Art by Medium: Board

The Old Mill is a 19th century oil painting on board by Scottish artist Colin Hunter, (1841-1904). Hunter was a member of the Royal Academy with the title...

Antique American impressionist snow covered landscape oil painting. Oil on board. Framed. Signed. In excellent original condition. Handsomely framed in a giltwood molding. Excel...

Medium: Oil on Paperboard Signature: Signed and Inscribed, Signed Maxfield Parrish and inscribed A gift to his son / Maxfield Parrish Jr. / June 1939 on the reverse Sight Size 3.50" ...

New series - over the moon with our beautiful coastal birds. Over the Moon with Little Guillemot, a gorgeous little seabird belonging to the Auk family. Guillemot - Over the Moon is ...

Mesmerizing image, ‘The Little Flower Seller’ is reminiscent of Cosette in Les Miserable, her hair blown to one side and her red ribbon flowing out from her hair. She is that unloved...

AGNIESZKA STAAK-JANCZARSKA (born in 1994) A graduate of the State Secondary School of Art of Józef Kluza in Krakow. In 2020, she graduated from the Academy of Fine Arts in Krakow in painting at the studio of prof. Janusz Matuszewski. Selected achievements: 2019 - Award of the Rector of the University of Rzeszów 2019 - Scholarship of the Rector of the Academy of Fine Arts in Krakow 2020 - Finalist of the Polish National Painting Competition Leon Wyczółkowski...

Oil and tempera on cardboard

Signed by Émile Tabary. Lively scene in in a parisian park, pictured moment of city life of the late 19th century. In this painting, some irony and humor are very subtly felt. One of...

This Modern Abstract Expressionist painting by Stanley Bate is made with oil paint and and lacquer on board. It features light textured and a light blue-grey and yellow palette contrasted by the almost black focal point of the composition. The painting is 14.5" x 19" and measures 16.25" x 20.5" x 2" framed. Signed by the artist in the lower left-hand corner of the painting, it is framed in a floater frame with warm silver face and black sides and is ready to hang. Stanley Bate was born on March 26, 1903 in Nashville, Tennessee. The Bates were an established Tennessee family, in fact, Henry’s brother William Bate was the governor of Tennessee from 1883-1887 and a United States Senator from 1887-1905. Stanley studied art at the Watkins Institute in Nashville. In the 1920’s Bate moved to New York City to study at the Art Students League under Frederick Bridgman. He soon landed a job with Encyclopedia Britannica, and from 1927-1929 served as art editor. From 1929 until his death in 1972, Stanley was a self-employed artist. He taught art classes at both the Art Students League and the Albany Institute of History and Art and brought in extra income by making illustrations for magazines such as “Outdoor Life” and “Popular Science”. On January 27, 1934 Stanley married Emilie Rossel. Emilie had emigrated from Switzerland to New York in 1923. She found work as a governess to Alfred Vanderbilt and later as an executive secretary for Wall Street investment brokers Kahn, Loeb and Co. Emilie met Stanley in New York in the early 1930’s when she attended one of his art exhibitions with a friend. The couple, who had no children, lived on 34th Street in Manhattan. During this period, Bate was producing and exhibiting his art and joined several artists groups. Stanley and Emilie became part of the New York art scene, dining weekly at the Society of Illustrators Clubhouse. Stanley Bate’s time in New York was pivotal in the formation of his painting style. He lived in New York during the inception of one of the most important Modern Art movements, one that helped New York replace Paris as the center of avant-garde art. This movement, which was called the New York School of artists, was later known as Abstract Expressionism. It was comprised of a loosely associated group of vanguard artists working in New York City during the 1940s and 1950s. The New York School was not defined by a specific style, but instead reflected a fusion of European Modernism and American social relevancy that was depicted in many individual styles. Influences of Surrealism, Cubism, and Modernism can be found in their work, along with an interest in experimenting with non-traditional materials and methods. American art was in the forefront of international avant-garde for the first time. Stanley Bate was undoubtedly exposed to the varied styles and techniques that were emerging during the formative years of the New York School. Mark Rothko and Robert Motherwell were formulating their versions of color field paintings. Joseph Cornell was experimenting with assemblages, collage and the use of different types of textured paints. Jackson Pollock was adhering objects such as buttons and coins into his early works, while Louise Nevelson was using found objects. Helen Frankenthaler added sand to her early paintings. The New York School artists were undermining traditional fine art by using mixed media and non-traditional methods. Stanley Bate absorbed these varied influences and soon his early realistic landscapes and still-lifes were replaced with something entirely new. The influence of Cubism, notably the flat shallow space of the picture plane, is obvious in many of Bate’s paintings. Surrealism is evident in Bate’s use of subjects from myth, primitive art and antiquity, along with the Automatism-like line work in his more linear images. The unfettered experimentation of the New York School is everywhere in Stanley Bate’s work. We see nods to color field, collage, the mixing of textures into paint, mixed media, the inclusion of found objects and thick, luscious impasto. Bate was prolific and experimented in various media including oil, watercolor, lithography, silk screen, wood cut, drawing, collage, ceramics and sculpture. Bate is considered a true Modernist. His work is largely abstract, but sometimes figures and buildings are discernable. He frequently mixed paint, sand and glue together to achieve a textured surface, and then scraped and scratched through this layer to expose some of the underpainting below. His sculpture, which is often whimsical, also reflects the non-traditional methods of the New York School. Bate pioneered the use of enamel and copper in his work. The sculptures are not carved or modeled as was done in the past, but instead are built using mixed media and new materials. In addition to the New York School influence, many of Bate’s works exhibit a strong connection to the Spanish school, especially the work of Antonio Tapies and Modesto Cuixart. These artists were both part of an avant-garde group known as Art Informel, the Spanish equivalent of Abstract Expressionism. These artists likewise worked in mixed media and introduced objects and texture into their work. Many of Bate’s subjects and titles relate to Spanish locations and words. It is likely that Stanley spent time in Spain and found inspiration there. By the early 1940s, Stanley and Emilie had started spending weekends in a barn they purchased in Craryville, New York, a few hours north of Manhattan. The barn had no electricity or plumbing, but when the Bates eventually decided to leave New York and live full time in Craryville, they remodeled the barn, putting a gallery downstairs and a studio and living quarters upstairs. Although the Bates moved out of New York City, Stanley remained part of the New York art scene, exhibiting in New York and elsewhere throughout the 50s and 60s. During his lifetime he was represented by the New York galleries Knoedler and Company, Kennedy Galleries, Rose Fried Gallery and Key Gallery, along with Tyringham Gallery located in Tyringham, Massachusetts. Craryville was Stanley’s home until his death on August 21, 1972. Emilie died 1984...

