Art by Medium: Etching

Salvador Dali L'Ange du 7e ciel (1960) Heliogravure reworked with drypoint Printed signature in the plate On BFK Rives Vellum paper Size 32.8 x 26.4 cm (c. 13 x 10") References: - ...

English Title: "Noble Pleasant Building" Beautiful Proof, showing the apparatus for firework designed and built in occasion of the Feast of S. Peter and Paolo (1776) by Giuseppe Pal...

Salvador Dali (1904-1989) - Homme baisant la chaussure Etching from 1969. 109/145 on Japan paper. Dimensions of work: 38 x 28 cm. Hand signed. Publisher: Graphik Europa Anstalt....

Artist: Jacques Villon, After, French (1875 - 1963) Title: Composition Year: 1927 (printed circa 1965) Medium: Aquatint Etching, Signed and dated '27' in the plate Image: 19 x 13.5 i...

Isaiah's Prayer Etching, c. 1931-1939 Signed in the plate (see photo) Plate No. 99 From: La Bible. L'Ancien Testament (105 plates) Edition of 275 unsigned (there were an additional 2...

Phrases - Souffle is a Contemporary artwork realized by the Italian Contemporary artist Achille Perilli  (1927 -2021) and by the French philosopher Philippe Lacoue-Labarthe (1940-200...

Le Pigeon... is an excellent contemporary artwork realized by Renée Lubarow (b.1923) in 1978. Original colored etching on paper. Image Dimensions: 17 x 17...

The Arrival of the Angel is an old master artwork realized by Simone Cantarini in 17th Century. Black and white etching. Image dimensions: 21x17 Mo...

Drypoint and aquatint (brown ink) on cream paper. Signed "Rehn" in pencil on the lower right margin. Titled and numbered in pencil on the lower left margin. Edition of 25 prints. Fr...

Salvador Dali (1904-1989) - The Struggle Etching from 1974. The edition of 38/350. Dimensions of work: 56 x 38 cm. Hand signed. Publisher: Leblanc. Referencja: R. Michler, L.W...

The Tortoise and the Hare is a vintage poster realized by the artist Kyu Hwang (Pusan 1932), in occasion of the XIV Winter Olympics games in Sarajevo, in 1984. Very good condition. ...

"Caudatario" in the Chapel is an Artwork realized in 1827 by the Engraver, Giuseppe Capparoni (Rome 1800- 1879). Etching hand colored on ivory paper. Signed on plate and dated on th...

Etching and drypoint realized by Sergio Barletta. Hand signed and numbered. Edition of 30 in roman numbers. Very good condition.

Roman Fresco from "Antiquities of Herculaneum" is an etching on paper realized by Ferdinando Campana in the 18th Century. Signed on the plate. Goo...

Auguste RODIN (after) Daemon with a shadow, 1897 Etching enhanced with watercolor On vellum 42.5 x 31 cm (c. 16.7 x 12.2 inches) Edition limited to 125 copies, send with the certifi...

Fragments is an original contemporary artwork / artist book realized by Jannis Kounellis and Giorgio De Dominicis in 1992. Edition n.16 of 40. The book has been printed in 40 copie...

Artist: Louisa Chase, American (1951 - 2016) Title: Hands (Black and White) Year: 1984 Medium: Etching, Signed and Numbered in Pencil Edition: 25 Paper Size: 12 x 12 Inches (30.48 x ...

Hans-Georg Rauch, German (1939 - 1993) - Nieve, Year: circa 1978, Medium: Aquatint Etching, signed and numbered in pencil, Edition: 100, Size: 20 in. x 25 in. (50.8 cm x 63.5 cm)

Portrait is an original Etching realized by Theodule Ribot in the 19th Century. Good condition.

The Greek Subdeacon is an Artwork realized in 1828 by the Engraver, Giuseppe Capparoni (Rome 1800- 1879). Etching hand colored on ivory paper. Signed on plate and dated on the right...

Etching on laid and watermarked paper (a double circles visible near the bell tower). 38 th Plate from the series " Views of Rome". Signed on plate on lower-left margin "Piranesi F....

Roberto Matta, Chilean (1911 - 2002) - 10PM from L'Arc Obscur des Heures, Year: 1975, Medium: Etching with Aquatint, signed and numbered in pencil, Edition: 89/125, Image Size: 1...

"Mazziere" of the Pontifical Chapel is an Artwork realized in 1827 by the Engraver, Giuseppe Capparoni (Rome 1800- 1879). Etching hand colored on ivory paper. Signed on plate on the...

