South Korea

This series, started in 2016 conveys a color and emotional language and is inspired by the series Color as Adjective, a series of drawings and paintings that are visual representatio...

When Tiger Used to Smoke: Collection implies the idea of long-term sustainability by working with masters of each field who deserve much more recognition and incorporating modern fur...

This work, part of a series titled The Sensory World-Part Series, is based on a broad interpretation of sense-meaning, reflecting the nature of the present, including human physical ...

The Perfect Coincidence series by the artist emerges as a contemporary homage to the whims of chance reminiscent of Jean Arp's technique, where he crafted new sensual forms by tearin...

Fine-grained, buff-colored clay. Potted thin. Upper part of body painted with symbolic patterns in black and chocolate brown. Majiayao culture, Banshan type, 3rd millennium BC Peri...

Changsha Ware has distinct and recognizable designs and motifs. Painted designs often depict flowers, vines, clouds and mountain landscapes. Some painting is simply splotches of colo...

The artwork, with its foliage and floral motifs, suggests a connection to the natural world—a common theme in Vietnamese art. Such items were highly traded, and their recovery from shipwrecks helps us understand the extent of maritime commerce in Southeast Asia during the 15th and 16th centuries. This piece embodies the craftsmanship and aesthetic values of the period, providing insights into the cultural and economic contexts of its time. Dates : 15th century Le Dynasty Region : North Annam Type : Bowl Found/Acquired : Southeast Asia , South China Sea, Hoi An Ship Reference : Double checked with reference to the original catalogue Butterfield Treasures Hoi An Hoard Auction Catalogs / San Francisco Butterfields 2000 * Vietnamese trade ceramics Around the mid-14th century, Vietnam developed its ceramics production technology by producing blue and white porcelain, and began to export it overseas. During this period, China Ming Dynasty implemented a policy of lifting the ban from 1371 to 1657 and restricted foreign trade. This served as a good opportunity in the trade history of Vietnamese ceramics...

This series is made using eggshells discarded from an ice cream shop and shells from Tong-yeong, Korea. There is an ice cream shop that makes gelato next to The WKND Lab’s workspace....

This octagonal blue-and-white covered box is densely decorated on each facet with dragons twisting their elongated bodies as they move through clouds, filling the entire surface with...

A rose medallion-style enameled porcelain vase with a flared trumpet mouth and elongated cylindrical body, its front panel framed in a rectangular reserve depicting a figural genre s...

When Tiger Used to Smoke: Collection implies the idea of long-term sustainability by working with masters of each field who deserve much more recognition and incorporating modern fur...

Norigae is a floor light made with Norigae, which is a traditional decorative pendant for women’s clothing. Norigae itself originally functions as a good-luck charm hoped to bring so...

Undress House Side Table is a minimalist piece that reflects the initial design concept of Undress House. Crafted from stainless steel with a sleek and unembellished form, this table...

Crystal Series Console Table I is a sculptural contemporary console table that transforms light, color, and memory into a functional work of art. Defined by its elongated, minimalist...

When Tiger Used to Smoke: Collection implies the idea of long-term sustainability by working with masters of each field who deserve much more recognition and incorporating modern fur...

This series is made using eggshells discarded from an ice cream shop and shells from Tong-yeong, Korea. There is an ice cream shop that makes gelato next to The WKND Lab’s workspace....

When Tiger Used to Smoke: Collection implies the idea of long-term sustainability by working with masters of each field who deserve much more recognition and incorporating modern fur...

When Tiger Used to Smoke: Collection implies the idea of long-term sustainability by working with masters of each field who deserve much more recognition and incorporating modern fur...

Layered steel seat V by Hyungshin Hwang Dimensions: D 33 x W 57 x H 75 cm Materials: stainless steel Layered Series is the main theme and concept of work of Hwang, who continues...

Layered steel seat XI by Hyungshin Hwang Dimensions: D 36 x W 54 x H 54 cm Materials: stainless steel Layered Series is the main theme and concept of work of Hwang, who continue...

Layered steel seat VII by Hyungshin Hwang Dimensions: D 33 x W 54 x H 66 cm Materials: stainless steel Layered Series is the main theme and concept of work of Hwang, who continu...

