South Korea

Proportions Of Stone Low Table in Natural Stone, Glass & Aluminum by Lee Sisan Dimensions: D 150 x W 150 x H 33 cm Materials: Clear glass, cast aluminum, and natural stone. Each pie...

This work, part of a series titled The Sensory World-Part Series, is based on a broad interpretation of sense-meaning, reflecting the nature of the present, including human physical ...

Layered Steel Brass Edition Chair with Wax Finish by Hyungshin Hwang Dimensions: D 30 x W 52,5 x H 112,5 cm. Materials: Brass with wax finish. Hyungshin Hwang (b. 1981, Seoul, South...

Console Table 01 by Saerom Yoon Limited Edition No. 06 of 8 + 2AP Dimensions: W 110 x D 43 x H 80 cm Materials: Acrylic. My oldest childhood memories go back to the time I spent in ...

The entire surface of the vase is adorned with elaborate chrysanthemum motifs, elegantly connected by flowing, curved stems, while the background's leaf patterns enhance its sense of...

A bottle-shaped stoneware vessel decorated in bluish-grey cobalt underglaze on a pale buff body, with a long, slender neck, a dish-shaped flaring mouth, a full ovoid body, and a low ...

XXL Amethyst overgrown candelabra, Mark Sturkenboom. Hand-sculpted unique design artwork by Mark Sturkenboom. Dimensions: D 55 x W 55 x H 85 cm. Material: Aluminium candleholder, ...

Unique Untitled 2 Hand Carved White Porcelain Vessel by Lee Jong Min. One of a Kind. Dimensions: W 24.5 x D 24.5 x H 35 cm. Materials: Hand-carved white porcelain. "Untitled 2" is ...

This Ming Dynasty painted pottery horse is depicted standing on a tiered rectangular pedestal. The horse has a well-proportioned body, with sturdy legs and a slightly arched neck. The eyes and muzzle are subtly outlined and incised. The mane is sculpted with deep, parallel grooves. The tail is long and slightly curved left, extending downward. The saddle is prominently featured at the center of the horse’s back, detailed with a raised, rounded seat and an attached stirrup hanging down one side. The saddlecloth is textured with a crosshatch pattern, bordered by a row of carved fringe-like elements. The horse's legs display subtle musculature, and the hooves are clearly defined, with black pigment accentuating their edges. The original painted pigments, including white, black, and ochre, are still visible, though faded in some areas. The black pigment highlights the mane, tail, and parts of the bridle, while the ochre tones accentuate the saddle and decorative elements. Period: Ming Dynasty Medium: Green, black, and ochre glazed Pottery Type: Figure Provenance : Acquired in late 1990s from Hongkong Reference : Asian Civilisations Museum - Accession No. C-1384 / 1994-00441 - Ming Dynasty Figure of Horse (Type : Closely Related) * Ming Dynasty Glazed Pottery Figures Ming Dynasty glazed pottery figures are renowned for their bold color palette, intricate detailing, and lifelike forms, distinguishing them from earlier traditions. These figures, which depict officials, warriors, animals, and mythical creatures, are characterized by high-gloss lead-based glazes in green, amber, ochre, and sancai (three-color) combinations. The thickly applied glaze pools in recesses, creating depth and enhancing sculptural details. With dynamic postures, expressive facial features, and meticulously rendered drapery, these figures reflect the period’s advancement in ceramic craftsmanship, offering a greater sense of movement and realism compared to the rigid and stylized forms of earlier dynasties. A defining characteristic of Ming glazed pottery is its elaborate surface detailing, often achieved through raised relief elements and contrasting glazes. Equestrian figures, for example, feature carefully sculpted saddles, harnesses, and decorative embellishments, while human figures are adorned with intricate robes and headdresses. The large scale of these tomb figures, often more imposing than those from previous periods, underscores the increasing importance of funerary art during the Ming era. Unlike later Qing Dynasty figures...

This porcelain vase, likely from the late Qing dynasty or early Republic period (late 19th to early 20th century), is a fine example of Famille-Rose (fencai) decoration. The body is ...

Black glazed bottle from the late Ming dynasty binh thuan cargo. An identical piece is included on page 146 of the Bin Thuan catalog titled 'The Age of Disco...

The vessel’s plump ovoid body—rising from a low foot to a short neck with a flaring mouth—evokes the silkworm’s cocoon, a form that echoes the central role of sericulture in early Ch...

