South Korea

Proportions Of Stone Low Table in Natural Stone, Glass & Aluminum by Lee Sisan Dimensions: D 150 x W 150 x H 33 cm Materials: Clear glass, cast aluminum, and natural stone. Each pie...

Fragment Side Table in Resin & Marble by Fict Studio Dimensions: D 31 x W 47 x H 90 cm Materials: Resin and marble. Jang Hea-Kyoung is a Seoul-based artist and designer whose pr...

An attractive GU vase hand painted in cobalt blue with typical kangxi flower panels painting separated by lined borders. Period : Qing Dynasty, Kangxi Period Production Date : 1690-1699 Made in : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Vung Tau ship Size : 14cm (Height) x 8.5cm (Diameter) Condition : Excellent Reference : Double checked with reference to the original catalogues 1) Christies Amsterdam 1992 - Vung Tau Cargo / Christies 2) Qing Dynasty Export Blue and White from Vung Tau Cargo(淸代外销靑花瓷) / Guangxi Fine Art Publishing House 3) Asian Ceramic Found along Maritime Silk Route / National Maritime Museum of Korea * Vung Tau Cargo Porcelain...

With downcast eyes and a faint, serene smile, this sculpted head conveys a quiet sense of inner calm. The softly modeled face is framed by a surrounding headdress and crowned with a high topknot, lending the figure a composed and dignified presence. Subtle traces of original pigment remain on the surface, suggesting its original polychromy. The black display stand was made in Hong Kong at the time of acquisition. Date : Northern Wei-Tang Dynasty(5-8th century) Provenance : Acquired in late 1990s from Hongkong Reference : 1) Sotheby's London 13 May 2015 - The Soul Of Japanese Aesthetics – The Tsuneichi Inoue Collection - Lot 18 (Price realised : 17,500 GBP / Type : Closely related) 2) Sotheby's New York 26 September 2023 - CHINA / 5000 YEARS - Lot 1156 (Price realised : 8,890 USD / Type : Closely related) * Stone Head of Bodhisattva...

The scene specifically depicts individuals in a pavilion and a garden. In the central image, we see a couple sitting closely, engaged in conversation, likely depicting a scene of int...

A dark gray pottery vessel with a smooth, unglazed surface and three rounded legs. The body is encircled by a twisted band, with a slanted spout and a large opening shaped like a fac...

Layered Steel Brass Edition Chair with Wax Finish by Hyungshin Hwang Dimensions: D 30 x W 52,5 x H 112,5 cm. Materials: Brass with wax finish. Hyungshin Hwang (b. 1981, Seoul, South...

Layered steel seat XVII by Hyungshin Hwang Dimensions: D 30 x W 51 x H 108 cm Materials: stainless steel Layered Series is the main theme and concept of work of Hwang, who conti...

The jar features a round body with well-proportioned four distinct tiers and a short, stable foot. The surface is coated in a deep green Longquan celadon glaze, showcasing the sprout...

Pottery figures of a mounted soldier and horse made from reddish-brown earthenware, constructed in a modular manner with the horse’s legs and tail, as well as the soldier’s hands, or...

Unique Untitled 2 Hand Carved White Porcelain Vessel by Lee Jong Min. One of a Kind. Dimensions: W 24.5 x D 24.5 x H 35 cm. Materials: Hand-carved white porcelain. "Untitled 2" is ...

Layered parkerized steel desk I by Hyungshin Hwang. Dimensions: D 200 x W 100 x H 75 cm. Materials: parkerized steel. Layered Series is the main theme and concept of work of Hwa...

The celadon jar displays a balanced form with a calm bluish-grey glaze, its shoulders gently tapering toward the base to create a composed and harmoniou...

Pipe Fitting Shelf by Hyungjun Lee Dimensions: D 34 x W 41 x H 139 cm. Materials: Stainless steel. Hyungjun Lee EDUCATION 2015-2018 ESAD Orléans / Objet & Espace ...

At the center, it features five elegant cranes depicted against a pond setting, each portrayed in varying postures. The background harmoniously incorporates lotus flowers and other aquatic plants. Cranes in East Asian culture symbolize purity, longevity, and loyalty, and their depiction here enhances the themes of peace and harmony. The outer rim of the plate is encircled by a continuous lattice border, within which are alternately placed floral and geometric patterns, delicately executed. Period : Qing Dynasty, Kangxi Period Production Date : 1690-1699 Made in : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Vung Tau ship Size : 20cm (Diameter) x 3.5cm (Height) Condition : Excellent Reference : Double checked with reference to the original catalogues 1) Christies Amsterdam 1992 - Vung Tau Cargo / Christies 2) Qing Dynasty Export Blue and White(淸代外销靑花瓷) - Vung Tau Cargo Catalogue / Guangxi Fine Art Publishing House 3) Asian Ceramic Found along Maritime Silk Route / National Maritime Museum of Korea * Vung Tau Cargo Porcelain...

Unique Untitled 1 Hand Carved White Porcelain Vessel by Lee Jong Min. One of a Kind. Dimensions: W 25 x D 25 x H 43.5 cm. Materials: Hand-carved white porcelain. "Untitled 1" is a ...

