South Korea

When Tiger Used to Smoke: Collection implies the idea of long-term sustainability by working with masters of each field who deserve much more recognition and incorporating modern fur...

Raw Side Edition Table by Saerom Yoon Limited Edition No. 08 of 10 + 2AP Dimensions: D 36 x W 43 x H 51 cm. Materials: Acrylic. My oldest childhood memories go back to the time I sp...

This celadon vase features a gently rounded shoulder, a tall, slender neck, and a broad, flaring rim. Two small loop handles are applied to the shoulders. The body is finely incised ...

These ceramics feature finely detailed depictions of birds and cloud motifs using underglaze blue, showcasing an elegant and refined design. The vase portrays a bird in mid-flight, w...

Stoneware decorated with Persian-style colors and patterns, and it is highly likely that this Annamese pottery intended for export was produced to meet Middle Eastern demand. Dates : 15th century Le Dynasty Region : North Annam, Vietnam Type : Stoneware Dish Found/Acquired : Southeast Asia , South China Sea, Hoi An Ship Reference : Double checked with reference to the original catalogue Butterfield Treasures Hoi An Hoard Auction Catalogs / San Francisco Butterfields 2000 * Vietnamese trade ceramics Around the mid-14th century, Vietnam developed its ceramics production technology by producing blue and white porcelain, and began to export it overseas. During this period, China Ming Dynasty implemented a policy of lifting the ban from 1371 to 1657 and restricted foreign trade. This served as a good opportunity in the trade history of Vietnamese ceramics, and ceramic exports...

This pair of celadon vessels is entirely coated in a thick olive-green glaze, which retains a soft natural sheen. A network of crackles spreads across the surface. Along the ridges a...

Cure 04 chair by Sundo Yoon. Dimensions: D35 x W50 x H70 cm. Materials: Aluminum. Cure Series - Sundo Yoon 'The Cure Series is a series of works by de...

The left artwork is a classic blue-and-white porcelain teacup, adorned with a delicate landscape scene. The exterior of the cup features intricate details of trees, houses, mountains...

Pink Resonate Decorative Object in Pink Glazed Ceramic by Ain Choi Dimensions: D 22 x W 15 x H 17 cm. Materials: Ceramic. Waves are particularly fascinating to me among those topics...

Black glazed bottle from the late Ming dynasty binh thuan cargo. An identical piece is included on page 146 of the Bin Thuan catalog titled 'The Age of Disco...

A bird on a tree. Stoneware with underglaze blue and painted green. The leaves were creatively expressed with green-glaze. The use of green overpainting, a distinctive element in Annamese ceramics, parallels similar examples documented in The Age of Discovery: Asian Ceramics Found Along the Maritime Silk Road, particularly on pages 59, 64, and 66 of the Annamese ship catalog. Such pieces were widely traded along the Maritime Silk Road, showcasing the rich cultural exchange between Vietnam and other regions. Dates : 15th century Le Dynasty Region : North Annam, Vietnam Type : Dish Found/Acquired : Southeast Asia , South China Sea, Hoi An Ship Reference : Double checked with reference to the original catalogue 1) Butterfield Treasures Hoi An Hoard Auction Catalogs / San Francisco Butterfields 2000 2) Asian Ceramic Found along Maritime Silk Route / National Maritime Museum of Korea * Vietnamese trade ceramics Around the mid-14th century, Vietnam developed its ceramics production technology by producing blue and white porcelain, and began to export it overseas. During this period, China Ming Dynasty implemented a policy of lifting the ban from 1371 to 1657 and restricted foreign trade. This served as a good opportunity in the trade history of Vietnamese ceramics, and ceramic exports...

Layered steel seat VI by Hyungshin Hwang. Dimensions: D 33 x W 51 x H 93 cm. Materials: stainless steel. Layered Series is the main theme and concept of work of Hwang, who conti...

During Yongzheng era, such miniatures were appreciated for their craftsmanship and aesthetic value. They were also often used in scholars' studios as part of the 'wenfang', or study ...

Dichroic glass table sculpted by Studio-Chacha Dimensions: 85.5 x 69 x 40 cm Materials: Glass, film Studio-Chacha is a high-end art furniture...

This Han Dynasty green-glazed dish exhibits significant signs of wear, indicative of its age and the long passage of time it has witnessed. The glaze, once vibrant, now shows substan...