One side of the vase showcases a panel with the Shou character at its center, symbolizing longevity, while the opposite side displays the Fu character, signifying luck. The neck of the vase is adorned with leaves. Period: Yuan-Ming Dynasty (1271-1644) Region: Longquan, China Medium: Celadon Type: Ewer Provenance : Acquired in late 1990s from Hongkong Reference 1) British Museum - Museum number 1931,1118.5 (Type : Closely related) 2) Christies NEW YORK 24–25 MAR 2022 - Important Chinese Ceramics and Works of Art - Lot 1105 (Price realised : 9,450 USD / Type : Related) 3) Sotheby's New York 19 March 2024 - Chinese Art - Lot 172 (Price range : 15,000 USD - 20,000 USD / Type : Related) * Ming Dynasty Longquan Celadon Longquan celadon from the Ming Dynasty typically exhibits a more robust and heavier stoneware body compared to its Song Dynasty predecessors. The Ming era saw an evolution in celadon glaze, achieving a wider spectrum of green hues, from olive to bluish-greens. Ming celadons...

Crystal marble fragment side table by Jang Hea Kyoung. Artist: Jang Hea Kyoung Materials: Crystal resin and marble Dimensions: 28 x 28 x 46 cm ...

A dark gray pottery vessel with a smooth, unglazed surface and three rounded legs. The body is encircled by a twisted band, with a slanted spout and a large opening shaped like a fac...

The vessel consists of a rounded cylindrical body, a gently curved upper section, and a small circular opening, suggesting that it was used for storing grain or valuable goods. Thre...

Vietnamese stoneware cover boxes. These pieces exhibit a relatively vivid blue color compared to similar works from Hoi An hoard. Additionally, they are relatively larger in size amo...

The Kendi is decorated with cobalt blue underglaze depicting flowers and a mythical bird, reflecting the artistic finesse and symbolic expressions of the era. These designs often carry symbolic meanings, with birds sometimes representing immortality or spiritual transcendence in Chinese mythology. The Kendi's form, with a bulbous body and spout for drinking, is a traditional vessel style in Asia, valued for both its functionality and aesthetic appeal. Period : Qing Dynasty, Kangxi Period Production Date : 1690-1699 Made in : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Vung Tau ship Reference : Double checked with reference to the original catalogues 1) Christies Amsterdam 1992 - Vung Tau Cargo / Christies 2) Qing Dynasty Export...

The elongated body is fluidly painted in brown on a white slip and under a clear glaze with a broad band of abstract floral scroll between a band of upright petals below and further ...

A rare figural monkey-form ewer from the Ca Mau shipwreck, produced at Jingdezhen during the Yongzheng period. This sculptural porcelain was made in very limited numbers for the Euro...

Layered steel seat XVII by Hyungshin Hwang Dimensions: D 30 x W 51 x H 108 cm Materials: stainless steel Layered Series is the main theme and concept of work of Hwang, who conti...

This series, started in 2016 conveys a color and emotional language and is inspired by the series Color as Adjective, a series of drawings and paintings that are visual representatio...

An attractive gu vase hand painted in cobalt blue with typical kangxi floral painting. Period : Qing Dynasty, Kangxi Period Production Date : 1690-1699 Made in : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Vung Tau ship Reference : Double checked with reference to the original catalogues 1) Christies Amsterdam 1992 - Vung Tau Cargo / Christies 2) Qing Dynasty Export...

Pipe Fitting Shelf by Hyungjun Lee Dimensions: D 34 x W 41 x H 139 cm. Materials: Stainless steel. Hyungjun Lee EDUCATION 2015-2018 ESAD Orléans / Objet & Espace ...

An attractive GU vase hand painted in cobalt blue with typical kangxi flower panels painting separated by lined borders. Period : Qing Dynasty, Kangxi Period Production Date : 1690-1699 Made in : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Vung Tau ship Size : 14cm (Height) x 8.5cm (Diameter) Condition : Excellent Reference : Double checked with reference to the original catalogues 1) Christies Amsterdam 1992 - Vung Tau Cargo / Christies 2) Qing Dynasty Export Blue and White from Vung Tau Cargo(淸代外销靑花瓷) / Guangxi Fine Art Publishing House 3) Asian Ceramic Found along Maritime Silk Route / National Maritime Museum of Korea * Vung Tau Cargo Porcelain...

An attractive GU vase hand painted in cobalt blue with typical kangxi riverscape panels painting separated by lined borders. It is presumed that the surface turned yellow because it had been in the sea mud for a long time. Period : Qing Dynasty, Kangxi Period Production Date : 1690-1699 Made in : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Vung Tau...

