South Korea

Chicken-head celadon vessels are among the most distinctive and emblematic ceramic forms produced during the dynamic period spanning from the Han dynasty (206 BC–AD 220) through the ...

The dog faces forward, with clearly defined eyes that stand out. Its ears are slightly curled, giving the impression of a relaxed, natural stance. The collar around its neck, connect...

One side of the vase showcases a panel with the Shou character at its center, symbolizing longevity, while the opposite side displays the Fu character, signifying luck. The neck of the vase is adorned with leaves. Period: Yuan-Ming Dynasty (1271-1644) Region: Longquan, China Medium: Celadon Type: Ewer Provenance : Acquired in late 1990s from Hongkong Reference 1) British Museum - Museum number 1931,1118.5 (Type : Closely related) 2) Christies NEW YORK 24–25 MAR 2022 - Important Chinese Ceramics and Works of Art - Lot 1105 (Price realised : 9,450 USD / Type : Related) 3) Sotheby's New York 19 March 2024 - Chinese Art - Lot 172 (Price range : 15,000 USD - 20,000 USD / Type : Related) * Ming Dynasty Longquan Celadon Longquan celadon from the Ming Dynasty typically exhibits a more robust and heavier stoneware body compared to its Song Dynasty predecessors. The Ming era saw an evolution in celadon glaze, achieving a wider spectrum of green hues, from olive to bluish-greens. Ming celadons...

When Tiger Used to Smoke: Collection implies the idea of long-term sustainability by working with masters of each field who deserve much more recognition and incorporating modern fur...

The Sand Sculptural Floor Lamp by Deconstruct Lab Dimensions: D 22 x W 22 x H 130 cm. Materials: Quartz sand with clear coating. Weight: 7 kg. All our lamps can be wired according t...

Graffiti Project Chair by Wonwoo Koo Dimensions: D 75.4 x W 37 x H 83.9 cm. Materials: Oak wood veneer. Different color options are available: black, beige, white gray, blue or oran...

This fine piece of porcelain, a plate from the Qing Dynasty, is a testament to the enduring craftsmanship of Jingdezhen, the porcelain capital of China. It presents a classic blue an...

This Han Dynasty green-glazed dish exhibits significant signs of wear, indicative of its age and the long passage of time it has witnessed. The glaze, once vibrant, now shows substan...

This artwork, acquired in Hong Kong during the 1990s, is presumed to have been produced in the same kiln from the Han dynasty, based on the head of the Sotheby's reference piece, which also originated from Hong Kong. Furthermore, given its almost identical shape to the piece from the Artemis Gallery...

Layered steel coffee table II by Hyungshin Hwang Dimensions: D 160 x W 120 x H 42 cm Materials: stainless steel Layered Series is the main theme and concept of work of Hwang, wh...

Pink Resonate Decorative Object in Pink Glazed Ceramic by Ain Choi Dimensions: D 22 x W 15 x H 17 cm. Materials: Ceramic. Waves are particularly fascinating to me among those topics...

The tri-lobed shape and combed ridges of this cooking pot increased heating efficiency by maximizing the vessel’s surface area. The shape of a bronze vessel li, with the body rising out of three hollow pointed legs to a wide moiuth with splayed-out rim. The exterior is covered with cord impressed pattern. The surface shows signs of oxidation from being buried in the soil for a long time. Period: Zhou or Shang dynasty circa 1000 B.C.E. Medium : Grey earthenware with impressed decoration Type : Tripod vessel Size : 29cm (Height) x 35cm(Diameter) Condition : Good Provenance : Acquired in late 1990s from Hongkong Reference : 1) V&A Museum - ACCESSION NUMBER C.87-1954 2) Smithsonian National Museum of Asian Art - ACCESSION NUMBER F1984.13 3) The University of Chicago - OBJECT NUMBER 1989.1 4) The MET - Accession Number: 1972.275.5 5) Kyoto National Museum - Three-footed Earthenware Vessel * Shang Dynasty Pottery (1600-1046 BCE) The Shang dynasty, known for its significant advancements in bronze casting, also produced notable pottery. Shang pottery is characterized by its practical use and simple designs, reflecting the utilitarian needs of the society. The pottery from this period includes both coarse wares used for everyday purposes and fine, high-quality ceramics used in ritualistic contexts. Common forms include jars, bowls, and cups, often with a dark, burnished surface. One distinctive feature of Shang pottery is the use of gray clay, and many pieces display clear signs of oxidation, giving them a unique, mottled appearance. The decorations were typically incised or stamped, featuring geometric patterns, zoomorphic designs, and motifs that are also seen in Shang bronze...