L'Acte d'Humanité is an original artwork realized by Robert De Launay in 1786. Original Etching on paper after Jean De Fraine. Lettered in French with names of designer and engra...

Ancient Roman statue, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Filippo Morghen in the 18th century. Signed on the plate, on the lowe...

Don Quixote and full-moon is an etching and drypoint print on ivory-colored Japanese paper, realized by Wladyslaw Jahl in 1951. It belongs to a limited edition of 125 specimens. Go...

The internal organs is an ancient original etching Table no. 36 of the popular "De Humani Corporis Fabrica" by Andrea Vesalio, in the 1642 edition by Nicolaus Fontanus (Fontayn), Am...

Ancient Roman Fresco from the series "Antiquities of Herculaneum", is an original etching on paper realized by an anonymous in the 18th Century. Signed ...

Old Houses, Milbank Grosvenor Road London 1906 This an etching of Grosvenor Road Old Houses, done in 1906 by American printmaker and Whistler biographer Joseph Pennell (American, 18...

Salvador Dali La Confession de Dante (1960) Heliogravure reworked with drypoint Signature printed in the plate On BFK Rives Vellum paper Size 32.8 x 26.4 cm (c. 13 x 10") Reference...

The Cat is an original etching on paper realized by Gian Paolo Berto. Good conditions. Hand-signed and numbered, 33/40. Image Dimensions: 34.5 x 34.5 cm The artwork represents a c...

Etching on Montval wove paper, realized by Marc Chagall in 1931-39 and published by Tériade in 1956. Belongs to the series "The Bible". Edition of 275+30 out of commerce copies. N...

Created with a sensitive attention to color and value, this work is one of many floral motifs Braque depicted in his lifetime. Deeply saturated tones of ochre and brown express a subdued mood, while the hints of highlights convey to the viewer a sense of brightness and energy. A cluster of yellow daisies emerge from a simple ochre vase...

Albrecht Durer, After by Amand Durand, German (1471 - 1528) - La Vierge a la Poire, Year: 1873, Medium: Heliogravure, Size: 6 x 4 in. (15.24 x 10.16 cm), Printer: Amand Durand, D...

A charming etching of Asolo in the Veneto region of northern Italy. The town is known as the "city of the hundred horizons" due to its mountainous setting. Signed and dated within th...

Peter Max, German/American (1937 - ) - Lavender, Year: circa 1981, Medium: Etching, signed in pencil, Edition: PP 1, Frame Size: 19 x 22.5 inches

This artwork titled "Double Faces" c.1975 is an original color etching with aquatint on wove paper by American surrealist artist Michael Bowen, 1937-2009. It is hand signed with initials in pencil by the artist. The plate mark (image) size is 21.75 x 17.5 inches, sheet size is 29.25 x 20.75 inches. It is in excellent condition, has never been framed. About the subject: Nowhere is the intertwining of metaphysical, biographic and social narratives more evident than in the Café Life series painted in the 1980’s. Though the “series” was done in the 80’s, the pieces really revive the spirit of the Beat café scene, which began in the mid-1950’s and which was so instrumental to the particular spiritual and social vibe of the counter culture. And his Café Life observations continue over his artist life with scenes, such as the ones here, from Los Angles, Bolinas, Mexico and Italy. About the artist: Michael Bowen (December 8, 1937 – March 7, 2009) was an American fine artist known as one of the co-founders of the late 20th and 21st century Visionary art movements. His works include paintings on canvas and paper, 92 intaglio etchings based on Jungian psychology, assemblage, bronze sculpture, collage, and handmade art books. An icon of the American Beat Generation and the 1960s counterculture, Bowen is also known for his role in inspiring and organizing the first Human Be-In in San Francisco. Chronicled in books and periodicals reflecting on the turbulent 1960s, Bowen's historical impact on both the literary and visual art worlds is well documented. He remains influential among avant-garde art circles around the world. He started his art career at age 17, when he joined the American installation artist Ed Kienholz in his Los Angeles studio. There he met and joined with other influential Beat Generation artists including Wallace Berman, John Altoon, and Dennis Hopper. Bowen participated in the construction of the Ferus Gallery and Now Gallery created by Ed Kienholz and curated by Walter Hopps. Bowen attended the Chouinard Art Institute for several years during his formative artistic experiences in Los Angeles. In the late 50s and early 60s, Bowen continued his spiritual training and research. He investigated and practiced a variety of occult topics, Eastern philosophies, and mysticism, and his artwork reflected these themes. Bowen is often referred to as a mystic artist. As a lifelong student of the Bhagavad-Gita, Bowen's entire career has emulated the spiritual warrior archetype of Arjuna, fighting for the Bill of Rights of the United States Constitution. Michael Bowen moved to San Francisco in the late 1950s, and along with fellow artist comrades Arthur Monroe...

