South Korea

Loop Series Stream 1 Candle Holder in Borosilicate Glass by Studio-Chacha Dimensions: Ø 8 x H 34 cm. Materials: Borosilicate glass. Cha Shin-sil is a Seoul-based designer and founde...

Beneath the soft grayish-green glaze, incised lotus design emerges. The surface is adorned with flowing lines depicting lotus flowers and leaves, rendered in a refined carving techni...

With a medallion of two boats sailing together, passing an island on which a solitary figure standing and fishing, the rim with a narrow heringbone pattern, the reverse glazed cafe-a...

Transcendental Decorative Object in White Ceramic by Ain Choi Dimensions: D 15 x W 58 x H 47 cm. Materials: Ceramic. Waves are particularly fascinating to me among those topics. A w...

Statues of East Asian horse rider, featuring glazes in green, are set on rectangular base. Period: Ming Dynasty Medium: Green-glazed Pottery Type: Figure Condition : Good Provenance : Acquired in early 2000s from Hongkong * Ming Dynasty Glazed Pottery Figures Ming Dynasty glazed pottery figures are renowned for their bold color palette, intricate detailing, and lifelike forms, distinguishing them from earlier traditions. These figures, which depict officials, warriors, animals, and mythical creatures, are characterized by high-gloss lead-based glazes in green, amber, ochre, and sancai (three-color) combinations. The thickly applied glaze pools in recesses, creating depth and enhancing sculptural details. With dynamic postures, expressive facial features, and meticulously rendered drapery, these figures reflect the period’s advancement in ceramic craftsmanship, offering a greater sense of movement and realism compared to the rigid and stylized forms of earlier dynasties. A defining characteristic of Ming glazed...

The table bearing pig head, rice cakes, dishes of meat, fish and fruit. Known as Mingqi, these terracotta models were customarily included in Chinese burial practices, particularly among the affluent, to aid the deceased in their journey through the afterlife. This tradition extends back to the Neolithic Period. A unique terracotta funeral table...

Proportions of Stone Shelf Level 05 by Lee Sisan Dimensions: W 64 x D 59 x H 110 cm Materials: Stainless steel, natural stone Each piece is made to order ...

Changsha Ware has distinct and recognizable designs and motifs. Painted designs often depict flowers, vines, clouds and mountain landscapes. Some painting is simply splotches of colo...

Modeled after wooden architectural forms, this miniature gate is constructed with two vertical posts and three horizontal crossbars, set on footed bases with projecting support brack...

The vase is raised on a slightly splayed foot and flanked on the tall cylindrical neck by a pair of mask handles. The body is molded with lotus scroll pattern between a floral scroll...

Crystal Marble Fragment Vase by Jang Hea Kyoung Artist: Jang Hea Kyoung Materials: Crystal resin and marble Dimensions: 21 x 8 x 21 cm Jang Hea Kyoung is based in Seoul, Republ...

This dish is coated with a transparent bluish-white glaze over a thin white body. The center is incised with a design of lotus flowers and a bird, while the inner wall is encircled b...

An ovoid vessel rising from a small flat base and widening toward the shoulder, fitted with a pair of applied loop handles and a slightly everted rim; the surface is finely burnished...

This pottery brazier, a burial artifact from the Han Dynasty, features quadrilateral sides that slope inward and a base with slits for ventilation. Each side is adorned with animal motifs and geometric patterns. The brazier stands...

B.S.P Side Table by Atelier SOHN Dimensions: D 42 x W 42 x H 52 cm. Materials: Waste plastic dust and recycled plastic. Donghoon,Sohn is a Founder / Designer of Atelier SOHN. He un...

Large sculptural ceramic works covered in a thick milky greyish-white glaze, showing fine crackle and natural burial traces accumulated over time. The upper section is formed by a ti...

It features a complex design with a central circular motif surrounded by eight petal-like sections, each intricately adorned with various botanical and geometric patterns, creating a symmetrical arrangement. The number 8 in Chinese culture is associated with prosperity and is considered very auspicious. This may reflect the traditional Chinese cosmological concept of the "Bagua," which are eight trigrams used in Taoist philosophy to represent fundamental principles of reality, seen in various aspects of Chinese culture, including the I Ching and Feng Shui. The central circle with radiating petals is also a representation of perfect geometric harmony, reflecting the balance and unity which are key elements in Chinese aesthetics. The use of symmetry and balance is seen as a way to represent the harmony of the universe. Period : Qing Dynasty, Kangxi Period Production Date : 1690-1699 Made in : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Vung Tau ship Size : 12.5cm (Diameter) Condition : Excellent Reference : Double checked with reference to the original catalogues 1) Christies Amsterdam 1992 - Vung Tau Cargo / Christies 2) Qing Dynasty Export Blue and White(淸代外销靑花瓷) - Vung Tau Cargo Catalogue / Guangxi Fine Art Publishing House 3) Asian Ceramic Found along Maritime Silk Route / National Maritime Museum of Korea * Vung Tau Cargo Porcelain...

