South Korea

The "twin fish" dishes, emblematic of fertility and marital joy, are also recognized as one of the Eight Buddhist symbols. These dishes were prominently produced by the Longquan kiln...

This vase features a traditional vase coated with a clear and rich green celadon glaze. A fine network of crazing covers the surface. The neck is adorned with raised vine motifs, whi...

Potted in a balanced baluster form with a gently flared mouth and a stable foot, this vase presents a calm and harmonious silhouette. Animal-form handles holding looped rings add scu...

The vessel is of well-proportioned elegance, its ovoid body crisply divided into lobed segments that rise from a neatly cut, short ring foot to a tall, slender trumpet neck. A gracef...

Table 06 by Saerom Yoon Limited Edition No. 04 of 10 + 2AP Dimensions: D 75 x W 120 x H 32 cm. Materials: Acrylic. My oldest childhood memories go back to the time I spent in the Ph...

Spirally moulded and painted with bands of overlapping petal panels of figured riverscapes Period : Qing Dynasty, Kangxi Period Production Date : 1690-1699 Made in : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Vung Tau...

When Tiger Used to Smoke: Collection implies the idea of long-term sustainability by working with masters of each field who deserve much more recognition and incorporating modern fur...

This porcelain stemcup has a domed foot, a high stem and an elongated deep bowl with a partially broken flared rim. River landscapes featuring trees, pavilions, bridges and figures, ...

Layered steel seat XV by Hyungshin Hwang Dimensions: D 37 x W 60 x H 84 cm Materials: stainless steel Layered Series is the main theme and concept of work of Hwang, who continue...

Loop Series Chain 02 in Borosilicate Glass by Studio-Chacha Dimensions: Ø 9 x H 23 cm. Materials: Borosilicate glass and champagne glass. Cha Shin-sil is a Seoul-based designer and ...

This series is made using eggshells discarded from an ice cream shop and shells from Tong-yeong, Korea. There is an ice cream shop that makes gelato next to The WKND Lab’s workspace....

Rug inspired by an old Korean phrase “When the tiger used to smoke” meaning “once upon a time”, and humor from folk paintings of bunnies holding the pipe for the tiger in horror. Jasoo Korean embroidery is one of the representative oriental embroidery and has all the general characteristics of oriental...

15 traditional embroidered pillows usually given by a bride to her husband as part of her dowry during marriage in Korea's modern era. These embroideries feature traditional symbols ...

Crystal Series Gradient Acrylic Custom for Louis Vuitton is a rare sculptural acrylic table that embodies the intersection of contemporary design, mat...

A beautifully carved Victorian era antique shell cameo brooch, dating back to circa 1890s. The genuine sea shell features a classically rendered left-facing profile of a noble veiled...

This work will be shipped rolled. Emotional Color Change series combines colour and language to visually represent the external environment. The process involves mixing two or three...

Table 13 by Saerom Yoon Dimensions: D 70 x W 110 x H 46 cm. Materials: Acrylic. My oldest childhood memories go back to the time I spent in the Philippines with my parents. The gree...

Crystal Series: Raw Side Edition is a sculptural contemporary acrylic side table that celebrates the raw beauty of material, color, and process. Defined by its expressive, unpolished...

Statues of horse and rider, featuring glazes in green, amber, are set on rectangular bases. Period: Ming Dynasty Medium: Green and Amber-glazed Pottery Type: Figure Provenance : ...

a Line 5 (Abstract painting) Acrylic on Canson-Arches huile paper - Unframed. In her work, Lee is responding to her emotional experiences within her physical surroundings. Color is...

Crystal Series Table IV is a sculptural contemporary table distinguished by its luminous interplay of warm amber, rose, and sky-inspired tones. Me...

Layered steel seat IV by Hyungshin Hwang Dimensions: D 33 x W 54 x H 81 cm Materials: stainless steel Layered Series is the main theme and concept of work of Hwang, who continue...

Fade Sofa by Wonwoo Koo x DVIRA Dimensions: D 105 x W 360 x H 65 cm. Materials: Leather, Fabric, wood Leather color customization available upon request Wonwoo Koo I majored in fur...

This pillow was produced by applying a white slip over a refined clay body and subsequently carving the decorative motifs. The floral design incised on the surface is symmetrically c...

Sinneswelt-teile 19 (Abstract painting) Acrylic on Canson Montval paper — Unframed. In this new series, Sense World, the artist has experimented with various colour combinations and...

