South Korea

The body is articulated with clearly defined segmented ridges, creating a strong sense of structure. A tall, straight neck flares gently at the rim, balanced by a smoothly curved spo...

Pencil and Acrylic on Canvas - Unframed. This artwork is inspired by the series Color as Adjective, a series of drawings and paintings that are visual representations of fragmented ...

Emotional color chart 150 (Abstract painting) Pencil and acrylic on Fabriano-pittura paper - Unframed. "This series, started in 2016 conveys a color and emotional language and is i...

Beneath the soft grayish-green glaze, incised lotus design emerges. The surface is adorned with flowing lines depicting lotus flowers and leaves, rendered in a refined carving techni...

Emotional Color Chart 135 (Abstract Painting) Pencil and acrylic on Fabriano-pittura paper - Unframed. This series, started in 2016 conveys a color and emotional language and is in...

Emotional color chart 092 (Abstract Painting) Pencil and acrylic on Fabriano-pittura paper - Unframed. This series, started in 2016 conveys a color and emotional language and is in...

Acrylic on un-stretched canvas - Unframed. This artwork will be shipped rolled in a dent-resistant tube. This method is especially safe for large works, and provides lower shipping c...

Statues of East Asian horse rider, featuring glazes in green, are set on rectangular base. Period: Ming Dynasty Medium: Green-glazed Pottery Type: Figure Condition : Good Provenance : Acquired in early 2000s from Hongkong * Ming Dynasty Glazed Pottery Figures Ming Dynasty glazed pottery figures are renowned for their bold color palette, intricate detailing, and lifelike forms, distinguishing them from earlier traditions. These figures, which depict officials, warriors, animals, and mythical creatures, are characterized by high-gloss lead-based glazes in green, amber, ochre, and sancai (three-color) combinations. The thickly applied glaze pools in recesses, creating depth and enhancing sculptural details. With dynamic postures, expressive facial features, and meticulously rendered drapery, these figures reflect the period’s advancement in ceramic craftsmanship, offering a greater sense of movement and realism compared to the rigid and stylized forms of earlier dynasties. A defining characteristic of Ming glazed...

Eckige Masse 061 (Abstract painting) Acrylic on Fabriano-pittura paper - Unframed. In her work, Lee is responding to her emotional experiences within her physical surroundings. Co...

The Pixel Dots series explore the intersection of technology, information, and post-futuristic aesthetics. It reflects the images of the structured circuit boards or the complex, int...

The Pixel Dots series explore the intersection of technology, information, and post-futuristic aesthetics. It reflects the images of the structured circuit boards or the complex, int...

The Pixel Dots series explore the intersection of technology, information, and post-futuristic aesthetics. It reflects the images of the structured circuit boards or the complex, int...

This monochrome painting is an interplay of threads and lines, composed to create a sense of depth and optical intrigue. The contrast and the intricate layering of lines forms a limi...

This monochrome painting is an interplay of threads and lines, composed to create a sense of depth and optical intrigue. The contrast and the intricate layering of lines forms a limi...

This monochrome painting is an interplay of threads and lines, composed to create a sense of depth and optical intrigue. The contrast and the intricate layering of lines forms a limi...

This monochrome paintings is an interplay of threads and lines, composed to create a sense of depth and optical intrigue. The contrast and light effects evoke spatial illusions and e...

This painting shows data visualization incorporating semiotic and non-linguistic information on the tessellated plane. The process evolves by reinterpreting and reshaping it through ...

The vase is raised on a slightly splayed foot and flanked on the tall cylindrical neck by a pair of mask handles. The body is molded with lotus scroll pattern between a floral scroll...

Two Bowls from the Ming dynasty cargo. A piece identical pattern is included on page 119 of the title 'The Age of Discovery: Asian Ceramics Found Along the Maritime Silk Road'. Peri...

Pencil and acrylic on Fabriano-pittura paper - Unframed. This series, started in 2016 conveys a color and emotional language and is inspired by the series Color as Adjective, a seri...

Proportions of Stone Shelf Level 05 by Lee Sisan Dimensions: W 64 x D 59 x H 110 cm Materials: Stainless steel, natural stone Each piece is made to order ...

Table 04 by Saerom Yoon Limited Edition No. 09 of 10 + 2AP Dimensions: W 60 x D 35 x H 38 cm Materials: Acrylic. Also available in different colors. Please contact us. My oldest c...

Material Notes Wall Decoration in Resin, Wood & Marble by Fict Studio Dimensions: D 5 x W 36 x H 45 cm. Materials: Resin, wood, and marble. Dimensions may vary. Please contact u...

The circular domed cover moulded with a brown glaze that falls short of the straight foot. The pattern on the left features a central circular design with simple shapes and lines car...

Penciled and washed in blue with an European scene of figures, one leading a cow, on pontoons and small islands in a broad river, a city on the opposite back, the blue-washed rim wit...

Interconnected Rectangular Prisms, Stainless Steel Shelf with Stone by Lee Sisan Dimensions: W 36 x D 28 x H 80 cm Materials: Stainless steel, natural stone Each piece is made to order and uses natural stones, so please expect some variability in design. "Proportions of stone...

