Art by Medium: Board

Complex Art Nouveau patterns intertwined with gracefull figures define this work by American Artist and illustrator, teacher and lecturer Mildred Bailey Carpenter. Signed in cartouc...

Colorful abstract geometric still life painting by contemporary artist Tina Ruyi. The work features blue, red, and yellow bubbles rising up out of a bright blue wavy tub with a grid ...

A light frost shackled the branches of trees in Bratsevo Park, covering them with light frost. A short winter day with a fairly low passing sun turns the snow and tree branches pink. Blue falling...

Signed lower left, 'Roy Sales' for Roy Rose Sales (American, 20th century) and dated September, 2003. Additionally dedicated, verso, signed and dated 2003. A substantial and atmosp...

This is an oil on artist board (unframed) by the important Hungarian-born and internationally celebrated Denes de Holesch (1910-1983). Denes de Holesch was an international equestrian artist. His works have been exhibited all over the world, including in New York, Beverly Hills, Boston, Chicago, Paris, Mexico City, Montreal, Tokyo, Sydney, and Madrid. His horse paintings fall into one of seven themes, including polo, cowboys, circus, rodeo, hunt, bull-fight, race-course and running free. His mastery of the subject has been compared to that of Picasso, Delacroix and Franc Marc. 1910 Denes Dezo George de Holesch was born on 9 February, 1910 at Banska-Bystrica, Northern Hungary. He was the third child and youngest son of Hugo de Holesch, an architect and Margit, nee Wagner. Many generations of the de Holesch family had worked as professional architects. He studied at the Hungarian Academy of Fine Arts in Budapest on a scholarship. Early in his career he traveled to China, Japan, Philippines, Java, Bali and Australia, where his reputation grew rapidly. Here he produced portraits in oils, and lithographs of the Chinese, as well as landscape works in oils,depicting the local countryside, and canal, street and city scenes. His exposure to the arts of the Chinese, with their simplicity of line, greatly influenced his later works. In 1939 he established a studio at Lavender Bay near Sydney. In 1940 he exhibited at the Macquarie Galleries in Sydney. In 1944 he married Joyce Greer, the Melbourne concert pianist. In 1945 the couple moved to New York where his interest in horses grew. He held exhibitions at Gallery Wildenstein, Herve, and FAR Gallery. In 1946 Holesch moved to Montreal where he exhibited at the National Gallery of Montreal. In 1947 he moved to Boston where he continued painting portraits and horses. He exhibited there at the Ehrmann and Vose galleries. Later in the year he moved to San Francisco where he was invited to participate in the "Renoir to Picasso" Exhibition held at the Maxwell Gallery.1946 He moved to Montreal, Canada and exhibited at the National Gallery of Montreal. (Frederic Remington and Charles Russell) 1947 Early in the year he moved to Boston and continued painting portraits and horses. In June, he painted the portrait of Harvard Law School Dean, Erwin N. Griswold, and in October his works were exhibited at Margaret Brown's Galerie Intime, Newbury Street, Boston. 1948 He produced a clay sculpture head of Egon Petri, one of a number of clay sculptures that he produced. He also produced a number of wood carvings. His paintings were chosen for inclusion in a Group Exhibition in the National Gallery of San Francisco, and in the important and prestigious 'Renoir to Picasso' Exhibition held at Maxwell's Galleries, 372 Sutter Street, San Francisco. 1953 His works were included in a Group Impressionists Exhibition held at the Ohana Gallery, London 1954 He travelled to New York, where he was commissioned to paint Herbert Gasser, Nobel Prize Winner in Biochemistry. 1955 He returned to England, and then travelled to Paris to exhibit works in the Galerie Marcel Lenoir. 1956 He again returned to New York to work on portrait commissions and for exhibitions of his works, mainly of horses. These exhibitions were held in New York, Boston, San Francisco and late in the year at the Galleries of Frank J. Oehlschlaeger at 107 East Oak Street, Chicago. During this year, visits with his family to Ringling Circus and to a rodeo in Tucson, Arizona must have impressed him greatly, for images of these events soon appeared on his canvases. His work was greatly admired by Hollywood film- stars, such as Ann Rutherford and Burt Lancaster, and David Niven purchased one of the horse paintings to give as his wedding present to Grace Kelly on her marriage to Sovereign Prince Rainier III of Monaco. 1959 The prints of 'Courtship' and 'Chargers' were produced. It has been estimated that close to a million copies of his prints were sold over the next ten years, with 'Courtship' being advertised by Stern's Book Dpt. on 5th Avenue, New York along with prints by Picasso...

Child,Children,,Offer Free Shipping,Newborn GLEB SAVINOV (Charkev, 1915 – St. Petersburg, 2000) Works by Gleb Savinov can be found in various private collections in Europe, Japan, ...

Jim Beckner's (US based) "Beaches 10" is an original, handmade oil painting depicting a beach scene with colorful striped umbrellas shading lounging beach goers. About the Artist:...

