Art by Medium: Etching

Louis Icart, French (1888 - 1950) - Black Fan, Year: 1931, Medium: Aquatint Etching, signed in pencil lower right, Image Size: 16 x 20.75 inches, Frame Size: 25.75 x 30 inches, P...

From David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio, an image from the story of Rapunzel. The Enchantress with the baby Rapunzel references a Heironymus...

A richly hand-colored image with a counterstrike on the verso. London: Hannah Humphrey, 1804. Etching with hand coloring in watercolor on buff wove paper, 10 1/4 x 15 inches (260 x...

Copperplate engraving from Georges-Louis Leclerc, Comte de Buffon, Histoire Naturelle, Tome IX, 1771 edition (Pl. XXVI, p. 298). This finely detailed anatomical plate illustrates th...

Antiquities of Herculaneum  - Letter of the Alphabet C,  from the series "Antiquities of Herculaneum", is an etching on paper realized by Giovanni Mignani in the 18th century. Good ...

This piece titled "Wish I Was the Moon VE 5/7" is a variable edition piece by Kate VanVliet and is made from Intaglio with soft ground on Rives BFK. This piece is an edition of 7 mea...

Salvador Dalí­ Iris of Dali's Youth from Surrealistic Flowers, 1972 Etching Hand Signed lower right Numbered: 299/350 Image size 58 x 40 cm Sheet size 75 x 55 cm Literature: Albert F...

Artist: Joan Miro Title: La Femme Arborescente Medium: Aquatint Etching Size: 43.5"h, 28.75"w; 55.5"h, 41"w Edition: 23/50 Inscription: Signed “Max” in upper right Condition: Museum ...

Meduse Etching and aquatint printed in colors, 1958 Signed, titled, numbered and dated in pencil (see photos) Edition: 50 (25/50) Etching and aquatint printed in colors ...

Medium: original color etching. Printed in 1965 for the "Paroles Peintes II" portfolio, and published in Paris by Lazar-Vernet. This magnificent, rich impression is one of 150 printe...

Hunting Cupid from "Antiquities of Herculaneum" is an etching on paper realized by Roccus Pozzi in the 18th Century. Signed on the plate. Good conditions. The etching belongs to ...

Artist: Lucas van Leyden, After by Amand Durand, Dutch (1494 - 1533) - Jesus Christ presente au Peuple, Year: 1873, Medium: Heliogravure, Size: 12 x 18 in. (30.48 x 45.72 cm), Prin...

Nicholson, Ben. San Gimignano. Lafranca 38. Etching, 1966. Edition of 50, signed in pencil and dated "66," and numbered "1/50." With the chop of the printer Lafranca embiossed lowe...

Georges Braque (1882-1963) - Pichet et oiseau Etching from 1955. The edition of 74/300. Dimensions of work: 41.5 x 51 cm. Hand signed. Reference: Vallier 1005. The work is in G...

Charles Donker Behind the Frog 20 x 38,5 (Framed included in price, 42 x 59 cm) Etching on paper The etchings of Charles Donker are admired and collected both in the Netherlands and...

David Hockney Vertical Dogs Etching and aquatint printed in colours, 1995. Signed in pencil and numbered 42/80. Printed on on Arches Watercolor, paper by Maurice Payne; Los Angeles, ...

Leonard Edmondson, 'Winter Garden', color etching, edition 50, 1957. Signed, titled, dated, and numbered '50/50' in pencil. A superb, richly-inked impre...

Salvador Dali (1904-1989) - Quevedos Visioner, Planche VI Etching from 1975. The edition of 295/300. Dimensions of work: 66 x 50 cm. Hand signed. Publisher: Galerie Börjeson, Ma...

Medium: original etching. This impression on wove paper was printed in 1908 and published in Paris for the Revue de l'art ancien et moderne. Plate size: 5 3/4 x 8 1/2 inches (143 x 2...

ARTIST: Salvador Dali TITLE: Memories of Surrealism Surrealist Crutches MEDIUM: Etching on Japon Paper SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: A XXX/XL MEASUREMENTS...

