Wisconsin

Huge collection! Gorgeous dinner size Wedgwood sterling silver flatware set - 140 pieces Plus Hollowware including four-piece sterling silver tea set...

ALEXANDER McQUEEN S/S 1998 Green Camouflage Knee Length Pencil Skirt Brand / Manufacturer: Alexander McQueen Collection: Spring / Summer 1998 Designer: Alexander McQueen Style: Pen...

Vintage c.1910's Edwardian one of a kind couture black fine wool felt and raspberry red silk cutwork embroidered mantelet. Intricately detailed cutwork with raspberry red silk underl...

ENGLISH KING (c. 1885) Patterns similar to our English King were first used in France and England late in the eighteenth century and have remained among the most popular styles for>flatware today, in both Europe and America. Tiffany & Co. first made its own version of English King in 1885. It harmonizes with any eighteenth-century-inspired style neo-Georgian, Colonial, Louis XVI, Sheraton, Chippendale, Adam or Hepplewhite. The rich, intricate decoration of Tiffany's English King pattern reflects the luxurious entertainments given during the latter part of the eighteenth century and will enhance and give a sense of occasion to present-day settings. Designed by Charles Grosjean (1841-1888). Grosjean worked in his family's firm which produced high end silverware to prominent New York City retailers, including Tiffany. Upon his father's death, Grosjean left his family firm to become superintendent of Tiffany's silver factory in 1868. He had great background in silver and was an artist and was referred to as "one of the best living decorators of silver". He was a teacher in the Tiffany School and designed a few full lines of sterling patterns...

A pair of 18K yellow gold genuine earth mined emerald stud earrings with diamond halos. The round cut emeralds measure about 4.5mm and have medium dark color and fine clarity. The em...

"Hunting" is an original etching and aquatint by Molly McKee. The artist signed the piece in the lower right, titled it lower center, and wrote the edition number (2/10) in the lower left. It depicts a few abstracted human figures in McKee's surreal and horror-inspired style. 11 3/4" x 9" art 24 7/8" x 17 1/2" frame This surreal etching...

Beautiful Florentine lace by Reed & Barton sterling silver flatware set - 32 pieces. This set includes: Eight knives, 9", eight forks, 7 3/8", eight salad forks, 6 1/2", eight t...

Chateau Rose by Alvin sterling silver flatware set, 74 pieces. This set includes: Eight dinner knives, 9 1/2", eight dinner forks, 7 7/8", eight luncheon knives, 8 7/8", eight l...

Very beautiful Walnut Wood Mid Century 1960s Full / "Double" sized bed frame, including the headboard and footboard This headboard can be mounted to a metal bed frame or a platform ...

Grand recollection-tradition by International sterling silver flatware set - 56 pieces. This set includes: 8 Knives, 9 1/4" 8 Forks, 7 1/8" 8 Salad Forks, 6 1/4" 8 Teaspoons, 6" 8 C...

Brand / Manufacturer: Alexander McQueen Circa: 2017 Designer: Sarah Burton Style: Gown Color(s): Shades of mauve Lined: Yes Unmarked Fabric Content (feel of): Velvet (primary fabric), satin (trim), silk (lining) Additional Details / Inclusions: Alexander McQueen circa 2017 gown...

"Lake Michigan Shore" is an original oil painting on board by Francesco Spicuzza. The artist shows the impact of Impressionism in his landscapes from around 1930. "Lake Michigan Shor...

EMILIO PUCCI c.1970s Multicolor Op Art High-Cut One Piece Snap Bodysuit Swimsuit Brand / Manufacturer: Emilio Pucci Circa: 1970s Designer: Emilio Pucci Style: One-piece Swimsuit Col...

"Family of Six" is an original black and white lithograph by John Biggers. The artist signed and dated the piece in the lower right and titled and editioned it (AP III) in the lower ...

"Diane Chasseresse" is an original color lithograph signed by the artist Gaston de Latenay. It is edition 36/100, which is written in the lower right...

Aegean Weave Gold Accent by Wallace sterling silver flatware set, 68 pieces. This set includes: 12 knives, 9 3/8" 12 forks, 8" 12 salad forks, 6 7/8" 12 teaspoons, 6 1/2" 12 cocktai...