A group of three glazed terracotta musician figures, depicting a central performer holding a looped wind instrument accompanied by two attendant musicians. Each figure stands on a rectangular base and is covered with richly applied green and blue glazes. Such figural representations of musicians are comparatively uncommon, making this ensemble particularly notable within its category. Period: Ming Dynasty Medium: Green and Blue glazed Pottery Type: Figure Provenance : Acquired in early 2000s from Hongkong Reference : 1) V&A Museum - Accession number C.1501913 (Type : Closely related) * Ming Dynasty Glazed Pottery Figures Ming Dynasty glazed pottery figures are renowned for their bold color palette, intricate detailing, and lifelike forms, distinguishing them from earlier traditions. These figures, which depict officials, warriors, animals, and mythical creatures, are characterized by high-gloss lead-based glazes in green, amber, ochre, and sancai (three-color) combinations. The thickly applied glaze pools in recesses, creating depth and enhancing sculptural details. With dynamic postures, expressive facial features, and meticulously rendered drapery, these figures reflect the period’s advancement in ceramic craftsmanship, offering a greater sense of movement and realism compared to the rigid and stylized forms of earlier dynasties. A defining characteristic of Ming glazed pottery is its elaborate surface detailing, often achieved through raised relief elements and contrasting glazes. Equestrian figures, for example, feature carefully sculpted saddles, harnesses, and decorative embellishments, while human figures are adorned with intricate robes and headdresses. The large scale of these tomb figures, often more imposing than those from previous periods, underscores the increasing importance of funerary art during the Ming era. Unlike later Qing Dynasty figures...

Exquisitely decorated set of plates, dating back to around 1500, from the Hongzhi or Zhengde period. Intricately adorned with a raised, moulded goldfish design. The goldfish, painted in a orange-red enamel, are set amidst water plants depicted in rich cobalt blue. These plates enjoyed widespread popularity, not only in the local markets of China but also overseas in countries. This style of plate played a significant role in the daily life of the Sengoku period in Japan, as evidenced by several similar flat bowls excavated from the Ichijodani Asakura Ruins in Fukui Prefecture, Japan, along with other ceramic artifacts...

White Layered oak wood table by Hyungshin Hwang Dimensions: D 200 x W 100 x H 75 cm Materials: oxidized red oak Layered Series is the main theme and concept of work of Hwang, wh...

Proportions of stone bench by Lee Sisan, 2020 Dimensions: W 96 x D 96 x H 35 cm Materials: Stainless steel, natural stone. Each piece is made to ...

Both Yixing Zisha teapots appear to be modern-Republic era pieces. Yixing Zisha teapots are made from rare Zisha (紫砂) clay, which is exclusively mi...

Decorated with varied floral and aquatic motifs rendered in fluid brushwork and natural cobalt tonal gradation. Set against a soft milky-white glaze, the refined potting and painterl...

This saucer displays central floral motifs surrounded by a variety of beautifully decorated botanical and floral patterns, indicative of classic East Asian ceramic artistry. Period ...

Pair of traditional embroidered frames, originally made from a bridal pillowcase flap and presented by a bride to her husband as part of her dowry in Korea’s late Joseon to early mod...

An early yue celadon jar with a globular body, a short tubular spout, and a single handle attached at the shoulder. The vessel is coated with a grey-green celadon glaze, unevenly app...

Vietnamese covered boxes with star like flower designs. Both are made of cream-colored base and blue designs, typical of Annamese stoneware. Dates : 15th century Le Dynasty Region :...

The Perfect Coincidence series by the artist emerges as a contemporary homage to the whims of chance reminiscent of Jean Arp's technique, where he crafted new sensual forms by tearin...

The Perfect Coincidence series by the artist emerges as a contemporary homage to the whims of chance reminiscent of Jean Arp's technique, where he crafted new sensual forms by tearin...

The Perfect Coincidence series by the artist emerges as a contemporary homage to the whims of chance reminiscent of Jean Arp's technique, where he crafted new sensual forms by tearin...

Emotional Color Change series combines colour and language to visually represent the external environment. The process involves mixing two or three colors on the canvas, starting fro...

This series, started in 2016 conveys a color and emotional language and is inspired by the series Color as Adjective, a series of drawings and paintings that are visual representatio...

This series, started in 2016 conveys a color and emotional language and is inspired by the series Color as Adjective, a series of drawings and paintings that are visual representatio...

This series, started in 2016 conveys a color and emotional language and is inspired by the series Color as Adjective, a series of drawings and paintings that are visual representatio...

Its surface is coated with a smooth, glossy white or cream-colored glaze, exuding a clean and elegant finish. At the center, a geometric motif painted in black pigment draws the eye,...

The edges have been dipped in four places with brown, probably iron-oxide. The well of the bowl is freely painted in deep green and coffee coloured brown. These are characteristic fe...