Le Chapeau Epingle or La fille de Berthe Morisot et sa Cousine (1e planche) Etching with drypoint, 1904 Signed in the plate (see photo) This is the first etched version of "Pinning the Hat" Depicts Julie Manet and her cousin Jeanne. Exceptional impression printed with burr and selective inking with plate tone. Very rare. Published in 1910 in the first edition of Druet, "Manet annd the French Impressionists" A lifetime impression, printed prior to 1912. The etching comes with the original Herman Wunderlich & Co. (Kennedy Galleries label), which dates this impression to 1912 when Wunderlich changes names to Kennedy Galleries. Very rare image in an early lifetime impression. Printed with plate tone With pencil inscription stating first printing in French (see photo) Condition: very good No issue as seen from the front Soft horizontal creases visible from reverse Provenance: Kennedy Galleries, NY Reference: Stella 4, prior to Druet edition Delteil 4, published state Pierre-Auguste Renoir was a famous French painter whose paintings are some of the most popular, well-recognized, and frequently reproduced images in the history of art. His work presents a vision of a forgotten world, full of sparkling color and light. He once said: “Why shouldn’t art be pretty? There are enough unpleasant things in the world.” Born at Limoges on February 25, 1841, Renoir died at Cagnes-sur-Mer on December 17, 1919. When he was 13, Renoir entered a Paris porcelain painter’s workshop as an apprentice and developed a fine brush technique and facility with color. At 21, he attended courses at the École des Beaux-Arts and subsequently at Glyre’s. He made friends with Cezanne, Pissarro, Sisley, Monet, Bazille, and Diaz. In 1873, the artists Durand Ruel, Caillebotte, and Duret took an interest in his work. Renoir was involved in “The Society of Painters, Engravers and Sculptors,” which was founded in 1874, and witnessed the birth of Impressionism. From there, Renoir was immersed and able to spend time with his fellow artists of the day. He did not take up original printmaking until he was 50 years old, first with two small soft-ground etchings after his painting, “The Rustic Ball,” followed by an etching of Venus for the frontispiece of Mallarme’s Pages. Most of his engravings were done after his own pictures. In 1892, he did his first lithograph – a portrait of his son Pierre. In 1894, he met Ambroise Vollard, who played an important part in the production of Renoir’s and Cezanne’s lithographs...

I Refuse To Have A Bath Until I See The Trees is a limited edition drypoint etching by Kate Boxer. Kate Boxer's combination of imagery and text in I Refuse To Have A Bath Until I See...

This print was created by Peruvian artist Victor Delfin. Delfin found the source of his inspiration in the ancient Paracan culture of Peru, part of the broader Incan civilization. De...

Etching and aquatint on cream laid, watermarked Rives paper. 6 5/8 x 5 inches (167 x 126 mm). Sixth and final state, a posthumous impression. A fine, inky impression with full margin...

Well known animal artist Marie Du Barry original etching of a Scotty dog with ball. Presents in a simple mat with no frame. Pencil signed lower right and pencil titled lower left. A...

Color aquatint and hardground etching. Edition of 25

KURT SELIGMANN (1900–1962 American, born in Switzerland,) LA SORCIERE - (The Witch) 1934 Etching and aquatint, unsigned ? possibly a proof aside from The ...

Etching and aquatint on paper. Hand signed in pencil. Artist Proof. Very good condition.

Medium: etching. Etched by Felix Bracquemond after Corot. This impression on chine-collé paper was printed in Paris by Taneur and published as plate 27 for the Les chefs-d’œuvre port...

Pierre-Auguste Renoir Le chapeau épinglé - 3e planche (Delteil, Stella 8), circa 1894 Etching on laid paper. Signed in the plate lower left. From La Vie Artistique by Gustave Geffroy...

Medium: original etching. Executed in 1879, this is one of the "Danube Set" of Otto Bacher's German compositions from his travels in Bavaria. Printed on laid paper and published in B...

Paris: L'Artiste, 1879. Etching with drypoint on cream laid paper, 9 3/4 x 4 1/2 inches (248 x 115 mm), full margins. In good condition with some uniform age tone, light mat tone, an...

hand watercolored drypoint etching on extremely fine Japanese paper, edited in 1969 limited edition of 145 copies water-colored , numbered in lower left corner ea ( artist proof ) signed in pencil by artist in lower right corner paper size: 38.5 x 28.5 cm framed size: 65 x 55 cm very good conditions Bibliography: Salvador Dalí Catalogue Raisoneé of etchings and mixed media prints Ref 369 pag 178 Fast and Tracked shipping with express currier DHL . We offer professional packaging and tracked shipping with DHL Express courier ( shipping time: 24 hours for European countries and 4 to 6 days for America and other non-eu countries...

