Art by Medium: Handmade Paper

Six Antique Pith Rice Paper Chinese Watercolour Paintings Birds Chinese, 19th Century Height 33cm, width 42.5cm, depth 1.5cm This captivating set of six Chinese paintings, dati...

Ink on canvas & handmade paper Sandra Detourbet is a French artist born in 1967 who works & lives in Ivry-sur-Seine, near Paris. She is graduated in ...

Damien Hirst (British, born 1965) All the children's songs (The Currency), 2016 Medium: Enamel paint on handmade paper Dimensions: 20 x 30 cm (7.8 x 11.8 in) Series: Unique painting ...

Cups "C" - is an one-of-a-kind, hand-crafted, abstract wall sculpture of fine brass wire, employed gesturally, like pencil lines, covered with a soft Japanese paper, creating translu...

This artwork vividly captures the essence of a serene autumn landscape, characterized by a rich tapestry of colors. The painting showcases a forested area where trees, adorned with f...

Ink, gouache on canvas & handmade paper Sandra Detourbet is a French artist born in 1967 who works & lives in Ivry-sur-Seine, near Paris. She is grad...

Paris: 1845. Etching on Chine collé mounted to a wove matrix with a false platemark, 4 x 5 inches (101 x 127 mm); matrix 9 1/2 x 12 5/8 inches (242 x 320 mm). full margins. A second...

This painted work-on-paper is an abstract geometric design that references colors, shapes, and aesthetics that artist Nancy Agati encountered in Italy. The...

Annual Events for Young Murasaki (July) - Tales of Genji - Japanese Woodblock Rightmost panel a triptych, depicting monthly events for Wakamurasaki (Young Murasaki). This is the month of July. There appears to be a lesson taking place, possibly for writing or poetry. Artist: Toyokuni III/Kunisada (1786 - 1864) Publisher: Ebisu-ya Shoshichist Presented in a new blue mat. Mat size: 19"H x 13"W Paper size: 14.5"H x 10"W Commentary on the triptych: In the Edo period, Tanabata was designated as one of the five seasonal festivals, and became an annual event for the imperial court, aristocrats, and samurai families, and gradually came to be celebrated by the general public. Its origins are said to be a combination of the Kikoden festival, which originated from the Chinese legend of Altair and the Weaver Girl, and Japan's ancient Tanabata women's faith. Ink is ground with dew that has accumulated on potato leaves, poems and wishes are written on five colored strips of paper, which are then hung on bamboo branches to celebrate the two stars that meet once a year. Although the illustration is a Genji painting...

French School, 18th century Circle of Hubert Robert (1733–1808) Landscape with Antique Ruins Red chalk on paper, 31 x 20.5 cm Unsigned Collector’s stamp lower left, very faint: “L...

"Mapping the Walk, July 2015" by Judith Allen-Efstathiou is an exquisite photographic cyanotype print in deep blue and white of wildflowers abstracted printed on mulberry paper and m...

Cups "D" - is an one-of-a-kind, hand-crafted, abstract wall sculpture of fine brass wire, employed gesturally, like pencil lines, covered with a soft Japanese paper, creating translu...

Jeri Eisenberg creates nature inspired works in single panels, diptychs and triptychs. Her soft colored photographic pieces are created using non-traditional and alternative photo-ba...

Mullvihill's work is comprised of Chinese characters written in four directions, creating a mandala effect. His Calligraffiti, employing 'Cut-Up' and 'Permutation' processes, results...

A sentimental moment between women and children during times of hardship. [Two chatting women with two children] Munich: Alexander von der Becke, 1930. Crayon lithograph on heavy w...

Bowles, Thomas III (after John Donowell) John Bowles & Richard Wilkinson, 1751. Steel engraving with extensive hand coloring in watercolor on cream wove paper, 10 1/4 x 16 inches (...

Obsessive, meticulous, almost monastic, Kramer immerses us in a universe of graphic and sculptural repetitions. His drawings on kraft paper glued with rabbit glue recall both ancient...

Jeri Eisenberg creates nature inspired works in single panels, diptychs and triptychs. Her soft colored photographic pieces are created using non-traditional and alternative photo-ba...

Ink on canvas & handmade paper Sandra Detourbet is a French artist born in 1967 who works & lives in Ivry-sur-Seine, near Paris. She is graduated in 1997 from ENSAD in Paris, Art-Sp...

This woman in Playing with Surf is caught with her hands in the playful ocean surf. Perhaps she stands at the kitchen sink, a baby’s crib, or at the shore in contemplation, creating ...

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), the full...

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), the full...

