Framed Art

* No US duty or taxes to pay on works of art * A superb 19th century Belgian oil on panel still life depicting three fish hanging against a wood background. The work is indistinct...

Anglers at Sunset by Edwin Henry Boddington (1836–1905) signed and indistinctly dated 18?? oil on canvas, framed framed: 17 x 30 inches canvas : 12 x 24.5 inches Provenance: private...

Grand Prix de Pau, 1933 — Oil on Canvas (Painted 1934) A dynamic and atmospheric oil painting capturing the excitement of the Grand Prix de Pau 1933, created in 1934 by an unknown ar...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

This Limited Edition abstract print, "A Summer Day in Nantucket," by Sofie Swann measures 60" x 45" and is an edition of 95. Printed on canvas, this print ships rolled with natural c...

Antique American impressionist flower still life landscape oil painting by Frank Convers Mathewson (1862 - 1941). Oil on board. Framed. Signed and dated. Measuring: 31 by 37 inche...

Artist: Roy Lichtenstein Title: Girl Portfolio: 1¢ Life Medium: Lithograph on white wove paper Date: 1964 Edition: 2000 Frame Size: 20 3/4" x 18 5/8" Sheet Size: 16 1/4" x 11 1/2" Im...

A contemporary Abstract Expressionist Color-Field acrylic on canvas by French artist, Christian Manoury. Signed to the back of the canvas. Inspired by the wonderful countryside surr...

Vintage American modernist abstract interior scene oil painting. Oil on canvas. Framed. Signed and titled verso, "Bertoia Chair". Handsomely framed in a period molding. Excellent ...

Artist: Slonem, Hunt Title: Marko Date: 2022 Medium: Oil on wood Unframed Dimensions: 10" x 8" Framed Dimensions: 14" x 12" Signature: Signed Edition: Unique Hunt Slonem is ...

This fine late 17th-century oil painting by an artist working in the circle of French painter Hyacinthe Rigaud (1659-1743) depicts a distinguished member of the Greder family of Solo...

THE WATERFALL - Oil on canvas cm. 40x50 by Paolo De Robertis, Italy 2011. To create this beautiful painting, De Robertis drew inspiration from the natural landscapes of the French painter Gustave Colbert, who was also an excellent landscape painter, considering nature as one of his main sources of inspiration. A stream flows between the rocks free from vegetation in the middle of the undergrowth. On the right a small waterfall descends from a rocky spur and falls down forming a small basin...

Artist: Pablo Picasso Title: Round Head of a Man with Mismatched Eyes (Plate XVI) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Frame Size: 21" x 18...

William Malherbe (French, 1884 - 1955) Eve (reclining) Oil on canvas 31.3/8 x 40 in. (79.7 x 101.7 cm.) Signed ‘WILLIAM MALHERBE’ (lower left) William Malherbe was a French Post Imp...

This framed 24" x 30" oil on canvas depicts an interior living space in a contemporary impressionist style. The scene features a chair facing an uncovered window during daytime, a cl...

Werner Bronkhorst, Birdie Chance, 2025 Giclée print on heavyweight 395gsm matte Canson Infinity PhotoArt ProCanvas, made with long-lasting Epson archival inks. Hand-stretched over F...

HARTUNG - original abstract lithograph- Limited editionsigned painting Hans Hartung is commonly presented as a standard-bearer for the "Ecole de Paris" and the "lyrical abstraction"...

6110 Parisians promenating to the Eiffel tower large city scene Large gilt frame . Image size 16x20"

This charming nineteenth-century oil painting presents a quaint portrayal of rural life and childhood innocence. Several children tend to a floral obelisk structure in a humble farmy...

Charming mid century oil painting of two horses at watering trough by William M. Lemos, Santa Cruz and San Francisco artist (American, 1861-1942), circa 1900. Writing on verso is in ...

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Artist: Henri Matisse (after) Title: The Sheaf Portfolio: The Last Works of Henri Matisse Medium: Lithograph Year: 1958 Edition: 2000 Frame Size: 24 1/4" x 21 1/4" Sheet Size: 14" x ...

Naples - Ettore Ferrante Italia 2005 - Oil on canvas cm. 30 x 80. In this wonderful canvas E. Ferrante depicts the beach of Posillipo. Ferrante was inspired by the masters of the Posillipo School, including Antonio Pitloo and Giacinto Gigante...

Leonardo Nierman, Mexican (1932 - 2023) - Moonlight, Medium: Oil on board, Size: 32 x 24 in. (81.28 x 60.96 cm), Frame Size: 40 x 32 inches

A beautifully framed hand-colored engraving from the famous "Cries of London" series, depicting the lives and professions of the common people of 18th ...

Elegant floral still life of a beautiful spring bouquet in an antique ivory soup tureen by Elizabeth Fitzgerald Forbes (Dallam) (American, 1875-1933). Exhibition placard on verso signed "Elizabeth Forbes...