ALEXANDER McQUEEN A/W 2008 Black White Asymmetrical Winged Skull T-Shirt Top Brand / Manufacturer: Alexander McQueen Collection: A/W 2008 Designer: Alexander McQueen Style: Top Colo...

Monumental dinner size Adam by National circa 1917 sterling silver flatware set of 102 pieces. This set includes: 12 dinner size knives, 9 1/2" 12 dinner size forks, 7 1/4" 12 salad...

Artist Statement My paintings provoke an interplay and tension between line, shape, and color. With no preconceived idea in mind, she begins by dripping, scrapping, and gouging acry...

Milton Avery Fish (blue), 1952, (A/P) Catalogue raisonné : Lunn 41. Woodcut, printed in blue2.38 x 9 in (6.05 x 22.86 cm)Framed 12.50 x 18.75 in From the blue prints, approximately 1...

"Pour Daniel-Henry Kahnweiler - Falling Leaves" is an original lithograph, printed in 1964 by Andre Beaudin. It includes vertical frames of tan, orange, yellow, green, and gray. It i...

"Red, Yellow, Blue & Green" is an original color woodcut by Carol Summers. The artist signed the piece in the lower left. This woodcut depicts four color fields. The edition number i...

Incredibly unusual circa 1930s brown/bronze & silver metallic knit dress. Contains a partial label marked "209 Rue Saint-Honore- Paris". Dress is embellished with ivory, brown and go...

"Ilsee's Palace" and "The Princess's Creation" are two sides of one double-sided original lithograph by Art Nouveau master Alphonse Mucha. These illustrations were pages 67 & 68 ...

Brand / Manufacturer: Emilio Pucci Circa: 1969 Designer: Emilio Pucci Style: Button-Up Top Color(s): Shades of blue, pink, purple, green, gray, black, white Lined: No Marked Fabric C...

Inspired by the French Renaissance, the Burgundy sterling silver flatware pattern from Reed & Barton is decorated with motifs of scro...

ALEXANDER McQUEEN c.2007 Black Wool Geometric Paneled V-Neck Cocktail Dress Brand / Manufacturer: Alexander McQueen Designer: Alexander McQueen Collection: c.2007 Style: Sheath Dres...

10K yellow gold ring featuring an emerald cut peridot weighing 3.73 carats. The vibrant lime green peridot measures about 10mm x 8mm. The ring fits a size 6.75 finger, weighs 1.79dwt...

Rare Orleans by Lunt, circa 1914, sterling silver flatware set, 82 pieces. This set includes: 12 knives, 6 - 8 7/8" & 6 - 8 1/2" 12 forks, 7 1/8" 12 salad forks, 5 7/8" 12 teaspoons...

An exceptional late 19th-century Native American pipe attributed to the Great Lakes region, dating circa 1880–1890. The substantial catlinite bowl is ornamented with contrasting pewt...

Intricately carved floral motifs carefully arranged along the handle and by the neck of this fanciful pattern are balanced by a slender central panel edged with delicate borders. Int...

This sleeveless mini shift dress showcases the signature Gucci style. It features a stylized collar detail accented with gold-tone buttons, GG interlocking chain print throughout, an...

