South Korea

Bowl from the late Ming dynasty cargo. An identical piece is included on page 136 of the Bin Thuan catalog titled 'The Age of Discovery: Asian Ceramics Found...

Beomjong light is inspired by a traditional Korean bell that has more than 1000 years of history. Bells play a crucial role in a variety of Buddhist servic...

Crystal marble fragment side table by Jang Hea Kyoung. Artist: Jang Hea Kyoung Materials: Crystal resin and marble Dimensions: 28 x 28 x 46 cm ...

A gilt brass figure of four-armed Mañjuśrī (四臂文殊師利菩薩), with the upper right hand raised high brandishing the Prajñā sword that cuts through all ignorance and delusion to lead beings ...

The bowl is potted with gently flaring sides and a neatly trimmed foot. The interior is carved in low relief with a stylized peony scroll, the broad petals and flowing tendrils rende...

This cloisonné ewer features a brass body covered with turquoise-toned enamel and densely arranged lotus and floral motifs. The spout and handle are shaped in the form of a phoenix o...

Layered steel seat VIII by Hyungshin Hwang. Dimensions: D 30 x W 33 x H 42 cm Materials: stainless steel Layered Series is the main theme and concept of work of Hwang, who conti...

When Tiger Used to Smoke: Collection implies the idea of long-term sustainability by working with masters of each field who deserve much more recognition and incorporating modern fur...

Rug and stool combination inspired by an old Korean phrase “When the tiger used to smoke” meaning “once upon a time”, and humor from folk paintings of bunnies holding the pipe for the tiger in horror. Jasoo – Korean embroidery...

Jjirasi Vase explores the intertwined narratives of South Korea's urban landscapes and his own experiences, reflecting on how future generations might engage with traditional art and...

Crystal Series: Raw Side Edition is a sculptural contemporary acrylic side table that celebrates the raw beauty of material, color, and process. Defined by its expressive, unpolished...

This series is made using eggshells discarded from an ice cream shop and shells from Tong-yeong, Korea. There is an ice cream shop that makes gelato next to The WKND Lab’s workspace....

Rug inspired by an old Korean phrase “When the tiger used to smoke” meaning “once upon a time”, and humor from folk paintings of bunnies holding the pipe for the tiger in horror. Jasoo Korean embroidery is one of the representative oriental embroidery and has all the general characteristics of oriental...

A white-glazed chicken-comb ewer fired in late Liao-dynasty, its form derived from leather water flasks and clearly reflecting the culture of nomadic horse-riding peoples. The soft w...

Table 08 by Saerom Yoon Dimensions: Ø 50 x H 45 cm. Materials: Acrylic. My oldest childhood memories go back to the time I spent in the Philippines with my parents. The green mounta...

Crystal Series Gradient Acrylic Console Table IV is a sculptural contemporary console that transforms light, color, and memory into a refined function...

Table 14 by Saerom Yoon Dimensions: D 100 x W 200 x H 87 cm. Materials: Acrylic. My oldest childhood memories go back to the time I spent in the Philippines with my parents. The gre...

A Ming dynasty pottery horse modelled in a standing posture on a rectangular base, with a robust yet stylised anatomy, elongated neck, covered in a warm buff-toned slip with survivin...

Vietnamese stoneware crab boxes. Light blue glaze. This is one of the representative types of miniature works of Hoi An ships. Dates : 15th century Le Dyn...

Proportions of stone chair by Lee Sisan, 2019 Dimensions: W 45 x D 41 x H 90 cm Materials: Stainless steel, natural stone Each piece is made to o...

The bowl has a wide, thinly potted rim and a low foot, characteristic of Song dynasty forms. A finely carved and lively twin-fish design decorates the interior, a classic auspicious ...

The design features a central medallion surrounded by eight panels, each intricately painted with traditional Chinese botanical and floral motifs. The number 8 in Chinese culture is associated with prosperity and is considered very auspicious. This may reflect the traditional Chinese cosmological concept of the "Bagua," which are eight trigrams used in Taoist philosophy to represent fundamental principles of reality, seen in various aspects of Chinese culture, including the I Ching and Feng Shui. The central circle with radiating petals is also a representation of perfect geometric harmony, reflecting the balance and unity which are key elements in Chinese aesthetics. The use of symmetry and balance is seen as a way to represent the harmony of the universe. Period : Qing Dynasty, Kangxi Period Production Date : 1690-1699 Made in : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Vung Tau...

Layered steel seat III by Hyungshin Hwang Dimensions: D 33 x W 54 x H 99 cm Materials: stainless steel Layered Series is the main theme and concept of work of Hwang, who continu...