A green-glazed pottery figure of a standing court official (attendant), wearing a tall pointed cap and a long pleated robe with sancai-style (three-color) glaze — green robe, amber a...

Identical piece is housed in the Longhai Museum of Zhangzhou City. On October 7, 1989, it was appraised as a third-class cultural relic by the Cultural Relics Appraisal Team of the F...

Guseul is an experimental ceiling light crafted from multiple spheres employing various techniques. It consists of four distinct components: the black sphere, embellished black spher...

Aurora clear glass table sculpted by Studio-Chacha Dimensions: 85.5 x 69 x 40 cm Materials: Clear glass Studio-Chacha is a high-end art furniture studio founded in 2017 that creates...

Layered steel stool by Hyungshin Hwang 2019 Dimensions: D 30 x W 30 x H 42 cm Materials: Stainless Steel Layered Series is the main theme and...

Dolmen clear glass side table sculpted by Studio-Chacha. Dimensions: 37 x 38 x 66 cm. Materials: Glass. Studio-Chacha is a high-end art furniture studio founded in 2017 that creates a new aesthetic with an unfamiliar combination of familiar things. Currently, Studio-Chacha is focusing on working with glass, and presents unfamiliar and familiar object furniture with a combination of color and color, glass and color, and glass and glass...

When Tiger Used to Smoke: Collection implies the idea of long-term sustainability by working with masters of each field who deserve much more recognition and incorporating modern fur...

Unique Dark Black Wood Seating Decorative Time of Action No. 21-2, Chaeyoung Lee Materials: Ebonized and carved wood Dimensions: 42 x 42 x 41 cm Ebonize...

Norigae is a floor light made with Norigae, which is a traditional decorative pendant for women’s clothing. Norigae itself originally functions as a good-luck charm hoped to bring so...

HUI tiles and furniture are crafted from recycled oyster shells. By powdering and mixing discarded shells sourced from Korea’s oceans, they create robust materials that are transform...

A modular sofa system that merges Korean design sensibilities with Japanese craftsmanship. The textile, inspired by Eastern ink wash painting and Western pointillism, is woven on a r...

Heritage: Korea is a multi-functional cushion/stool that highlights the Korean traditional knot-making method interpreted into a contemporary design piece by collaborating with a sea...

Norigae is a floor light made with Norigae, which is a traditional decorative pendant for women’s clothing. Norigae itself originally functions as a good-luck charm hoped to bring so...

A candle sconce constructed with cotton rope, viscose casing, and brass. The brass part is made by a metal turning master who worked as a technician for more than 45 years. The rope ...

This vessel is well-modeled as a recumbent winged lion with detailed decorative elements. It features a grimacing face with large protruberant eyes under heavy brows and a gaping mouth, which forms a large aperture. The piece has a tail that arches to form a loop handle, and the wings are incised on the sides. The whole piece is finished with a thin olive-green glaze. This kind of figural vessel dates back to at least the Western Han dynasty, with the design fully developed in the Yue kilns of Zhejiang province during the 3rd and 4th centuries. Such zoomorphic forms became popular among the literati and were transformed into various functional objects like wine ewers and water pots. There is a pair, and you can check it in the uploaded list. If you would like to purchase two in pairs, please leave a message. Period : Western Jin Dynasty (266 - 316 AD) Type : Figural vessel Medium : Yue celadon(Stoneware) Provenance : The piece was acquired in Hong Kong in late 1990s. Reference : 1) Sotheby's New York 17 March 2015 - Chinese Art Through The Eye Of Sakamoto Gorō – Ceramics Lot 33 (Price Range : 15,000 USD-20,000 USD / Type : Highly related) 2) Sotheby's London 17 May 2023 - A Journey Through China's History. The Dr Wou Kiuan Collection Online. Part I - Lot 30 (Price realised : 13,970 GBP / Type : Closely related) 3) Ethnological Museum, Berlin, Germany - Pouring vessel in animal shape, China, Yue kilns, Zhejiang province, late Western or early Eastern Jin dynasty, 4th century 4) Sotheby's London 16 May 2018 - Important Chinese Art Lot 68 (Price realised : 50,000 GBP / Type : Closely related) 5) The MET - Accession Number: 1985.207 - Vessel in the Shape of a Tiger (Huzi) (Type : Closely related) * Yue Celadon Yue celadon, also known as Yue ware, is a type of Chinese pottery with a celadon glaze, originating from the eastern Han dynasty in the Zhejiang province. The name 'Yue' comes from the Yue kilns which were among the earliest to develop the celadon technique. Yue ware is known for its jade-like glaze, which can range in color from bluish-green to olive green. Yue celadon was highly regarded during its time and was the first Chinese ware...