"The New Steamship Cephalonia, of the Cunard Line" is an original hand-colored lithograph by Currier & Ives. It depicts a large sailing steamship. There is a significant stain in the artwork in the upper center. 12" x 16 3/4" art 21" x 26" frame Nathaniel Currier was a tall introspective man with a melancholy nature. He could captivate people with his piercing stare or charm them with his sparkling blue eyes. Nathaniel was born in Roxbury, Massachusetts on March 27th, 1813, the second of four children. His parents, Nathaniel and Hannah Currier, were distant cousins who lived a humble yet spartan life. When Nathaniel was eight years old, tragedy struck. Nathaniel’s father unexpectedly passed away leaving Nathaniel and his eleven-year-old brother Lorenzo to provide for the family. In addition to their mother, Nathaniel and Lorenzo had to care for six-year-old sister Elizabeth and two-year-old brother Charles. Nathaniel worked a series of odd jobs to support the family, and at fifteen, he started what would become a life-long career when he apprenticed in the Boston lithography shop of William and John Pendleton. A Bavarian gentleman named Alois Senefelder invented lithography just 30 years prior to young Nat Currier’s apprenticeship. While under the employ of the brothers Pendleton, Nat was taught the art of lithography by the firm’s chief printer, a French national named Dubois, who brought the lithography trade to America. Lithography involves grinding a piece of limestone flat and smooth then drawing in mirror image on the stone with a special grease pencil. After the image is completed, the stone is etched with a solution of aqua fortis leaving the greased areas in slight relief. Water is then used to wet the stone and greased-ink is rolled onto the raised areas. Since grease and water do not mix, the greased-ink is repelled by the moisture on the stone and clings to the original grease pencil lines. The stone is then placed in a press and used as a printing block to impart black on white images to paper. In 1833, now twenty-years old and an accomplished lithographer, Nat Currier left Boston and moved to Philadelphia to do contract work for M.E.D. Brown, a noted engraver and printer. With the promise of good money, Currier hired on to help Brown prepare lithographic stones of scientific images for the American Journal of Sciences and Arts. When Nat completed the contract work in 1834, he traveled to New York City to work once again for his mentor John Pendleton, who was now operating his own shop located at 137 Broadway. Soon after the reunion, Pendleton expressed an interest in returning to Boston and offered to sell his print shop to Currier. Young Nat did not have the financial resources to buy the shop, but being the resourceful type he found another local printer by the name of Stodart. Together they bought Pendleton’s business. The firm ‘Currier & Stodart’ specialized in "job" printing. They produced many different types of printed items, most notably music manuscripts for local publishers. By 1835, Stodart was frustrated that the business was not making enough money and he ended the partnership, taking his investment with him. With little more than some lithographic stones, and a talent for his trade, twenty-two year old Nat Currier set up shop in a temporary office at 1 Wall Street in New York City. He named his new enterprise ‘N. Currier, Lithographer’ Nathaniel continued as a job printer and duplicated everything from music sheets to architectural plans. He experimented with portraits, disaster scenes and memorial prints, and any thing that he could sell to the public from tables in front of his shop. During 1835 he produced a disaster print Ruins of the Planter's Hotel, New Orleans, which fell at two O’clock on the Morning of the 15th of May 1835, burying 50 persons, 40 of whom Escaped with their Lives. The public had a thirst for newsworthy events, and newspapers of the day did not include pictures. By producing this print, Nat gave the public a new way to “see” the news. The print sold reasonably well, an important fact that was not lost on Currier. Nat met and married Eliza Farnsworth in 1840. He also produced a print that same year titled Awful Conflagration of the Steamboat Lexington in Long Island Sound on Monday Evening, January 18, 1840, by which melancholy occurrence over One Hundred Persons Perished. This print sold out very quickly, and Currier was approached by an enterprising publication who contracted him to print a single sheet addition of their paper, the New York Sun. This single page paper is presumed to be the first illustrated newspaper ever published. The success of the Lexington print launched his career nationally and put him in a position to finally lift his family up. In 1841, Nat and Eliza had their first child, a son they named Edward West Currier. That same year Nat hired his twenty-one year old brother Charles and taught him the lithography trade, he also hired his artistically inclined brother Lorenzo to travel out west and make sketches of the new frontier as material for future prints. Charles worked for the firm on and off over the years, and invented a new type of lithographic crayon which he patented and named the Crayola. Lorenzo continued selling sketches to Nat for the next few years. In 1843, Nat and Eliza had a daughter, Eliza West Currier, but tragedy struck in early 1847 when their young daughter died from a prolonged illness. Nat and Eliza were grief