Proportions of stone stool 01 by Lee Sisan, 2019 Dimensions: W 36 x D 36 x H 45 cm Materials: Stainless steel, natural stone Each piece is made to order and uses natural stones, so ...

Proportions of stone bench by Lee Sisan, 2020 Dimensions: W 96 x D 96 x H 35 cm Materials: Stainless steel, natural stone. Each piece is made to ...

Vietnamese stoneware cover boxes. These pieces exhibit a relatively vivid blue color compared to similar works from Hoi An hoard. Additionally, they are relatively larger in size amo...

Vietnamese stoneware crab boxes. Light blue glaze. This is one of the representative types of miniature works of Hoi An ships. Dates : 15th century Le Dyn...

A Song dynasty qingbai ritual vessel covered in a translucent bluish-white glaze of soft luminosity. Gently flaring rims and deeply carved lotus-petal panels define the elegant form,...

Layered parkerized steel desk I by Hyungshin Hwang. Dimensions: D 200 x W 100 x H 75 cm. Materials: parkerized steel. Layered Series is the main theme and concept of work of Hwa...

Layered steel coffee table II by Hyungshin Hwang Dimensions: D 160 x W 120 x H 42 cm Materials: stainless steel Layered Series is the main theme and concept of work of Hwang, wh...

Proportions of Stone Chair III by Lee Sisan Dimensions: W 40 x D 40 x H 80 cm Materials: Raw iron steel, natural stone. Each piece is made to order and uses natural stones, so pleas...

The statuette shows traces of the original red, black, and white pigmentation. Ceramic statuette from the han Dynasty, depicting two court people, probably a musician. They are dress...

These 15th-century Annamese ceramics from Le dynasty, are notable for their rarity and refined design. The Yuhuchunping vases, with their elegant pear-shaped bodies and delicate blue...

Layered steel stool by Hyungshin Hwang Dimensions: D 30 x W 30 x H 45 cm Materials: stainless steel Layered Series is the main theme and conce...

Proportions of stone console by Lee Sisan Dimensions: : 180 x 50 x 80 cm Materials: stainless steel, natural stone Each piece is made to orde...

This pair of straw-glazed pottery figures represents a male and female court attendant, both elegantly attired in period fashion. The female figure wears a flowing robe with draped f...

A standing horse, back legs slightly apart and bent, tail erect, wearing a saddle with saddlecloth, and with bridal ornaments on forelock. This horse represents a breed from the Mong...

A hollow-formed pottery guardian figure made for tomb use, symbolizing protection in the afterlife. The upright stance, raised head, and open mouth convey authority and vigilance. Traces of red and yellow pigment and surface weathering indicate an originally painted surface, consistent with late Northern Wei...

Cure 07 Side Table by Sundo Yoon Dimensions: D 30 x W 39 x H 43 cm Materials: Aluminum on scratch texture. Cure Series - Sundo Yoon 'The Cure Series is a series of works by designer...

This terracotta goat characterized by stylized features common to the period. Such animal figures might have served ritualistic or religious purposes, ...

Layered steel seat IV by Hyungshin Hwang Dimensions: D 33 x W 54 x H 81 cm Materials: stainless steel Layered Series is the main theme and concept of work of Hwang, who continue...

The glaze blends harmoniously with the color of the clay, giving a natural, earthy feel. This piece features intricate carvings of two dragon presumably pursuing a sacred jewel called "Yeouiju" and a fish. The glaze drips and irregular streaks of brown-glazed pottery from that period are distinctive aesthetic elements of Song-Yuan Dynasty brown glazed ceramics, with glaze colors ranging from deep chocolate to light amber or honey tones. Date : Song-Yuan Dynasty(960~1368) Type : Olive-Brown-glazed pottery Provenance : Acquired in late 1990s from Hongkong Reference : 1) Bonhams London 13 May 2024 - The John E. Bodie OBE (1930-2023) Collection of Chinese Art - Lot 12 (Price realised : 2,432 GBP / Type : Closely related) 2) Christies 25 Mar 2015 - The Collection of Robert Hatfield Ellsworth...

White layered ash wood stool I by Hyungshin Hwang. Dimensions: D 36 x W 54 x H 54 cm. Materials: oxidized ash. Layered Series is the main theme and concept of work of Hwang, who...

This fine piece of porcelain, a plate from the Qing Dynasty, is a testament to the enduring craftsmanship of Jingdezhen, the porcelain capital of China. It presents a classic blue an...