A beautiful c.1950 oil on board by Lord Paul Ayshford Methuen RA depicting the artist's studio with light pouring in through two large sash windows. The ...

Vibrant impressionistic impasto Landscape with boat by shore by Kristin Cohen (American, b. 1963). Thick impasto oil and Alkyd acrylic paints in this colorful painting. From a collec...

Aaron Bohrod Gallimaufry, 1989 Signed on the right Oil on gesso panel 14 x 11 inches Aaron Bohrod's work has not been limited to one style or medium. Initially recognized as a regionalist painter of American scenes, particularly of his native Chicago, Bohrod later devoted himself to detailed still-life paintings rendered in the trompe l'oeil style. He also worked for several years in ceramics and wrote a book on pottery. Born in 1907, Bohrod began his studies at Chicago's Crane Junior College in 1925, and two years later enrolled in the Art Institute of Chicago. But it was at the Art Students League in New York City, from 1930 to 1932, that he studied under the man believed to be his most significant early influence, John Sloan. Sloan's romantic realism...

Self Portrait (Red Hand) By Billy Childish Billy Childish is a British artist, poet, and musician whose raw, expressive paintings and prolific writings reflect themes of authentic...

Artist: A. Colucci Title: Village Market Year: circa 1940 Medium: Oil on Board, Signed l.r. Size: 32 x 53 inches (81.28 x 134.62 cm) Frame: 38 x 60 inches (96.52 x 152.4 cm)

Frederick John Mulhaupt Gloucester Boats Signed lower left Oil on board 12 x 16 inches Born in Rock Port, Missouri, in 1871, Mulhaupt studied...

The view of the port of the village of Bali in Greece on the island of Crete is absolutely mesmerizing and the rapidly changing evening color. A cold shadow literally runs across the...

The painting “Cosmic Pearl” is a mesmerizing exploration of the infinite, capturing the serene beauty of the cosmos through shades of celestial blue. The central orb, resembling a ra...

Vibrant brushstrokes create a lively impression of a landscape, possibly capturing a body of water in the foreground and trees in the background bathed in warm light. The use of colo...

GOLDEN HOUR FIELDS Size: 44 x 51.5 cm (including frame) Oil on board A charming and beautifully textured mid-century landscape painting that captures a tranquil rural scene rendered...

Black Belt Jones - Original 1974 Lobby Card Black Belt Jones Black Belt Jones is a 1974 American blaxploitation martial arts film directed by Robert Clouse and starring Jim Kelly ...

Jill Soukup's "Reverie" (2024) is an original, handmade oil painting that depicts a horse kicking up dirt while in motion on an abstracted background. About the artist: Jill Soukup...