stricken, and Eliza, driven by despair, gave up on life and passed away just four months after her daughter’s death. The subject of Nat Currier’s artwork changed following the death of his wife and daughter, and he produced many memorial prints and sentimental prints during the late 1840s. The memorial prints generally depicted grief stricken families posed by gravestones (the stones were left blank so the purchasers could fill in the names of the dearly departed). The sentimental prints usually depicted idealized portraits of women and children, titled with popular Christian names of the day. Late in 1847, Nat Currier married Lura Ormsbee, a friend of the family. Lura was a self-sufficient woman, and she immediately set out to help Nat raise six-year-old Edward and get their house in order. In 1849, Lura delivered a son, Walter Black Currier, but fate dealt them a blow when young Walter died one year later. While Nat and Lura were grieving the loss of their new son, word came from San Francisco that Nat’s brother Lorenzo had also passed away from a brief illness. Nat sank deeper into his natural quiet melancholy. Friends stopped by to console the couple, and Lura began to set an extra place at their table for these unexpected guests. She continued this tradition throughout their lives. In 1852, Charles introduced a friend, James Merritt Ives, to Nat and suggested he hire him as a bookkeeper. Jim Ives was a native New Yorker born in 1824 and raised on the grounds of Bellevue Hospital where his father was employed as superintendent. Jim was a self-trained artist and professional bookkeeper. He was also a plump and jovial man, presenting the exact opposite image of his new boss. Jim Ives met Charles Currier through Caroline Clark, the object of Jim’s affection. Caroline’s sister Elizabeth was married to Charles, and Caroline was a close friend of the Currier family. Jim eventually proposed marriage to Caroline and solicited an introduction to Nat Currier, through Charles, in hopes of securing a more stable income to support his future wife. Ives quickly set out to improve and modernize his new employer’s bookkeeping methods. He reorganized the firm’s sizable inventory, and used his artistic skills to streamline the firm’s production methods. By 1857, Nathaniel had become so dependent on Jims’ skills and initiative that he offered him a full partnership in the firm and appointed him general manager. The two men chose the name ‘Currier & Ives’ for the new partnership, and became close friends. Currier & Ives produced their prints in a building at 33 Spruce Street where they occupied the third, fourth and fifth floors. The third floor was devoted to the hand operated printing presses that were built by Nat's cousin, Cyrus Currier, at his shop Cyrus Currier & Sons in Newark, NJ. The fourth floor found the artists, lithographers and the stone grinders at work. The fifth floor housed the coloring department, and was one of the earliest production lines in the country. The colorists were generally immigrant girls, mostly German, who came to America with some formal artistic training. Each colorist was responsible for adding a single color to a print. As a colorist finished applying their color, the print was passed down the line to the next colorist to add their color. The colorists worked from a master print displayed above their table, which showed where the proper colors were to be placed. At the end of the table was a touch up artist who checked the prints for quality, touching-in areas that may have been missed as it passed down the line. During the Civil War, demand for prints became so great that coloring stencils were developed to speed up production. Although most Currier & Ives prints were colored in house, some were sent out to contract artists. The rate Currier & Ives paid these artists for coloring work was one dollar per one hundred small folios (a penny a print) and one dollar per one dozen large folios. Currier & Ives also offered uncolored prints to dealers, with instructions (included on the price list) on how to 'prepare the prints for coloring.' In addition, schools could order uncolored prints from the firm’s catalogue to use in their painting classes. Nathaniel Currier and James Merritt Ives attracted a wide circle of friends during their years in business. Some of their more famous acquaintances included Horace Greeley, Phineas T. Barnum, and the outspoken abolitionists Rev. Henry Ward, and John Greenleaf Whittier (the latter being a cousin of Mr. Currier). Nat Currier and Jim Ives described their business as "Publishers of Cheap and Popular Pictures" and produced many categories of prints. These included Disaster Scenes, Sentimental Images, Sports, Humor, Hunting Scenes, Politics, Religion, City and Rural Scenes, Trains, Ships, Fire Fighters, Famous Race Horses, Historical Portraits, and just about any other topic that satisfied the general public's taste. In all, the firm produced in excess of 7500 different titles, totaling over one million prints produced from 1835 to 1907. Nat Currier retired in 1880, and signed over his share of the firm to his son Edward. Nat died eight years later at his summer home 'Lion’s Gate' in Amesbury, Massachusetts. Jim Ives remained active in the firm until his death in 1895, when his share of the firm passed to his eldest son, Chauncey. In 1902, faced will failing health from the ravages of Tuberculosis, Edward Currier sold his share of the firm to Chauncey Ives...

