South Korea

This series, started in 2016 conveys a color and emotional language and is inspired by the series Color as Adjective, a series of drawings and paintings that are visual representatio...

Proportions of stone stool 01 by Lee Sisan, 2019 Dimensions: W 36 x D 36 x H 45 cm Materials: Stainless steel, natural stone Each piece is made to order and uses natural stones, so ...

These two pieces are Chinese Yixing (宜興) zisha teapots. The one on the left is made of a grayish-green zisha clay, shaped like a ribbed pumpkin (nangua) form, with a spout carved int...

This work, part of a series titled The Sensory World-Part Series, is based on a broad interpretation of sense-meaning, reflecting the nature of the present, including human physical ...

XXL Amethyst overgrown candelabra, Mark Sturkenboom. Hand-sculpted unique design artwork by Mark Sturkenboom. Dimensions: D 55 x W 55 x H 85 cm. Material: Aluminium candleholder, ...

This double-spouted vessel originates from the Peru and is distinguished by its sculptural anthropomorphic design. One of the chambers is shaped as a human figure with a triangular f...

Large crystals overgrown candelabra, Mark Sturkenboom. Hand-sculpted unique design artwork by Mark Sturkenboom. Dimensions: D 8 x W 32 x H 42 cm. Material: Aluminium candleholder,...

Both Yixing Zisha teapots appear to be modern to republic-era pieces. Yixing Zisha teapots are made from rare Zisha (紫砂) clay, which is exclusively...

This work, part of a series titled The Sensory World-Part Series, is based on a broad interpretation of sense-meaning, reflecting the nature of the present, including human physical ...

Vietnamese stoneware jar with representative bird designs. These pieces exhibit a relatively vivid and clear color compared to similar works from Hoi An hoard. The main feature of th...

This dish features a rockwork design that was popular during the Mid to Late Ming dynasties. The blue-and-white underglaze effectively captures the vibrant tones typical of the late ...

Pair of traditional embroidered frame, given by a bride to her husband as part of her dowry during marriage in Korea's modern era. The embroidered mandarin ducks symbolize marital ha...

Cure 06 low table by Sundo Yoon Dimensions: D 68 x W 95 x H 33 cm Materials: Scratch and hand brushed on Aluminum. Cure Series - Sundo Yoon 'The Cure ...

A white-glazed porcelain bowl, Song Dynasty. The interior is decorated in moulded technique with a hexagonal radial arrangement of panels depicting flowers in a vase, floral sprays, ...

The Perfect Coincidence series by the artist emerges as a contemporary homage to the whims of chance reminiscent of Jean Arp's technique, where he crafted new sensual forms by tearin...

This work, part of a series titled The Sensory World-Part Series, is based on a broad interpretation of sense-meaning, reflecting the nature of the present, including human physical ...

Rug and stool combination inspired by an old Korean phrase “When the tiger used to smoke” meaning “once upon a time”, and humor from folk paintings of bunnies holding the pipe for the tiger in horror. Jasoo – Korean embroidery...

Hand-built grey-black earthenware of rounded, footless form, with a cylindrical spout on one side and a modeled bird's head applied opposite. The surface is covered in dense cord-imp...

The heavily potted dish is molded in the central roundel below the fluted cavetto and the everted rim with lipped edge, and is covered overall with a glaze of sea-green color, except for the unglazed ring on the base. The wood stand is not included with the item. Period: Ming Dynasty (1368~1644) Region: Longquan, China Medium: Celadon Type: Dish Provenance : Acquired in late 1990s from Hongkong Reference : 1) Christies NEW YORK 22–23 MAR 2018 - Fine Chinese Ceramics and Works of Art - Lot 722 2) Sotheby's Paris 11 December 2020 - Arts d'Asie - Lot 8 (Price realised : 4,032 EUR / Type : Closely related) 3) Christies LONDON 21–28 MAY 2020 - The Art of China - Lot 31 (Price realised : 5,250 GBP / Type : Closely related) * Ming Dynasty Longquan Celadon Longquan celadon from the Ming Dynasty typically exhibits a more robust and heavier stoneware body compared to its Song Dynasty predecessors. The Ming era saw an evolution in celadon glaze, achieving a wider spectrum of green hues, from olive to bluish-greens. Ming celadons...

When Tiger Used to Smoke: Collection implies the idea of long-term sustainability by working with masters of each field who deserve much more recognition and incorporating modern fur...

This series is made using eggshells discarded from an ice cream shop and shells from Tong-yeong, Korea. There is an ice cream shop that makes gelato next to The WKND Lab’s workspace....

The Perfect Coincidence series by the artist emerges as a contemporary homage to the whims of chance reminiscent of Jean Arp's technique, where he crafted new sensual forms by tearin...

