South Korea

Layered steel seat III by Hyungshin Hwang Dimensions: D 33 x W 54 x H 99 cm Materials: stainless steel Layered Series is the main theme and concept of work of Hwang, who continu...

This vessel is an exceptionally rare example believed to represent a Cong-shaped ceramic attributable to the Jin Dynasty, and it may be the only known ceramic work of this form from the period. While certain formal similarities have led some scholars to tentatively associate it with the Song Dynasty or later, the present work is more convincingly attributed to the Western Jin Dynasty (3rd–4th century CE). The vessel is constructed with a cylindrical inner structure and a square outer profile, conforming to the characteristic geometry of the ancient Cong (琮) form. Its surface is decorated with restrained geometric incised patterns. This structural concept is directly derived from ancient jade Cong (玉琮), which represent the earliest and most authoritative prototypes of the form. Jade Congs...

Proportions of stone stool 01 by Lee Sisan, 2019 Dimensions: W 36 x D 36 x H 45 cm Materials: Stainless steel, natural stone Each piece is made to order and uses natural stones, so ...

Proportions of Stone Chair II by Lee Sisan Dimensions: W 40 x D 40 x H 80 cm Materials: Raw iron steel, natural stone. Each piece is made to order and uses natural stones, so please...

This bowl stands out for its detailed depiction of two fish amid soft spiral waves, bordered by two cranes within the bowl. The design's depth and clarity, from the lifelike portraya...

Pair of traditional embroidered frames, originally made from a bridal pillowcase flap and presented by a bride to her husband as part of her dowry in Korea’s late Joseon to early mod...

Black ware pottery from the Majiayao culture. This vessel was crafted using a refined black-burnished pottery technique, with the entire surface carefully polished to a smooth, lustr...

The bowl has a wide, thinly potted rim and a low foot, characteristic of Song dynasty forms. A finely carved and lively twin-fish design decorates the interior, a classic auspicious ...

Layered steel coffee table II by Hyungshin Hwang Dimensions: D 160 x W 120 x H 42 cm Materials: stainless steel Layered Series is the main theme and concept of work of Hwang, wh...

This series, started in 2016 conveys a color and emotional language and is inspired by the series Color as Adjective, a series of drawings and paintings that are visual representatio...

Decorated with varied floral and aquatic motifs rendered in fluid brushwork and natural cobalt tonal gradation. Set against a soft milky-white glaze, the refined potting and painterl...

This jar would have served as a mortuary object (mingqi), placed in a tomb as a substitute for the more valuable bronze and lacquer vessels. Along with a variety of other funerary earthenware objects, attendant figures, and animals, richly decorated vessels of this kind were intended to serve the spirit of the deceased in the afterlife. Period : Han dynasty Type : Jar Medium : Earthenware Dimension : 28.5 cm(Height) x 11cm(Mouth Diameter) Condition : Good(Overall in well-preserved ancient burial condition with some soil still adhering (showing minor abrasions and wear due to prolonged burial underground) Provenance : Acquired in late 1990s from Hongkong * Han Dynasty Earthenware...

Finely painted landscape scenes in vertical panels, depicting mountains, rivers, pavilions, arched bridges, and scholar figures in flowing robes. The scenes are rendered in varying d...

Neolithic Vase with raised neck, slightly flared, two handles. Geometric designs and stylized bovine heads in black. Acquired in Hong Kong in the late 1990s. Date : 3,000-2,000 BC M...

This terracotta vessel was fired to a warm yellow-brown that shows subtle oxidation marks across the surface. Entirely unglazed, it retains a matte, tactile finish with fine pores an...

Table 13 by Saerom Yoon Dimensions: D 70 x W 110 x H 46 cm. Materials: Acrylic. My oldest childhood memories go back to the time I spent in the Philippines with my parents. The gree...