Kristen Martincic earned her BFA from Bowling Green State University and her MFA from the University of Nebraska-Lincoln. The artist, who currently lives and works in Columbia, Misso...

David Jonston (1933-1916) #505 Black Mountain, 1969. Watercolor and ink on Japan paper, 12.5 x 18 inches. Framed measurement 20.5 x 26.5 inches. Signed and dted lower left. Tit...

This series was inspired by a 1950’s era instruction manual found while clearing out my father’s basement workshop. The How To Light A Model manual employed voluptuous female models to teach lighting techniques to amateur photographers such as my father. Diagrams plot the prescribed direction of the lights. The nude women hold the pose, their lips bright red and their feet dirty from the studio floor. As naked props for the authoritarian photographer, their vulnerability seems palpable. This work visualizes the human condition as a balance between feral and fabricated worlds. Vivid, oversized creatures embody instinctual energy. Wax seals, gold spheres and text-like marks signify rational structures. One speaks in a whisper, the other in a hiss. Winifred McNeill...

About Prymon’s Exhibition Dopaminum and his paintings: ”Dopaminum” - Tomasz Prymon Dopamine – colloquially referred to as the hormone of love and happiness. Why is this organic che...

Waterline Fine Art, Austin, TX is pleased to present the following work: Oil, pastel, and paper collage on canvas. Signed and dated verso. 52.75 x 47.75 in. 54 x 49 in. (framed) Gilded floater frame. Provenance Compass Rose, Chicago Born Sylvan Irwin Goldberg in 1924 and raised in the Bronx, Michael Goldberg was an important figure in American Abstract Expressionism, who began taking art classes at the Art Students League in 1938. A gifted student, Goldberg finished high school at the age of 14 and enrolled in City College. He soon found New York’s jazz scene to be a more compelling environment, and he began skipping classes in favor of the Harlem jazz clubs near campus. Goldberg’s love of jazz would become a lifelong passion and a key component to his approach to composition in his paintings. From 1940 to 1942, like many of the leading artists of the New York School, Goldberg studied with Hans Hofmann. In 1943, he put his pursuit of painting on hold and enlisted in the U.S. Army. Serving in North Africa, Burma, and India, Goldberg received a Purple Heart and a Bronze Star before being discharged in 1946. After his service, he traveled and worked in Venezuela before returning to the United States, settling back in New York and resuming studies with Hofmann and at the Art Students League. Living downtown and frequenting the Cedar Bar, Goldberg befriended many of the artists of the New York School. In 1951, his work was included in the groundbreaking Ninth Street Show, co-organized by Leo Castelli, Conrad Marca-Relli, and the Eighth Street Club, and featuring the work of - among others - Hofmann, Jackson Pollock, Willem de Kooning, and Franz Kline. In 1953, the Tibor de Nagy...

Etching on watermarked handmade F J Head & Co cream laid paper with a deckle edge, 14 1/8 x 9 1/8 inches (358 x 232 mm); sheet 18 1/8 x 11 inches (461 x 280 mm), full margins. Signed...

This contemporary mixed media graphic composition is by Mafu Jiang. Mafu Jiang’s striking contemporary artwork has been exhibited internationally and is rooted in his Chinese herita...

19th century European Group of 13 hand-colored English and Continental fashion plates and costume designs. Each an etching with hand coloring in watercolor. Various sizes and condit...

Etching on thin laid paper laid down to mid-weight Japon paper, 9 5/8 x 7 9/16 inches (244 x 190 mm), narrow to thread margins. Lettered below the image in the lower right margin wit...

Covers 24-Green A (Abstract Painting) Gouache on handmade Khadi paper. Unframed. Joanne Freeman's works on paper are made with gouache on handmade Indian Khadi paper. She uses tap...

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on cream wove paper with a gilded edge, 11 1/2 x 12 1/4 inches (290 x 312 mm), full, bu...

Cups "K" - is an one-of-a-kind, hand-crafted, abstract wall sculpture of fine brass wire, employed gesturally, like pencil lines, covered with a soft Japanese paper, creating translu...

Cross-Roads has a highly textured surface on canvas with rusted metal and handmade paper. It echoes the adage that one should not confuse the world with our perception of it, or the ...

Under the Abyss is a minimalist unique handmade cyanotype, that combines a contemporary visual language with the uniqueness of an analogue photographic process. This unique monotype...

Cornhill: J & A Arch, 1819. Etching and engraving on lightweight cream wove paper, 14 7/8 x 9 1/4 inches (378 x 235); sheet 18 3/4 x 13 1/8 inches (477 x 334 mm), full margin. In ve...

c1790. Brownish black ink and collage on cream wove paper, 5 3/4 x 4 inches (146 x 102 mm), the full sheet. In good condition with light toning. The matrix is adhered at each of the ...

