Art by Medium: Board

Yvonne Lammerich has used a dynamic pattern, bold colours and geometric form to create this visually stunning contemporary piece. The ‘building block ...

the Shop Window New York City, 1940s 17.75X25 sight size. Maurice Becker (1889–1975) was a radical political artist best known for his work in the 1910s and 1920s for such publica...

Joan Vives Maristany (XX) - Coastal landscape - Oil on cardboard Oil measures 39x53 cm. Frameless.

Stockbroker turned artist Dawne Raulet stumbled into painting when she least expected it. Frazzled by a fulltime financial career and two small infants at home and in desperate need ...

Betty Boop as a Cloud of Smoke from a Marijuana Cigarette (After French artist Louis Icart) Date: 1980 Medium: Mixed Media on Board Signature: Signed Lower Right Dimensions: 16 x 12...

Exploring the purity of the feminine form and the excitement of High-End Fashion, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composi...

Small town view at spring. Oil on cardboard, 97x130 cm

"Beasts of Burden" (2023) by Andy Evansen is an original handmade watercolor painting on paper that depicts horses resting in the shade alongside a small creek. This piece measures 15 x 22 inches and 21 x 28 inches in its frame. Andy Evansen’s interest in art started in childhood, as he can’t recall a time when he wasn’t drawing. He began painting watercolors in the mid 1990s as a change of pace from his career as a medical illustrator. Choosing a ‘style’ was not difficult, as Andy was always inspired by the watercolor paintings of British artists Trevor Chamberlain, David Curtis...

This piece is a pertinent example of Martha Walter's most precious oil portraitures. Her use of the pallet is effortless with bold brushwork, strong executions, and soft details. Wal...

Wonderfully vivid mid century impressionist landscape of stone barn with red roof circa 1950s, by an unknown artist. The quant old barn is nestled beneath grassy foothills in this pa...

Flowers Cardboard, oil, 70x44 cm

Fox amidst the Hay Bales on a Misty Morning in a Field in the English Countryside, by British Artist Andrew Hutchinson Art measures 22 x 10 inches F...

In this oil painting with a landscape format, a young girl rides a horse, though her figure is partially cropped, giving full prominence to the animal. The horse moves slowly along a...

"Provincetown" is a 12 x 11 3/4 inches, oil on board impressionist street scene by American impressionist painter and member of the Women's Artists Group "The Philadelphia Ten", Nancy Maybin Ferguson...

A colourful Impressionist seascape of Cap Corse by C Benali. The painting is signed bottom right and a location, Grischoni, Cap Corse, to the backboard. Presented in patinated silver...

Gazing at Lebanese American artist Sally K's floral portrait is consuming and empowering. Inspired by strong, feminine women, she creates pop-realisti...

Cinderella - Original 1950 Lobby Card Vintage 1950 Lobby Card: When Cinderella's cruel stepmother prevents her from attending the Royal Ball, she gets some unexpected help from the lovable mice Gus and Jaq and from her Fairy Godmother. Directors: Clyde Geronimi Wilfred Jackson Hamilton Luske Writers: Charles Perrault Bill Peet...

Greenwich Village NYC WPA Mid 20th Century American Scene Ashcan Modern Realism Alfred Mira (1900-1981) Greenwich Village NYC 14 x 17 inches Oil on board,...

This piece depicts an abstract Street Haring Dog with bursts of color and pop art design. It is done on aluminum dibond and has a strong resin coating which...

Artist: Alexander Litvinov Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Cardboard Style: Classic Figurative Year: 20...

SIBYL EDWARDS (Canadian b. 1944) "Rainbow Egg Tray" 1973 Watercolor on Pressed Pulp Cardboard Egg Tray Filler Hand signed and dated verso in ink, "Sibyl Edwards, 1973." Dimensions: 12" x 12" Provenance: Collection of Roy H. Van Horn, Houston, Texas Sibyl Edwards was born in Canada, she was a Texas artist who taught at the Dallas museum of Art in the 1940's along with well-known Dallas artists including Octavio Medellin, Otis Dozier, Merritt Mauzey, and Roger Winter. She was also a avid collector. Her collection included works by Max Bill, Herbert Distel, Hansjorg Glattfelder, the Belgian sculptor Paul Van Hoeydonck...