One side of the vase showcases a panel with the Shou character at its center, symbolizing longevity, while the opposite side displays the Fu character, signifying luck. The neck of the vase is adorned with leaves. There are similar types and decoration but varying in shape, resembling a pear, all from the same era and crafted in celadon, often referred to as 'fu shou' vases. Period: Yuan-Ming Dynasty (1271-1644) Region: Longquan, China Medium: Celadon Type: Ewer Provenance : Acquired in late 1990s from Hongkong Reference 1) British Museum - Museum number 1931,1118.5 (Type : Closely related) 2) Christies NEW YORK 24–25 MAR 2022 - Important Chinese Ceramics and Works of Art - Lot 1105 (Price realised : 9,450 USD / Type : Related) 3) Sotheby's New York 19 March 2024 - Chinese Art - Lot 172 (Price range : 15,000 USD - 20,000 USD / Type : Related) * Ming Dynasty Longquan Celadon Longquan celadon from the Ming Dynasty typically exhibits a more robust and heavier stoneware body compared to its Song Dynasty predecessors. The Ming era saw an evolution in celadon glaze, achieving a wider spectrum of green hues, from olive to bluish-greens. Ming celadons...

This vessel features a gently rounded body with a thick, flared rim, while the lower exterior is decorated with evenly carved, basket-weave–inspired incised lines. A continuous band ...

Heritage Stool by Lee Jung Hoon Dimensions: D 16.5 x W 60 x H 54.6 cm Materials: Granite, Ash, Stainless Steel. The Heritage series, created by designer Lee Jung-hoon is a collectio...

This lotus dish from Ca Mau Ship was held in our gallery in three pieces(according to sizes). One was sold in 2024. With radiating lotus-petal 8 panels painted with single flowers a...

Vietnamese covered boxes with representative bird and plant designs. Both are made of cream-colored base and blue designs, typical of Annamese pottery. These shared characteristics h...

Explosive, immersive, and emotionally charged, Humming Letter #145 reveals Ji-an Kwon’s ability to transform color and gesture into a deeply sensory experience. Through dense layers ...

Cylindrical vessel on three animal-shaped feet (dragon or snake), wall with profile grooves, roof. pottery with green lead glaze. "Iridescence" is observed in surface. Period : Han...

The edges have been dipped in four places with brown, probably iron-oxide. The well of the bowl is freely painted in deep green and coffee coloured brown. These are characteristic fe...

The vessel has an overall oval shape, characterized by smooth curves that transition naturally from the rim to the body. The upper part of the jar narrows slightly, with four handles...

B.S.P Side Table 2 by Atelier SOHN Dimensions: D 25 x W 43 x H 52 cm. Materials: Waste plastic dust and recycled plastic. Donghoon,Sohn is a Founder / Designer of Atelier SOHN. He ...

The circular domed cover moulded with a brown glaze that falls short of the straight foot. The pattern on the left features a central circular design with simple shapes and lines car...

The figure stands with arms crossed in front, a pose that is often seen in tomb figurines which were intended to serve the deceased in the afterlife. The long robe and facial feature...

Heritage Giwa sideboard by Lee Jung Hoon Dimensions: D 163.2 x W 53 x H 41.1 cm Materials: Red oak The Heritage series, created by designer Lee Jung-hoon is a collection of scul...

Three White glazed boxes from the Qing dynasty Vung Tau cargo. Identical pieces are included on page 459 of the Vung Tau catalog titled 'Christies Amste...

The ovoid body to a tall neck, the body decorated with a chrysanthemum meander, covered overall in a translucent pale blue glaze. Traces of excavation can be seen in the dirt marks o...

A Han dynasty green-glazed pottery vessel with a gently flaring rim and a stable high-footed base, covered overall in a green glaze. The exterior features motifs of deer, cicadas, an...

infomacloes sobre ela. JI-AN KWON – Humming Letter #126 (2024) Mixed media on canvas, 73 x 183 cm. A vibrant and immersive composition where Ji-an Kwon transforms emotion, rhythm an...

Proportions of stone stool 04 by Lee Sisan 2020 Dimensions: W 36 x D 36 x H 45 cm Materials: Stainless steel, natural stone Each piece is made to order and uses natural stones, so...

The scene depicted in the porcelain is inspired by "The Romance of the Western Chamber" (西厢记), which is one of the most famous Chinese classical novels and was among the first to be ...

Proportions of Stone Wall Object by Lee Sisan Dimensions: W 60 x D 60 x H 26 cm Materials: Stainless steel, natural stone. Each piece is made to order and uses natural stones, so pl...

This work will be shipped rolled. In this new series, Sense World, the artist has experimented with various colour combinations and techniques to convey her emotions and thoughts. T...

This work will be shipped rolled. In this new series, Sense World, the artist has experimented with various colour combinations and techniques to convey her emotions and thoughts. T...

The Perfect Coincidence series by the artist emerges as a contemporary homage to the whims of chance reminiscent of Jean Arp's technique, where he crafted new sensual forms by tearin...

This series, started in 2016 conveys a color and emotional language and is inspired by the series Color as Adjective, a series of drawings and paintings that are visual representatio...