Layered steel stool by Hyungshin Hwang. 2019 Dimensions: D 30 x W 30 x H 42 cm. Materials: stainless steel. Layered Series is the main theme ...

These are three small lidded boxes from the Vietnamese period, specifically from the 15th century during the Le Dynasty. Each box features intricate floral designs in blue on a white...

Porcelain with transparent pale-green (qingbai-type) glaze with flower, leaves and lotus design of typical yuan dynasty. Period : Yuan Dynasty(1271-1368) Type : Baluster vase Medium...

Graffiti Project Chair by Wonwoo Koo Dimensions: D 75.4 x W 37 x H 83.9 cm. Materials: Oak wood veneer. Different color options are available: black, beige, white gray, blue or oran...

Proportions of stone stool 03 by Lee Sisan. 2020 Dimensions: W 36 x D 36 x H 45 cm. Materials: stainless steel, natural stone. Each pi...

Identical piece is housed in the Longhai Museum of Zhangzhou City. On October 7, 1989, it was appraised as a third-class cultural relic by the Cultural Relics Appraisal Team of the F...

With a medallion of two boats sailing together, passing an island on which a solitary figure stands by or on a bridge, the rim with a narrow heringbone pattern, the reverse glazed ca...

The heavily potted dish is molded in the central roundel below the fluted cavetto and the everted rim with lipped edge, and is covered overall with a glaze of sea-green color, except for the unglazed ring on the base. The wood stand is not included with the item. Period: Ming Dynasty (1368~1644) Region: Longquan, China Medium: Celadon Type: Dish Provenance : Acquired in late 1990s from Hongkong Reference : 1) Christies NEW YORK 22–23 MAR 2018 - Fine Chinese Ceramics and Works of Art - Lot 722 2) Sotheby's Paris 11 December 2020 - Arts d'Asie - Lot 8 (Price realised : 4,032 EUR / Type : Closely related) 3) Christies LONDON 21–28 MAY 2020 - The Art of China - Lot 31 (Price realised : 5,250 GBP / Type : Closely related) * Ming Dynasty Longquan Celadon Longquan celadon from the Ming Dynasty typically exhibits a more robust and heavier stoneware body compared to its Song Dynasty predecessors. The Ming era saw an evolution in celadon glaze, achieving a wider spectrum of green hues, from olive to bluish-greens. Ming celadons...

Layered oak wood stool by Hyungshin Hwang Dimensions: D 33 x W 30 x H 42 cm Materials: weathered oak Layered Series is the main theme and concept o...

Five-lobed cup, featuring a delicate rim, is supported by a short, gently spreading foot. The accompanying stand rises elegantly from a broad base to a plate with an elevated, foliat...

Two finely hollow-moulded terracotta statuettes from ancient China, dating to the Ming Dynasty. The figure is depicted standing, dressed in long, flowing robes, painted in vibrant blue or green and deep amber yellow. The hair is styled into an elaborate top-knot, painted in a muted brown. Areas left unpainted would have been 'cold-painted' after firing, contrasting with the vivid fired blue or green and amber pigments. The figure is shown with the left hand raised to the chest, as if holding something, possibly an offering or incense. Figurines like this were placed in tombs to guide the deceased on their journey to the afterlife. The Ming Dynasty was known for its exceptional artistic achievements, partly due to its economic prosperity. Since the Han Dynasty, it was customary to bury terracotta miniatures of everyday objects with the deceased. These items, known as mingqi, or "spirit utensils" and "vessels for ghosts," were believed to help and assist the deceased in the afterlife. Mingqi were crafted in the form of cooking utensils, miniature replicas of houses, temples, furniture, and other items. Anthropomorphic and zoomorphic terracotta figures were also popular, designed to assist, entertain, and recreate the living world for the deceased. Period: Ming Dynasty Medium: Green/blue-glazed Pottery Type: Figure Provenance : Acquired in late 1990s from Hongkong Reference : 1) Ancient & Oriental - Terracotta Tomb Attendants (Type : Highly related) 2) La Maison De La Petite Sara S.r.l. - Archaeology section - A Black glazed Terracotta Statuette, Servant with Trumpet, Ming Dynasty (Price realised : 700 GBP / Type : Highly related) * Ming Dynasty Glazed Pottery Figures Ming Dynasty glazed pottery figures are renowned for their bold color palette, intricate detailing, and lifelike forms, distinguishing them from earlier traditions. These figures, which depict officials, warriors, animals, and mythical creatures, are characterized by high-gloss lead-based glazes in green, amber, ochre, and sancai (three-color) combinations. The thickly applied glaze pools in recesses, creating depth and enhancing sculptural details. With dynamic postures, expressive facial features, and meticulously rendered drapery, these figures reflect the period’s advancement in ceramic craftsmanship, offering a greater sense of movement and realism compared to the rigid and stylized forms of earlier dynasties. A defining characteristic of Ming glazed pottery is its elaborate surface detailing, often achieved through raised relief elements and contrasting glazes. Equestrian figures, for example, feature carefully sculpted saddles, harnesses, and decorative embellishments, while human figures are adorned with intricate robes and headdresses. The large scale of these tomb figures, often more imposing than those from previous periods, underscores the increasing importance of funerary art during the Ming era. Unlike later Qing Dynasty figures...