This fine piece of porcelain, a plate from the Qing Dynasty, is a testament to the enduring craftsmanship of Jingdezhen, the porcelain capital of China. It presents a classic blue an...

The jar features a round body with well-proportioned four distinct tiers and a short, stable foot. The surface is coated in a deep green Longquan celadon glaze, showcasing the sprout...

The bowl is potted with gently flaring sides and a neatly trimmed foot. The interior is carved in low relief with a stylized peony scroll, the broad petals and flowing tendrils rende...

Statues of attendants crafted from terracotta, featuring glazes in green, Set on rectangular bases. Period: Ming Dynasty Medium: Glazed Pottery Type: Figure Condition : Excellent(It has soil on it, which is presumed to be evidence of excavation) Provenance : Acquired in late 1990s from Hongkong Reference : V&A Museum - Accession number C.1501913 (Type : Closely related) * Ming Dynasty Glazed Pottery Figures Ming Dynasty glazed pottery figures are renowned for their bold color palette, intricate detailing, and lifelike forms, distinguishing them from earlier traditions. These figures, which depict officials, warriors, animals, and mythical creatures, are characterized by high-gloss lead-based glazes in green, amber, ochre, and sancai (three-color) combinations. The thickly applied glaze pools in recesses, creating depth and enhancing sculptural details. With dynamic postures, expressive facial features, and meticulously rendered drapery, these figures reflect the period’s advancement in ceramic craftsmanship, offering a greater sense of movement and realism compared to the rigid and stylized forms of earlier dynasties. A defining characteristic of Ming glazed pottery is its elaborate surface detailing, often achieved through raised relief elements and contrasting glazes. Equestrian figures, for example, feature carefully sculpted saddles, harnesses, and decorative embellishments, while human figures are adorned with intricate robes and headdresses. The large scale of these tomb figures, often more imposing than those from previous periods, underscores the increasing importance of funerary art during the Ming era. Unlike later Qing Dynasty figures...

Humming Letter #116 by Ji-an Kwon captures a dreamlike floral landscape where water, atmosphere, and expressive abstraction converge in a richly textured composition. In Humming Lett...

This cylindrical cloisonné vessel is made with a brass body filled with turquoise-toned enamels that are fired to create a vivid, multi-colored surface. The exterior is densely decor...

Layered parkerized steel desk I by Hyungshin Hwang. Dimensions: D 200 x W 100 x H 75 cm. Materials: parkerized steel. Layered Series is the main theme and concept of work of Hwa...

Famous late ming dynasty chinese blue and white porcelain plate, double phoenix, from the shipwrecked binh thuan Period: Ming Dyn...

Sinneswelt-teile 25 (Abstract painting) Acrylic on Canson Montval paper — Unframed. In this new series, Sense World, the artist has experimented with various colour combinations and...

The scene specifically depicts individuals in a pavilion and a garden. In the central image, we see a couple sitting closely, engaged in conversation, likely depicting a scene of int...

With downcast eyes and a faint, serene smile, this sculpted head conveys a quiet sense of inner calm. The softly modeled face is framed by a surrounding headdress and crowned with a high topknot, lending the figure a composed and dignified presence. Subtle traces of original pigment remain on the surface, suggesting its original polychromy. The black display stand was made in Hong Kong at the time of acquisition. Date : Northern Wei-Tang Dynasty(5-8th century) Provenance : Acquired in late 1990s from Hongkong Reference : 1) Sotheby's London 13 May 2015 - The Soul Of Japanese Aesthetics – The Tsuneichi Inoue Collection - Lot 18 (Price realised : 17,500 GBP / Type : Closely related) 2) Sotheby's New York 26 September 2023 - CHINA / 5000 YEARS - Lot 1156 (Price realised : 8,890 USD / Type : Closely related) * Stone Head of Bodhisattva...

These ceramics feature finely detailed depictions of birds and cloud motifs using underglaze blue, showcasing an elegant and refined design. The vase portrays a bird in mid-flight, w...

Similar Beaker of this size and with cover is in the Helena Woolworth McCann Collection in the Metropolitan Museum of Art, and is illustrated by C. Le Corbeiller, China Trade Porcelain: Patterns of Exchange, New York, 1974, p. 27, no. 9, where the author suggests this shape is taken from a Delft adaptation of a glass original. Period : Qing Dynasty, Kangxi Period Production Date : 1690-1699 Made in : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Vung Tau...