Green-glazed(lü you) pottery model of a well, Han Dynasty. The piece takes the form of a wide-mouthed jar representing the well shaft, surmounted by an arched frame and a conical, ro...

The Glitch series is a contemporary reimagining of Goryeo celadon aesthetics, where the vase serves as a canvas for the vibrant fragmentation akin to digital glitches, embodying the ...

Table made with Hanji and discarded paper fibers from a paper company by using dochim method, which is pounding finished paper sheets to compact fibers. Hanji is the name of a tradit...

Jjirasi Vase explores the intertwined narratives of South Korea's urban landscapes and his own experiences, reflecting on how future generations might engage with traditional art and...

Jjirasi Vase explores the intertwined narratives of South Korea's urban landscapes and his own experiences, reflecting on how future generations might engage with traditional art and...

The Tempera series is made with upcycled duck egg yolk discarded by the pharmaceutical industry which is bio-degradable. Every piece is hand-made, color and measurement may slightly ...

This series is made using eggshells discarded from an ice cream shop and shells from Tong-yeong, Korea. There is an ice cream shop that makes gelato next to The WKND Lab’s workspace....

This series is made using eggshells discarded from an ice cream shop and shells from Tong-yeong, Korea. There is an ice cream shop that makes gelato next to The WKND Lab’s workspace....

This work, part of a series titled The Sensory World-Part Series, is based on a broad interpretation of sense-meaning, reflecting the nature of the present, including human physical ...

Jjirasi Vase explores the intertwined narratives of South Korea's urban landscapes and his own experiences, reflecting on how future generations might engage with traditional art and...

This work, part of a series titled The Sensory World-Part Series, is based on a broad interpretation of sense-meaning, reflecting the nature of the present, including human physical ...

This work, part of a series titled The Sensory World-Part Series, is based on a broad interpretation of sense-meaning, reflecting the nature of the present, including human physical ...

This work, part of a series titled The Sensory World-Part Series, is based on a broad interpretation of sense-meaning, reflecting the nature of the present, including human physical ...

This work, part of a series titled The Sensory World-Part Series, is based on a broad interpretation of sense-meaning, reflecting the nature of the present, including human physical ...

The Perfect Coincidence series by the artist emerges as a contemporary homage to the whims of chance reminiscent of Jean Arp's technique, where he crafted new sensual forms by tearin...

The Perfect Coincidence series by the artist emerges as a contemporary homage to the whims of chance reminiscent of Jean Arp's technique, where he crafted new sensual forms by tearin...

This series, started in 2016 conveys a color and emotional language and is inspired by the series Color as Adjective, a series of drawings and paintings that are visual representatio...

This series, started in 2016 conveys a color and emotional language and is inspired by the series Color as Adjective, a series of drawings and paintings that are visual representatio...

This series, started in 2016 conveys a color and emotional language and is inspired by the series Color as Adjective, a series of drawings and paintings that are visual representatio...

This series, started in 2016 conveys a color and emotional language and is inspired by the series Color as Adjective, a series of drawings and paintings that are visual representatio...

The Glitch series is a contemporary reimagining of Goryeo celadon aesthetics, where the vase serves as a canvas for the vibrant fragmentation akin to digital glitches, embodying the ...

This series is made using eggshells discarded from an ice cream shop and shells from Tong-yeong, Korea. There is an ice cream shop that makes gelato next to The WKND Lab’s workspace....

This series is made using eggshells discarded from an ice cream shop and shells from Tong-yeong, Korea. There is an ice cream shop that makes gelato next to The WKND Lab’s workspace....

This series is made using eggshells discarded from an ice cream shop and shells from Tong-yeong, Korea. There is an ice cream shop that makes gelato next to The WKND Lab’s workspace....