A white-glazed chicken-comb ewer fired in late Liao-dynasty, its form derived from leather water flasks and clearly reflecting the culture of nomadic horse-riding peoples. The soft w...

Crystal Marble Fragment Vase by Jang Hea Kyoung Artist: Jang Hea Kyoung Materials: Crystal resin and marble Dimensions: 21 x 8 x 21 cm Jang Hea Kyoung is based in Seoul, Republ...

This pottery brazier, a burial artifact from the Han Dynasty, features quadrilateral sides that slope inward and a base with slits for ventilation. Each side is adorned with animal motifs and geometric patterns. The brazier stands...

Transcendental Decorative Object in White Ceramic by Ain Choi Dimensions: D 15 x W 58 x H 47 cm. Materials: Ceramic. Waves are particularly fascinating to me among those topics. A w...

Console Table 02 by Saerom Yoon Limited Edition No. 04 of 8 + 2AP Dimensions: D 43 x W 110 x H 80 cm. Materials: Acrylic. My oldest childhood memories go back to the time I spent in...

Exquisitely decorated set of plates, dating back to around 1500, from the Hongzhi or Zhengde period. Intricately adorned with a raised, moulded goldfish design. The goldfish, painted in a orange-red enamel, are set amidst water plants depicted in rich cobalt blue. These plates enjoyed widespread popularity, not only in the local markets of China but also overseas in countries. This style of plate played a significant role in the daily life of the Sengoku period in Japan, as evidenced by several similar flat bowls excavated from the Ichijodani Asakura Ruins in Fukui Prefecture, Japan, along with other ceramic artifacts...

This piece was created in Japan presumably during the second half of the 17th century, with two archaic-style kanji characters, "酬酬" (shu shu), engraved on the bottom. A identical piece is housed in the National Museum of Warsaw. Period : Edo Period, Japan Date : 17th century Provenance : Acquired in late 1990s from Hongkong Reference : National Museum of Warsaw - Inventory Number SKAZsz 1230 MNW (Type : Highly related) * Japanese Edo Period Kraak The Japanese 17th...

A group of three glazed terracotta musician figures, depicting a central performer holding a looped wind instrument accompanied by two attendant musicians. Each figure stands on a rectangular base and is covered with richly applied green and blue glazes. Such figural representations of musicians are comparatively uncommon, making this ensemble particularly notable within its category. Period: Ming Dynasty Medium: Green and Blue glazed Pottery Type: Figure Provenance : Acquired in early 2000s from Hongkong Reference : 1) V&A Museum - Accession number C.1501913 (Type : Closely related) * Ming Dynasty Glazed Pottery Figures Ming Dynasty glazed pottery figures are renowned for their bold color palette, intricate detailing, and lifelike forms, distinguishing them from earlier traditions. These figures, which depict officials, warriors, animals, and mythical creatures, are characterized by high-gloss lead-based glazes in green, amber, ochre, and sancai (three-color) combinations. The thickly applied glaze pools in recesses, creating depth and enhancing sculptural details. With dynamic postures, expressive facial features, and meticulously rendered drapery, these figures reflect the period’s advancement in ceramic craftsmanship, offering a greater sense of movement and realism compared to the rigid and stylized forms of earlier dynasties. A defining characteristic of Ming glazed pottery is its elaborate surface detailing, often achieved through raised relief elements and contrasting glazes. Equestrian figures, for example, feature carefully sculpted saddles, harnesses, and decorative embellishments, while human figures are adorned with intricate robes and headdresses. The large scale of these tomb figures, often more imposing than those from previous periods, underscores the increasing importance of funerary art during the Ming era. Unlike later Qing Dynasty figures...

The rider is seated upright, wearing a smoothly draped robe with finely sculpted folds. The red markings on the garment surface are likely either soil deposits or remnants of pigment...

Material Notes Wall Decoration in Resin, Wood & Marble by Fict Studio Dimensions: D 5 x W 31,6 x H 39 cm Materials: Resin, wood, and marble. Dimensions may vary. Please contact ...

An early yue celadon jar with a globular body, a short tubular spout, and a single handle attached at the shoulder. The vessel is coated with a grey-green celadon glaze, unevenly app...

Wearing a blue-glazed short child's apron knotted around the waist, his hair drawn into one or two topknots Period : Qing Dynasty, Yongzheng Period Production Date : C 1725 Made in ...

A three-legged pottery vessel with a round body and a wide open mouth. The surface is covered with rough carved lines in diagonal and crossing patterns, giving it a strong textured l...

Modeled after wooden architectural forms, this miniature gate is constructed with two vertical posts and three horizontal crossbars, set on footed bases with projecting support brack...

The modelled animal figures and landscapes of this piece represent the Daoist ideology of the Han dynasty. The mountain-shaped lid refers to the sacred dwellings of the immortals, th...

