South Korea

Pencil and Acrylic on Canvas - Unframed. This artwork is inspired by the series Color as Adjective, a series of drawings and paintings that are visual representations of fragmented ...

Emotional color chart 150 (Abstract painting) Pencil and acrylic on Fabriano-pittura paper - Unframed. "This series, started in 2016 conveys a color and emotional language and is i...

These shallow bowls feature stylized floral and wave motifs rendered in fluid cobalt brushwork beneath a clear glaze. The slightly everted rims and neatly cut foot rings are characteristic of export wares produced in southern kilns during the Ming period. Marine encrustations and glaze degradation attest to prolonged submersion in a maritime context, offering valuable insight into historical trade routes and overseas demand for Chinese ceramics. Period: Late Ming Dynasty Type: Bowl Medium : Blue and White Condition : Good(Marine encrustation is attached on one bowl and it's crack) Provenance : Presumably from the shipwrecked Binh Thuan...

The vase is delicately potted featuring a pear-shaped body that rests on a slightly flared foot and extends upward into a trumpet-shaped neck. Its exterior showcases a dynamic, three...

Emotional Color Chart 135 (Abstract Painting) Pencil and acrylic on Fabriano-pittura paper - Unframed. This series, started in 2016 conveys a color and emotional language and is in...

Proportions of stone stool 05 by Lee Sisan, 2020 Dimensions: W 36 x D 36 x H 45 cm. Materials: Stainless steel, natural stone. Each piece is made to order a...

Emotional color chart 092 (Abstract Painting) Pencil and acrylic on Fabriano-pittura paper - Unframed. This series, started in 2016 conveys a color and emotional language and is in...

A Ming dynasty pottery horse modelled in a standing posture on a rectangular base, with a robust yet stylised anatomy, elongated neck, covered in a warm buff-toned slip with survivin...

Acrylic on un-stretched canvas - Unframed. This artwork will be shipped rolled in a dent-resistant tube. This method is especially safe for large works, and provides lower shipping c...

Qingbai porcelain incense stands of elegant baluster form, flanked by scroll-shaped handles and raised on an openwork square base. Covered overall in a soft bluish-white glaze, the p...

Eckige Masse 061 (Abstract painting) Acrylic on Fabriano-pittura paper - Unframed. In her work, Lee is responding to her emotional experiences within her physical surroundings. Co...

This artwork uses mother of pearl to re-interpret 'A Bull,' which is an iconic work by one of the most celebrated South Korean artists in modern and contemporary painting...

Material Notes Wall Decoration in Resin, Wood & Marble by Fict Studio Dimensions: D 5 x W 22 x H 30 cm Materials: Resin, wood, and marble. Dimensions may vary. Please contact us...

Material Notes Wall Decoration in Resin, Wood & Marble by Fict Studio Dimensions: D 5 x W 22 x H 30 cm Materials: Resin, wood, and marble. Dimensions may vary. Please contact us...

Pencil and acrylic on Fabriano-pittura paper - Unframed. This series, started in 2016 conveys a color and emotional language and is inspired by the series Color as Adjective, a seri...

The oviform body molded with floral and leaf pattern reminiscent of waves, all covered with an olive-brown glaze. The glaze drips and irregular streaks of brown-glazed pottery from that period are distinctive aesthetic elements of Song-Yuan Dynasty brown glazed ceramics, with glaze colors ranging from deep chocolate to light amber or honey tones. Date : Song-Yuan Dynasty(960~1368) Type : Olive-Brown-glazed pottery Provenance : Acquired in late 1990s from Hongkong Reference : 1) Bonhams London 13 May 2024 - The John E. Bodie OBE (1930-2023) Collection of Chinese Art - Lot 12 (Price realised : 2,432 GBP / Type : Related) 2) Christies Mar 2015 - The Collection of Robert Hatfield Ellsworth...

Table 11 by Saerom Yoon Dimensions: Ø 90 x H 70 cm. Materials: Acrylic. My oldest childhood memories go back to the time I spent in the Philippines with my parents. The green mounta...

The Pixel Dots series explore the intersection of technology, information, and post-futuristic aesthetics. It reflects the images of the structured circuit boards or the complex, int...

The Pixel Dots series explore the intersection of technology, information, and post-futuristic aesthetics. It reflects the images of the structured circuit boards or the complex, int...

The Pixel Dots series explore the intersection of technology, information, and post-futuristic aesthetics. It reflects the images of the structured circuit boards or the complex, int...

This monochrome painting is an interplay of threads and lines, composed to create a sense of depth and optical intrigue. The contrast and the intricate layering of lines forms a limi...

This monochrome painting is an interplay of threads and lines, composed to create a sense of depth and optical intrigue. The contrast and the intricate layering of lines forms a limi...

This painting shows data visualization incorporating semiotic and non-linguistic information on the tessellated plane. The process evolves by reinterpreting and reshaping it through ...

This monochrome paintings is an interplay of threads and lines, composed to create a sense of depth and optical intrigue. The contrast and light effects evoke spatial illusions and e...