Artist: Alexander Litvinov Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Cardboard Style: Classic Figurative Year: 20...

This evocative pastel portrait captures the beauty and strength of an African American woman in a moment of quiet vulnerability. The artist masterfully uses soft yet precise strokes ...

Edward Rosenberg is best known for his landscape paintings with winter motifs around Lake Mälaren. He studied at the Art Academy in Stockholm 1879–1882. And he had his first success in 1882 when he received the Royal Medal...

Signed lower left, 'Paul Lauritz' (American, 1889-1975) and painted circa 1960. Framed dimensions: 29 H x 1.5 D x 38.5 W inches Born in Larvik, Norway, Paul Lauritz became a notable...

A very whimsical depiction of a woman in fashionable ripped jeans in soho with her Chanel clutch situated on the table. This piece captures the essence of fashion and Haute Couture e...

Amazing surrealist painting by Italian artist Nuccio Fontanella (1936-2005). Ink and watercolor on cold pressed illustration board. Image measures 13 x 18 inches; 20 x 25 inches framed...

Vladimir Glushenkov (1948-2009) (May 21, 1948, Riga - December 26, 2009, Riga) - painter, graphic artist, poet, translator. Vladimir Glushkenkov was born in family with Russian-Poli...

French post modern oil on board of a tablescape, tulips, carafe and three fruits. Signed Henri Chapignue and dated 1975. An arresting and highly energ...

Exploring the purity of the feminine form and the excitement of High-End Fashion, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composi...

This painting by Ned Martin blends the artist's signature abstract style with portraiture that is reminiscent of the Old Masters. The softly-executed realistic face and neck of the w...

James Bond The Spy Who Loved me - Original 1977 Lobby Card #7 Vintage 1977 The Spy Who Loved Me lobby card of 007's car crashing into the water with a helicopter in pursuit Framin...

This textured abstract diptych by Teodora Guererra features a light, cool palette with subtle warm pink accents throughout. The artist layers thick strokes of paint using a palette k...

This green, purple, and grey wall-hanging abstract sculpture titled "All the same" is an original artwork by Joey Slaughter made of acrylic ...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

The impressionist winter painting is a beautiful wall decor, the painting is full of different colours, combinations of warm and cold shades are professionally captured by the artist...

Signed oil on board interior by French Les Nabis painter Edouard Vuillard. The work depicts a room with a large window, outside of which are bare trees. Inside the room are three chairs and a patterned rug on the floor. Signature: Signed lower left Dimensions: Framed: 20"x13" Unframed: 13"x6" Provenance: Prince Antoine Bibesco (1878-1951) - Special Envoy of Romania to the United States Piasa Encheres - Paris Lot no. 88 - 8th April 2005 - Sold EUR 118,000 hammer price Acquired at the above by Thomas Gibson Fine Art - London Acquired by the previous owner from Thomas Gibson Fine Art - TEFAF Maastricht November 2005 Literature: This work is included in the catalogue rasionne of the work of Edouard Vuillard under Ref Volume II No. 172 - illustrated and described Access to the raisonne online can be found at the Wildenstein Plattner Institute website. The work is described as being executed in the period 1899 to 1904 by Antoine Salomon and Guy Cogeval Édouard Vuillard attended the Lycée Condorcet in Paris, where he made friends with Maurice Denis, Lugné-Poe, and Ker-Xavier Roussel, later his brother-in-law. He studied in Maillart’s studio; for six weeks came under the tutelage of Jean-Léon Gérôme at the École des Beaux-Arts in Paris; and later under William Bouguereau and Robert at the Académie Julian, where he became closely linked with the Nabis group (from the Hebrew word for ‘prophet’). He met Marcel Proust in 1902. From 1908, he taught at the Académie Ranson. In 1937, he was elected member of the Institute. At first, Édouard Vuillard painted small subjects, disciplined and proficient, qualities for which the prestigious École Française was famous. His earliest still-lifes (1888) are astonishing in their decisiveness and subtlety. His empathy for the object had already compelled him to soften its appearance; the object, which, by virtue of its bright or glossy presence, remained the nonego and the ‘thing represented’ for so many others. ‘Intimacy’ developed immediately between the painter and this modest environment; inhabiting it every day enabled him to celebrate its splendour, and it was to remain his favourite environment. But he was already alternating between small portraits and still-lifes, which gained recognition because of their natural qualities and dignity of tone: a rare combination in a beginner. About 1890, influenced indirectly by Paul Gauguin, all the certainties which the self-styled Nabis painters had contented themselves with suddenly collapsed. Everything was called into question again: both the linear layout of the picture and its colour scheme; the choice of subject and its material aspect; its manufacture and its purpose. Vuillard’s paintings at that time show surprising, bold innovations and an arbitrary power, which one would expect 15 or 20 years later at the height of the Fauvist period. The preoccupation with an internal geometry set them apart from earlier studies. From then on, the paintings were based on forms, lines, and colours. Vuillard made concessions. He produced a portrait or interior with its furniture and its wallpapers, in which the family inhabiting it, evolves. Treated with flat areas of colour and solid shades of ochres, reds, blues, and saffron yellow, without modulation, they seem to prefigure certain paintings by Henri Matisse and Roger de La Fresnaye. In 1891, Édouard Vuillard painted an Elegant Lady, a silhouette seen from the back; a long vertical shape starting from the hair decorated with brown feathers; there is a kind of pink cloak, the tight and never-ending black skirt, erect in front of a half-open, bright orange door in a green wall, from where the light of another vertical shape emerges, which is bright yellow, and is reflected in red on the parquet at the feet of the elegant lady. This painting meets his concerns about the actual moment of creating ‘harmonies corresponding to our feeling’, and by virtue of its almost geometric structure, its drawing entirely free of detail, its light effects and colour harmonies, very much prefigures aspects of the future Abstraction movement and is oddly reminiscent of the final period of Nicolas de Staël. All too often, Édouard Vuillard is only admired in his role as the harmonist, the serene contemplator who combines an exquisite sense of nuance, rhythms, and values with the most acute observation. These singular investigations, these three-dimensional meditations including a table, a folding metal cot...