The Skeleton is an etching realized by Juste Chevillet in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good condit...

This artwork titled "La Joie de la thora (The Joy of the Thora)" is an original color etching on wove paper by Maroccan artist Guillame Azoulay, born 1949. It is signed , titled and numbered 17/300 in pencil by the artist. The image (plate mark) is 15.75 x 15.75 inches, sheet size is 22 x 26 inches, It is in excellent condition. About the artist. Guillaume Azoulay was born in Casablanca, Morocco in 1949. Since age he went to many parts of the world, earning his way by painting and performing as an actor. In 1976 he arrived in the United States. In this short time span, Azoulay has worked to establish himself as an American etcher. After moving several times Azoulay settled in California in March of 1976 where he now lives Seven of his works are held in the permanent collection of the Musee Du Louvre...

The Horse is an etching realized by Marcel Kurtz Hand-signed in pencil, on the lower right. Numbered. Edition 3/15. Good conditions. The artwork represents the head of a horse...

Goddess from "Antiquities of Herculaneum" is an etching on paper realized by Filippo Morghen in the 18th Century. Signed on the plate. Good conditions with some foxing and folding ...

"Eternal Problem" - 1924 Etching on Paper Etching on paper titled "Eternal Problem" by Elias M. Grossman (American, 1898-1947). A bearded rabbi is portrayed thinking with his hand p...

La Belle Autrichenne is an artwork realized by Pierre-Paul Prud'hon in the Early-19th Century. Original print in etching technique. Good conditions. This artwork is depicted thr...

Medium: original etching. This impression on laid paper was printed in 1868 for Philip Gilbert Hamerton's very scarce first volume of "Etching and Etchers". Image size: 4 x 6 1/4 inc...

A crisp etching of a french women seated at the supper table. Chahine has captured the figure with a disgruntled expression, staring down at a half eaten plate of food. The thought p...

Etching on paper, realized by Gino Guida. Hand signed and numbered in pencil. Edition of 35. Very good condition.

Auguste RODIN (after) Men's group, 1897 Etching enhanced with watercolor On vellum 42.5 x 31 cm (c. 16.7 x 12.2 inches) Edition limited to 125 copies, send with the certificate of a...

David Shrigley Tea - I could live without it but it would not be a very good life, 2020 Etching on 250gsm Somerset Paper 38 x 29 cm - paper size 49 x 40 cm - Framed Edition 9 of 20 h...

Ancient Roman Fresco from "Antiquities of Herculaneum" is an etching on paper realized by Ferdinando Campana in the 18th Century. Signed on the pla...

Nude Sybil is an original etching print realized by Leo Guida in 1970. Good condition. Leo Guida (1992 - 2017). Sensitive to current issues, artistic movements and historical tech...

