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Ararat Rugs Mamluk Carpet with Cup Motif, Antique Revival Rug, Natural Dyed
About the Item
The source of the rug comes from the book Renaissance of Islam, Art of the Mamluks, Esin Atil, Smithsonian Institution Press, Washington D.C., 1981 nr.125. This a rug with a cup motif design late 15th-century rug from Mamluk Sultane of Cairo, Egypt. It is exhibited at the Washington D.C. The Textile Museum, R.16.1.2 . The layout of this rug is characteristic of the smaller, almost square Mamluk carpet. A wide border encloses the field, divided into horizontal units consisting of a central square flanked above and below by rectangular panels. The height of the rectangular panels is approximately one-third that of the square and is equal to the width of the border. The corners of the central square are cut into triangles, creating an octagon with green ground. The octagon contains a blue polylobed medallion, which encloses an eight-pointed star with a multipetaled rosette in the core. The area between the star and the lobed medallion has floral motifs springing outward from the arms of the star. The angles of the octagon bear eight isolated and irregular polygons with a red ground; each of these units is adorned with a multipetaled rosette enclosed by a square with papyrus motifs springing from its sides and corners. The field of the octagon is filled with similar papyrus sprays, some of which appear to grow from the eight stemmed cups placed between the polygons. The triangles in the corner bear a checkerboard pattern with a stylized lotus blossom (or fleur-de-lis) in each segment. The compositional layout of the rug is reminiscent of the illuminated frontispieces, which reveal similar proportions and internal divisions. Radiating designs of geometric components filled with floral motifs are a characteristic feature of Mamluk art, as observed in manuscripts, metalwork, glass, ceramics, woodwork, and textiles of the era. The stemmed cups represented in the central square appear to have been inspired by the blazon of the saqi. Here, the cups are used as a decorative feature and cannot be identified as blazons. The same decorative motif is found on a rug in Berlin. The design of the rug is interpreted by our designers with two medallions, the most appropriate colors to match the original are used for this rug.
Color summary: 4 colors in total;
Imperial Red 426 (Madder Root)
Pale Green 439 (Chamomile - Indigo)
Cadet Blue 26 (Spurge - Indigo)
Sunray Color 405 (Henna)
Group: Islamic Rugs Family
Area: Mamluk
Material of Pile: Natural Dyed Hand-spun Wool
Material Warp / Weft: Wool on Wool
Structure: Symmetrical knot on depressed warp inclining to the right
Knots Density: 39x39
Production Place: Southeastern Anatolia – Adiyaman
Location: Tokyo KNSY
Stock: In Stock
Dimensions:
4 ft 10 in x 9 ft 10 in ( 149cm x 300cm )
- Creator:Ararat Rugs (Manufacturer)
- Dimensions:Width: 58.67 in (149 cm)Length: 118.12 in (300 cm)
- Style:Revival (In the Style Of)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:2022
- Production Type:New & Custom(One of a Kind)
- Estimated Production Time:Available Now
- Condition:
- Seller Location:Tokyo, JP
- Reference Number:1stDibs: LU8206237887152
ARARAT RUGS
We know and believe that the geography we come from, our past, and our lifestyle are the most important bond between us to carry the oriental carpet art and culture to the next generations along with our core values in our ongoing growth journey.
We are aware that the way to achieve this goal and carry this priceless art and culture to the future depends on a lot of work with all our people every day while adhering to our core values.
For us, art is meaningful in the sense that it brings together various cultures around the world. It is an honor for us that oriental carpet art and culture have been instrumental in this for centuries and that we are a part of this business.
We are tirelessly keeping an eye on auction house information around the world about carpets. New York's Metropolitan, London's Victoria & Albert Museums, and other famous art museums, as well as small specialized museums that house private collections, and books about oriental carpets to collect information on outstanding carpet designs and patterns from around the world. It's our Self-improving and Self-developing culture.
As Turkish Culture of Hospitality, the Kurdish Culture of Generosity, and as Japanese Culture of Business Punctuality; are the most important values that this multicultural background has taught and bequeathed to us. It is essential and valuable for us that you feel this feeling not only by looking at our oriental carpets but from the moment you contact us.
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- ShippingRetrieving quote...Ships From: Tokyo, Japan
- Return PolicyA return for this item may be initiated within 7 days of delivery.
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The source of the rug comes from the book Renaissance of Islam, Art of the Mamluks, Esin Atil, Smithsonian Institution Press, Washington D.C., 1981 nr.125. This a rug with a cup motif design late 15th-century rug from Mamluk Sultane of Cairo, Egypt. It is exhibited at the Washington D.C. The Textile Museum, R.16.1.2 . The layout of this rug is characteristic of the smaller, almost square Mamluk carpet. A wide border encloses the field, divided into horizontal units consisting of a central square flanked above and below by rectangular panels. The height of the rectangular panels is approximately one-third that of the square and is equal to the width of the border. The corners of the central square are cut into triangles, creating an octagon with green ground. The octagon contains a blue polylobed medallion, which encloses an eight-pointed star with a multipetaled rosette in the core. The area between the star and the lobed medallion has floral motifs springing outward from the arms of the star. The angles of the octagon bear eight isolated and irregular polygons with a red ground; each of these units is adorned with a multipetaled rosette enclosed by a square with papyrus motifs springing from its sides and corners. The field of the octagon is filled with similar papyrus sprays, some of which appear to grow from the eight stemmed cups placed between the polygons. The triangles in the corner bear a checkerboard pattern with a stylized lotus blossom (or fleur-de-lis) in each segment. The compositional layout of the rug is reminiscent of the illuminated frontispieces, which reveal similar proportions and internal divisions. Radiating designs of geometric components filled with floral motifs are a characteristic feature of Mamluk art...
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Age
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