Art by Medium: Handmade Paper

Shalom by Zamy Steynovitz. Original painting on papyrus. Mounted on black board. Image measures 11.75 x 8 inches, unframed. The piece is in Good Condit...

Vintage Glam is the Hollywood sister of Mona Lisa and David. A 1950s starlet — dark hair, diamond earring, the Elizabeth Taylor register — split lilac and mint, gold panels at the si...

Vogue 1 is a fake cover that behaves like a real one. VOGUE PARIS, Avril 1965, N 4, Spécial Mode Printemps–été, Paris / Londres / New York. A 1960s model, hair pulled, staring out, s...

Jo Stealey is a full-time studio artist, Professor Emerita, former Chair of the Department of Art, and founding Director for the School of Visual Studies at the University of Missour...

Jo Stealey is a full-time studio artist, Professor Emerita, former Chair of the Department of Art, and founding Director for the School of Visual Studies at the University of Missour...

Jo Stealey is a full-time studio artist, Professor Emerita, former Chair of the Department of Art, and founding Director for the School of Visual Studies at the University of Missour...

Jo Stealey is a full-time studio artist, Professor Emerita, former Chair of the Department of Art, and founding Director for the School of Visual Studies at the University of Missour...

Jo Stealey is a full-time studio artist, Professor Emerita, former Chair of the Department of Art, and founding Director for the School of Visual Studies at the University of Missour...

Acrylic & marouflaged paper mounted on canvas Jean-Luc Veret is a French artist born in 1953 who lives & works between Paris & Corancy, France. He recognizes himself as a protean ar...

Full title: "The Pattern of Origin of Desire: Peaceful Rhythm - B" The artwork is made on a wooden panel with Japanese paper, Oguni washi, pigment, sumi and nikawa glue. It is signed...

Arcadia Winter Moon presents a quiet, contemplative landscape where slender trees rise through a hushed, snow-like ground beneath a muted, sky. The composition feels both sparse and ...

Acrylic & marouflaged paper mounted on canvas Jean-Luc Veret is a French artist born in 1953 who lives & works between Paris & Corancy, France. He recognizes himself as a protean ar...

Mona Lisa is the other half of the David joke, and the better-known one. Febo splits her pink/lime, keeps the folded hands and the stare, and covers the smile — the whole reason peop...

Chanel N5 turns the most famous perfume bottle in the world into a viewfinder. Inside the glass: a man on his knees with a camera, a woman on the sand in a strapless swimsuit that Fe...

Pigments on paper Arches with anti-reflective glass metal black frame, 61 x 46 x 3 cm Nicole B. is a Belgian artist born in 1944 who lives & works in Braibant, Ciney in Belgium.

Italian Floral Wallpaper Fragment 19th Century Italian hand painted floral design wallpaper lined with linen, in gold leaf wood frame (as is).

Arcadia Winter Moon presents a quiet, contemplative landscape where slender trees rise through a hushed, snow-like ground beneath a muted, moonlit sky. The composition feels both spa...

Gouache on canvas & handmade paper Sandra Detourbet is a French artist born in 1967 who works & lives in Ivry-sur-Seine, near Paris. She is graduated...

Dating from 1737–1745, these original 18th-century botanical prints come from Johann Wilhelm Weinmann’s monumental Phytanthoza Iconographia, one of the most ambitious and visually di...

Dating from 1737–1745, these original 18th-century botanical prints come from Johann Wilhelm Weinmann’s monumental Phytanthoza Iconographia, one of the most ambitious and visually di...

Dating from 1737–1745, these original 18th-century botanical prints come from Johann Wilhelm Weinmann’s monumental Phytanthoza Iconographia, one of the most ambitious and visually distinctive botanical publications of the period. Published in Regensburg, Germany, the four-volume work documented an extraordinary range of flowers, plants, trees, fruits and fungi through more than 1,000 botanical plates. Johann Wilhelm Weinmann (1683–1741) was a German apothecary and botanist whose extensive plant collection formed the basis for this remarkable undertaking. The illustrations were created by several artists, most notably the celebrated botanical artist Georg Dionysius Ehret (1708–1770), whose early work for Weinmann helped establish the naturalistic style for which he later became famous. Other artists included N. Asamin, while important German printmakers Bartholomäus Seuter, Johann Elias Ridinger and Johann Jakob Haid participated in producing the plates. Phytanthoza Iconographia was technically innovative as well as beautiful. Its botanical illustrations were produced using engraving and color-printed mezzotint techniques, with additional coloring completed by hand. The publication is particularly significant for its pioneering successful use of color-printed mezzotint in botanical illustration. The resulting combination of printed color and hand finishing gives the flowers wonderful depth, subtle tonal variation and a distinctly painterly quality. For interior designers, these original Weinmann botanical prints...

Dating from 1737–1745, these original 18th-century botanical prints come from Johann Wilhelm Weinmann’s monumental Phytanthoza Iconographia, one of the most ambitious and visually distinctive botanical publications of the period. Published in Regensburg, Germany, the four-volume work documented an extraordinary range of flowers, plants, trees, fruits and fungi through more than 1,000 botanical plates. Johann Wilhelm Weinmann (1683–1741) was a German apothecary and botanist whose extensive plant collection formed the basis for this remarkable undertaking. The illustrations were created by several artists, most notably the celebrated botanical artist Georg Dionysius Ehret (1708–1770), whose early work for Weinmann helped establish the naturalistic style for which he later became famous. Other artists included N. Asamin, while important German printmakers Bartholomäus Seuter, Johann Elias Ridinger and Johann Jakob Haid participated in producing the plates. Phytanthoza Iconographia was technically innovative as well as beautiful. Its botanical illustrations were produced using engraving and color-printed mezzotint techniques, with additional coloring completed by hand. The publication is particularly significant for its pioneering successful use of color-printed mezzotint in botanical illustration. The resulting combination of printed color and hand finishing gives the flowers wonderful depth, subtle tonal variation and a distinctly painterly quality. For interior designers, these original Weinmann botanical prints...