Damask Rose by Oneida sterling silver flatware set, 52 pieces. This set includes: 12 knives, 8 3/4", 12 forks, 7 1/8", 12 salad forks, 6 1/2", 12 teaspoons, 6 1/8", one gravy l...

'Improvisation 7' second ed. woodcut from 'Klänge' is a woodcut print created by Wassily Kandinsky. The present woodcut print comes from the second edition of 'Klänge (Sounds),' a book of original graphics and poetry by Wassily Kandinsky. The title of the album and of this print, 'Improvisation,' demonstrated Kandinsky's interest in music and how abstract musical forms could be translated into images on a two-dimensional surface. This particular composition is difficult to read, but through the abstraction, one can make out various figures and a landscape beyond. Originally carved and printed in 1911, this second edition print was done ca. 1938. It is a woodcut in black ink on woven paper. Signed with encircled 'K' in the block, lower right (from the book, signed in ink, ed. 118/300) Wassily Kandinsky Woodcut in black on Dutch laid paper Cut from the folio Klänge, conceived 1911-1912, published in 1913 Published by R. Piper, Munich Book is signed and edition to the justification page: "Wassily K" and "118/300" Each page is unsigned and unnumbered, as issued, sold as a single page. A copy of the justification page will be provided at sale. Image Size: 7 1/2" x 5 inches Frame Size: 22 1/4" x 18 3/4" Ref. Roethel 124 Artist Bio: The Museum of Modern Art described 'Klänge (Sounds)' as follows: Vasily Kandinsky's self-described "musical album," Klänge (Sounds), consists of thirty-eight prose-poems he wrote between 1909 and 1911 and fifty-six woodcuts he began in 1907. In the woodcuts Kandinsky veiled his subject matter, creating increasingly indecipherable images (though the horse and rider, his symbol for overcoming objective representation, runs through as a leitmotif). This process proved crucial for the development of abstraction in his art. Kandinsky said his choice of media sprang from an "inner necessity" for expression: the woodcuts were not merely illustrative, nor were the poems purely verbal descriptions. Kandinsky sought a synthesis of the arts, in which meaning was created through the interaction of, and space between, text and image, sound and meaning, mark and blank space. The experimental typography shows his interest in the physical aspects of the book. Klänge is one of three major publications by Kandinsky that appeared shortly before World War I, alongside Über die Geistige in der Kunst (Concerning the Spiritual in Art) and the Blaue Reiter almanac...

"Grévy's Zebra" is an original oil painting on canvas by Peruvian painter Lucre Chura. The artist signed the painting in the lower right. The Grévy's zebra, also known as the imperia...

Giant antique heavy art glass urn/factice/apothecary jar, with cap/topper and metal stand. Beautiful Art Deco decorative statement piece that can be used in a variety of ways; to display herbs and botanicals or scent an entire space. Simply fill the large glass structure with your favorite botanicals or fragrance, and keep the stopper inserted until you are ready to release some fresh fragrance. Can be filled with regular or colored water if desired. Can also be used as a vase to display a floral arrangement. Lightweight metal stand has a light beige/gold-toned color to the exterior and remains unfinished at the backside. Carved art deco design inclusive of long lines that begin at three separate curved clawfoot style feet and lead upward to distinctive fan pattern details that hold glass urn in place. Metal stand allows for glass urn to have an almost levitating appearance when placed inside. Some pieces are marked/labeled at backside with, "0-1" & "0-2". Glass urn features a curved/rounded design with a wide belly and pointed base. Circumferential groove details at top portion of urn with a heightened neck/mouth for matching stopper. Giant factice fragrance bottles...

Lanvin "Hero" Navy blue and brown check patterned silk satin handbag. Dual removable single fold leather and brown tortoiseshell chain link shoulde...

Framed 26 x 22 in No. 392 in the Catalogue Raisonne of Chagall's lithographs This lithograph came from "The Lithographs of Chagall: Volume II" by Fernand Mourlot and Marc Chagall....

"Figure by the Cottage in Forest" is an original etching by John Thomas Smith. The miniature landscape shows a pair of cottages in the woods, nestled back into the trees. A river flo...

Framed 19 x 17.75 in No. 196 in the Catalogue Raisonne of Chagall's lithographs This lithograph was created by Chagall especially for this edition of the book "Chagall" by Jacques ...