Mandarin ducks symbolize eternal love and fidelity in East Asian culture, often representing marital harmony as they are believed to mate for life. Reishi mushrooms, known as symbols of longevity and health, are revered in traditional Asian medicine for their association with immortality and have been used for centuries to promote vitality and strengthen the immune system. The orange glaze is commonly found on Cizhou-type tiger pillows. The attached materials indicate that this tiger pillow is from the same period and shares the same color tone as the one housed in the Baoji Bronzeware Museum, a national museum located in Shaanxi Province. Considering the glaze color, painting style, and shape, it is speculated that this piece was used by the imperial court. Period : Jin-Song Dynasty(12-13th century) Type : Pillow Medium : Cizhou Ware Size : 28 cm(Width), 30cm(Vertical), 16cm(Height) Provenance : Acquired in late 1990s from Hongkong Reference 1) Christies Hongkong 9 OCT 2019 - The Pavilion Sale - Chinese Ceramics and Works of Art Including the Quek Kiok Lee Collection (Price realised : HKD 225,000 / Type : related) 2) The Baoji Bronzeware Museum, Shaanxi Province - Tiger Cizhou Pillow...

This artwork, acquired in Hong Kong during the 1990s, is presumed to have been produced in the same kiln from the Han dynasty, based on the head of the Sotheby's reference piece, which also originated from Hong Kong. Furthermore, given its almost identical shape to the piece from the Artemis Gallery...

The vessel consists of a rounded cylindrical body, a gently curved upper section, and a small circular opening, suggesting that it was used for storing grain or valuable goods. Thre...

The body is decorated with incised lotus-petal motifs and covered with a characteristic blue-grey Longquan glaze. Variations in the glaze tone, resulting from contact with soil durin...

Wall decor handcrafted mother of pearl rose painting on wood panel by Arijian.

This blue and white porcelain jar was produced at a southern folk kiln (minyao) during the mid to late Ming dynasty. It features a well-balanced form with rounded shoulders, a short ...

Wall Decor Handcrafted Mother of Pearl Chrysanthemum Painting on Wood Panel by Arijian.

Graffiti Project Chair by Wonwoo Koo Dimensions: D 75.4 x W 37 x H 83.9 cm. Materials: Oak wood veneer. Different color options are available: black, beige, white gray, blue or oran...

Serene yet emotionally immersive, Humming Letter #86 captures Ji-an Kwon’s poetic interpretation of nature through a luminous landscape suspended between abstraction and memory. In t...

Two roosters are depicted with great precision and skill, surrounded by a landscape featuring rocks and a railing. The motif of roosters and natural elements is traditionally symboli...

This vase is decorated with dutch canal houses on one side and Chinese pagodas and flowers on the other side. Eastern and Western motifs were simultaneously expressed in ceramics. Period : Qing Dynasty, Kangxi Period Production Date : 1690-1699 Made in : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Vung Tau...

The tri-lobed shape and combed ridges of this cooking pot increased heating efficiency by maximizing the vessel’s surface area. The shape of a bronze vessel li, with the body rising out of three hollow pointed legs to a wide moiuth with splayed-out rim. The exterior is covered with cord impressed pattern. The surface shows signs of oxidation from being buried in the soil for a long time. Period: Zhou or Shang dynasty circa 1000 B.C.E. Medium : Grey earthenware with impressed decoration Type : Tripod vessel Size : 29cm (Height) x 35cm(Diameter) Condition : Good Provenance : Acquired in late 1990s from Hongkong Reference : 1) V&A Museum - ACCESSION NUMBER C.87-1954 2) Smithsonian National Museum of Asian Art - ACCESSION NUMBER F1984.13 3) The University of Chicago - OBJECT NUMBER 1989.1 4) The MET - Accession Number: 1972.275.5 5) Kyoto National Museum - Three-footed Earthenware Vessel * Shang Dynasty Pottery (1600-1046 BCE) The Shang dynasty, known for its significant advancements in bronze casting, also produced notable pottery. Shang pottery is characterized by its practical use and simple designs, reflecting the utilitarian needs of the society. The pottery from this period includes both coarse wares used for everyday purposes and fine, high-quality ceramics used in ritualistic contexts. Common forms include jars, bowls, and cups, often with a dark, burnished surface. One distinctive feature of Shang pottery is the use of gray clay, and many pieces display clear signs of oxidation, giving them a unique, mottled appearance. The decorations were typically incised or stamped, featuring geometric patterns, zoomorphic designs, and motifs that are also seen in Shang bronze...