Paul Jouve Tiger Eating, c. 1931 Original etching Unsigned proof On vellum 42 x 50 cm (c. 16 x 20 in) REFERENCES : Félix Marcilhac, "Paul Jouve, Peintre sculpteur animalier", Les É...

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Jan Uytenbogaert (1606-84; The Goldweigher), Year: Of Original 1639, Medium: Etching, Image Size: 9.5 x 8 inches, Si...

Hans-Georg Rauch, German (1939 - 1993) - Landscape (2), Year: circa 1977, Medium: Etching, signed and numbered in pencil, Edition: XLII/L, Image Size: 10 x 12 inches, Size: 20.5...

Dark House is a soft-ground etching with aquatint signed in pencil by the artist. This image is in the collection of the Detroit Institute of the Arts Printmaker Earl Horter, born in 1881 in Germantown, Pennsylvania, was known for his realistic etchings and aquatints of urban scenes, though he was also an illustrator and painter. As a teenager, he engraved stock certificates. He was essentially self-taught, though he did take an etching class when he moved to New York City in 1903 to work for an advertising agency. Horter had a one-man show in 1916 in New York City at the Frederick Keppel and Company gallery. He was given the exhibition by Carl Zigrosser, later the first Curator of Prints and Drawings at the Museum of Modern Art. Horter was back in Philadelphia in 1917, where he would remain until his death in 1940. He worked there as art director for the N. W. Ayer advertising firm from 1917-1923. Horter was a member of the Society of Illustrators. He exhibited at the Pan American Exposition in 1915 in San Francisco, California; the Art Institute of Chicago, Illinois; and the Philadelphia Print Club's National Exhibition of Prints; as well as Corcoran Gallery biennials from 1935 to 1939, in Washington, D.C. Horter is listed in "Mantle Fielding's Dictionary of American Artists"; "Who Was Who in American Art"; and Mallett's "Index of Artists". Though not a man of extraordinary means, Horter was a lover of modernist art, which he gradually purchased, creating an important collection, well ahead of its time in America, of Cubist and Precisionist works, as well as African sculpture and Native American artifacts. Artists Horter collected include Europeans Picasso, Braque, Duchamp and Brancusi, and Americans Charles Sheeler and Arthur B. Carles. He was a friend of Carles, as well as other artists and collectors such as Leopold Stokowski, conductor of the Philadelphia Orchestra; Franklin Watkins; S. S. White; and Carroll Tyson...

The valley is an original modern artwork realized by Andre Roland Brudieux. Original etching on ivory paper. Image Dimensions: 30.5 x 24.5 CM. Hand-signed on the lower right. Numb...

Etching on chamois-colored laid paper, realized by Dalì in 1968/69. Plate from "Faust (La Nuit de Walpurgis), published by Argillet, Paris. Edition of 49/150, hand colored. Hand s...

MARGUERITE KIRMSE (English/American 1885-1954) THREE’S A CROWD, c 1930 Etching, signed and titled in pencil. Plate 6 3/8 x 9 ¾ inches. Full sheet with edges on all sides. Sheet 10 5/8 x 13 5/8 inches. In good condition, save for old tape on sheet edges verso, showing through to recto. A hint of a mat line below the signature Kirmse is considered to be one of the most important etchers of Dogs. Sheet with even white tone - photos show oblique shadows From Wikipedia: Marguerite first trained as a harpist at the Royal Academy of Music but spent much of her spare time drawing animals. She went to the United States in 1910 on holiday with friends but stayed there.[4] She was not successful in advancing her musical career and focused her attention increasingly on her animal drawing, which she developed by frequent sketching trips to the Bronx Zoo.[5] In 1921 she started producing etchings of dogs...

Rowland Langmaid (1897-1956) Tower of London from the Thames, Academy Proof Print. Signed in pencil with blind stamp. Image size: 27 x 20.5cm.

1926. Etching in sepia ink on Japon paper, 9 5/8 x 11 1/2 inches (245 x 292 mm), full margins with the lower margin slightly notched. Signed, titled and dated in pencil in the lower ...

Line etching, sufar lift and aquatint in colours "Farewell Bill" by Georg Baselitz from 2013/14. The edition on Hahnemühle Filigrane comprises 40 copies. The present copy is numb...

Albrecht Durer, After by Amand Durand, German (1471 - 1528) - La Vierge assise au Pied d'une Muraille, Year: 1873, Medium: Heliogravure, Size: 6 x 4 in. (15.24 x 10.16 cm), Print...

