Art by Medium: Handmade Paper

Mezzotint on cream laid paper with multiple watermarks including the Strasbourg Lily (left sheet quadrant), 10 5/8 x 11 1/4 inches (270 x 286 mm), the full sheet. Trimmed at the plat...

Jacquelyn Strycker One Day Tomorrow Will be Yesterday, 2024 collage of risographs and screenprints on Japanese and handmade fibers papers with sewing and acrylic gouache 57 x 76 in. ...

ArchiParis – Red 1 ( Pantheon) is a drawing by contemporary French artist Guillaume Chansarel. This drawing depicts a snowy glimpse of a street in Paris, with the Pantheon looming in...

Salvador Dali (Spanish, 1904-1989), "Le Chateau de Gala" [Gala's Castle], Drypoint Etching with Pochoir coloring on Japan paper, 1974, from After 50 Years of Surrealism, published At...

Details: Title: Desert Modernist Curves Medium: Acrylic on Paper Size: 40x83 inches (each panel measures 40x28 inches), 100x210 cm (each panel measures 100x70 cm) Year: 2026 * Frame...

A very good impression of this color lithograph on Italia handmade paper. Signed, titled, dated and numbered 35/41 in pencil by Rosenquist. Printed and published by ULAE, West Islip,...

Giardino di Rose, 2022 Ink on Toned Paper with Frame, 12.25 x 15.25 inches Transporting the viewer to Florence’s sun-lit rose garden, Justas Varpucanskis...

Ink on canvas & handmade paper Sandra Detourbet is a French artist born in 1967 who works & lives in Ivry-sur-Seine, near Paris. She is graduated in 1997 from ENSAD in Paris, Art-S...

Gouache on handmade paper Sandra Detourbet is a French artist born in 1967 who works & lives in Ivry-sur-Seine, near Paris. She is graduated in 1997 from ENSAD in Paris, Art-Space s...

Ink on canvas & handmade paper Sandra Detourbet is a French artist born in 1967 who works & lives in Ivry-sur-Seine, near Paris. She is graduated in ...

Beeswax, ink, metallic powder on vintage hand made paper. Does not include framing.

Beeswax, ink, metallic powder on vintage hand made paper. Does not include framing.

Acrylic & marouflaged paper mounted on canvas Jean-Luc Veret is a French artist born in 1953 who lives & works between Paris & Corancy, France. He recognizes himself as a protean ar...

Watercolor and graphite on watercolor paper adhered to a sketchbook page, sheet measures 10 1/4 x 14 1/4 inches (260 x 362 mm). Initialed, dated and titled in brown ink in the lower ...

Complete title: La Transformación del Deseo - Estoy Dentro de Alegría (The Transformation of Desire - I am Inside of Happiness) Mari Ito was born in Tokyo, Japan in 1980. She major...

Intaglio and relief print on hand-made black Arches paper by New Orleans artist Frances Swigart (b. 1942), titled "Zinnia," from State II of the edition. This impression is numbered ...

Alexander Calder Le Bateau Lavoir, 1969 Signed in pencil and numbered, published by Maeght, Paris, the full sheet Lithograph in colors on wove paper 55.2 x 75.2cm 21 3/4 × 29 5/8 inc...

Artist: Mark Kostabi (1960) Title: Pose Year: 1997 Medium: Mixed media on hand made paper Size: 34.25 x 23.75 inches (87.00 x 60.33 cm) Condition: Well preserved, consistent with age...

Mezzotint on cream wove paper, 13 7/8 x 10 inches (353 x 254 mm); sheet 14 1/2 x 10 1/4 inches (368 x 261 mm), narrow margins. In good condition with some minor uniform toning and ag...

Ink, gouache on canvas & handmade paper Sandra Detourbet is a French artist born in 1967 who works & lives in Ivry-sur-Seine, near Paris. She is grad...

Ink on handmade paper Sandra Detourbet is a French artist born in 1967 who works & lives in Ivry-sur-Seine, near Paris. She is graduated in 1997 from ENSAD in Paris, Art-Space secti...

Details: Title: Colorful Coral Branches Medium: Gouache Crayon and Acrylic Paint on Watercolor Paper Size: Size: 40x28 Inches (100x70cm) Year: 2026 * Certificate of Authenticity pro...