"Time Remembered" Mid 20th Century NYC Modern American Scene WPA El Railway 1940 A view of the Third Avenue El (elevated railway) at 28th Street, New York. Signed lower left. Titled verso. c. 1940. oil on board c. 1940, 27.875 h × 21.75 w inches. BIO Staats Cotsworth...

Antique American winter landscape oil painting. Oil on canvas. Signed. Framed. Measuring: 26 by 30 inches overall, and 20 by 24 painting alone.. In excellent original condition. Han...

February does not often bring sunshine to the city, but short glimpses of light brightly ignite the white snow. The beauty of snow and the play of shades in the sun catches the eye, ...

INSIDE SCENE - Italian figurative oil on carboard painting, cm.17x29, Carlo Passarelli, 1900s

Crimson Afterglow Miniature Abstract Landscape Art Study by Contemporary Artist, Angela Wakefield Art measures 7 x 5 inches Frame measures 13 x 11 inches Title: Crimson Afterglow A...

Janis Zemitis graduated from the Riga Art School of J. Rosenthal in 1958, in 1964 Art Academy of Latvian State, painting department, Head of the diploma work "Working in the forest" ...

French Mid 20th Century oil on board Fauvist view of a road in a landscape, probably near Nice in the South of France and the surrounding countryside, by Hyppolite Roger...

Giampaolo Talani (1955-2018) The "mad scientist" of the art world, Talani created art out of virtually everything he touched. After completing his training at the Florence Academy of...

Gabriel Casarrubios Martín (1953) - Beach´s day - Oil on panel Oil size 19x33 cm. Frameless. Gabriel Casarrubios Martín (1953) The Toledo artist trained in Fine Arts in Madrid, at ...

Striking abstract on board utilizing fiery colors by Berlin artist Michael S. Keifers, circa 1980. Signed lower left. Archival plastic sleeve and Certifica...

Garçon with Red Shirt by Raymond Debiève is a charming and character-driven French figurative oil painting, executed on board in a distinctly mid-century style. The young subject is ...

Contemporary botanical mixed-media, oil and acrylic on board by Dutch artist Menno Modderman, signed and dated 2022 to the bottom left. Working for several years now as an artist i...

Ernest LAURENT Gentilly 1859 - Bièvres 1929 Seated woman seen from behind, preparatory sketch Oil on cardboard Circa 1920 32 x 21.5 cm unframed Our oil o...

Figural abstract inspired by Chinese art and calligraphy featuring a large totem-like form in textured earth tones with black Chinese characters in bold, black brushstrokes by Anna Wu Weakland...

Colorful mid-century landscape of Pacific Grove by Edda Maxwell Heath (American, 1874 - 1972). Signed and dated '51 lower right corner. Presented in a giltwood frame. Image, 16"H x 2...

Sunset - A Sketch, 1895 Oil on board 6 x 12 inches (15.2 x 30.5 cm) Framed dimensions: 13 1/8 x 19 3/8 inches Signed and dated lower right: M.J.H. 95 Provenance Frederick Mont and ...

A serene landscape captures a cluster of trees in vibrant autumn colors beneath a sky streaked with soft clouds. The scene exudes a sense of calm and tranquility, with its rich blend...

Cityscape (Untitled), c. 1950s, mixed media on board, signed lower left, 13 1/2 x 18 inches, presented in its original frame Jean (Yanko) Varda was a Greek-born multi-media artist ...

In creating this zebra portrait, I delved deep into the expressive power of oil paints, utilizing a blend of expressionism and figurative styles to capture not just the zebra's strik...

Village. Oil on cardboard, 79.5 x 100.5 cm Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stalingrad School of Art, S...

Serene early 20th Century palm springs desert landscape with mountains in the background by Beatrice Gildersleeve (American, 1892 - 1933). Signed "GILDERSLEEVE" in the lower right co...

Cover of The Saturday Evening Post Magazine, February 6, 1960 Caption: "The Cover: Artist John Clymer takes you to the summit of Washington state's Snoqualimie Pass, where they seem to have had a few snow flurries lately. Up there the moist westerly winds bump against sky-reaching peaks of the Cascade Range, with the result that the winds spill their contents before whistling dryly on down across the eastern slopes. Thus residents of places like Seattle living in a relatively balmy clime beside the Pacific's mild Japan current, can drive in an hour or two up to where skiing material is sometimes twenty feet thick if it's an inch. Indeed, when seasons overlap, a downlander might conceivably pick a rose and go skiing with it in his buttonhole. All of which, thanks to highway crews who blow off the blizzards, is a very felicitous geographic arrangement." John Ford Clymer's success as an artist can be traced to his boyhood in the Kittitas Valley located in the central regions of Washington state. It was there that he developed an enthusiasm for the world around him and an abiding respect for historical accuracy. Over the years John Clymer received numerous awards and honors including the revered Prix de West in 1976, from the national Academy of Western Art. Other great achievements included both gold and silver metals for his oils and charcoal drawings from the Cowboy Artists of America, "Western Artist of the Year" from the National Wildlife Art Collectors Society, and both John and Doris were honored at the Ellensburg National Art Show and Auction for their contributions to western heritage. John's highest honor came in 1988 when he was awarded the prestigious Rungius Medal from the Wildlife of American West Art...