Portrait Of A Black Girl With A White Doll, 19th Century by L P Burey Large 19th Century American School portrait of a young black girl sitting with a white doll, oil on canvas by ...

This commanding mid-17th-century Spanish Baroque painting depicts Saint Elijah wrapped in a coarse Carmelite habit and raising a flaming sword. Towering within the vertical composit...

The Close of Day English School, early 19th Century, unsigned oil on canvas, framed framed: 20 x 28.5 inches canvas: 16.5 x 24 inches Provenance: private collection, Surrey, England ...

Henry Thomas Clark (American, 1929-2000) Untitled, 20th Century Oil on canvas 16 x 18 1/8 in. Framed: 21 x 23 x 1 3/8 in. Signed lower left: Clark

Artist: Roy Lichtenstein Title: Haystack #4 Portfolio: Haystack Medium: Lithograph and screenprint on Rives BFK paper Year: 1969 Edition: AP VII Frame Size: 24 3/4" x 34 3/4" Sheet S...

Arthur Parton Cows in a Stream, 1880 Signed and dated lower left Oil on canvas 20 x 16 inches Along with his younger brother Ernest Parton, Arthur Parton was a prominent figure wit...

A striking vintage oil painting on canvas depicting an intense naval engagement at sea, where two historic sailing warships advance through turbulent waters under a luminous sky. Can...

Antique American impressionist oil painting by Frederick Stuart Church (1842 - 1924). Gouache and watercolor on board. Framed. Measuring: 17 by 23 inches overall, and 10 by 16 painti...

Gordes, The Luberon Valley, Provence French artist, signed and dated 95 oil on canvas, framed framed: 29 x 38 inches canvas: 24 x 32 inches Provenance: private collection, France Co...

Beautiful limited edition lithograph on paper by Bernard Buffet done in the 1950's. The piece is in excellent condition signed and dated.

Thomas Owings Sheckell (1883 - 1943) was active/lived in New York. Thomas Sheckell is known for Trees, landscape, snow scenes, coastal view and industrial scene painting...

G. Harvey (Gerald Harvey Jones) (1933-2017) San Antonio, Austin, and Fredericksburg Artist Image Size: 20 x 30 Frame Size: 28 x 38 Medium: Oil on Canvas Dated 1974 "Blowin' In" Sign...

Jakob Kulle (1838–1898) Sweden An Afternoon Nap, 1877 signed and dated oil on canvas unframed 61 × 48 cm (24 × 18.9 in) framed 79 × 67 cm (31.1 × 26.4 in) Provenance: Purchased di...

Artist: Anni Albers (German-American, 1899-1994) Title: "Red Meander I" Portfolio: Meander *Signed and dated by Albers in pencil lower right Year: 1969-1970 Medium: Original Screenpr...

Screenprint in colours, on Arches paper, with full margins Edition 77 of 120 38 x 32.5 cm (15 x 12.8 in) 44.5 x 36.5 x 2.5 cm, 17.5 x 14.4 x 1 in Signed, numbered, dated and titled o...

A fine English School landscape. Presented in an ornate gilt-effect frame with swept rails and elaborate corner mouldings. Signed to the lower right. On canvas on stretchers.

Artist/ School: F. E. Jamieson (British 1895-1950), signed Title: 'Kenmore, Loch Tay', beautifully warm Scottish highlands loch as the sun sets. Medium: signed oil painting on can...