The interior painted with two spotted horses at play beneath a willow tree, the exterior with a cafe-au-lait glaze. Tea saucer and teabowl set. Period : Qing Dynasty, Yongzheng Peri...

Statues of Chinese horse riders, featuring glazes in green, are set on rectangular bases. Period: Ming Dynasty Medium: Green-glazed Pottery Typ...

A Chinese blue and white Kraak plate, the central roundel depicting birds and floral design in a waterside, the rim with panels enclosing foliage and decorative objects. Period: Late Ming-Early Qing Dynasty (17th century) Type: Blue and White Porcelain Provenance : Acquired early 2000s from Southeast asia(Probably from Shipwreck) Reference : 1) Sotheby's London 12 November 2019 - STYLE: Private Collections - Lot 12 (Price range : 3,000GBP-5,000GBP / Type : Closely related) 2) Christies NEW YORK - 1–11 MAY 2018 - THE COLLECTION OF PEGGY AND DAVID ROCKEFELLER: ONLINE SALE - Lot 1405 (Price realised : 5,625 USD / Type : Highly related) * Kraak Kraak porcelain is a type of Chinese export porcelain that was produced during the late Ming Dynasty, especially during the reign of the Wanli Emperor (1573-1620). It is famous for its distinctive design and style. Kraak ware...

The design features a central medallion surrounded by eight panels, each intricately painted with traditional Chinese botanical and floral motifs. The number 8 in Chinese culture is associated with prosperity and is considered very auspicious. This may reflect the traditional Chinese cosmological concept of the "Bagua," which are eight trigrams used in Taoist philosophy to represent fundamental principles of reality, seen in various aspects of Chinese culture, including the I Ching and Feng Shui. The central circle with radiating petals is also a representation of perfect geometric harmony, reflecting the balance and unity which are key elements in Chinese aesthetics. The use of symmetry and balance is seen as a way to represent the harmony of the universe. Period : Qing Dynasty, Kangxi Period Production Date : 1690-1699 Made in : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Vung Tau...

The dish is decorated to the centre with a moulded appliqué dragon chasing the flaming pearl surrounded by a carved stylised foliage band at the cavetto. The moulded fluted exterior ...

Crystal Series Gradient Acrylic Console Table IV is a sculptural contemporary console that transforms light, color, and memory into a refined function...

Fade Lounge Sofa by Wonwoo Koo x DVIRA Dimensions: D 80 x W 88 x H 70 cm. Material: Leather, Fabric, wood Leather color customization available upon request Wonwoo Koo I majored in...

The vessel features a compressed body supported by three tapered feet and a flat, outwardly flaring rim. Three slender flanges originate from a subtle ridge on the shoulder and exten...

Layered steel seat XVI by Hyungshin Hwang. Dimensions: D 33 x W 54 x H 54 cm. Materials: stainless steel. Layered Series is the main theme and concept of work of Hwang, who cont...

This cloisonné ewer features a brass body covered with turquoise-toned enamel and densely arranged lotus and floral motifs. The spout and handle are shaped in the form of a phoenix o...

Proportions Of Stone Armchair in Stainless Steel & Natural Stone by Lee Sisan Dimensions: D 52 x W 82 x H 82,5 cm Materials: Stainless steel and natural stone. Each piece is made to...

Proportions Of Stone Low Table in Natural Stone, Glass & Aluminum by Lee Sisan Dimensions: L 92 x H 140 cm Materials: Glass, aluminum, and natural stone. Dimensions may vary. Pl...

Layered steel seat VI by Hyungshin Hwang. Dimensions: D 33 x W 51 x H 93 cm. Materials: stainless steel. Layered Series is the main theme and concept of work of Hwang, who conti...

Porcelain with transparent pale-green (qingbai-type) glaze with flower, leaves and lotus design of typical yuan dynasty. Period : Yuan Dynasty(1271-1368) Type : Baluster vase Medium...

Fade Coffee Table by Wonwoo Koo x DVIRA Dimensions: D 85 x W 140 x H 34,7 cm. Material: Stainless steel Finish: Proprietary multi-stage hand-applied oxidation patina — matte black gr...

Vietnamese stoneware jar with representative bird designs. These pieces exhibit a relatively vivid and clear color compared to similar works from Hoi An hoard. The main feature of th...

This work, part of a series titled The Sensory World-Part Series, is based on a broad interpretation of sense-meaning, reflecting the nature of the present, including human physical ...

Emotional Color Change 45 (Abstract painting) Acrylic on canvas — Unframed. Emotional Color Change series combines colour and language to visually represent the external environment...