Here for your consideration is a very well executed early abstract painting by the well known American artist, Syd Solomon. Oil paint on birch ply panel. Signed middle bottom. Signed, titled and dated 1966 verso. The painting was done in East Hampton, New York where Syd Solomon spent his summers. Condition is excellent. Overall framed measurements are 26 by 31.5 inches. Provenance: A Sarasota, Florida collector. Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd...

Signed and dated 1958 lower right. Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn. He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant. During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League. His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work. He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...

Striking in colour and form, this contemporary composition is by Yvonne Lammerich. The Canadian artist has garnered an international reputation for her inspired exploration of abstra...

An Introspective 1930s Modern Portrait, "Acolyte" by Notable Chicago Artist, Francis Chapin (Am. 1899-1965). Dry watercolor on board. Artwork size: 15 x 12 inches (Framed size: 1...

Artist: Santiago Perez Cordoba Title: Robert Mitchum – Farewell, My Lovely Year: circa 1990 Medium: Mixed media on board Signature: Signed on the reverse Style: Figurative / Film noi...

Jim’s of Lambertville is proud to offer this artwork. Signed lower right. Complemented by a hand carved and gilt frame. John Wells James (1873 - 1951) A master of both landscape and still life painting, Brooklyn-born John Wells James was a significant member of the New Hope...

A dramatic mid-century western figurative action scene depicting a shootout in an old western town by Randy Steffen (American, 1917-1977), 1947. Several ...

Lilla Cabot Perry (1848–1933) After Sunrise on Cloudy Day, 1918 Oil on board, 12 × 15 inches Inscribed on verso: “From Edith Window Hancock” Signed Painted in 1918, After Sunrise on...

Painting with sunny winter landscape looks great in the interior, the artwork will give you only pleasant emotions and good mood. Sunny winters days are beautiful! Soft and fluffy sn...

Early 20th Century Oil Painting Grand Canal at Dusk, Venice Italy (2-Sided) Peaceful and substantial romantic scene of a gondolas along Venice's iconic Grand Canal at Dusk by Richar...

A stunning depiction of a boat sailing along. Nemethy uses a bold impressionistic technique with thick use of paint and wonderful impressions. With unique colors, we can feel the moo...

Mixed media on board Dark blue this wood surround frame

Vintage American modernist still life oil painting. Oil on board. Signed. Framed. Provenance from a Sag Harbor, NY collection. Measuring: 16 by 16 inches overall. Handsomely framed ...

Clyde Steadman's "Cake" is an original, handmade oil pain ting that depicts a red velvet cake sliced in half with white frosting and red flowers. About the Artist: Clyde Steadman g...

Item is in excellent condition and has only been displayed in a gallery setting. Item includes frame; Fernando Ibañez Alcaraz was born in Alcoy, Alicante (Spain) in 1969. Growing ...

A lively, impressionistic depiction of a Car-racing Scene at a crowded race track embracing the excitement of its final lap that creates movement seamlessly. We are whisked away in t...

Pine trees on the seashore. 1981, cardboard, oil, 46x65 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in d...

Jim’s of Lambertville is proud to offer this artwork. Complemented by a Ben Badura Frame Illustrated in "New Hope for American Art" page 499 Signed lo...

Original oil painting on cardboard by the artist Simon Kozhin. Framed. Plein air painting with snow made in Impressionist style. "Not without a special fe...

The old beautiful cozy streets of a small village just 100 miles from London in Buckinghamshire. Everything is buried in flowers and gardens, these houses with thatched roofs, birds ...

Atmospheric Abstract Landscape Painting of British Moorland with Earthy Tones, entitled 'The Oldest Hill', by English Artist Paul Denham. Paul sta...

A captivating 1930s Modern portrait painting of a young woman, titled "Green Scarf", by famed Chicago artist, Francis Chapin. Image size: 14 1/4 x 10 inches. Framed size: 15 1/...

Seascape Painting of Waves Crashing against the Rocks at Pacific Grove, Monterey in California by 20th Century Post War Irish Artist, Tobias Everet Spence A...

Ivan Sorokin. Honoured Artist of the RSFSR, People’s Artist of the USSR, Member of the USSR Academy of Arts, Winner of the I. E. Repin State prize.

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

Skillfully executed courtyard scene by H. von der Planitz (german, 19th-20th cent ). Several trees cast dramatic shadows on the dirt floor of a courtyard, next to a colonnade that fr...

Figurative oil on board painting by Polish artist living in the USA, Monika Rossa. Artwork depicts wide variety of fantastical creatures on a black background. Scene takes place at n...

Ker-Xavier Roussel Lorry-les-Metz 1867 – 1944 Etang-la-Ville French Painter 'L’après-midi d’un faune' Signature: signed lower left and right Medium: pastel on paper mounted on boar...

Oil on artist board painting of the historic city of Toledo by the Australian artist, Robert Camm. Signed lower left and titled and dated verso, 1931. Th...