335 results for "mamluk carpets"

The source of carpet comes from the book How to Read - Islamic Carpets, Walter B. Denny, The Metropolitan Museum of Art, New York 2014 fig.61,62. The five-star-medallion carpet was d...

The source of carpet comes from the book How to Read – Islamic Carpets, Walter B. Denny, The Metropolitan Museum of Art, New York 2014 fig.61,62. The five-star-medallion carpet was d...

The source of carpet comes from the Mercer Collection Sotheby's 2000 (catalog cover). This Mamluk-Cairene carpet is known, curiously featuring some type of lattice was designed in th...

The source of the rug comes from the book Völker, Angela, Die orientalischen Knüpfteppiche das MAK, Vienna: Böhlau, 2001: 42–5. This rug with the central star was designed in the early 16th-century rug by Mamluk Sultane of Cairo, Egypt. It is exhibited at MAK – Museum of Applied Arts, Vienna Austria. As its impressive size, materials, and design quality suggest, the carpet is a product of an accomplished court workshop and likely dates from the late period of the last Mamluk dynasty. The quantity of the colors used speaks for an earlier date around 1500; the delicate vegetal border with leaf tendrils and the characteristic umbrella leaves...

The source of carpet comes from the Mercer Collection Sotheby’s 2000 (catalog cover). This Mamluk-Cairene carpet is known, curiously featuring some type ...

The source of carpet comes from the book How to Read – Islamic Carpets, Walter B. Denny, The Metropolitan Museum of Art, New York 2014 fig.61,62. The five-star-medallion carpet was d...

The source of carpet comes from the book How to Read – Islamic Carpets, Walter B. Denny, The Metropolitan Museum of Art, New York 2014 fig.61,62. The five-star-medallion carpet was d...

The source of carpet comes from the book how to Rread – Islamic Carpets, Walter B. Denny, The Metropolitan Museum of Art, New York 2014 fig.61,62. The five-star-medallion carpet was ...

The source of the rug comes from the book Völker, Angela, Die orientalischen Knüpfteppiche das MAK, Vienna: Böhlau, 2001: 42–5. This rug with the central star was designed in the early 16th century rug by Mamluk Sultane of Cairo, Egypt. It is exhibited at MAK – Museum of Applied Arts, Vienna Austria. As its impressive size, materials, and design quality suggest, the carpet is a product of an accomplished court workshop and likely dates from the late period of the last Mamluk dynasty. The quantity of the colors used speaks for an earlier date around 1500; the delicate vegetal border with leaf tendrils and the characteristic umbrella leaves...

The source of the rug comes from the book Völker, Angela, Die orientalischen Knüpfteppiche das MAK, Vienna: Böhlau, 2001: 42–5. This rug with the central star was designed in the early 16th-century rug by Mamluk Sultane of Cairo, Egypt. It is exhibited at MAK – Museum of Applied Arts, Vienna Austria. As its impressive size, materials, and design quality suggest, the carpet is a product of an accomplished court workshop and likely dates from the late period of the last Mamluk dynasty. The quantity of the colors used speaks for an earlier date around 1500; the delicate vegetal border with leaf tendrils and the characteristic umbrella leaves...

The source of carpet comes from the book How to Read - Islamic Carpets, Walter B. Denny, The Metropolitan Museum of Art, New York 2014 fig.61,62. The five-star-medallion carpet was d...

The source of the carpet comes from the Mercer Collection Sotheby’s 2000 (catalog cover). This Mamluk-Cairene carpet is known, curiously featuring some t...

The source of carpet comes from the book How to Read - Islamic Carpets, Walter B. Denny, The Metropolitan Museum of Art, New York 2014 fig.61,62. The five-star-medallion carpet was d...

The source of carpet comes from the book How to Read - Islamic Carpets, Walter B. Denny, The Metropolitan Museum of Art, New York 2014 fig.61,62. The five-star-medallion carpet was d...

Mamluk Carpet with All-Over Leaf Lattice Contemporary Modern Rug Origin and Inspiration This carpet is inspired by a rare Mamluk design preserved in the collection of the MAK – Muse...

Inspired by the magnificent carpets woven for the courts and palaces of Mamluk Cairo, this monumental carpet embodies one of the most sophisticated achievements of Islamic decorative...

