real definition. The color shifts naturally from jade-like grey-green to mossy depths, with fine peppered speckling and subtle kiln character on the surface—an understated, materially convincing piece where form and glaze do the work. Period: Ming Dynasty (1368-1644) Region: Longquan, China Medium: Stoneware - Celadon glazed, with a range from heavy grey to almost white porcelain-like material Type: Sculpture Height : 24.5 cm Provenance : Acquired in 1999, Hongkong * Ming Dynasty Longquan Celadon Longquan celadon from the Ming Dynasty typically exhibits a more robust and heavier stoneware body compared to its Song Dynasty predecessors. The Ming era saw an evolution in celadon glaze, achieving a wider spectrum of green hues, from olive to bluish-greens. Ming celadons...

Qingbai porcelain incense stands of elegant baluster form, flanked by scroll-shaped handles and raised on an openwork square base. Covered overall in a soft bluish-white glaze, the p...

The Han Dynasty gate pillar held by the Asian Art Museum in San Francisco and this gate pillar are the only known examples of their type worldwide, highlighting its extraordinary rar...

Bowl decorated with beautiful floral and bird pattern. Cracks on surface due to underwater excavation condition. Relatively rare piece among Ca Mau ship pieces. Period : Qing Dynast...

A boat with two figures standing on it, seemingly engaged in fishing with a net. Below the boat, on the shore, there are two more figures involved in a different activity, possibly c...

A Ming dynasty pottery horse modelled in a standing posture on a rectangular base, with a robust yet stylised anatomy, elongated neck, covered in a warm buff-toned slip with survivin...

The jar features a straight mouth, rounded shoulders, a tucked-in belly, and outward-turned feet, with a high rounded lid topped with a bead. Its shape, resembling a general's helmet...

Ten traditional embroidered pillows given by a bride to her husband as part of her dowry during marriage in Korea's modern era. These embroidered designs convey auspicious messages r...

Stoneware decorated with Persian-style colors and patterns, and it is highly likely that this Annamese pottery intended for export was produced to meet Middle Eastern demand. Dates : 15th century Le Dynasty Region : North Annam, Vietnam Type : Stoneware Dish Found/Acquired : Southeast Asia , South China Sea, Hoi An Ship Reference : Double checked with reference to the original catalogue Butterfield Treasures Hoi An Hoard Auction Catalogs / San Francisco Butterfields 2000 * Vietnamese trade ceramics Around the mid-14th century, Vietnam developed its ceramics production technology by producing blue and white porcelain, and began to export it overseas. During this period, China Ming Dynasty implemented a policy of lifting the ban from 1371 to 1657 and restricted foreign trade. This served as a good opportunity in the trade history of Vietnamese ceramics, and ceramic exports...

Mandarin ducks symbolize eternal love and fidelity in East Asian culture, often representing marital harmony as they are believed to mate for life. Reishi mushrooms, known as symbols of longevity and health, are revered in traditional Asian medicine for their association with immortality and have been used for centuries to promote vitality and strengthen the immune system. The orange glaze is commonly found on Cizhou-type tiger pillows. The attached materials indicate that this tiger pillow is from the same period and shares the same color tone as the one housed in the Baoji Bronzeware Museum, a national museum located in Shaanxi Province. Considering the glaze color, painting style, and shape, it is speculated that this piece was used by the imperial court. Period : Jin-Song Dynasty(12-13th century) Type : Pillow Medium : Cizhou Ware Size : 28 cm(Width), 30cm(Vertical), 16cm(Height) Provenance : Acquired in late 1990s from Hongkong Reference 1) Christies Hongkong 9 OCT 2019 - The Pavilion Sale - Chinese Ceramics and Works of Art Including the Quek Kiok Lee Collection (Price realised : HKD 225,000 / Type : related) 2) The Baoji Bronzeware Museum, Shaanxi Province - Tiger Cizhou Pillow...

Table 15 by Saerom Yoon Dimensions: D 120 x W 180 x H 85 cm. Materials: Acrylic. My oldest childhood memories go back to the time I spent in the Philippines with my parents. The gre...

Painted with yellow, brown and green glazes against the straw-glazed ground, the cavettos with a broad brown-glazed band, the exteriors green-glazed. Period : Qing Dynasty, Yongzhen...

With a medallion of two boats sailing together, passing an island on which a solitary figure stands by or on a bridge, the rim with stone or flower pattern, the reverse glazed cafe-a...

A stunning 20th-century Chinese Famille Rose vase, also known as a hatstand, from the Republic period, is adorned with a detailed Hongxian mark on the bottom. This vase features exqu...

Layered steel desk by Hyungshin Hwang Dimensions: D 230 x W 110 x H 75 cm Materials: stainless steel Layered Series is the main theme and concept of work of Hwang, who continues...

Heritage layer side table by Lee Jung Hoon Dimensions: D100 x W29.4 x H45 cm Materials: walnut, stainless steel, steel. Also available in different dimension. The Heritage seri...