This monochrome painting is an interplay of threads and lines, composed to create a sense of depth and optical intrigue. The contrast and the intricate layering of lines forms a limi...

Pair of jarlet from the late Ming dynasty cargo. An identical piece is included on page 145 of the Bin Thuan catalog titled 'The Age of Discovery: Asian Cera...

The first figure wears a short cap and takes a posture as if carrying something on the shoulder, possibly symbolizing a servant or a messenger. The second figure wears a tall hat and...

Rounded form, covered with a glaze of a pale grey and yellowish tone with brown network of crackles. Period: Qing Dynasty or Song Dynasty Type: Bowl Medium: Crackle Glazed Size : 9...

Fine porcelain figure of seated hounds. The mouth of the dog is open; the ears are flipped back; and there is a chain around the neck. The dog's bones are well depicted. Period : Qi...

This finely matched pair of Annamese stoneware bowls exemplifies the refined ceramic artistry of Đại Việt (medieval Vietnam) during the 14th to 15th century. Each bowl is delicately ...

Chinese famille rose vase, decorated with 'One Hundred Antiquities' design, paired with Fu-lion handles. (Have two in pairs. If you would like to purchase as a set, please send me a ...

Material Notes Wall Decoration in Resin, Wood & Marble by Fict Studio Dimensions: D 5 x W 36 x H 45 cm. Materials: Resin, wood, and marble. Dimensions may vary. Please contact u...

This pair of straw-glazed pottery figures represents a male and female court attendant, both elegantly attired in period fashion. The female figure wears a flowing robe with draped f...

During Yongzheng era, such miniatures were appreciated for their craftsmanship and aesthetic value. They were also often used in scholars' studios as part of the 'wenfang', or study ...

The edges have been dipped in four places with brown, probably iron-oxide. The well of the bowl is freely painted in deep green and coffee coloured brown. These are characteristic fe...

Statues of Chinese horse and rider, featuring glazes in green, amber, are set on rectangular bases. Period: Ming Dynasty Medium: Green-glaze...

These teabowls feature a simple yet elegant form, finished with a brown glaze that creates a smooth, subtle sheen. They have thin, evenly crafted walls and a small, stable footring t...

With a medallion of two boats sailing together, passing an island on which a solitary figure standing and fishing, the rim with a narrow heringbone pattern, the reverse glazed cafe-a...

With a tall peacock standing on a rocky outcrop displaying his feathers to a peahen who crouches on the ground before him, the garden with lush chrysanthemum and peony bushes amongst which fly moths, butterflies and insects, the rim with a broad continuous border of fruiting vine, prunus and bamboo. Period : Qing Dynasty, Yongzheng Period Production Date : C 1725 Made in : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Ca Mau...

Table 12 by Saerom Yoon Dimensions: Ø 120 x H 75 cm. Materials: Acrylic. My oldest childhood memories go back to the time I spent in the Philippines with my ...

Statues of East Asian horse rider, featuring glazes in green, are set on rectangular base. Period: Ming Dynasty Medium: Green-glazed Pottery Type: Figure Condition : Good Provenance : Acquired in early 2000s from Hongkong * Ming Dynasty Glazed Pottery Figures Ming Dynasty glazed pottery figures are renowned for their bold color palette, intricate detailing, and lifelike forms, distinguishing them from earlier traditions. These figures, which depict officials, warriors, animals, and mythical creatures, are characterized by high-gloss lead-based glazes in green, amber, ochre, and sancai (three-color) combinations. The thickly applied glaze pools in recesses, creating depth and enhancing sculptural details. With dynamic postures, expressive facial features, and meticulously rendered drapery, these figures reflect the period’s advancement in ceramic craftsmanship, offering a greater sense of movement and realism compared to the rigid and stylized forms of earlier dynasties. A defining characteristic of Ming glazed...

Proportions of Stone Shelf Level 05 by Lee Sisan Dimensions: W 64 x D 59 x H 110 cm Materials: Stainless steel, natural stone Each piece is made to order ...

The statuette shows traces of the original red, black, and white pigmentation. The figure’s body, head, and hands (which in this case are lost) were all made separately to give her an essence of movement and dynamism. Given its almost identical shape to the piece from the Artemis Gallery...

Beneath the soft grayish-green glaze, incised lotus design emerges. The surface is adorned with flowing lines depicting lotus flowers and leaves, rendered in a refined carving techni...

Material Notes Wall Decoration in Resin, Wood & Marble by Fict Studio Dimensions: D 5 x W 31,6 x H 39 cm Materials: Resin, wood, and marble. Dimensions may vary. Please contact ...

A white-glazed chicken-comb ewer fired in late Liao-dynasty, its form derived from leather water flasks and clearly reflecting the culture of nomadic horse-riding peoples. The soft w...

The table bearing pig head, rice cakes, dishes of meat, fish and fruit. Known as Mingqi, these terracotta models were customarily included in Chinese burial practices, particularly among the affluent, to aid the deceased in their journey through the afterlife. This tradition extends back to the Neolithic Period. A unique terracotta funeral table...