Details: Title: Marine Botany II Medium: Gouache Crayon and Acrylic Paint on Watercolor Paper Size: Size: 40x28 Inches (100x70cm) Year: 2026 * Certificate of Authenticity provided. ...

Paris: Delâtre, 1844. Etching on Chine-collé mounted to white wove paper, 4 1/2 x 3 3/4 inches (109 x 95 mm); sheet 11 1/4 x 9 1/8 inches (286 x 232 mm), full margins. With a French...

Signed lower left, 'Sam Colburn' for Samuel Colburn (American, 1909-1993) and dated 1982. A powerful, late work by this well-listed American regionalist and long-time member of the ...

Inscription ‘Henriette de/ Balzac maitresse/ d’henry 4’ (upper left) Otherwise unsigned The physiognomy of the sitter is close to another anonymous portrait by Dumonstier, more det...

Original painting on handmade paper. Hand signed and dated on front by the artist. Artwork sheet size 19.75 x 15 inches. Frame size approx 30 x 26 inches. Artwork is in excellent...

One from a set of four watercolours of butterflies on silk, applied to handmade paper, with hand cut edges, by French artist La Roche Laffitte. Signed bottom right. (The other 3 items are available separately) A beautifully observed and detailed study of a butterfly painted...

Watercolor and graphite on watercolor paper adhered to a sketchbook page, sheet measures 10 1/4 x 14 1/4 inches (260 x 362 mm). Initialed in pencil in the lower left recto, and title...

America Martin "Woman Rests on Clover" Acrylic on Paper 11.25 x 30 in. 17 x 36 in. Framed AMERICA MARTIN is an internationally represented Colombian-American fine artist based in L...

Dina Brodsky is a contemporary realist painter. Known for her miniaturist style, her highly detailed depictions of urban interiors, natural environments, and unsuspecting human and animal subjects are evocative of renaissance portraiture and landscape. Brodsky often paints on small circular surfaces, forcing viewers to move closer to the work. She was drawn to miniature painting from her study of Islamic miniature art and medieval illuminated manuscripts, whose techniques she combined with those of classical painting. She is amongst a group of contemporary realist painters, such as Timothy Barr...

Paris: L'Eau Forte, 1875. Etching on cream wove paper, 6 1/2 x 5 3/4 inches (165 x 147 mm); sheet 19 3/4 x 12 3/4 inches (502 x 324 mm), full margins. A proof impression before lett...

Etching and drypoint on Chine-collé with engraving mounted to white wove paper, 7 5/8 x 6 inches (194 x 153 mm); sheet 17 x 12 1/8 inches (308 x 318 mm), full margins. In fair condit...

Duchy of Lorraine: Israel Henriet and Israël Silvestre, 1623. Etching on cream laid paper, 5 1/2 x 4 3/4 inches (140 x 120 mm), the full sheet. In good condition with minor skinning...

Duchy of Lorraine: Israel Henriet and Israël Silvestre, 1623. Etching on cream laid paper, 5 1/2 x 4 3/4 inches (140 x 120 mm), the full sheet. In good condition with minor skinning...

Duchy of Lorraine: Israel Henriet and Israël Silvestre, 1623. Etching on cream laid paper, 5 1/2 x 4 3/4 inches (140 x 120 mm), the full sheet. In good condition with minor skinning...

Duchy of Lorraine: Israel Henriet and Israël Silvestre, 1623. Etching on cream laid paper, 5 1/2 x 4 3/4 inches (140 x 120 mm), the full sheet. In good condition with minor skinning,...

Duchy of Lorraine: Israel Henriet and Israël Silvestre, 1623. Etching on cream laid paper, 5 1/2 x 4 3/4 inches (140 x 120 mm), the full sheet. In good condition with minor skinning...

Duchy of Lorraine: Israel Henriet and Israël Silvestre, 1623. Etching on cream laid paper, 5 1/2 x 4 3/4 inches (140 x 120 mm), the full sheet. In good condition with minor skinning...

Abstract Expressionist Composition with Stairs in Gouache and Ink on Paper Bold abstract composition by Pacific Northwest artist Karen Guzak (American, b. 1939). A large, dark blue ...

medium: Chinese ink, ink stick, and charcoal on handmade paper ANASTASIA PELIAS was born in New Orleans, LA to Greek parents. Her artistic practice is roote...

Boussod Valadon & Co., c1859. Photogravure with hand coloring in watercolor and gouache on cream wove paper with a false platemark, 9 3/4 x 13 inches (248 x 330 mm), full margins. In...