Rug inspired by an old Korean phrase “When the tiger used to smoke” meaning “once upon a time”, and humor from folk paintings of bunnies holding the pipe for the tiger in horror. Jasoo Korean embroidery is one of the representative oriental embroidery and has all the general characteristics of oriental...

This series, started in 2016 conveys a color and emotional language and is inspired by the series Color as Adjective, a series of drawings and paintings that are visual representatio...

Covered with a fine bluish glaze, the body entirely decorated with an incised decoration of elegant leafy scrolls and blooming lotuses. "Yuhuchunping" translates to 'spring wine bott...

Gwol Side Table by Lee Jung Hoon Dimensions: D60 x W40 x H52cm Materials: Stainless steel, Iron Corrosion. This work is designed under the theme of coexistence between the past...

Decorative handcrafted vase with mother-of-pearl inlay.

A dark gray pottery vessel with a smooth, unglazed surface and three rounded legs. The body is encircled by a twisted band, with a slanted spout and a large opening shaped like a fac...

Table 14 by Saerom Yoon Dimensions: D 100 x W 200 x H 87 cm. Materials: Acrylic. My oldest childhood memories go back to the time I spent in the Philippines with my parents. The gre...

Layered steel stool by Hyungshin Hwang 2020 Dimensions: D 33 x W 60 x H 72 cm Materials: Stainless steel Layered Series is the main theme and...

Rounded form, covered with a glaze of a pale grey and yellowish tone with brown network of crackles. Period: Qing Dynasty or Song Dynasty Type: Bowl Medium: Crackle Glazed Size : 9...

A globular white-glazed jar with a short cylindrical neck and flat-topped cover. The creamy white glaze extends uniformly across the body, exhibiting a fine crackle network with subtle blue pooling in the fissures. Four hand-modelled lug handles in stylised cloud or ruyi-head form are applied symmetrically at the shoulder, each terminating in delicately curled tips. The low, broad foot rim is unglazed, exposing a compact reddish-buff stoneware body. Period : Song-Yuan Dynasty(907~1279) Type : Jar Medium : White glazed(or Qingbai type) ware Dimension : 13.5 cm(Height), 7cm(Mouth Diameter) Condition : Excellent Provenance : Acquired in late 1990s from Hongkong Reference : 1) Nasjonal Museet(Natioanl Museum of Norway) - NMK.2013.0105 (Type : Closely related) 2) Anhui Provincial Museum, Hefei - Song Porcelain...

This impressive, large-sized circular bowl, featuring hues of blue and white, showcases decoration through a block print technique. It is adorned with two horizontal bands of shou ch...

A Chinese blue and white Kraak plate, the central roundel depicting birds and floral design in a waterside, the rim with panels enclosing foliage and decorative objects. Period: Late Ming-Early Qing Dynasty (17th century) Type: Blue and White Porcelain Provenance : Acquired early 2000s from Southeast asia(Probably from Shipwreck) Reference : 1) Sotheby's London 12 November 2019 - STYLE: Private Collections - Lot 12 (Price range : 3,000GBP-5,000GBP / Type : Closely related) 2) Christies NEW YORK - 1–11 MAY 2018 - THE COLLECTION OF PEGGY AND DAVID ROCKEFELLER: ONLINE SALE - Lot 1405 (Price realised : 5,625 USD / Type : Highly related) * Kraak Kraak porcelain is a type of Chinese export porcelain that was produced during the late Ming Dynasty, especially during the reign of the Wanli Emperor (1573-1620). It is famous for its distinctive design and style. Kraak ware...

Circular form with flattened doomed covers, the covers with a medallion of flower with full bloom, the bowls with two round borders. Period : Qing Dynasty, Kangxi-Yongzheng Period P...

Potted in a balanced baluster form with a gently flared mouth and a stable foot, this vase presents a calm and harmonious silhouette. Animal-form handles holding looped rings add scu...

The bowl's design features fluid, dynamic brushstrokes typical of Annamese pottery, where cobalt blue underglaze was used to create intricate patterns before a clear glaze was applied. The artwork, with its foliage and floral motifs, suggests a connection to the natural world—a common theme in Vietnamese art. Such items were highly traded, and their recovery from shipwrecks helps us understand the extent of maritime commerce in Southeast Asia during the 15th and 16th centuries. This piece embodies the craftsmanship and aesthetic values of the period, providing insights into the cultural and economic contexts of its time. Dates : 15th century Le Dynasty Region : North Annam, Vietnam Type : Dish Found/Acquired : Southeast Asia , South China Sea, Hoi An Ship Diameter : 17cm Reference : Double checked with reference to the original catalogue Butterfield Treasures Hoi An Hoard Auction Catalogs / San Francisco Butterfields 2000 * Vietnamese trade ceramics Around the mid-14th century, Vietnam developed its ceramics production technology by producing blue and white porcelain, and began to export it overseas. During this period, China Ming Dynasty implemented a policy of lifting the ban from 1371 to 1657 and restricted foreign trade. This served as a good opportunity in the trade history of Vietnamese ceramics, and ceramic exports...