Basket Weaver with his Baskets for the Market 1950s figurative oil Expressive and detail portrait of a weaver and his baskets, heading to market by California impressionist nna Oley...

Signed lower right, 'V. Isbrand' for Victor Isbrand (Danish, 1897-1989) and titled, 'Venedig' (Venice). Precocious as a child, Victor Isbrand painted professionally from a young age...

original Oil on board Image size: H:14 cm x W:18 cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Oil on board

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

A summer landscape with purple wildflowers and the beautiful sky is a remarkable wall decor. The artist is always inspired by nature. The lively painting is a wonderful purchase for ...

Janet Keith Autumnal Original Abstract Landscape Painting Oil paint on Board Image Size: H 76 cm x W101 cm x D 0.30 cm Sold Unframed Free Shipping
 Please note that in situ images ar...

Will Foote View of Arizona Desert near Wickenberg, circa 1927 Signed lower center; titled and dated on the reverse Oil on artist's board 12 x 16 inches Foote was born on June 29, 1874 in Grand Rapids, Michigan, and died on January 27, 1965, in Sarasota, Florida. He was in Old Lyme, 1901-65; and in Cos Cob, 1903. Will Howe Foote was one of the earliest artists at Old Lyme and one who adopted the town as home. He first went there the summer of 1901 with his uncle, William H. Howe, a painter of cattle, who had been told about the beauties of the countryside by Henry Ward Ranger. Foote had himself heard of Old Lyme when he had met Clark Voorhees in France. He and his uncle were both from Grand Rapids, Michigan, where Foote's father was an executive in the furniture industry that made the city famous. Encouraged to be an artist by his father, he began his professional training at the Art Institute of Chicago in 1894. He became friends there with a fellow Michigan student, Frederick Frieseke, who would study with him again at the Art Students League in New York, where Foote worked in 1895-96 under H. Siddons Mowbray and Kenyon Cox. In 1897 he and Frieseke went to the Academic Julian in Paris, where Foote studied under Jean-Paul Laurens and Benjamin Constant. He was at Julian's until 1900, except for an Italian trip, summers at Laren, Holland, or Etaples, France, and a short period at Whistler's school in Paris. He exhibited twice at the Old Salon, and when he returned to the United States in 1900, he had a one-man exhibition in his hometown. Will Howe Foote's paintings were well received on his return from abroad. He exhibited frequently at the National Academy of Design and became an associate member in 1910. His awards included a bronze medal at the St. Louis Exposition in 1904 and a silver medal at the Panama-Pacific Exposition in San Francisco in 1915. Once he visited Old Lyme, Foote returned every summer. In 1902 he was hired as assistant to Frank DuMond at the Lyme Summer School of Art, which was sponsored by the Art Students League of New York. Sometime in 1903 he also taught a session in Cos Cob. After 1906, when the League moved its Lyme classes to Woodstock, New York, Foote continued in Old Lyme as a private instructor. In 1907 he was married to Helen Kirtland Freeman, whom he had met a year or two earlier when she had come to the Lyme art colony as a student of Henry Rankin Poore. Fellow artist William Chadwick was best man at the wedding. The Footes began building a house on Sill Lane in Old Lyme and upon its completion in 1909 spent every spring, summer and fall there, where Foote devoted full time to painting. The Gregory Smiths, old friends from Grand Rapids, arrived in Old Lyme in 1910 and became neighbors. Foote's early works in Connecticut, such as A Summer's Night reflect the artist's interest in soft, atmospheric scenes dominated by a single, overriding tone. The arrival of Childe Hassam and Walter Griffin...