This vase features a flared neck and a well-balanced globular body, representing a典型 form associated with Cizhou ware. The body is decorated with freely painted floral motifs and abs...

The bowl has a wide, thinly potted rim and a low foot, characteristic of Song dynasty forms. A finely carved and lively twin-fish design decorates the interior, a classic auspicious ...

A gilt brass figure of four-armed Mañjuśrī (四臂文殊師利菩薩), with the upper right hand raised high brandishing the Prajñā sword that cuts through all ignorance and delusion to lead beings ...

Layered steel stool by Hyungshin Hwang 2020 Dimensions: D 33 x W 60 x H 72 cm Materials: Stainless steel Layered Series is the main theme and...

Proportions Of Stone Column in Stainless Steel & Natural Stone by Lee Sisan Dimensions: D 50 x W 50 x H 240 cm Materials: Stainless steel and natural stone. Each piece is made t...

A pair of antique Korean embroidered silk peony roundels, mounted in matching lacquered wood frames. Each panel depicts a pair of full-bloom peonies (모란) worked in fine silk thread o...

A Piece Of One Day 40-26 Wall Piece by Saerom Yoon Dimensions: D 130 x H 160 cm. Materials: Resin. Saerom Yoon is an artist based in Seoul, South Korea. His work is inspired by the ...

Perfect Coincidence 7 (Abstract painting) Acrylic on canvas — Unframed. The Perfect Coincidence series by the artist emerges as a contemporary homage to the whims of chance reminisc...

The Perfect Coincidence series by the artist emerges as a contemporary homage to the whims of chance reminiscent of Jean Arp's technique, where he crafted new sensual forms by tearin...

* Set Item(Teabowl and saucer) The saucer with four carp swimming among floating dumps of water weed, the teabowl with a central carp medallion within a band of smaller fish and wate...

Graffiti Console V2 Table by Wonwoo Koo Dimensions: D 40 x W 140 x H 85 cm. Materials: Stainless Steel Finish: Multi-stage hand- applied coating — matte black surface with subtle to...

Fade Side Table by Wonwoo Koo x DVIRA Dimensions: D 45 x W 40 x H 50 cm. Material: White oak veneer / Black Wonwoo Koo I majored in furniture design in Seoul and have been involved ...

The heavily potted dish is molded in the central roundel below the fluted cavetto and the everted rim with lipped edge, and is covered overall with a glaze of sea-green color, except for the unglazed ring on the base. The wood stand is not included with the item. Period: Ming Dynasty (1368~1644) Region: Longquan, China Medium: Celadon Type: Dish Provenance : Acquired in late 1990s from Hongkong Reference : 1) Christies NEW YORK 22–23 MAR 2018 - Fine Chinese Ceramics and Works of Art - Lot 722 2) Sotheby's Paris 11 December 2020 - Arts d'Asie - Lot 8 (Price realised : 4,032 EUR / Type : Closely related) 3) Christies LONDON 21–28 MAY 2020 - The Art of China - Lot 31 (Price realised : 5,250 GBP / Type : Closely related) * Ming Dynasty Longquan Celadon Longquan celadon from the Ming Dynasty typically exhibits a more robust and heavier stoneware body compared to its Song Dynasty predecessors. The Ming era saw an evolution in celadon glaze, achieving a wider spectrum of green hues, from olive to bluish-greens. Ming celadons...

This vessel is an exceptionally rare example believed to represent a Cong-shaped ceramic attributable to the Jin Dynasty, and it may be the only known ceramic work of this form from the period. While certain formal similarities have led some scholars to tentatively associate it with the Song Dynasty or later, the present work is more convincingly attributed to the Western Jin Dynasty (3rd–4th century CE). The vessel is constructed with a cylindrical inner structure and a square outer profile, conforming to the characteristic geometry of the ancient Cong (琮) form. Its surface is decorated with restrained geometric incised patterns. This structural concept is directly derived from ancient jade Cong (玉琮), which represent the earliest and most authoritative prototypes of the form. Jade Congs...

Sculptural bench by Dongwook Choi Crest and Trough series Dimensions: W 125 x D 39 x H 40 cm Materials: Urethane coated EPS, silver coated There ma...

This series, started in 2016 conveys a color and emotional language and is inspired by the series Color as Adjective, a series of drawings and paintings that are visual representatio...

These tall-necked vases feature gently flared rims and double dragon-form handles on the shoulders, each suspending a large, free-moving ring. The surfaces are covered with a lustrou...