Large scale mid-century floral still-life of black-eyed susan (Rudbeckia) by listed El Paso, Texas artist Lois Coleman Denton (American, 1897-1980). Signed "Lois Denton...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

Small, serene winter landscape by L. Treurniet (French, 20th Century). The viewer is positioned in the middle of the road, looking past an old gate into the ...

Abstract landscape painting. Frame included.

Andreas Alexevich Jawlensky 1902-1984 Russian-Swiss Verträumter Tag (Dreamy Day) Signed "A. Jawlensky" (lower left) and dated "1956" (lower right) Oil on board This vibrant lands...

Opera onirica ,luna piena sul mare L'opera non è firmata ma è stata esposta al Museo d'arte Contemporanea di Rovereto il MART per una mostra monografica -Thayaht Futurista irregolar...

Impressionist New York City winter landscape scene depicting the City in Snow in a most intimate, yet energetic way. Christopher is known for capturing the beauty and simplicity of an earlier time of the 20th Century; old New York, families working together, villages and farms and friends taking walks together. Many are depicted in recognizable historical settings and this piece is an excellent example of this as he captures a snow-filled historic setting of New York with the calm, endearing charm of American Flags and buildings with snow. Christopher engages his audience with the quick use of brushwork and great attention to picking up the energy passionately of his subjects. The piece comes housed in a dark tone wood frame and it is ready to be displayed with hanging hardware on verso. Art measures 7 x 5 inches Framed measures 8.75 x 6.75 inches Christopher Willett...

George Howell Gay (American, 1858-1931) Untitled Seascape, c. late 19th-early 20th century Watercolor on board 12 x 17 3/4 in. Framed: 16 1/4 x 22 1/4 in. Signed lower right: Geo Howell Gay George H. Gay was well known for his watercolor landscapes, seascapes and paintings of rivers and ships, mostly along the shores of New England. Gay also painted snowscapes, but these are scarcer. It is unusual to find an oil painting by this artist, as he worked mainly in watercolor. Some of his works display a tonalist aesthetic. He was born in Milwaukee, Wisconsin on July 2, 1858, and lived in Chicago and then in 1889, settled in Bronxville, New York. Gay was a pupil of Paul Brown and Henry Elkins in Chicago. He is known to have exhibited at the National Academy of Design in 1890; Boston Art...

Signed lower right, 'Elizabeth Gowdy Baker' (American, 1860-1927) and painted circa 1910. Exhibited: New York Watercolor Club, Circa 1900 After graduating from Monmouth College, Eli...

Painted and sculpted cardboard Unique work Coming from the artist's studio Jacques ROUBY, the aesthetics of mystery « Experimental dreamer, passionate about graphic adventures, del...

Ludovic Vallee (French 1864 – 1939) Soiree a la guinguette Signed ‘L Valle’ (lower right) Oil on board 27 x 22 cm. It has an inscription on the reverse...

In December, when frost sets in, you can see a rare appearance of clouds over the city with small tonal nuances, while the predominance of cold silver colo...

Jay Patel MADHUBANI STYLE 01 (DECORATED ELEPHANTS) Acrylic on Board Year: 2022 Size: 10x12x1.5in Signed verso COA provided Ref.: 924802-1110 "Inspired by the age-old Madhubani style, these paintings celebrate the beauty within the beasts. Elephants are revered animals in the Indian sub-continent and symbolize lord “Gajendra”! To ascertain justice to the inspiration, every element in the painting is worked upon significantly- the tree denotes long life, the flowers stand for happiness, and the elephant denotes power. Embellished by detailed motifs, the composition undoubtedly spurs a moment of joy in the eyes. The captivating intricacies of the saddle cloth tied with heavy jewelry...

Gail Norfleet earned her BFA at The University of Texas at Austin, and her MFA at Southern Methodist University. She has had solo exhibitions at The McKinney Avenue Contemporary and ...

Arabian Charger Seller" by Antonio Rivas (Spanish, 1845-1911) stands as an exquisite example of Orientalism, a 19th-century artistic movement that sought to depict the rich and diverse cultures of the East. Rivas, a master of his craft, delves into this genre with a keen eye for detail and a dedication to authenticity that brings the scene to life. In this antique watercolor on paper...

Aaron Bohrod The Beginning, 1990 Signed center Oil on gesso board 10 x 8 inches Aaron Bohrod's work has not been limited to one style or medium. Initially recognized as a regionalis...

Greenwich Village NYC WPA Mid 20th Century American Scene Ashcan Modern Realism Alfred Mira (1900-1981) Greenwich Village NYC 14 x 17 inches Oil on board,...

The ruins of this ancient city on the territory of modern Turkey, this place is loved by tourists. The name of the city of Side is translated as pomegranate. It is not easy enough to...

Antique Autumn Fall Landscape Pumpkin Harvest by Andrew Dwight Kennedy. Framed. Signed.