The Boshan incense burner is particularly notable among Han dynasty incense burners for its unique shape. Designed to resemble a mountain or even a mythical mountain, it is characterized by its pointed peaks that rise upwards. These peaks often function as vents for the smoke, creating an effect reminiscent of a volcanic eruption. The body of the incense burner is typically round, with multiple small peaks surrounding a central, larger peak. The material used is mainly ceramic, although there are instances where they were made of bronze. It is presumed that this incense burner was used for religious or ceremonial purposes during its time. The colors of these burners are usually in shades of pale green or greyish brown, with the application of glaze to achieve a variety of colors on occasion. Such incense burners are often found in tombs or ritual sites, and their purpose was to burn incense for purification of space or to produce pleasant aromas. The Boshan incense burner also represents a significant cultural heritage, showcasing the craftsmanship and artistic values of the period. Today, it is considered a quintessential example of ancient Chinese art. Period : Han-Jin Dynasty Type : Incense Burner Medium : Yue celadon...

A monumental abstract composition by Ji-an Kwon, transforming sound, emotion, and nature into a vibrant landscape of color, texture, and movement. Humming Letter #155 is a captivatin...

A rare figural monkey-form ewer from the Ca Mau shipwreck, produced at Jingdezhen during the Yongzheng period. This sculptural porcelain was made in very limited numbers for the Euro...

This tripod jar, dating from 2000 to 1500 BCE, is attributed to the Lower Xiajiadian Culture, which flourished in Northeast China. It exemplifies the early ceramic craftsmanship of N...

The vessel’s plump ovoid body—rising from a low foot to a short neck with a flaring mouth—evokes the silkworm’s cocoon, a form that echoes the central role of sericulture in early Ch...

This object is a Tang dynasty (8th–9th century) Changsha ware ritual stand, constructed with a sculpted mythical beast—likely a lion or bixie—serving as the base, surmounted by a fla...

A three-legged pottery vessel with a round body and a wide open mouth. The surface is covered with rough carved lines in diagonal and crossing patterns, giving it a strong textured l...

The Sand Sculptural Floor Lamp by Deconstruct Lab Dimensions: D 22 x W 22 x H 130 cm. Materials: Quartz sand with clear coating. Weight: 7 kg. All our lamps can be wired according t...

Chicken-head ewers are among the most distinct and emblematic pottery pieces from the Han (206 BC ~ AD 220) to the Tang dynasties. Their production commenced during the Jin dynasty i...

The dog faces forward, with clearly defined eyes that stand out. Its ears are slightly curled, giving the impression of a relaxed, natural stance. The collar around its neck, connect...

Statues of attendant crafted from terracotta, dressed in a black coat-like garment with a vest adorned with swirling patterns. Set on rectangular bases. Period: Ming Dynasty Medium...

The "Imari Pavilion pattern" refers to a decoration pattern found on porcelains made during Early Qing Dynasty, influenced by Japanese Imari ware, which was produced in the Arita reg...

Five-lobed cup, featuring a delicate rim, is supported by a short, gently spreading foot. The accompanying stand rises elegantly from a broad base to a plate with an elevated, foliat...

A Han dynasty green-glazed pottery vessel with a gently flaring rim and a stable high-footed base, covered overall in a green glaze. The exterior features motifs of deer, cicadas, an...

Table 09 by Saerom Yoon Dimensions: D 75 x W 120 x H 70 cm. Materials: Acrylic. My oldest childhood memories go back to the time I spent in the Philippines with my parents. The gree...