The teabowl and saucer set depicts flower elements. In particular, this set is relatively larger than other teacups set. And the crafting skill of setting each line is outstanding. There is a kangxi mark on the floor base. Period : Qing Dynasty, Kangxi Period Production Date : 1690-1699 Made in : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Vung Tau ship Size : 14cm (Diameter) x 2.5cm(Height) - SAUCER / 9cm (Diameter) x 4.5cm(Height) - TEABOWL Condition : Excellent Reference : Double checked with reference to the original catalogues 1) Christies Amsterdam 1992 - Vung Tau Cargo...

Each teabowl is delicately painted with blue pigments, showcasing scenes of mountains, trees, boats, figures, and animals. The graceful brushstrokes and gentle curves evoke tradition...

The vase has a hexagonal shape, with a structure that extends seamlessly from the rim to the base, creating a sense of visual stability. The neck features sculpted handles in the for...

This series, started in 2016 conveys a color and emotional language and is inspired by the series Color as Adjective, a series of drawings and paintings that are visual representatio...

This series, started in 2016 conveys a color and emotional language and is inspired by the series Color as Adjective, a series of drawings and paintings that are visual representatio...

This bowl stands out for its detailed depiction of two fish amid soft spiral waves, bordered by two cranes within the bowl. The design's depth and clarity, from the lifelike portraya...

Humming Letter #116 by Ji-an Kwon captures a dreamlike floral landscape where water, atmosphere, and expressive abstraction converge in a richly textured composition. In Humming Lett...

Wall decor handcrafted mother of pearl rose painting on wood panel by Arijian.

Large layered parkerized steel desk by Hyungshin Hwang Dimensions: D 310 x W 100 x H 75 cm Materials: parkerized steel Layered Series is the main theme and concept of work of Hw...

This object is a Tang dynasty (8th–9th century) Changsha ware ritual stand, constructed with a sculpted mythical beast—likely a lion or bixie—serving as the base, surmounted by a fla...

The Boshan incense burner is particularly notable among Han dynasty incense burners for its unique shape. Designed to resemble a mountain or even a mythical mountain, it is characterized by its pointed peaks that rise upwards. These peaks often function as vents for the smoke, creating an effect reminiscent of a volcanic eruption. The body of the incense burner is typically round, with multiple small peaks surrounding a central, larger peak. The material used is mainly ceramic, although there are instances where they were made of bronze. It is presumed that this incense burner was used for religious or ceremonial purposes during its time. The colors of these burners are usually in shades of pale green or greyish brown, with the application of glaze to achieve a variety of colors on occasion. Such incense burners are often found in tombs or ritual sites, and their purpose was to burn incense for purification of space or to produce pleasant aromas. The Boshan incense burner also represents a significant cultural heritage, showcasing the craftsmanship and artistic values of the period. Today, it is considered a quintessential example of ancient Chinese art. Period : Han-Jin Dynasty Type : Incense Burner Medium : Yue celadon...

During Yongzheng era, such miniatures were appreciated for their craftsmanship and aesthetic value. They were also often used in scholars' studios as part of the 'wenfang', or study ...

This statue appears to be a stone sculpture of an apsara, a celestial nymph from Buddhist and Hindu traditions. Despite its fragmentary state, the sculpture conveys grace and movement. The apsara is captured in a dynamic pose, perhaps once part of a larger tableau, playing a flute-like instrument. The facial features are serene yet expressive, with faint traces of pigmentation hinting at the sculpture's original polychromy. The black stand was made in Hong Kong at the time of the acquisition. Date : Northern Wei...

Two roosters are depicted with great precision and skill, surrounded by a landscape featuring rocks and a railing. The motif of roosters and natural elements is traditionally symboli...

This dish is coated with a transparent bluish-white glaze over a thin white body. The center is incised with a design of lotus flowers and a bird, while the inner wall is encircled b...

A square Chinese famille rose teapot, Tongzhi mark and of the period Period: Qing Dynasty Type: Teapot Medium: Famille rose, enamel * Famille Ro...

Set of 2 candy Dichroic glass coffee table sculpted by Studio-Chacha Dimensions: 40 x 40 x 56 cm 45 x 80 x 40 cm Materials: Glass with film Studi...

Layered steel seat VIII by Hyungshin Hwang. Dimensions: D 30 x W 33 x H 42 cm Materials: stainless steel Layered Series is the main theme and concept of work of Hwang, who conti...

This celadon vase features a gently rounded shoulder, a tall, slender neck, and a broad, flaring rim. Two small loop handles are applied to the shoulders. The body is finely incised ...

Set of 2 Heritage Giwa sideboards by Lee Jung Hoon Dimensions: D163.2 x W53 x H41.1 cm Materials: red oak The Heritage series, created by designer Lee Jung-hoon is a collection ...

Dichroic glass table sculpted by Studio-Chacha Dimensions: 85.5 x 69 x 40 cm Materials: Glass, film Studio-Chacha is a high-end art furniture...