Acrylic & marouflaged paper mounted on canvas Jean-Luc Veret is a French artist born in 1953 who lives & works between Paris & Corancy, France. He recognizes himself as a protean ar...

Ink on handmade paper

Ink on handmade paper

This listing is for a framed cyanotype photograph on mulberry paper in a simple white frame behind museum glass. The framed size measures 32.5 by 41.5 inches framed. Unique/not of an...

Pencil on paper

Ink on canvas & handmade paper Sandra Detourbet is a French artist born in 1967 who works & lives in Ivry-sur-Seine, near Paris. She is graduated in 1997 from ENSAD in Paris, Art-Sp...

Original 18th-century French ornithological copperplate engraving by François-Nicolas Martinet (1731–1800), one of the most accomplished natural-history illustrators and engravers of...

Original 18th-century French ornithological copperplate engraving by François-Nicolas Martinet (1731–1800), one of the most accomplished natural-history illustrators and engravers of...

Original 18th-century French ornithological copperplate engraving by François-Nicolas Martinet (1731–1800), one of the most accomplished natural-history illustrators and engravers of...

Contemporary Handmade Paper Artwork with Fern and Elder Flowers, Framed Nature Art. This one-of-a-kind contemporary botanical artwork is created from handmade paper embedded with rea...

Caroline Besse creates unique vibrant paintings on paper using crushed minerals that she carefully sources as pigments. She mixes Chinese ink with crushed minerals that she carefully...

An original early 18th-century English country-house engraving by Johannes Kip (Dutch, c. 1653–1721), combining architectural precision with a wonderfully decorative bird’s-eye view ...

Jeri Eisenberg creates nature inspired works in single panels, diptychs and triptychs. Her soft colored photographic pieces are created using non-traditional and alternative photo-ba...

"Mapping the Walk, July 2015" by Judith Allen-Efstathiou is an exquisite photographic cyanotype print in deep blue and white of wildflowers abstracted printed on mulberry paper and m...

Photography on paper

Photography on paper

Photography on paper

Photography on paper

Photography on paper

Photography on paper

Photography on paper

An original Italian architectural etching dating to 1691 or after from Le Fontane di Roma, the celebrated series documenting the fountains...

An original Italian architectural etching dating to 1691 or after from Le Fontane di Roma, the celebrated series documenting the fountains...

An original Italian architectural etching dating to 1691 or after from Le Fontane di Roma, the celebrated series documenting the fountains...

An original Italian architectural etching dating to 1691 or after from Le Fontane di Roma, the celebrated series documenting the fountains...

An original Italian architectural etching dating to 1691 or after from Le Fontane di Roma, the celebrated series documenting the fountains...

An original Italian architectural etching dating to 1691 or after from Le Fontane di Roma, the celebrated series documenting the fountains, villas, gardens and public spaces of Baroque Rome. The series was published in Rome under the direction of Giovanni Giacomo de’ Rossi (1627–1691), an important Italian print publisher whose firm produced some of the most influential architectural and topographical views of 17th-century Rome. The four-part Fountains of Rome series was created by Italian artists and engravers Giovanni Battista Falda (1643–1678) and Giovanni Francesco Venturini (active circa 1650–1700) under the directions of Giovanni Giacomo de'Rossi. Published together by De Rossi in 1691, the complete project comprised more than one hundred plates and became an important visual record of Baroque Rome. These detailed Italian architectural etchings depict not only fountains but also architecture, sculpture, formal gardens, piazzas and small figures that bring the historic settings to life. Examples from the Fountains of Rome series are preserved in major institutional collections, including The Metropolitan Museum of Art and Smithsonian Libraries. Each original etching was printed on period paper in the 1600s and retains the individual characteristics associated with a work more than four centuries old. Natural toning, scattered foxing, creases, irregular paper edges and other variations may be present and are consistent with authentic antique works on paper. These antique Italian architectural prints...

An original Italian architectural etching dating to 1691 or after from Le Fontane di Roma, the celebrated series documenting the fountains...

Collages on handmade paper

Photography on paper

These original plates were produced using sophisticated color-printing and engraving techniques, with color finishing applied by hand. Fruit is presented with remarkable naturalism—o...

These original plates were produced using sophisticated color-printing and engraving techniques, with color finishing applied by hand. Fruit is presented with remarkable naturalism—o...

These original plates were produced using sophisticated color-printing and engraving techniques, with color finishing applied by hand. Fruit is presented with remarkable naturalism—o...

These original plates were produced using sophisticated color-printing and engraving techniques, with color finishing applied by hand. Fruit is presented with remarkable naturalism—o...

Claudine Loquen is a French artist born in 1965 who lives and works in Sassetot-le-Mauconduit, France. Like Colette with the literature, the artist makes the apology of painting wi...

These original plates were produced using sophisticated color-printing and engraving techniques, with color finishing applied by hand. Fruit is presented with remarkable naturalism—o...

Ink, gouache on canvas & handmade paper Sandra Detourbet is a French artist born in 1967 who works & lives in Ivry-sur-Seine, near Paris. She is grad...

Pencil on paper