Vung Tau Shipwreck Coralized Blue Underglazed Porcelain Lidded Vase. Almost perfectly Identical piece from Vietnamese Royal Family in United States provenance have been sold at other auction in California. This stunning porcelain lidded vase is elaborately decorated in a vivid blue underglaze with an ornate scene of concubines in a flower garden. The bottom of the vase bears a conch marking in underglazed blue, is a symbol of royalty, dignity and high rank, the 'Sacred Lungs of Buddha' and spiritual authority. Period : Qing Dynasty, Kangxi reign Production Date : 1690-1699 Made in : Jingdezhen Destination : Amsterdam Found/Acquired : Southeast Asia , South China Sea, Vung Tau Ship Reference : Double checked with reference to the original catalogues 1) Christies Amsterdam 1992 - Vung Tau Cargo...

These tall-necked vases feature gently flared rims and double dragon-form handles on the shoulders, each suspending a large, free-moving ring. The surfaces are covered with a lustrou...

Crystal Series is a work inspired from nature. Yoon was especially inspired by the sky’s beautiful and rich colors, specifically those from sunset and s...

The Perfect Coincidence series by the artist emerges as a contemporary homage to the whims of chance reminiscent of Jean Arp's technique, where he crafted new sensual forms by tearin...

Proportions Of Stone Low Table in Natural Stone, Glass & Aluminum by Lee Sisan Dimensions: L 92 x H 140 cm Materials: Glass, aluminum, and natural stone. Dimensions may vary. Pl...

This profound series serves as a powerful artistic examination of the tension and harmony between structure and freedom. The artist constructs each piece by employing two distinctly...

Proportions of Stone Chair II by Lee Sisan Dimensions: W 40 x D 40 x H 80 cm Materials: Raw iron steel, natural stone. Each piece is made to order and uses natural stones, so please...

This jar would have served as a mortuary object (mingqi), placed in a tomb as a substitute for the more valuable bronze and lacquer vessels. Along with a variety of other funerary earthenware objects, attendant figures, and animals, richly decorated vessels of this kind were intended to serve the spirit of the deceased in the afterlife. Period : Han dynasty Type : Jar Medium : Earthenware Dimension : 28.5 cm(Height) x 11cm(Mouth Diameter) Condition : Good(Overall in well-preserved ancient burial condition with some soil still adhering (showing minor abrasions and wear due to prolonged burial underground) Provenance : Acquired in late 1990s from Hongkong * Han Dynasty Earthenware...

Large rare vase painted with petal-shaped panels of 'Flowers' pattern. Decorated in underglaze blue with flower blooms borne on leafy stems. Period : Qing Dynasty, Kangxi Period Production Date : 1690-1699 Made in : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Vung Tau ship Reference : Double checked with reference to the original catalogues 1) Christies Amsterdam 1992 - Vung Tau Cargo...

Fade Chair by Wonwoo Koo x DVIRA Dimensions: D 60 x W 50 x H 85 cm. Material: Stainless steel, fabric Fabric color customization available upon request Wonwoo Koo I majored in furn...

This octagonal blue-and-white covered box is densely decorated on each facet with dragons twisting their elongated bodies as they move through clouds, filling the entire surface with...

Fade Small Table by Wonwoo Koo x DVIRA Dimensions: D 60 x W 62 x H 85 cm. Material: Stainless steel, onyx Finish: Multi-stage hand- applied coating — matte black surface with subtle ...

Spirally moulded and painted with bands of overlapping petal panels of figured riverscapes Period : Qing Dynasty, Kangxi Period Production Date : 1690-1699 Made in : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Vung Tau...

Black glazed bottle from the late Ming dynasty binh thuan cargo. An identical piece is included on page 146 of the Bin Thuan catalog titled 'The Age of Disco...

Layered steel seat XV by Hyungshin Hwang Dimensions: D 37 x W 60 x H 84 cm Materials: stainless steel Layered Series is the main theme and concept of work of Hwang, who continue...

A Song dynasty Qingbai ewer with a globular body rising to a straight neck and gently curving spout. The broad flat base is irregularly trimmed. The glaze flows naturally toward the ...

A Chinese blue and white Kraak plate, the central roundel depicting birds and floral design in a waterside, the rim with panels enclosing foliage and decorative objects. Period: Late Ming-Early Qing Dynasty (17th century) Type: Blue and White Porcelain Provenance : Acquired early 2000s from Southeast asia(Probably from Shipwreck) Reference : 1) Sotheby's London 12 November 2019 - STYLE: Private Collections - Lot 12 (Price range : 3,000GBP-5,000GBP / Type : Closely related) 2) Christies NEW YORK - 1–11 MAY 2018 - THE COLLECTION OF PEGGY AND DAVID ROCKEFELLER: ONLINE SALE - Lot 1405 (Price realised : 5,625 USD / Type : Highly related) * Kraak Kraak porcelain is a type of Chinese export porcelain that was produced during the late Ming Dynasty, especially during the reign of the Wanli Emperor (1573-1620). It is famous for its distinctive design and style. Kraak ware...