This guardian figure represents a fusion of human and beast, a common motif symbolizing protection in Chinese lore. Crafted from pottery, the figure is a testament to the era's sculp...

Wall decor handcrafted mother of pearl rose painting on wood panel by Arijian.

The vase has a hexagonal shape, with a structure that extends seamlessly from the rim to the base, creating a sense of visual stability. The neck features sculpted handles in the for...

These blue and white teabowls showcase bird-and-flower and crab motifm decorated with blooming flowers and a flying bird, representing the vibrancy of nature. The fine brushstrokes u...

Large layered parkerized steel desk by Hyungshin Hwang Dimensions: D 310 x W 100 x H 75 cm Materials: parkerized steel Layered Series is the main theme and concept of work of Hw...

The Boshan incense burner is particularly notable among Han dynasty incense burners for its unique shape. Designed to resemble a mountain or even a mythical mountain, it is characterized by its pointed peaks that rise upwards. These peaks often function as vents for the smoke, creating an effect reminiscent of a volcanic eruption. The body of the incense burner is typically round, with multiple small peaks surrounding a central, larger peak. The material used is mainly ceramic, although there are instances where they were made of bronze. It is presumed that this incense burner was used for religious or ceremonial purposes during its time. The colors of these burners are usually in shades of pale green or greyish brown, with the application of glaze to achieve a variety of colors on occasion. Such incense burners are often found in tombs or ritual sites, and their purpose was to burn incense for purification of space or to produce pleasant aromas. The Boshan incense burner also represents a significant cultural heritage, showcasing the craftsmanship and artistic values of the period. Today, it is considered a quintessential example of ancient Chinese art. Period : Han-Jin Dynasty Type : Incense Burner Medium : Yue celadon...

The Perfect Coincidence series by the artist emerges as a contemporary homage to the whims of chance reminiscent of Jean Arp's technique, where he crafted new sensual forms by tearin...

Black ware pottery from the Majiayao culture. This vessel was crafted using a refined black-burnished pottery technique, with the entire surface carefully polished to a smooth, lustr...

Serene yet emotionally immersive, Humming Letter #86 captures Ji-an Kwon’s poetic interpretation of nature through a luminous landscape suspended between abstraction and memory. In t...

A monumental abstract composition by Ji-an Kwon, transforming sound, emotion, and nature into a vibrant landscape of color, texture, and movement. Humming Letter #155 is a captivatin...

Cylindrical vessel on three animal-shaped feet (dragon or snake), wall with profile grooves, roof. pottery with green lead glaze. "Iridescence" is observed in surface. Period : Han...

Set of 2 Heritage Giwa sideboards by Lee Jung Hoon Dimensions: D163.2 x W53 x H41.1 cm Materials: red oak The Heritage series, created by designer Lee Jung-hoon is a collection ...

This object is a Tang dynasty (8th–9th century) Changsha ware ritual stand, constructed with a sculpted mythical beast—likely a lion or bixie—serving as the base, surmounted by a fla...

During Yongzheng era, such miniatures were appreciated for their craftsmanship and aesthetic value. They were also often used in scholars' studios as part of the 'wenfang', or study ...

17th century, painted in underglaze blue with eight figures including officials in a garden landscape, marked on the bottom with a sitting rabbit(blue hare), Transitional period(Late...

Two roosters are depicted with great precision and skill, surrounded by a landscape featuring rocks and a railing. The motif of roosters and natural elements is traditionally symboli...

Proportions of stone chair by Lee Sisan, 2019 Dimensions: W 45 x D 41 x H 90 cm Materials: Stainless steel, natural stone Each piece is made to o...

The vessel has a rounded body rising to a tall neck, surmounted by a rare cover modeled in the form of mountain peaks. The entire surface is painted with layers of yellow, white and ...

Dichroic glass table sculpted by Studio-Chacha Dimensions: 85.5 x 69 x 40 cm Materials: Glass, film Studio-Chacha is a high-end art furniture...

This statue appears to be a stone sculpture of an apsara, a celestial nymph from Buddhist and Hindu traditions. Despite its fragmentary state, the sculpture conveys grace and movement. The apsara is captured in a dynamic pose, perhaps once part of a larger tableau, playing a flute-like instrument. The facial features are serene yet expressive, with faint traces of pigmentation hinting at the sculpture's original polychromy. The black stand was made in Hong Kong at the time of the acquisition. Date : Northern Wei...

Decorative handcrafted vase with mother-of-pearl inlay.