High Quality Print of New York Rain III Painting by leading British Urban Artist, Angela Wakefield. Part of her New York Series. Hand signed by the ...

MAGDALENA SPASOWICZ Studied painting under prof. Jan Cybis and graphic arts with prof. Tadeusz Kulisiewicz at the Academy of Fine Arts in Warsaw. She received her diploma in 1953. He...

Oil on wood panel painting of a Worcester, Massachusetts view by local resident artist Mabel Blake. Signed M. Blake lower left. Circa 1880. Condition is good. The bucolic scene depicts a man in a boat...

April Skiers, Nendez by Lucy Pratt [2022] original and hand signed by the artist Oil on Board Image size: H:49 cm x W:58 cm Complete Size of Unframed Work: H:49 cm x W:58 cm x D:1cm Frame Size: H:67 cm x W:77 cm x D:3cm Sold Framed Please note that insitu images are purely an indication of how a piece may look April Skiers, Nendez is an original oil on board painting by artist Lucy Pratt. Nendez is nestled in the heart of the 4 Vallées in Switzerland. Featuring Lucy Pratt's elegant use of impressionist style mark...

The sunset in the North lasts quite a long time, which allows you to work out more details and understand the shades of color when writing a full-scale sketch. The city of Veliky Ust...

"Sunrise on the Shore" by Andreas Schelfhout stands as a testament to the extraordinary talent of the Dutch artist, born in The Hague in 1787. A prominent figure of the Romantic move...

Piccola pittura a olio ,luminoso paesaggio della Bretagna francese, molto luminoso,splendida cornice

Pierre Coquet - Abstract Composition Reference number A1 Framed with a natural oak floated frame 70 x 55 cm frame included (65 x 50 cm without frame) Thi...

Interior design paintings. Abstraction art, made in black, orange, yellow on white foam board. Can be as a single independent painting, diptych or 4-pieces art composition. Also, we...

PLEASE NOTE: The painting will be shipped WITHOUT a frame. The framing option is available ON REQUEST with additional shipping costs. On the last day before leaving Chamzinka, I pain...

This hand painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable hand can be sometime mistaken to a work of a machine, a printer. But if you look close enough you are able to see that it is a work of a line master!! This piece comes framed in a white wooden frame. The measurements of the work with the frame is 24/24". Op art masters from the 20's century that are inspiration to Lucchetta's pieces are Victor Vasarely, Brigit Riley...

Original oil painting on board by artist Bill Inman. Framed.

A very dramatically painted view of a woodland scene in the autumn with such vibrant colour and brushwork, typical of this very collectible artist. Garstin Cox (1892-1933) Woodland ...

This piece is part of an exciting new collection depicting iconic "Chanel N°5" with the artists "Dripping Dots" style. Focused on a pointillistic technique, the paint is able to capt...

Jay Patel Silhouette crane in sunrise Acrylic on Board Year: 2022 Size: 12x10x1.5in Signed verso COA provided Ready to hang Ref.: 924802-1120 "The artist ha...

A gorgeous American Impressionist watercolor painting of a serene lagoon in a brown/orange monochrome palette by Ritchie Allen Benson (American, 1914-1991). Titled "Misty Lagoon." Presented in a wood frame. Signed "R. A. Benson" lower left. Framed size: 25"H x 31"W. Image: 23.5"W x 17.5"H. Ritchie A. Benson grew up in the Los Angeles area during the World War 11 era. By the late 1950s, he was studying watercolor painting and by the 1960s was exhibiting on a national level. He spent a great deal of time painting along the California coast and was most interested in producing works which pictured boats and harbor scenes. His watercolors were sold through the Challis Gallery in Laguna Beach and through art association exhibition sales. Although he continued to paint occasionally in Southern California, most of Bensen's later works were done in Mendocino, California, or farther north in Washington state where he spent a lot of time painting on the beaches...

Acrylic on a heavy impasto ground. With charcoal, oil pastels, gold paint and staining dye. Colonists have a habit of naming their new homes after their old ones. If we have to leave...

Ture Ander (1881-1959) Sweden Floral Symphony, 1936 oil on board signed and dated Ture Ander 36 board dimensions 24,41 x 18,90 inches (62 x 48 cm) frame 2...

Suchitra Bhosle's "Dreams in Gold" is an original, handmade oil painting that depicts a nude, dark haired woman, in golden jewelry, relaxing on a bed with a book nearby. About the ...

Ernest Albert (1857 - 1946) Maine Coast, Ogunquit, 1937 Oil on canvasboard 18 x 20 inches Signed and dated lower right; titled on a label on the reverse A distinguished theatrical and scenic designer who also became a landscape painter and muralist, Ernest Albert worked in New York, St. Louis, and Chicago. He was born in Brooklyn, New York in 1857, and showing early talent, received the Graham Art...