Paris: Sarazin, 1865. Etching with engraving on Chine collé mounted to wove paper with a false platemark, 3 5/8 x 6 (92 x 152 mm); matrix 12 1/4 x 16 3/4 inches (312 x 425 mm), full...

A study of St. Vincent Ferrer, known as the "Angel of the Apocalypse." Ink and wash on laid paper, laid down to a wove paper matrix, 3 1/4 x 2 inches (83 x 50 mm), the full sheet. I...

Bearing a wry handwritten inscription in the lower margin plate that reads: "un Cochon de propriétaire qui ne fera de bien qu'après sa mort" (A pig of a landlord who will do no good ...

Ten Framed 19th Century Chinese Pith Paintings of Courtly Entertainment Chinese, 19th Century Height 29cm, width 41cm, depth 2cm This striking suite of ten Chinese watercolours is p...

2016 Enamel paint on handmade paper 20 x 30 cm Hand signed, dated and titled by Damien Hirst Mint condition, framed in the Heni prescribed frame Damien Hirst (born 1965) rose to pr...

Etching on cream wove paper, 4 1/2 x 7 inches (114 x 177 mm), wide margins, signed in pencil in the lower right. Laid down to non-archival board with the mat affixed, obscuring the verso and the sheet edges. The visible portion of the sheet is clean with minor toning around the mat window opening. The signature is unobscured and clear. Best known as the original illustrator of Enid Blyton...

23 x 22 inch. Handmade Paper, Textured Lithograph. Signed in Pencil: Bottom Right. Numbered in Pencil: Bottom Left "111/150" A meditative and serene, abstract piece made of a combin...

A Medici-era study of decorative carousels from an equestrian pageant. c1700. Pen and brown ink on cream laid paper, 3 x 8 inches (76 x 230 mm), the full sheet. In good condition wi...

Obsessive, meticulous, almost monastic, Kramer immerses us in a universe of graphic and sculptural repetitions. His drawings on kraft paper glued with rabbit glue recall both ancient...

Emily Mason Untitled abstraction, 1992 Silk collagraph monotype with chine collé and acrylic on handmade paper Signed and dated in acrylic paint on the front Unique Dazzling Emily Ma...

Page from "Spring View in Takanawa" Mid 18th Century Ukiyo-e Print Left page from the triptych print "Spring View in Takanawa" by Utagawa Kunisada (Toyokuni III) (Japanese b. 1786 d...

ArchiParis – Time (Orsay’s clock) is a drawing by contemporary French artist Guillaume Chansarel. In this figurative landscape, through the clock at the Musée d’Orsay, it is possible...

A classic example of 19th century American School folk portraiture. c1850. Graphite and ink wash on cream wove paper, 7 1/8 x 4 14 inches (180 x 118 mm), the full sheet. Some minor ...

Signed verso Jo Stealey is a full-time studio artist, Professor Emerita, former Chair of the Department of Art, and founding Director for the School of Visual Studies at the Universi...

A detailed Grand Tour panorama of the Pyrenees on handmade 1832 paper with a large "Sun of St. Moritz" heraldic watermark, circa 1840. Watercolor, graphite and grayish ink on two s...

Paris: Israël Henriet, c1680. Etching with engraving on cream laid paper, laid down to a cream laid paper matrix, 3 1/8 x 7 1/8 inches (78 x 180 mm), the full sheet with thread marg...

Diablitos and Mushrooms, by Ángel Pahuamba - acrylic painting -120 x 75 cm - Mexican Basquiat, c. 2023 The traditional elements of my work are part of the Purépecha identity, as a ...

A fine Neoclassical drawing of Hero holding a beacon atop a tower at Sestos. Pen and ink and wash on cream wove paper, 5 x 3 3/4 inches (128 x 95mm), the full sheet. In excellent co...

An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a samurai and his porter enjoying the shade of a Japanese pine tree while waiting for tea, circa 1850. Signed in Kan...

A 19th century study of a mounted Life Guard; a member of the military unit charged with protecting high-ranking individuals, such as a monarch. c1890. Black crayon with white heigh...

Paris, Delpech. Lithograph with engraving on cream wove paper, 11 7/8 x 8 inches (299 x 203 mm), unevenly trimmed but full margins, the full sheet. In good condition with two paper ...

Out of Stock - 2 Hand cut holes on reinforced Hahnemühle German Etching heavyweight Giclee print. Box framed and float mounted under museum quality no...