Two finely hollow-moulded terracotta statuettes from ancient China, dating to the Ming Dynasty. The figure is depicted standing, dressed in long, flowing robes, painted in vibrant blue or green and deep amber yellow. The hair is styled into an elaborate top-knot, painted in a muted brown. Areas left unpainted would have been 'cold-painted' after firing, contrasting with the vivid fired blue or green and amber pigments. The figure is shown with the left hand raised to the chest, as if holding something, possibly an offering or incense. Figurines like this were placed in tombs to guide the deceased on their journey to the afterlife. The Ming Dynasty was known for its exceptional artistic achievements, partly due to its economic prosperity. Since the Han Dynasty, it was customary to bury terracotta miniatures of everyday objects with the deceased. These items, known as mingqi, or "spirit utensils" and "vessels for ghosts," were believed to help and assist the deceased in the afterlife. Mingqi were crafted in the form of cooking utensils, miniature replicas of houses, temples, furniture, and other items. Anthropomorphic and zoomorphic terracotta figures were also popular, designed to assist, entertain, and recreate the living world for the deceased. Period: Ming Dynasty Medium: Green/blue-glazed Pottery Type: Figure Provenance : Acquired in late 1990s from Hongkong Reference : 1) Ancient & Oriental - Terracotta Tomb Attendants (Type : Highly related) 2) La Maison De La Petite Sara S.r.l. - Archaeology section - A Black glazed Terracotta Statuette, Servant with Trumpet, Ming Dynasty (Price realised : 700 GBP / Type : Highly related) * Ming Dynasty Glazed Pottery Figures Ming Dynasty glazed pottery figures are renowned for their bold color palette, intricate detailing, and lifelike forms, distinguishing them from earlier traditions. These figures, which depict officials, warriors, animals, and mythical creatures, are characterized by high-gloss lead-based glazes in green, amber, ochre, and sancai (three-color) combinations. The thickly applied glaze pools in recesses, creating depth and enhancing sculptural details. With dynamic postures, expressive facial features, and meticulously rendered drapery, these figures reflect the period’s advancement in ceramic craftsmanship, offering a greater sense of movement and realism compared to the rigid and stylized forms of earlier dynasties. A defining characteristic of Ming glazed pottery is its elaborate surface detailing, often achieved through raised relief elements and contrasting glazes. Equestrian figures, for example, feature carefully sculpted saddles, harnesses, and decorative embellishments, while human figures are adorned with intricate robes and headdresses. The large scale of these tomb figures, often more imposing than those from previous periods, underscores the increasing importance of funerary art during the Ming era. Unlike later Qing Dynasty figures...

White layered oak wood stool I by Hyungshin Hwang. Dimensions: D 33 x W 54 x H 69 cm. Materials: oxidized red oak. Layered Series is the main theme and concept of work of Hwang,...

Vietnamese stoneware crab boxes. Light blue glaze. This is one of the representative types of miniature works of Hoi An ships. Dates : 15th century Le Dyn...

Layered steel seat by Hyungshin Hwang 2018 Dimensions: D 45 x W 51 x H 69 cm Materials: stainless steel Layered Series is the main theme and concept of work of Hwang, who conti...

is a multi-functional cushion/stool that highlights the Korean traditional knot-making method interpreted into a contemporary design piece by collaborating with a seamstress who work...