Transcendental Decorative Object in White Ceramic by Ain Choi Dimensions: D 15 x W 58 x H 47 cm. Materials: Ceramic. Waves are particularly fascinating to me among those topics. A w...

Interconnected Rectangular Prisms, Stainless Steel Shelf with Stone by Lee Sisan Dimensions: W 36 x D 28 x H 80 cm Materials: Stainless steel, natural stone Each piece is made to order and uses natural stones, so please expect some variability in design. "Proportions of stone...

Changsha Ware has distinct and recognizable designs and motifs. Painted designs often depict flowers, vines, clouds and mountain landscapes. Some painting is simply splotches of colo...

Loop Series Stream 1 Candle Holder in Borosilicate Glass by Studio-Chacha Dimensions: Ø 8 x H 34 cm. Materials: Borosilicate glass. Cha Shin-sil is a Seoul-based designer and founde...

Crystal Marble Fragment Vase by Jang Hea Kyoung Artist: Jang Hea Kyoung Materials: Crystal resin and marble Dimensions: 21 x 8 x 21 cm Jang Hea Kyoung is based in Seoul, Republ...

The vase is raised on a slightly splayed foot and flanked on the tall cylindrical neck by a pair of mask handles. The body is molded with lotus scroll pattern between a floral scroll...

A three-legged pottery vessel with a round body and a wide open mouth. The surface is covered with rough carved lines in diagonal and crossing patterns, giving it a strong textured l...

Modeled after wooden architectural forms, this miniature gate is constructed with two vertical posts and three horizontal crossbars, set on footed bases with projecting support brack...

This pottery brazier, a burial artifact from the Han Dynasty, features quadrilateral sides that slope inward and a base with slits for ventilation. Each side is adorned with animal motifs and geometric patterns. The brazier stands...

Console Table 02 by Saerom Yoon Limited Edition No. 04 of 8 + 2AP Dimensions: D 43 x W 110 x H 80 cm. Materials: Acrylic. My oldest childhood memories go back to the time I spent in...

It features a complex design with a central circular motif surrounded by eight petal-like sections, each intricately adorned with various botanical and geometric patterns, creating a symmetrical arrangement. The number 8 in Chinese culture is associated with prosperity and is considered very auspicious. This may reflect the traditional Chinese cosmological concept of the "Bagua," which are eight trigrams used in Taoist philosophy to represent fundamental principles of reality, seen in various aspects of Chinese culture, including the I Ching and Feng Shui. The central circle with radiating petals is also a representation of perfect geometric harmony, reflecting the balance and unity which are key elements in Chinese aesthetics. The use of symmetry and balance is seen as a way to represent the harmony of the universe. Period : Qing Dynasty, Kangxi Period Production Date : 1690-1699 Made in : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Vung Tau ship Size : 12.5cm (Diameter) Condition : Excellent Reference : Double checked with reference to the original catalogues 1) Christies Amsterdam 1992 - Vung Tau Cargo / Christies 2) Qing Dynasty Export Blue and White(淸代外销靑花瓷) - Vung Tau Cargo Catalogue / Guangxi Fine Art Publishing House 3) Asian Ceramic Found along Maritime Silk Route / National Maritime Museum of Korea * Vung Tau Cargo Porcelain...

An ovoid vessel rising from a small flat base and widening toward the shoulder, fitted with a pair of applied loop handles and a slightly everted rim; the surface is finely burnished...

A group of three glazed terracotta musician figures, depicting a central performer holding a looped wind instrument accompanied by two attendant musicians. Each figure stands on a rectangular base and is covered with richly applied green and blue glazes. Such figural representations of musicians are comparatively uncommon, making this ensemble particularly notable within its category. Period: Ming Dynasty Medium: Green and Blue glazed Pottery Type: Figure Provenance : Acquired in early 2000s from Hongkong Reference : 1) V&A Museum - Accession number C.1501913 (Type : Closely related) * Ming Dynasty Glazed Pottery Figures Ming Dynasty glazed pottery figures are renowned for their bold color palette, intricate detailing, and lifelike forms, distinguishing them from earlier traditions. These figures, which depict officials, warriors, animals, and mythical creatures, are characterized by high-gloss lead-based glazes in green, amber, ochre, and sancai (three-color) combinations. The thickly applied glaze pools in recesses, creating depth and enhancing sculptural details. With dynamic postures, expressive facial features, and meticulously rendered drapery, these figures reflect the period’s advancement in ceramic craftsmanship, offering a greater sense of movement and realism compared to the rigid and stylized forms of earlier dynasties. A defining characteristic of Ming glazed pottery is its elaborate surface detailing, often achieved through raised relief elements and contrasting glazes. Equestrian figures, for example, feature carefully sculpted saddles, harnesses, and decorative embellishments, while human figures are adorned with intricate robes and headdresses. The large scale of these tomb figures, often more imposing than those from previous periods, underscores the increasing importance of funerary art during the Ming era. Unlike later Qing Dynasty figures...