Proportions of Stone Chair II by Lee Sisan Dimensions: W 40 x D 40 x H 80 cm Materials: Raw iron steel, natural stone. Each piece is made to order and uses natural stones, so please...

This piece is an example of Mingqi, items specifically crafted for burial to accompany the deceased into the afterlife. The terracotta army is the most renowned example of such buria...

This porcelain stemcup has a domed foot, a high stem and an elongated deep bowl with a partially broken flared rim. River landscapes featuring trees, pavilions, bridges and figures, ...

This vase is made from a type of low-fired, porous clay and features a crackled glaze. It bears resemblance to the renowned funerary vases and covers adorned with applied decorations...

Unique Dark Black Wood Seating Decorative Time of Action No. 20-4, Chaeyoung Lee Materials: Ebonized and carved wood Dimensions: 42 x 42 x 39 cm Ebonize...

Layered parkerized steel desk II by Hyungshin Hwang. Dimensions: D 150 x W 90 x H 75 cm. Materials: parkerized steel. Layered Series is the main theme and concept of work of Hwa...

Lustrous blackish-brown glaze decorated on the exterior with lines of splashes of russet color. This jar features a rounded and voluminous body, with its shoulders gently curving upward to meet the lid. The lid is topped with a small knob-like handle at the center, creating a harmonious and well-balanced overall proportion. Under microscopic magnification, the brown-glazed...

Layered steel seat IX by Hyungshin Hwang. Dimensions: D 33 x W 27 x H 42 cm. Materials: stainless steel. Layered Series is the main theme and concept of work of Hwang, who conti...

Mandarin ducks symbolize eternal love and fidelity in East Asian culture, often representing marital harmony as they are believed to mate for life. Reishi mushrooms, known as symbols of longevity and health, are revered in traditional Asian medicine for their association with immortality and have been used for centuries to promote vitality and strengthen the immune system. The orange glaze is commonly found on Cizhou-type tiger pillows. The attached materials indicate that this tiger pillow is from the same period and shares the same color tone as the one housed in the Baoji Bronzeware Museum, a national museum located in Shaanxi Province. Considering the glaze color, painting style, and shape, it is speculated that this piece was used by the imperial court. Period : Jin-Song Dynasty(12-13th century) Type : Pillow Medium : Cizhou Ware Size : 28 cm(Width), 30cm(Vertical), 16cm(Height) Provenance : Acquired in late 1990s from Hongkong Reference 1) Christies Hongkong 9 OCT 2019 - The Pavilion Sale - Chinese Ceramics and Works of Art Including the Quek Kiok Lee Collection (Price realised : HKD 225,000 / Type : related) 2) The Baoji Bronzeware Museum, Shaanxi Province - Tiger Cizhou Pillow...

Sculptural Object by Dongwook Choi Crest and Trough series Dimensions: 42 x 40 x 45 cm Materials: FRP, chrome coated There may be a visual difference...

Sculptural bench by Dongwook Choi Crest and Trough series Dimensions: W 125 x D 39 x H 40 cm Materials: Urethane coated EPS, silver coated There ma...

This pottery brazier, a burial artifact from the Han Dynasty, features quadrilateral sides that slope inward and a base with slits for ventilation. Each side is adorned with animal motifs and geometric patterns. The brazier stands...

This guardian figure represents a fusion of human and beast, a common motif symbolizing protection in Chinese lore. Crafted from pottery, the figure is a testament to the era's sculp...