A rare figural monkey-form ewer from the Ca Mau shipwreck, produced at Jingdezhen during the Yongzheng period. This sculptural porcelain was made in very limited numbers for the Euro...

The vessel consists of a rounded cylindrical body, a gently curved upper section, and a small circular opening, suggesting that it was used for storing grain or valuable goods. Thre...

This piece is an example of Mingqi, items specifically crafted for burial to accompany the deceased into the afterlife. The terracotta army is the most renowned example of such buria...

Layered steel seat X by Hyungshin Hwang Dimensions: D 33 x W 27 x H 42 cm Materials: stainless steel Layered Series is the main theme and concept of work of Hwang, who continues...

Table 10 by Saerom Yoon Dimensions: D 75 x W 90 x H 70 cm. Materials: Acrylic. My oldest childhood memories go back to the time I spent in the Philippines with my parents. The green...

Proportions of Stone Chair I by Lee Sisan Dimensions: W 40 x D 40 x H 80 cm Materials: Raw iron steel, natural stone. Each piece is made to order and uses natural stones, so please ...

The elongated body is fluidly painted in brown on a white slip and under a clear glaze with a broad band of abstract floral scroll between a band of upright petals below and further ...

Layered steel stool by Hyungshin Hwang Dimensions: D 30 x W 30 x H 45 cm Materials: stainless steel Layered Series is the main theme and conce...

Cure 04 chair by Sundo Yoon. Dimensions: D35 x W50 x H70 cm. Materials: Aluminum. Cure Series - Sundo Yoon 'The Cure Series is a series of works by de...

Large rare vase painted with petal-shaped panels of riverscapes pattern. Period : Qing Dynasty, Kangxi Period Production Date : 1690-1699 Made in : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Vung Tau...

Chicken-head ewers are among the most distinct and emblematic pottery pieces from the Han (206 BC ~ AD 220) to the Tang dynasties. Their production commenced during the Jin dynasty i...

The body is decorated with incised lotus-petal motifs and covered with a characteristic blue-grey Longquan glaze. Variations in the glaze tone, resulting from contact with soil durin...

Statues of attendant crafted from terracotta, dressed in a black coat-like garment with a vest adorned with swirling patterns. Set on rectangular bases. Period: Ming Dynasty Medium...

Layered Steel Stool by Hyungshin Hwang 2020 Dimensions: D 51 x W 54 x H 75 cm Materials: Stainless Steel Layered Series is the main theme and...

This pair of Qingbai vases features a soft bluish-green glaze with elegant, fluted bodies and wide, flared rims. The vases are hand-crafted, with subtle differences that highlight th...

The saucer set depicts botanical garden, motifs rich in symbolism within east asian culture. Each teabowl depicts scenes, characters and situations are richly depicted inside the sma...

The oviform body is divided into few lobes, and the shoulder is applied with a pair of small loops molded. Period : Five Dynasties-Song Dynasty(907~1279) Type : Ewer Medium : Zheji...

Black Layered oak wood bench by Hyungshin Hwang. Dimensions: D 120 x W 72 x H 39 cm. Materials: ebonized red oak. Layered Series is the main theme and concept of work of Hwang, ...

Raw Side Edition Table by Saerom Yoon Limited Edition No. 08 of 10 + 2AP Dimensions: D 36 x W 43 x H 51 cm. Materials: Acrylic. My oldest childhood memories go back to the time I sp...

These ceramics feature finely detailed depictions of birds and cloud motifs using underglaze blue, showcasing an elegant and refined design. The vase portrays a bird in mid-flight, w...

Layered steel seat by Hyungshin Hwang Dimensions: D 60 x W 54 x H 60 cm Materials: stainless steel Layered Series is the main theme and concept of work of Hwang, who continues h...

Dark Black Wood Seating Occasional Table Time of Action No. 20-2, Chaeyoung Lee Materials: Ebonized and carved wood Dimensions: 34,5 x 32 x 41 cm Eboniz...

Chicken-head ewers are a distinctive ceramic form that developed during the Jin dynasty (265–420), originating in the southern Yue kilns of present-day Zhejiang province, and later s...