This pair of Qingbai vases features a soft bluish-green glaze with elegant, fluted bodies and wide, flared rims. The vases are hand-crafted, with subtle differences that highlight th...

This lotus dish from Ca Mau Ship was held in our gallery in three pieces(according to sizes). One was sold in 2024. With radiating lotus-petal 8 panels painted with single flowers a...

This vase features a flared neck and a well-balanced globular body, representing a典型 form associated with Cizhou ware. The body is decorated with freely painted floral motifs and abs...

Proportions of stone object 1 by Lee Sisan Dimensions: W 60 x D 45 x H 200 cm Materials: stainless steel, natural stone Each piece is made to order and uses natural stones, so pleas...

An ovoid vessel rising from a small flat base and widening toward the shoulder, fitted with a pair of applied loop handles and a slightly everted rim; the surface is finely burnished...

A earthenware figure of a seated entertainer. A low squared cap sits on the head. The face is broad, the eyes narrowed to slits, the mouth closed but drawn up at the corners in a smi...

An attractive gu vase hand painted in cobalt blue with typical kangxi floral painting. Period : Qing Dynasty, Kangxi Period Production Date : 1690-1699 Made in : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Vung Tau ship Reference : Double checked with reference to the original catalogues 1) Christies Amsterdam 1992 - Vung Tau Cargo / Christies 2) Qing Dynasty Export...

Stoneware decorated with Persian-style colors and patterns, and it is highly likely that this Annamese pottery intended for export was produced to meet Middle Eastern demand. Dates : 15th century Le Dynasty Region : North Annam, Vietnam Type : Stoneware Dish Found/Acquired : Southeast Asia , South China Sea, Hoi An Ship Reference : Double checked with reference to the original catalogue Butterfield Treasures Hoi An Hoard Auction Catalogs / San Francisco Butterfields 2000 * Vietnamese trade ceramics Around the mid-14th century, Vietnam developed its ceramics production technology by producing blue and white porcelain, and began to export it overseas. During this period, China Ming Dynasty implemented a policy of lifting the ban from 1371 to 1657 and restricted foreign trade. This served as a good opportunity in the trade history of Vietnamese ceramics, and ceramic exports...

A rare brown colored stoneware dish with a central floral motif, likely a lotus, which is a recurrent symbol in Asian art representing purity and beauty. The design's fluidity and or...

Layered steel stool by Hyungshin Hwang 2020 Dimensions: D 33 x W 60 x H 72 cm Materials: Stainless steel Layered Series is the main theme and...

Sinneswelt-teile 25 (Abstract painting) Acrylic on Canson Montval paper — Unframed. In this new series, Sense World, the artist has experimented with various colour combinations and...

Hand-built grey-black earthenware of rounded, footless form, with a cylindrical spout on one side and a modeled bird's head applied opposite. The surface is covered in dense cord-imp...

Layered steel seat IV by Hyungshin Hwang Dimensions: D 33 x W 54 x H 81 cm Materials: stainless steel Layered Series is the main theme and concept of work of Hwang, who continue...

Table 10 by Saerom Yoon Dimensions: D 75 x W 90 x H 70 cm. Materials: Acrylic. My oldest childhood memories go back to the time I spent in the Philippines with my parents. The green...

Console Table 02 by Saerom Yoon Limited Edition No. 04 of 8 + 2AP Dimensions: D 43 x W 110 x H 80 cm. Materials: Acrylic. My oldest childhood memories go back to the time I spent in...

The jar features a round body with well-proportioned four distinct tiers and a short, stable foot. The surface is coated in a deep green Longquan celadon glaze, showcasing the sprout...

White layered oak wood stool I by Hyungshin Hwang. Dimensions: D 33 x W 54 x H 69 cm. Materials: oxidized red oak. Layered Series is the main theme and concept of work of Hwang,...