Ten traditional embroidered pillows given by a bride to her husband as part of her dowry during marriage in Korea's modern era. These embroidered designs convey auspicious messages r...

Proportions of stone table by Lee Sisan 2019 Dimensions: W 140 x D 60 x H 55 cm Materials: Stainless steel, natural stone Each piece is mad...

17th century, painted in underglaze blue with eight figures including officials in a garden landscape, marked on the bottom with a sitting rabbit(blue hare), Transitional period(Late...

The elongated body is fluidly painted in brown on a white slip and under a clear glaze with a broad band of abstract floral scroll between a band of upright petals below and further ...

Loop Series Coil Stemmed Glass in Borosilicate Glass by Studio-Chacha Dimensions: Ø 9 x H 23 cm. Materials: Borosilicate glass and stemmed glass. Cha Shin-sil is a Seoul-based desig...

The pillow is intricately decorated with a vibrant pattern, demonstrating the craftsmanship and artistic sensibilities of the period. The Haitai is a creature from Chinese mythology,...

A gilt brass figure of Mañjuśrī (文殊師利菩薩), the Bodhisattva of Wisdom, seated on an oval lotus base. His right hand raises the Prajñā sword that cuts through ignorance, while his left ...

15 traditional embroidered pillows usually given by a bride to her husband as part of her dowry during marriage in Korea's modern era. These embroideries feature traditional symbols ...

Loop Series Twist Stemmed Glass in Borosilicate Glass by Studio-Chacha Dimensions: Ø 12 x H 26 cm. Materials: Borosilicate glass. Cha Shin-sil is a...

The vase is delicately potted featuring a pear-shaped body that rests on a slightly flared foot and extends upward into a trumpet-shaped neck. Its exterior showcases a dynamic, three...

An exquisite 1930s–1940s American Sweetheart ID link bracelet by R.F. Simmons—the iconic American metal craft company founded in Attleboro, Massachusetts, in 1873. Crafted with high...

A candle sconce constructed with cotton rope, viscose casing, and brass. The brass part is made by a metal turning master who worked as a technician for more than 45 years. The rope ...

Crystal Series Table IV is a sculptural contemporary table distinguished by its luminous interplay of warm amber, rose, and sky-inspired tones. Me...

A hexagonal-based tomb figure depicting a standing court official in ceremonial dress, covered in a rich, dark green lead glaze that pools naturally along the folds of the robe. The ...

The vessel has a rounded body rising to a tall neck, surmounted by a rare cover modeled in the form of mountain peaks. The entire surface is painted with layers of yellow, white and ...

The jar is of globular shape and is decorated to the body with a geometric design band of lozenge-shaped motifs in blue, green, ochre and cream below a plain ochre everted mouth rim,...

Emotional Color Change 45 (Abstract painting) Acrylic on canvas — Unframed. Emotional Color Change series combines colour and language to visually represent the external environment...

An exquisite Georgian to Early Victorian era pocket watch key fob charm, dating from circa 1820s to 1840s. Masterfully hand-engraved throughout its tapered body with intricate floral...

The central design features botanical motifs, with fully bloomed flowers and branches intricately depicted. The rim of the lid is encircled by a decorative band resembling a twisted ...

Tooth Chair in Cast Aluminium by Dongwook Choi. Dimensions: W 38 x D 70 x 45 cm. Materials: Cast aluminium. Dongwook Choi studied at Konkuk university, Seoul for BFA, majoring metal...

A globular jar on a spreading footring, with cylindrical neck and domed cover topped by a lotus-bud finial. Body and cover are combed overall with overlapping wave-like petals, a mot...

Crystal Series: Raw Side Edition is a sculptural contemporary acrylic side table that celebrates the raw beauty of material, color, and process. Defined by its expressive, unpolished...

Large rare vase painted with petal-shaped panels of 'Landscapes and Flowers' pattern. Period : Qing Dynasty, Kangxi Period Production Date : 1690-1699 Made in : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Vung Tau ship Size : 51cm (Height), 20cm(Diameter), 12cm(Mouth Diameter) Condition : Excellent Reference : Double checked with reference to the original catalogues 1) Christies Paris 30 NOV – 14 DEC 2023 - Art of Asia - Lot 618 2) Christies Amsterdam 1992 - Vung Tau Cargo / Christies 3) Qing Dynasty Export Blue and White(淸代外销靑花瓷) - Vung Tau Cargo Catalogue / Guangxi Fine Art Publishing House 4) Asian Ceramic Found along Maritime Silk Route / National Maritime Museum of Korea * Vung Tau Cargo Porcelain...