The source of the rug comes from the book Renaissance of Islam, Art of the Mamluks, Esin Atil, Smithsonian Institution Press, Washington D.C., 1981 nr.125. This a rug with a cup moti...

The source of the rug comes from the book Renaissance of Islam, Art of the Mamluks, Esin Atil, Smithsonian Institution Press, Washington D.C., 1981 nr.125. This a rug with a cup motif design late 15th-century rug from Mamluk Sultane of Cairo, Egypt. It is exhibited at the Washington D.C. The Textile Museum, R.16.1.2 . The layout of this rug is characteristic of the smaller, almost square Mamluk carpet. A wide border encloses the field, divided into horizontal units consisting of a central square flanked above and below by rectangular panels. The height of the rectangular panels is approximately one-third that of the square and is equal to the width of the border. The corners of the central square are cut into triangles, creating an octagon with green ground. The octagon contains a blue polylobed medallion, which encloses an eight-pointed star with a multipetaled rosette in the core. The area between the star and the lobed medallion has floral motifs springing outward from the arms of the star. The angles of the octagon bear eight isolated and irregular polygons with a red ground; each of these units is adorned with a multipetaled rosette enclosed by a square with papyrus motifs springing from its sides and corners. The field of the octagon is filled with similar papyrus sprays, some of which appear to grow from the eight stemmed cups placed between the polygons. The triangles in the corner bear a checkerboard pattern with a stylized lotus blossom (or fleur-de-lis) in each segment. The compositional layout of the rug is reminiscent of the illuminated frontispieces, which reveal similar proportions and internal divisions. Radiating designs of geometric components filled with floral motifs are a characteristic feature of Mamluk art...

The source of the rug comes from the book Renaissance of Islam, Art of the Mamluks, Esin Atil, Smithsonian Institution Press, Washington D.C., 1981 nr.125. This is a rug with a cup motif design late 15th-century rug from the Mamluk Sultanate of Cairo, Egypt. It is exhibited at the Washington, D.C. The Textile Museum, R.16.1.2 . The layout of this rug is characteristic of the smaller, almost square Mamluk carpet. A wide border encloses the field, divided into horizontal units consisting of a central square flanked above and below by rectangular panels. The height of the rectangular panels is approximately one-third that of the square and is equal to the width of the border. The corners of the central square are cut into triangles, creating an octagon with green ground. The octagon contains a blue polylobed medallion, which encloses an eight-pointed star with a multipetaled rosette in the core. The area between the star and the lobed medallion has floral motifs springing outward from the arms of the star. The angles of the octagon bear eight isolated and irregular polygons with a red ground; each of these units is adorned with a multipetaled rosette enclosed by a square with papyrus motifs springing from its sides and corners. The field of the octagon is filled with similar papyrus sprays, some of which appear to grow from the eight-stemmed cups placed between the polygons. The triangles in the corners bear a checkerboard pattern with a stylized lotus blossom (or fleur-de-lis) in each segment. The compositional layout of the rug is reminiscent of the illuminated frontispieces, which reveal similar proportions and internal divisions. Radiating designs of geometric components filled with floral motifs are a characteristic feature of Mamluk art...

The design source of the rug comes from the possession of Endre Unger, which was sold at Sotheby’s in 1992. That rug with the central star was designed in the early 16th-century rug ...

Mamluk Carpet with Cusped Medallion – 16th Century Cairene Design Reinterpreted Origin and Inspiration This carpet is inspired by a rare variation within the classical Mamluk tradi...

Origin and Inspiration The Grand Mamluk Revival Carpet with Twin Medallions is a contemporary masterpiece inspired by the celebrated carpets of the Mamluk Sultanate, which flourishe...

The design source of the rug comes from the possession of Endre Unger, which was sold at Sotheby’s in 1992. That rug with the central star was designed in the early 16th-century rug ...

The source of the rug comes from the possession of Endre Unger, which was sold at Sotheby’s in 1992. That rug with the central star was designed in the early 16th-century rug by Maml...

The design source of the carpet comes from the book Völker, Angela, Die orientalischen Knüpfteppiche das MAK, Vienna: Böhlau, 2001: 42–5. This rug with the central star was designed ...

Origin and Inspiration The Oversized Mamluk Revival Carpet with Central Octagonal Medallion is a contemporary interpretation of one of the most celebrated weaving traditions in the ...