Boussod Valadon & Co., c1859. Photogravure with hand coloring in watercolor and gouache on cream laid paper with a false platemark, 9 3/4 x 13 inches (248 x 330 mm), full margins. In...

Artist: Bong Kyu Ahn, Korean (1938 - ??) Title: Flowers & Human Year: 1995-1998 Medium: Painting of natural pigments on hand-made paper, signed right Pape...

Shore Sentry, is an original color, limited edition lithograph on handmade German black etching paper; printed by Topaz Editions in 1977. Artist proofs 10. Edition size 100. Provenance:: A Sarasota, Florida collector Signed: Artist signed lower left with edition size Image size: 22 by 30 inches Sheet size: 30 by 38 inches Edition 38/100 Condition: Excellent Overall framed size: 30.25 by 38.25 inches Framed under plexiglass in chrome colored metal gallery frame SYD SOLOMON BIOGRAPHY Written by Dr. Lisa Peters/Berry Campbell Gallery “Here, in simple English, is what Syd Solomon does: He meditates. He connects his hand and paintbrush to the deeper, quieter, more mysterious parts of his mind- and he paints pictures of what he sees and feels down there.” --Kurt Vonnegut Jr. from Palm Sunday, 1981 Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall). In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau. In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961. Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow...

Paris: Sarazin, 1865. Etching with engraving on Chine collé mounted to wove paper with a false platemark, 3 5/8 x 6 (92 x 152 mm); matrix 12 1/4 x 16 3/4 inches (312 x 425 mm), full...

A superb impression of Martin Lewis's consummate image of Japan. Etching with drypoint on fine cream laid paper, 13 7/8 x 10 3/8 inches (352 x 265 mm); sheet 17 3/4 x 14 1/4 inches ...

Woodcut in ink with embossing and hand-coloring in watercolor on laid Japon paper, 16 x 10 inches (406 x 253 mm), ōban tate-e, full margins. Scattered handling wear and toning, other...

A luminous landscape of the Roman ruins at Timgad, with the Aurès mountains aglow in the background. Watercolor on artist board, 9 7/8 x 7 inches (252 x 178 mm), the full sheet. Tit...

A late 20th century watercolour on silk on handmade paper of an antique Caucasian 'Kuba' rug by French artist La Roche Laffitte. Faintly signed to the bottom right. This is one of a ...

Paris: Cadart, c1860. Etching with engraving on Chine collé mounted to wove paper, 5 3/4 x 8 1/4 inches (141 x 210 mm); sheet 10 3/4 x 14 3/8 inches (273 x 365 mm), full margins. Ex-...

Fabulous pair of mid 19th century Qing Dynasty hand painted watercolor Chinese Pith paintings; subjects attributed to Emperor Xianfeng and Consort Qing. Emperor Xianfeng was the 8th ...

Small Matters (hand and snail) is a luminous, sculptural work on paper by contemporary artist Tricia Wright, whose practice merges drawing, papermaking, and gilding into a single, de...

Engraving on cream laid paper, 5 7/16 x 3 7/16 inches (138 x 87 mm), narrow margins. In good condition with minor edge wear including some small losses, notable at the upper left cor...

Haarlem: 1593. Engraving on cream laid paper with a Strasbourg Lily watermark, 10 3/8 x 7 1/8 inches (264 x 181 mm), the full sheet. Narrow margins. In very good condition with some...

This is a one of a kind original conceptual encaustic wax painting by San Diego artist, Tiffany Bociek. It's dimensions are 12"x12"x1.5". It is unframed...

K. Laxma Goud - Untitled Mixed Media on Rice Paper 9 x 6 inches, 2021 (Framed & Door Delivered) This vibrant mixed-media work on rice paper by K. Laxma Goud is a powerful celebratio...

An iconic Thames Sailing Barge being unloaded along an estuary riverbank. English School, 19th century Watercolor and graphite on wove paper laid down to board, 7 1/2 x 10 1/2 inches...

ArchiParis – Time (Orsay’s clock) is a drawing by contemporary French artist Guillaume Chansarel. In this figurative landscape, through the clock at the Musée d’Orsay, it is possible...

Yellow & Black Abstract Expressionist Art, Mixed Media on Paper, Signed, 1999 - a Unique Original Painting - an extremely rare early work from leading British Contemporary Artist, An...