Grid No.6, 2009 (Contemporary Framed Abstract Grid in Neutral Shades Black & Coffee) by Birgit Blyth 40" X 25" paper vertical chromoskedesic monoprint 44 x 29 inches framed, custom frame with black wood molding and anti-reflective glass This contemporary, abstract style chromoskedasic monoprint was created by experimental photographer, Birgit Blyth. Without the use of a camera, the artist produced this chromoskedasic image by applying the photographic chemicals to black and white photo pager and exposing it to light. The variety of caramel, toffee, brown and black tones is determined by the different chemicals used and the amount of time they are exposed to light. Here, the artist paints with the photographic materials in a gestural, linear motion. Beautiful hues of coffee, caramel, brown, grey, and black intersect to create unique abstract, intersecting grid patterns that resembles a basket weave motif. The photograph is complimented with a black metal frame with non-glare glass. It is equipped with sturdy wire on the back for instant and professional quality hanging. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Though Birgit Blyth began her photographic career using conventional photographic methods, she quickly became more interested in alternative processes. In the mid 1990’s a colleague showed her an article in Scientific American and it was here that she first discovered the technique called “chromoskedasic” painting, which would eventually lead her to fully finding her voice as a photographer. Blyth had always aligned herself with and been moved by abstract expressionist painting. The series of veil paintings by post-abstract expressionist, Morris Louis, was especially inspiring to her and caused her to ask herself how she could do similar interpretations photographically. In “chromoskedasic” painting, she found the answers and would begin on a new path in her artwork. The term “chromoskedasic” is derived from Greek roots meaning color by light scattering. Developed by a photographer named Dr. Dominic Man-Kit Lam, this process exploits the capability of silver particles in black and white photographic paper to “scatter” light at different wavelengths when exposed to light and chemicals. In her mastery of this photochemical drawing process, Blyth has painted lush washes of color into her own “Veil Series;” she has envisioned landscapes, both rural and urban, with melting swirls and marbled colors into rich palettes of toffee and lead. She has used this essentially experimental process to help her “see” the world around her. Blyth says she continues to be fascinated by the process because it requires “a combination of discipline, experimentation, and imagination, making possible a wonderful balance between control and surprise.” Because the chromoskedasic work is all analog, Blyth spends much of her studio time in the darkroom, which has become a rarity in the current world of digital photography. She does however, continue her preference for experimentation in numerous directions, even employing aspects of the digital age – this exhibit will also feature a new series of pieces created with the now defunct but much loved SX-70 polaroid camera, scanned and archivally printed on 24” x 24” fine cotton rag paper. Whatever the process, Blyth’s work is, as the painter and poet, Peter Sacks noted, a blend of “precision and mystery, of articulation and atmosphere.” Her images leave us with the feeling of ongoing action despite the apparent stillness; of qualities both dreamy and stark as light hits a stand of birch trees in a valley or a group of buildings in New York City. As Morris Louis evolved a style of painting that produced a complete integration of paint and canvas, so too has Blyth, with photo paper and chemicals, created a perfect integration of method and content. Artist CV: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...

Onirisme organique (Diptych), 146 × 114 cm each panel, Acrylic on raw canvas. Total size of the two panels: 146 × 228 cm. At Escat Gallery, we are committed to maintaining the highe...

Earl Hill (1927-1985). Gas Station Attendant, 1966. Oil on masonite panel, 10.5 x 13.5 inches, 15 x 18 inches framed. Signed and dated lower right. Inscribed...

Antique American modernist nude portrait oil painting. Oil on board. Framed. In excellent original condition. Handsomely framed in a modern molding. Excellent condition, ready to ...

Winter's Snowy Tatra Mountains with Pines and Stream by Laszlo Neogrady Beautiful post-war winter snowy scene with mountains and pine by Laszlo Neogrady (Hungarian, 1896-1962), circa...

In the foreground, a rustic wooden fence and a stand of evergreens emerge from soft, pristine drifts, their dark green needles and the artist’s characteristic ultramarine shadows con...

Signed post impressionist oil on canvas figures in landscape by Armenian painter Charles Garabed Atamian. The work depicts three young girls with buckets and spades in their hands playing in the sand on a golden beach. The piece is beautifully coloured. Signature: Signed lower left Dimensions: Framed: 23"x29" Unframed: 16"x22" Provenance: Private collection - Luxembourg Garabed Charles Atamian...

'Ajaccio: Heart of Corsica', oil on cardstock, by René Gaston Lagorre (circa 1960s). Ajaccio, nestled on the west coast of Corsica, graces the shores of one of the island's most beau...

Figures & Animals in Classical Landscape circle of Jans Frans Van Bloemen (Orizzonte 1662 - 1749), unsigned oil on canvas, framed framed: 28.5 x 42.5 inches canvas: 19 x 34 inch...

Poppy Field in Provence French Impressionist, late 20th century signed oil on canvas, framed framed: 33 x 29 inches canvas: 26 x 32 inches Provenance: Private collection, France Cond...

‘The River Thames at Leigh by Moonlight’ by Henry Pether (1800-1880). The painting is signed by the artist and dated 1851 and is presented in a bespoke gold metal leaf frame. We o...

Portrait of a Noble Lady French, circa 1730-1750 period Circle of Philippe Mercier (French, 1689-1760) unsigned oil on canvas, framed framed: 38 x 30 inches canvas: 36 x 28 inches P...

Artist: Vahe Yeremyan Title: Grove Medium: Oil on Canvas Year: 2026 Style: Contemporary Art Dimensions: 56" x 41" x 2" inch (142 x 104 x 5cm) Presentation: Framed, Ready to Hang Type...

Leroy Neiman, 1921-2012, April at Augusta/Good Luck, Serigraph. In good condition measures 43x51

Follower of Gerard Seghers (1591-1651) Christ at the Column oil on wood panel c. 1700s unframed 19.5 × 14 cm Provenance: Originally in the collection of Dr. Axel Munthe (1857–1949), the renowned Swedish physician and author celebrated for his philanthropic work and for founding Villa San Michele...

Antique portrait painting of a woman signed in the bottom right. A thoughtful portrait of a young woman in a shawl sat on a chair and deep in thought. It's an atmopsheric piece wit...

Artists tend to peak quite young, and I often love their early work. It tends to have an infectious enthusiasm, great vigour, originality, imagination and a sense of fun. René Marie...