Mamluk Carpet with Cusped Medallion – 16th Century Cairene Design Reinterpreted Origin and Inspiration This carpet is inspired by a rare variation within the classical Mamluk tradi...

This Mamluk Rug with Cusped Medallion embodies a contemporary revival of a classic design, meticulously handwoven in Eastern Turkey by skilled artisans of Ararat Rugs. The design fea...

The design source of the carpet comes from the book Völker, Angela, Die orientalischen Knüpfteppiche das MAK, Vienna: Böhlau, 2001: 42–5. That rug with the central star was designed ...

The source of carpet comes from the book Völker, Angela, Die orientalischen Knüpfteppiche das MAK, Vienna: Böhlau, 2001: 42–5. This rug with the central star was designed in the early 16th-century rug by Mamluk Sultane of Cairo, Egypt. It is exhibited at MAK – Museum of Applied Arts, Vienna Austria. The interpreted design is composed of a flower lattice pattern taken from a part of the MAK Museum’s rug...

The source of the rug comes from the possession of Endre Unger, which was sold at Sotheby’s in 1992. That rug with the central star was designed in the early 16th-century rug by Maml...

This rug has an interpreted design composed of a palmette lattice pattern taken from a part of the Mamluk rug, filling the field elegantly. These kinds of rugs have often been descri...

This geometric lattice pattern rug has the impression that it is only part of a larger scheme-designed 15th-century rug from the Mamluk era, Cairo region, Eygpt. These designs have o...

This geometric lattice pattern rug has the impression that it is only part of a larger scheme designed 15th-century rug from the Mamluk era, Cairo region, Eygpt. These designs have o...

79726 Vintage Afghani Khotan Rug, 06'06 x 09'04. The Mamluk Reverie: A Vintage Afghani Khotan Masterpiece of Architectural Splendor. This hand knotted wool vintage Afghani Khotan rug...

This rug has an interpreted design composed of a geometric lattice pattern taken from a part of the Mamluk rug, filling the field elegantly, has the impression that it is only part o...

This rug has an interpreted design composed of a geometric lattice pattern taken from a part of the Mamluk rug, filling the field elegantly, has the impression that it is only part of a larger scheme designed 15th-century rug from the Mamluk era, Cairo region, Eygpt. Mamluk carpets originated in a physical environment that lacked the combination of abundant marginal grazing land and a temperate climate with cool winters that were common to most carpet-weaving areas in the Islamic world. While related to a broader tradition of Turkish weaving centered in Anatolia, far to the north, the designs of these carpets include atypical elements, such as stylized papyrus plants, that are deeply rooted in Egyptian tradition. Their unusual composition and layout probably represent an attempt to develop a distinctive product that could in effect establish a “Mamluk brand” in the lucrative European export market. The uncharacteristic color scheme—devoid of the undyed white pile and employing a limited range of three or five hues in much the same value—also suggests a conscious attempt to create a particular stylistic identity. Also virtually unique in the world of Islamic carpets is the S-spun wool. It has been argued that the tradition of clockwise wool spinning originated in Egypt because of the earlier Egyptian tradition of spinning flax into linen thread. Details of the plant’s botanical structure make it impossible to spin flax fiber in the more common counterclockwise direction utilized throughout the Middle East for wool and cotton. Mamluk carpets with the color combinations seen in the Simonetti are now generally accepted as part of an earlier tradition that has many links to the weaving of Anatolia, Iran, and Syria. The “three-color” Mamluk carpets, well represented in the Metropolitan’s collection, represent a later development that continued well after the Ottoman conquest of Egypt in 1517. Many such carpets may have been produced well into the seventeenth century, and possibly even later. (Walter B. Denny in [Ekhtiar, Soucek, Canby, and Haidar 2011]). The design of the rug is interpreted by our designers from our Mamlouk-type rugs collection and vivid colors are used for this rug. Color summary: 2 colors in total; Imperial Red 426 (Madder Root) Sunray Color 405 (Henna) Group: Islamic Rugs...

This lattice pattern is composed of palmettes and leaves filling the various compartments against the imposing ground. One has the impression that it is only part of a larger scheme ...

Dusty Teal Sultanate Mamluk Rug • Handmade Ghazni Wool Carpet • 6x8 Transitional Geometric Accent Rug for Living Room, Bedroom, Dining & Study ✔  This rug carries a refined arch...