Georges Braque, French (1882 - 1963) - La Theogonie d'Hesiode Frontispiece, Year: 1953, Medium: Etching, Image Size: 14.5 x 11.5 inches, Size: 17.5 x 13.5 in. (44.45 x 34.29 cm), Pr...

Color drypoint etching and aquatint on paper, edited on 1977. Limited edition of 75 copies, numbered as 27/75 in lower left corner. Hand-signed in pencil by artist in lower right cor...

Ernesto Garcia Peña (Cuban, 1949) '¡Y ya! ' (And that's it!), 2007 etching, engraving on paper 28.5 x 21.2in. Edition of P.A (Prueba de Artista) Ref: GAE-103

Lucian Freud (1922-2011) was a seminal figure in 20th-century British art, celebrated for his raw and psychologically charged exploration of the human form. With his distinctive fi...

For Alberti, For Spain!  it's an original artwork realized by Joan Mirò in 1975. Etching,  90 x 66 cm.  Hand signed. Edition 50/90. Reference: Dupin 926 Printed on Fabriano paper...

John Marin, 'Bridge, Venice', etching, 1907, Zigrosser 59. Signed in pencil. Signed and dated 'Marin 07' in the plate, lower center; titled 'Le Pont Venezia' in the plate lower right. A superb, delicately inked impression, on antique cream laid paper, the full sheet with margins (5/8 to 3/4 inches); slight lightening to the paper within the original mat opening, otherwise in excellent condition. Printed by George Haskell, New York. Matted to museum standards, unframed. Image size 5 x 7 1/16 inches; sheet size 6 5/8 x 8 11/16 inches. Literature: 'John Marin: Peintre Graveur', Charles Saunier, L' Art Décoratif, Paris, January, 1908 (illustrated). 'The Complete Etchings of John Marin', Carl Zigrosser, Philadelphia Museum of Art, 1969 (illustrated). Impressions of this work are in the following museum collections: Art Institute of Chicago (Stieglitz Collection), Cleveland Museum of Art, Fine Arts Museums of San Francisco, Metropolitan Museum of Art, and the Philadelphia Museum of Art. ABOUT THE ARTIST "How to paint the landscape: First, you make your bow to the landscape. Then you wait, and if the landscape bows to you, then, and only then, can you paint the landscape." —John Marin “I would say to a person who thinks he wants to paint, go and look at the way a bird flies, a man walks, the sea moves. There are certain laws, certain formulae. You have to know them. They are nature's laws and you have to follow them just as nature follows them... You don't create the formulae... You see them." —John Marin, conversation with Dorothy Norman...

Untitled, Sarayevo Winter Olympic Games 1984, is an etching with aquatint and lithograph in colors realized by Cy Twombly on the occasion of the Winter Olympics Games 1984 in Sarajev...

Mary Heilmann (American, b. 1940) Abstract color aquatint etching Jazz 2002 Hand signed, dated, and numbered 11/25 in pencil, lower margin. Publisher: Pace Editions Horizontal green...

ARTIST: Salvador Dali TITLE: La Tauromachie Individuelle MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Pierre Argillet EDITION NUMBER: XXV/C MEASUREMENTS: 25.5" x 20" YEAR: ...

'Riders at Sundown', aquatint and drypoint, edition 75, 1953, Kloss 451. Signed, titled, and annotated 'Artist's Proof' in pencil. A superb, richly-inked, atmospheric impression, in ...

Scena di Battaglia (Battle Scene) is a wonderful hand-watered etching, made in 1760 by Luigi Guidotti ( Bologna, 1751 -1800 c.a), after Francesco Antonio Simonini. On lower margin u...

Color mezzotint on fibrous, buff wove paper, 19 x19 inches (482 x 484 mm), full margins. Titled in pencil, lower left, and with the artist's stamp in black ink in the lower right mar...

Luis Miguel Valdes (Cuba, 1949) 'Homenaje a Dominguin I', 2005 etching, aquatint, sugarlift on paper 21.3 x 27.4 in. (54 x 69.5 cm.) Edition of 20 Unframed ID: VAL-129 Hand-signed by...

Pablo Picasso Maternité, (1924) Etching on Arches paper Hand signed and numbered 15/50 from the edition of 50 Published by Galerie Louise Leiris, Paris, 1955 Paper: 22 5/8 x 28 inche...

Paysage is an artwork realized by Léo Drouyn in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative of the publisher Alfred C...

An early abstract work, rich in visual texture and patterns with abstract leaves by Japanese print maker Kazuko. Etching pencil signed edition nu...