Tooth Chair in Cast Aluminium by Dongwook Choi. Dimensions: W 38 x D 70 x 45 cm. Materials: Cast aluminium. Dongwook Choi studied at Konkuk university, Seoul for BFA, majoring metal...

Sculptural Sofa Table by Dongwook Choi. Metabolic series. Dimensions: W 125 x D 95 x 35 cm. Materials: Urethane coated EPS, Plaster, metalic paint. There may be a visual difference ...

Wall Decor Handcrafted Mother of Pearl Chrysanthemum Painting on Wood Panel by Arijian.

The "Imari Pavilion pattern" refers to a decoration pattern found on porcelains made during Early Qing Dynasty, influenced by Japanese Imari ware, which was produced in the Arita reg...

Table 09 by Saerom Yoon Dimensions: D 75 x W 120 x H 70 cm. Materials: Acrylic. My oldest childhood memories go back to the time I spent in the Philippines with my parents. The gree...

Five-lobed cup, featuring a delicate rim, is supported by a short, gently spreading foot. The accompanying stand rises elegantly from a broad base to a plate with an elevated, foliat...

The vessel is thickly potted, with an ovoid body divided into five horizontal lobes that gently taper toward the top. It is finely carved with rows of upright lotus petals beneath a ...

Black ware pottery from the Majiayao culture. This vessel was crafted using a refined black-burnished pottery technique, with the entire surface carefully polished to a smooth, lustr...

Serene yet emotionally immersive, Humming Letter #86 captures Ji-an Kwon’s poetic interpretation of nature through a luminous landscape suspended between abstraction and memory. In t...

A monumental abstract composition by Ji-an Kwon, transforming sound, emotion, and nature into a vibrant landscape of color, texture, and movement. Humming Letter #155 is a captivatin...

The vessel has a rounded body rising to a tall neck, surmounted by a rare cover modeled in the form of mountain peaks. The entire surface is painted with layers of yellow, white and ...

Proportions of Stone Chair II by Lee Sisan Dimensions: W 40 x D 40 x H 80 cm Materials: Raw iron steel, natural stone. Each piece is made to order and uses natural stones, so please...

HUI tiles and furniture are crafted from recycled oyster shells. By powdering and mixing discarded shells sourced from Korea’s oceans, they create robust materials that are transform...

Proportions of stone chair by Lee Sisan, 2019 Dimensions: W 45 x D 41 x H 90 cm Materials: Stainless steel, natural stone Each piece is made to o...

Gwol side table by Lee Jung Hoon Dimensions: D80 x W33 x H52cm Materials: Stainless steel, Iron Corrosion. This work is designed under the theme of coexistence between the past...

At the center, within a shield-shaped frame, a delicate plant motif with slender stems and leaves is depicted, symbolizing the vitality of nature through simple lines. The shield-shaped frame harmonizes with the vase's curves, emphasizing the plant design. The neck features elongated leaf patterns, while soft cloud motifs are gracefully arranged along the body, following the vase’s natural flow. At the base, repetitive geometric patterns provide a sense of stability. This vase beautifully captures classical and serene beauty through the balance of natural harmony and meticulous craftsmanship. Dates : 15th century Le Dynasty Region : North Annam, Vietnam Type : Yuhuchun Vase Found/Acquired : Southeast Asia , South China Sea, Hoi An Ship Reference : 1) Art Gallery of Greater Victoria - A vase from the wreck of the Hoi An 2) Butterfield Treasures Hoi An Hoard...

A porcelain meiping vase decorated in underglaze cobalt blue with scholar and attendant figures in a natural landscape. The finely crackled glaze and soft brushwork evoke a sense of ...

Layered steel seat III by Hyungshin Hwang Dimensions: D 33 x W 54 x H 99 cm Materials: stainless steel Layered Series is the main theme and concept of work of Hwang, who continu...

Cure 07 Side Table by Sundo Yoon Dimensions: D 30 x W 39 x H 43 cm Materials: Aluminum on scratch texture. Cure Series - Sundo Yoon 'The Cure Series is a series of works by designer...

Each side pencil-painted with stylized chrysanthemum, lotus or daisy sprays issuing from rockwork. This blue and white square vase with rounded sides has a flaring mouth and a long neck. This shape can be traced back to Chinese bronzes. It is decorated with floral motifs on four sides in underglaze blue. This piece was originally part of a pair, but the other has already been sold. Period : Qing Dynasty, Kangxi Period(1690-1699) Origin : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Vung Tau Ship Reference : Double checked with reference to the original catalogues below 1) Christies Amsterdam 1992 - Vung Tau Cargo...

This Qingbai ewer features a rounded body with smooth curves, a short spout, and a looped handle, presenting a harmonious and balanced form. The lid is adorned with a flower-shaped f...

This terracotta vessel was fired to a warm yellow-brown that shows subtle oxidation marks across the surface. Entirely unglazed, it retains a matte, tactile finish with fine pores an...

Layered oak wood stool by Hyungshin Hwang Dimensions: D 33 x W 30 x H 42 cm Materials: weathered oak Layered Series is the main theme and concept o...