The source of carpet comes from the book Völker, Angela, Die orientalischen Knüpfteppiche das MAK, Vienna: Böhlau, 2001: 42–5. That rug with the central star was designed in the early 16th-century rug by Mamluk Sultane of Cairo, Egypt. It is exhibited at MAK – Museum of Applied Arts, Vienna Austria. The interpreted design is composed of a leaf lattice pattern taken from the border of the MAK Museum’s rug...

This lattice pattern is composed of palmettes and leaves filling the various compartments against the imposing ground. One has the impression that it is only part of a larger scheme ...

Para-Mamluk Carpet with Kufic Border – Transitional Design Inspired by the Zaleski Collection, 16th Century Origin and Inspiration The Para-Mamluk carpet represents a rare and refi...

The source of carpet comes from the book Völker, Angela, Die orientalischen Knüpfteppiche das MAK, Vienna: Böhlau, 2001: 42–5. This rug with the central star was designed in the early 16th-century rug by Mamluk Sultane of Cairo, Egypt. It is exhibited at MAK – Museum of Applied Arts, Vienna Austria. The interpreted design is composed of a flower lattice pattern taken from a part of the MAK Museum’s rug...

The Mamluk Revival Carpet with Central Medallion is a contemporary masterpiece inspired by the celebrated carpets of the Mamluk Sultanate, which flourished across Egypt and the great...

This hand-knotted 3' x 5' wool rug features a classic Mamluk-style design, defined by its intricate geometric layout, layered medallion forms, and precise symmetry. Rendered in deep ...

The source of the rug comes from the Textile Museum, Washington D.C., inv. R 16.2.4. This rug with the central star was designed in the early 16th century rug by the Mamluk Sultan of...

This rug with the central star was designed in the early 16th-century rug by Mamluk Sultane of Cairo, Egypt. Attempting to read early carpets produced in workshops in Cairo provides ...

This Mamluk Rug with Cusped Medallion embodies a contemporary revival of a classic design, meticulously handwoven in Eastern Turkey by skilled artisans of Ararat Rugs. The design fea...

Pine Green, Mamluk Design, Pre Historic 14th Century Influence, Natural Dyes, Hand Knotted, 100% Wool, Oriental Rug Primary materials: Wool Latex: No Pile height: 0.25 Inches Style:...

The source of the rug comes from the book Völker, Angela, Die orientalischen Knüpfteppiche das MAK, Vienna: Böhlau, 2001: 42–5. This rug with the central star was designed in the ear...

A brand new hand-knotted Mamluk rug featuring a warm walnut brown field layered with faded indigo blue, warm taupe, ivory, soft gray, and terracotta accents. The softened palette giv...

Origin and Inspiration: The Mamlouk Rug is a contemporary masterpiece that draws its inspiration from the rich textile traditions of the Mamlouk Sultanate, which reigned over Egypt a...

Origin and Inspiration The Mamlouk Revival Carpet is a contemporary masterpiece inspired by the celebrated carpets of the Mamluk Sultanate, which flourished across Egypt and the gre...

Sage Green, Pure Wool, Pre Historic 14th Century Influence, Mamluk Design, Natural Dyes, Hand Knotted, Runner, Oriental Rug Primary materials: Wool Latex: No Pile height: 0.25 Inche...

This Mamluk golden red rug is the revival of 15th and 16th century design. One can see the emphasis on a geometric rug lattice. The fantastic color combination give these luxury rugs...

This exceptional handwoven Mamluk style area rug pays homage to the celebrated geometric artistry of 15th–16th century Egyptian Mamluk carpets. Expertly crafted from high-quality woo...

This exceptional, hand-knotted Afghan wool rug is a brilliant testament to artisanal textile design, beautifully reinterpreting a historic geometric composition on an intimate scale....

Turkish Court Manufactury Rugs were woven in the Egyptian workshops founded by Ottoman Empire in the 16th century. Those carpets were woven in Egypt, following the paper cartoons pro...

Indulge in the timeless elegance of our high-quality hand-knotted traditional wool rug. Rug Features: ⚫ CUSTOMIZE in any SIZE ⚫ Material- 100% Wool ⚫ Weave- Hand-knotted in India ⚫ C...

Azureish White, Hand Knotted, Mamluk Design, Tone on Tone Design, Undyed 100% Wool, Oriental Rug Primary materials: Wool Latex: No Pile height: 0.25 Inches Style: Transitional Prima...