Statues of attendants crafted from terracotta, featuring glazes in green, Set on rectangular bases. Period: Ming Dynasty Medium: Glazed Pottery Type: Figure Condition : Excellent(It has soil on it, which is presumed to be evidence of excavation) Provenance : Acquired in late 1990s from Hongkong Reference : V&A Museum - Accession number C.1501913 (Type : Closely related) * Ming Dynasty Glazed Pottery Figures Ming Dynasty glazed pottery figures are renowned for their bold color palette, intricate detailing, and lifelike forms, distinguishing them from earlier traditions. These figures, which depict officials, warriors, animals, and mythical creatures, are characterized by high-gloss lead-based glazes in green, amber, ochre, and sancai (three-color) combinations. The thickly applied glaze pools in recesses, creating depth and enhancing sculptural details. With dynamic postures, expressive facial features, and meticulously rendered drapery, these figures reflect the period’s advancement in ceramic craftsmanship, offering a greater sense of movement and realism compared to the rigid and stylized forms of earlier dynasties. A defining characteristic of Ming glazed pottery is its elaborate surface detailing, often achieved through raised relief elements and contrasting glazes. Equestrian figures, for example, feature carefully sculpted saddles, harnesses, and decorative embellishments, while human figures are adorned with intricate robes and headdresses. The large scale of these tomb figures, often more imposing than those from previous periods, underscores the increasing importance of funerary art during the Ming era. Unlike later Qing Dynasty figures...

Chicken-head celadon vessels are among the most distinctive and emblematic ceramic forms produced during the dynamic period spanning from the Han dynasty (206 BC–AD 220) through the ...

A dark gray pottery vessel with a smooth, unglazed surface and three rounded legs. The body is encircled by a twisted band, with a slanted spout and a large opening shaped like a fac...

A pair of Ming dynasty green-glazed pottery court figures, fully glazed and modeled with neat court caps and long flowing robes forming a balanced silhouette. The surface shows natur...

Famous late ming dynasty chinese blue and white porcelain plate, double phoenix, from the shipwrecked binh thuan Period: Ming Dyn...

A rare figural monkey-form ewer from the Ca Mau shipwreck, produced at Jingdezhen during the Yongzheng period. This sculptural porcelain was made in very limited numbers for the Euro...

Fade Lounge Sofa by Wonwoo Koo x DVIRA Dimensions: D 80 x W 88 x H 70 cm. Material: Leather, Fabric, wood Leather color customization available upon request Wonwoo Koo I majored in...

The vessel consists of a rounded cylindrical body, a gently curved upper section, and a small circular opening, suggesting that it was used for storing grain or valuable goods. Thre...

Fade Sofa by Wonwoo Koo x DVIRA Dimensions: D 105 x W 360 x H 65 cm. Materials: Leather, Fabric, wood Leather color customization available upon request Wonwoo Koo I majored in fur...

Pair of traditional embroidered frames, originally made from a bridal pillowcase flap and presented by a bride to her husband as part of her dowry in Korea’s late Joseon to early mod...

A Piece Of One Day 34 Wall Piece by Saerom Yoon Dimensions: D 100 x W 100 x H 200 cm. Materials: Resin. Saerom Yoon is an artist based in Seoul, South Korea. His work is inspired by...

Black ware pottery from the Majiayao culture. This vessel was crafted using a refined black-burnished pottery technique, with the entire surface carefully polished to a smooth, lustr...

Covered with a fine bluish glaze, the body entirely decorated with an incised decoration of elegant leafy scrolls and blooming lotuses. "Yuhuchunping" translates to 'spring wine bott...

Statues of horse and rider, featuring glazes in green, amber, are set on rectangular bases. Period: Ming Dynasty Medium: Green and Amber-glazed Pottery Type: Figure Provenance : ...

This dish is coated with a transparent bluish-white glaze over a thin white body. The center is incised with a design of lotus flowers and a bird, while the inner wall is encircled b...

Fade Side Table by Wonwoo Koo x DVIRA Dimensions: D 45 x W 40 x H 50 cm. Material: White oak veneer / Black Wonwoo Koo I majored in furniture design in Seoul and have been involved ...

Humming Letter #116 by Ji-an Kwon captures a dreamlike floral landscape where water, atmosphere, and expressive abstraction converge in a richly textured composition. In Humming Lett...

This tripod jar, dating from 2000 to 1500 BCE, is attributed to the Lower Xiajiadian Culture, which flourished in Northeast China. It exemplifies the early ceramic craftsmanship of N...

Table 01 by Saerom Yoon Dimensions: D 40 x W 40 x H 42 cm. Materials: Acrylic. Also available in different colors. Please contact us. My oldest childhood memories go back to the t...

A matched pair of small circular covered boxes (蓋盒) in Swatow (漳州窯) ware, decorated in Famille Verte enamels of iron-red and copper-green on a white ground. One cover painted with a ...