Alistair Grant was a familiar feature of the London art scene. Best known as a printmaker, his entire teaching career was spent in the printmaking department at the Royal College of Art, where he was to become Professor. Over the years he taught printmaking to many who were to become leading UK artists. Grant was at the top of his profession and a groundbreaker in his explorations of mixed media techniques. Grant was also a wonderful painter. In the early 1980s his imagery had turned to an open expressionist style, with sweeping brush marks and the introduction of new vibrant colour. Inspired by the Normandy coastline around Etaples and Le Touquet. Grant would create cyphers from the shapes and forms in the landscape, which he would offset against curtains of colour. They evoke bright or misty days, blazing skies or sunsets, beaches or harbours. The paintings and prints are descriptions of places he loved and constantly returned to. One could describe him as a French reflection of the St. Ives School where painters explored the landscape in similar fashion, as they still do. There is a wonderful sense of freedom in these images, and a great joie de vivre. Grant was a supreme colourist. He also co-authored an important book on the life and works of fellow English artist Henry Moore, whom his abstract figurative style resembles. This print is from the late 1960s and show the strong influence of figurative abstraction and surrealist elements in his work. Although best known as a printmaker, Grant also painted throughout his career and in the 1980s he adopted an expressionist style using vibrant colours. He was born in London and studied at Birmingham College of Art (1941-43). After serving during the war, Grant returned to art school and the Royal College, where he was taught by Carel Weight and Ruskin Spear. Grant was to work in the printmaking department of the Royal College for 35 years (1955-90), ending his career as Emeritus Professor of Printmaking at the RA. He showed with Julian Trevelyan. Grant showed at the Royal Academy, Artists International Association, and New English Art Club, and was a prize-winner at the Krakow Print Biennale in 1972. The TATE, The Victoria & Albert Museum, British provincial and many overseas galleries hold Grant’s work. His work is amongst the finest of modern British printmaking alongside richard smith, joe tilson, peter blake, patrick caulfield, alan davie, terry frost, david hockney and howard hodgkin. Select Group Exhibits 1951 New Editions Group,Auckland,New Zealand 1952-54,78 Redfern Gallery, London 80,83,84,86 1956 Nutida Engelsk Grofik, Stockholm 1957 National Arts Council of Southern Rhodesia 'Looking at People', South London Art gallery 1959 Tel Aviv Museum, Israel Arte Britonico Maderno Figurotiro, Galeria,Buchloz, Bogota The London Group 1960 Graven Image, Whitechopel Gallery, London Sixteen Pointers, A I.A. Gallery, London 1961 Museo de Arte, Barcelona Senfelder Group, Arts Council, London 1962 Towards Art Gulbenkian,R.C.A .London Contemporary British Pointers, Birmingham 1964-66 Curwen Gallery 1966 Crabowski Gallery, London 1967 A.A.A. Gallery, New York Schuman Gallery, New York 1968 Camden Arts Centre, London 1969 Pratt Centre, New York Art for lndustry, Arts Council, London 1970 University of South Florida, Miami 1971 Portland Museum,Oregon 1972 Art Gallery of Ontario, Toronto, Canada 1976 R.C.A.Printmakers,Waddington Gallery,London 1988 'Exhibition Road',R.C.A,London 1989 Berkeley Square Gallery, London 1989,90 Austin Desmond Gallery, london 1990 Scottish Gallery, London 1991 Big Little Picture-Show,W.Jackson,London 1992 'Winter Seen III',W.Jackson Gallery,London 1993 1 st Egyptian Print Triennale, Giza, Egypt 1994 Art '94, london, with Art First La Galerie du Touquet (with Alain Morcot) 1995 Art...

Figures is an Etching and Drypoint realized by Mino Maccari in the Mid-20th Century. Hand-signed in the lower right part. Good conditions. Mino Maccari (Siena, 1924-Rome, June ...

Etching on vélin cuve de Rives paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Feuilles éparses, 1965. Published and printed by Louis B...

Deuchar, David (after van Ostade). The Spectacle Seller. 1800. Etching on light cream laid paper, 3 3/4 x 3 inches (93 x 75 mm), trimmed at the platemark. Light skinning and some sur...

Charles Bragg, American (1931 - 2017) - Justice Department, Year: circa 1970, Medium: Etching, signed, numbered, and titled in pencil, Edition: 300, Image Size: 9 x 12 inches, Size...

Contemporary etching print by Polish artist Elzbieta Bocianowska. The print depicts landscape at the lake. The artwork is minimalistic. Print is mostly in green and orange. ELZBIET...

Le bouc D'Angora (A goat) is an etching realized by Jean Gullaume Moitte in 1771. It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabine...

Image dimensions: 25.5 x 18 cm. How the American indigenous deals with Death is a fine etching, hand-watercolored, realized by the engraver Gianfrancesco Pivati. This original prin...

An ex libris print featuring the fantasy figures and musicians in surreal M.C. Escher style building. Roman Sustov's prints often provide a fantastic blend of classic technique combined with images from the vast worlds of surrealism, eroticism, fantasy and fairy tales. Signed in pencil artists proof from the edition of 100. Roman Sustov was born in 1977 in Minsk, Belarus. In 1995 he graduated from Minsk Art College and six years later he graduated from the Belarusian Academy of Arts (Department of Graphic). Through this long training he has become a master in etching, lithography and linocut prints. His works can be found in collections in the USA, Germany, Netherlands, Poland, Ukraine, Japan, Russia and Belarus, and in the Contemporary Fine Art Museum (Minsk, Belarus). Roman notes...

Gaiety Burlesque Etching, 1930 Unsigned (as usual for the Whitney edition); Numbered in pencil lower left; Blind stamp of the Whitney Museum (WM) lower right Edition: 114, regular ed...