Charming mid century country landscape with cottage with thatched roof and chickens foraging. Signed "H. H." and dated "1955." Condition: good; some edge and corner wear consistent w...

Danish mid century Colourfield oil on board painting of a rural landscape by Poul Møller. The painting is initial signed and dated bottom right and there i...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

"Zinnias in Blue" by Millie Gosch is a delicate 5 x 5.5-inch oil on linen board that beautifully captures the charm of fresh zinnias against a cool blue backdrop. Gosch’s expressive ...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

Christopher Barrow has studied the smallest details of life in urban society and translated these details into engaging paintings. His scenes are familiar to us but also ever so slig...

Signed lower right, 'James March Phillips' (American, 1913-1981) and painted circa 1965. Displayed in an original card mat decorated by the artist. Signed lower right, in pencil, 'J. M. Phillips' and titled, lower left, ''The Thief' - from Francois Villon's Christmas'. Mat dimensions: 16 x 13 inches. Born in California, James March Phillips first studied in San Francisco at the Jean Turner Art Academy and, later, under Alfred Owles...

An oil on panel view of a winter snow scene by Boggio. The painting is signed bottom right. A charming view of a snow scene, a river running under a bridge heavy with snow. A Christ...

"Pompeii" by Heiko Mattausch (Germany based) is an original oil painting that depicts a landscape of the Pompeii Ruins. I am a painter and graphic artist living and working in Leip...

A lovely, impressionistic oil of ducks in the sunshine in a Norfolk broads landscape. Frederick George Cotman (1850-1920) Acle Bridge, circa 1915 Inscribed verso Oil on board 10 x 16 inches Provenance: Cotman family collection Frederick George Cotman was born in Ipswich on 14 August 1850. His uncle, John Sell Cotman, was one of the cornerstones of the Norwich school and a very influential watercolourist. Frederick's first tuition came from William Griffiths, headmaster of Ipswich School of Art. In 1868 he enlisted at the Royal Academy Schools and his proficiency as a draughtsman and painter in oils and watercolours was rewarded with four silver and a gold medal for The Death of Eucles now at the Ipswich Town Hall. His teachers in London were Frederick Leighton (1830-1896) and Henry Tanworth Wells (1828-1903). Cotman became established as a London society portrait painter, for which he could command a fee of 300 guineas and also produced homely genre scenes. Elected a member of both the Royal Institute of Painters in...

Self taught outsider art by African American artist from New Orleans with work in major museum and private collections. White created a bold c...

Forest river. 1990. Cardboard, oil. 67,5x93 cm Information about artist Edgars Vinters (1919-2014). Edgars Vinters was working in oil, waterc...

"Let's Make an Opera" Original Drawing NYT Published, Norman Del Mar Conducts Al Hirschfeld (1903-2003) "Let's Make An Opera" Ink on board 13 1/2 x 18 1/2, sight Framed: 22 1/2 x 27...

Antique French Impressionist Oil on Panel by Paul de Frick, "Banks on the River Seine," Circa 1900 Antique oil painting by French Impressionist artist Paul de Frick (1864-1935), sta...