14K white gold genuine emerald and earth mined diamond ring. The genuine earth mined emerald is an emerald cut measuring about 7mm x 5mm and weighing 1.00 carats. The emerald has bri...

COURREGES c. 1970's Orange Corduroy Button Up Jacket Blazer Skirt Suit Set VTG Brand / Manufacturer: Courreges Circa: 1970s Designer: Andre Courreges Style: Jacket Skirt Suit Set Color(s): Orange, White (detailing), Silver (buttons) Lined: Yes Marked Fabric: 100% Cotton (exterior), 100% Acetate (Lining) Unmarked Fabric: Corduroy Additional Details / Inclusions: Vintage Courreges c.1970's orange jacket and skirt set. Marked as 100% cotton for the exterior and 100% acetate for the lining. Corduroy fabric in horizontal ridges. Jacket has two functional front chest pockets, front button closure, and knit belts...

Vintage Emilio Pucci c.1970's mint green & black color-block silk jersey dress. Large floral print in shades of blue, green, and white at center front and sleeves. Botanical boarder ...

Guildhall by Reed and Barton sterling silver Flatware set, 42 pieces. Great starter set! This set includes: Six knives, 9", ...

Vintage raw coral and jade beaded articulated cloisonne enamel koi fish pendant necklace. Silver-toned sculptural metal Chinese koi fish pendant with artic...

Christian Lacroix Autumn / Winter 2001 two piece floral jacquard and fur jacket pant suit set. Jacket featured in runway look #21. Asymmetrical floral jacquard jacket...

COURREGES Early c.1960's Orange Wool Embroidered Trim Short Sleeve A-Line Dress Brand / Manufacturer: Courreges Circa: Early 1960s Designer: Andre C...

ALEXANDER McQUEEN A/W 2009 “The Horn Of Plenty” Dogtooth Print Knit Sweater Top Brand / Manufacturer: Alexander McQueen Collection: A/W 2009 “The Horn Of Plenty” Designer: Alexan...

Vintage c.1960s Emilio Pucci orange, pink, brown, gold, and ivory abstract signature print silk jersey dress. Empire waist. V-neckline at front. Three-quarter length sleeves. Above t...

Dinner Size Empire by Durgin sterling silver flatware set - 52 pieces. This pattern was introduced in the year 1895 and features a crown above a central cartouche. This set includes:...

This vintage 1990s Luristan 2x3 hand-knotted wool rug features a bold stylized lion animal motif rendered in a charming folk-art aesthetic. Hand-knotted in organic wool, the small-fo...

Framed dimensions 27.5 x 20.75 in Signed lower left corner "Sylvia Spicuzza"

Pointed End by Arthur Stone Marvelous pointed end by Arthur Stone Arts & Crafts sterling silver 6-piece tea set circa 1901-1937 in MA....

DESCRIPTION: ALEXANDER McQUEEN A/W 2004 "Pantheon as Lecum" Metallic Tweed Trousers NWT Brand / Manufacturer: Alexander McQueen Collection: Autumn / Winter 2004 “Pantheon as Lecum”...

PIERRE CARDIN c.1960’s Navy Cream Geometric Mod Color Block Mini Dress Circa: 1960’s Label(s): Les Jerseys de Pierre Cardin Designer: Pierre Cardin Style: Sleeveless a-line mini dr...

French sterling silver flatware set by Francois Nicoud in Fitted box, circa 1870, 51 pieces. This set includes: 12 mother-of-pearl handle dinner knives, 10" (some wear to blades, a...

Fendi Fall / Winter 2009 two piece Avant Garde dress suit designed by Karl Lagerfeld. Black wool yarn woven through metallic steel gray in an Avant Garde design. 3/4 length sleeve ja...

"Everyone Has Gone" is an abstract oil painting on canvas by Deirdre Schanen. Working in the color-field tradition established by such artists as Helen Frankenthaler and Mark Rothko,...

Ponti by Arthur Krupp An example of this pattern is pictured in the hardcover book “Flatware that's not flat: Design and Production of innovative Table cutlery, 1890-2015” By Willia...