White layered ash wood stool I by Hyungshin Hwang. Dimensions: D 36 x W 54 x H 54 cm. Materials: oxidized ash. Layered Series is the main theme and concept of work of Hwang, who...

Layered parkerized steel desk II by Hyungshin Hwang. Dimensions: D 150 x W 90 x H 75 cm. Materials: parkerized steel. Layered Series is the main theme and concept of work of Hwa...

Proportions of Stone Chair III by Lee Sisan Dimensions: W 40 x D 40 x H 80 cm Materials: Raw iron steel, natural stone. Each piece is made to order and uses natural stones, so pleas...

This guardian figure represents a fusion of human and beast, a common motif symbolizing protection in Chinese lore. Crafted from pottery, the figure is a testament to the era's sculp...

These blue and white teabowls showcase bird-and-flower and crab motifm decorated with blooming flowers and a flying bird, representing the vibrancy of nature. The fine brushstrokes u...

Layered steel stool by Hyungshin Hwang. 2019 Dimensions: D 30 x W 30 x H 42 cm. Materials: stainless steel. Layered Series is the main theme ...

They display central floral motifs surrounded by a variety of botanical patterns including branches and blooms, indicative of classic East Asian ceramic artistry. Period : Qing Dyna...

Unique Dark Black Wood Seating Decorative Time of Action No. 20-4, Chaeyoung Lee Materials: Ebonized and carved wood Dimensions: 42 x 42 x 39 cm Ebonize...

This small ewer is an exquisite example of Qingbai ware, known for its pale blue-tinged glaze. The vessel showcases the advanced ceramic techniques and artistic sophistication of the...

These 15th-century Annamese ceramics from Le dynasty, are notable for their rarity and refined design. The Yuhuchunping vases, with their elegant pear-shaped bodies and delicate blue...

This terracotta goat characterized by stylized features common to the period. Such animal figures might have served ritualistic or religious purposes, ...

Two granary model porcelains. East Asia, This pottery representation of a granary sits on a layered base, topped with a conical lid that also acts as its roof, all finished in a greyish-blue glaze characteristic of Qingbai ware. The round structure features vertical, embossed strips intersected by a sliding door marked with horizontal lines on one side. Above, a tiled roof completes the model, topped with a central finial that doubles as the lid's handle. The interior of the lid, along with the edge and bottom of the piece, retains the unglazed finish known as biscuit. Period : Song Dynasty(960~1279) Type : Porcelain Model Medium : Qingbai Dimension : 11 cm(Height), 9cm(Lid Diameter) Condition : Good Provenance : Acquired in late 1990s from Hongkong Reference : 1) Artemis Gallery...

With a medallion of two boats sailing together, passing an island on which a solitary figure stands by or on a bridge, the rim with a narrow heringbone pattern, the reverse glazed ca...

A hollow-formed pottery guardian figure made for tomb use, symbolizing protection in the afterlife. The upright stance, raised head, and open mouth convey authority and vigilance. Traces of red and yellow pigment and surface weathering indicate an originally painted surface, consistent with late Northern Wei...

This octagonal blue-and-white covered box is densely decorated on each facet with dragons twisting their elongated bodies as they move through clouds, filling the entire surface with...

This series, started in 2016 conveys a color and emotional language and is inspired by the series Color as Adjective, a series of drawings and paintings that are visual representatio...

This work, part of a series titled The Sensory World-Part Series, is based on a broad interpretation of sense-meaning, reflecting the nature of the present, including human physical ...

The Perfect Coincidence series by the artist emerges as a contemporary homage to the whims of chance reminiscent of Jean Arp's technique, where he crafted new sensual forms by tearin...

When Tiger Used to Smoke: Collection implies the idea of long-term sustainability by working with masters of each field who deserve much more recognition and incorporating modern fur...

This series is made using eggshells discarded from an ice cream shop and shells from Tong-yeong, Korea. There is an ice cream shop that makes gelato next to The WKND Lab’s workspace....