This saucer displays central floral motifs surrounded by a variety of beautifully decorated botanical and floral patterns, indicative of classic East Asian ceramic artistry. Period ...

Both Yixing Zisha teapots appear to be modern-Republic era pieces. Yixing Zisha teapots are made from rare Zisha (紫砂) clay, which is exclusively mi...

Loop Series Stream 1 Candle Holder in Borosilicate Glass by Studio-Chacha Dimensions: Ø 8 x H 34 cm. Materials: Borosilicate glass. Cha Shin-sil is a Seoul-based designer and founde...

B.S.P Side Table by Atelier SOHN Dimensions: D 42 x W 42 x H 52 cm. Materials: Waste plastic dust and recycled plastic. Donghoon,Sohn is a Founder / Designer of Atelier SOHN. He un...

White Layered oak wood table by Hyungshin Hwang Dimensions: D 200 x W 100 x H 75 cm Materials: oxidized red oak Layered Series is the main theme and concept of work of Hwang, wh...

Proportions of stone bench by Lee Sisan, 2020 Dimensions: W 96 x D 96 x H 35 cm Materials: Stainless steel, natural stone. Each piece is made to ...

Vietnamese covered boxes with star like flower designs. Both are made of cream-colored base and blue designs, typical of Annamese stoneware. Dates : 15th century Le Dynasty Region :...

An ovoid vessel rising from a small flat base and widening toward the shoulder, fitted with a pair of applied loop handles and a slightly everted rim; the surface is finely burnished...

Its surface is coated with a smooth, glossy white or cream-colored glaze, exuding a clean and elegant finish. At the center, a geometric motif painted in black pigment draws the eye,...

One side of the vase showcases a panel with the Shou character at its center, symbolizing longevity, while the opposite side displays the Fu character, signifying luck. The neck of the vase is adorned with leaves. There are similar types and decoration but varying in shape, resembling a pear, all from the same era and crafted in celadon, often referred to as 'fu shou' vases. Period: Yuan-Ming Dynasty (1271-1644) Region: Longquan, China Medium: Celadon Type: Ewer Provenance : Acquired in late 1990s from Hongkong Reference 1) British Museum - Museum number 1931,1118.5 (Type : Closely related) 2) Christies NEW YORK 24–25 MAR 2022 - Important Chinese Ceramics and Works of Art - Lot 1105 (Price realised : 9,450 USD / Type : Related) 3) Sotheby's New York 19 March 2024 - Chinese Art - Lot 172 (Price range : 15,000 USD - 20,000 USD / Type : Related) * Ming Dynasty Longquan Celadon Longquan celadon from the Ming Dynasty typically exhibits a more robust and heavier stoneware body compared to its Song Dynasty predecessors. The Ming era saw an evolution in celadon glaze, achieving a wider spectrum of green hues, from olive to bluish-greens. Ming celadons...

The edges have been dipped in four places with brown, probably iron-oxide. The well of the bowl is freely painted in deep green and coffee coloured brown. These are characteristic fe...

Stoneware painted with underglaze cobalt blue and remnants of overglaze enamel. This work has been presented as a centerpiece in the Annamese gallery of the Asian Art Museum of San Francisco, underscoring its significant artistic and historical standing. Year/Period : 15th century Region : North Vietnam, Vietnam Type : Ewer Found/Acquired : Southeast Asia , South China Sea, Hoi An Ship Reference : 1) Phoenix Art Museum - OBJECT NUMBER 2000.108.1 2) Asian Art Museum of San Francisco - Annamese Collection 3) Butterfield Treasures Hoi An Hoard Auction Catalogs / San Francisco Butterfields 2000 * Vietnamese trade ceramics Around the mid-14th century, Vietnam developed its ceramics production technology by producing blue and white porcelain, and began to export it overseas. During this period, China Ming Dynasty implemented a policy of lifting the ban from 1371 to 1657 and restricted foreign trade. This served as a good opportunity in the trade history of Vietnamese ceramics, and ceramic exports...

Vietnamese covered boxes with representative bird and plant designs. Both are made of cream-colored base and blue designs, typical of Annamese pottery. These shared characteristics h...

The vase features broad shoulders and a tapering body. Its surface is finely carved with scrolling foliage and lotus motifs, accentuated by precise incised lines beneath a soft bluis...

The figure stands with arms crossed in front, a pose that is often seen in tomb figurines which were intended to serve the deceased in the afterlife. The long robe and facial feature...

This lotus dish from Ca Mau Ship was held in our gallery in three pieces(according to sizes). One was sold in 2024. With radiating lotus-petal 8 panels painted with single flowers a...

A set of four gilt-bronze bells, each cast in a nearly spherical form with a small loop at the top for suspension and a narrow slit below for sound resonance. The surfaces show trace...

Three White glazed boxes from the Qing dynasty Vung Tau cargo. Identical pieces are included on page 459 of the Vung Tau catalog titled 'Christies Amste...

Ten traditional embroidered pillows given by a bride to her husband as part of her dowry during marriage in Korea's modern era. These embroidered designs convey auspicious messages r...