Art by Medium: Lithograph

Salvador Dali (1904-1989) - Le cheval de labeur Lithograph from 1972. The edition of 187/250. Dimensions of work: 68 x 50 cm On B.F.K Rives paper as stated in the Field catalogue...

Untitled is an original Lithograph realized in 1963 by Alexander Calder from "Derrière Le Miroir" No signature. Very good condition including a white cardboard Passepartout. Alexa...

'Miniature Mallow' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amat...

Chaim SOUTINE (1893-1943) French Riviera : View of Cagnes Stone lithograph after a painting (Mourlot workshop) Unsigned On Arches vellum 50 x 65 cm (c. 20 x 26 inch) Excellent cond...

This original lithograph in colours is hand signed in pencil by the artist "Miró" in the lower right corner. It is also hand numbered in pencil from the edition of 75, at the lower ...

Ira Moskowitz, 'The Three Gods of Healing (Navajo Medicine Ceremony of the Night Chant)', lithograph, 1945, edition 30, Czestochowski 148. Signed and titled in pencil. Signed and dat...

Umbrella Man Peter Max (German, b. 1937) Signed Upper Right 19.75 x 20 inches 36 x 36 inches with frame Peter Max, born Peter Max Finkelstein, is a multi-dimensional artist focused...

'Prag' Colour lithograph. 1895. 250mm by 305mm (sheet). Late 19th century German lithograph plan of Prague, Czechoslovakia. Central vertical fold. Printed street index on the ...

Medium: original color lithograph. Catalogue reference: M 689. Executed in 1973 for the "The Biblical Message of Marc Chagall" and printed in Paris by Mourlot on wove paper. Size: 12...

Lee Bontecou First Stone, 1962 Signed, dated, and numbered lower right Lithograph from one stone in black ink on cream laid paper Image 12 3/16 x 15 11/16 inches Sheet 19 1/2 x 25 13...

A handsome 1930s Rockwell Kent lithograph on paper, titled "Canterbury Tales". Nicely matted and framed in a gold-toned frame. Image size: ...

Medium: original lithograph. Printed in 1970 by Triton Press and published by Art In America. Size: 14 x 11 1/4 inches (358 x 284 mm). There is a horizontal center fold, as originall...

This exquisite lithograph after Henri Matisse (1869–1954), titled Nu Bleu VIII (Blue Nude VIII), from Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, originates from the 1...

This exquisite lithograph by Pablo Palazuelo (1916–2007), titled Sans titre (Untitled), from the folio Derriere le miroir, Tendance, No. 50, originates from the 1952 edition publishe...

Medium: lithograph. Printed in 1965 on laid paper and published by the Musee National d'Art Moderne of Paris for a rare catalogue. Size: 12 1/2 x 9 1/4 inches (320 x 234 mm). Not sig...

Original poster "Baj at Picasso" is a sublime exhibition that was organized in 1969 at the Creuzevault Gallery. The artist Enrico Baj presented a whole series of works paying homage...

This original stone lithograph poster was created for an exhibition at the American Cultural Center in Paris in 1960 and printed by the renowned Mourlot studio in Paris. The American...

Printed in 1972 at the Mourlot atelier and published for the "Miro Lithograph I" catalogue raisonne. Size: 12 1/2 x 19 1/4 inches (320 x 490 mm). This work was published as a folded ...

Abstract Composition is a color lithograph realized by the Japanese artist Kumi Sugai in 1960. Good conditions except for slight cutting and folding on the margins. Kumi Sugai (1919-1996) was a Japanese painter...

Appareil et Main  is an artwork realized after a painting by the Surrealist Catalan artist Salvador Dalí  (Figueres, 1904-1989). This is a color lithograph on wove paper, properly e...

This exquisite lithograph by Marc Chagall (1887–1985), titled Devant St-Jeannet (Before St-Jeannet), from the album Les Ceramiques et Sculptures de Chagall (The Ceramics and Sculptur...

This very nice poster was made by Jean Jacquelin (1905-1989) a French poster artist. This poster presents us the 24 Hours of Le Mans of the year 1972 which represented the 40th edit...

This exquisite lithograph by David Hockney (born 1937), titled Letter V, from the folio Hockney's Alphabet, Drawings by David Hockney, originates from the 1991 edition published by A...

Helen Frankenthaler (after) Frankenthaler: The Darker Palette (autographed and inscribed), 1998 Offset Lithograph print 42 × 35 in hand signed "Frankenthaler" lower left; inscribed a...

Medium: lithograph (after the pencil drawing). Printed in Paris in 1952 by Mourlot Freres in an edition of 1500. The total sheet (including margins) measures 12 3/8 x 9 5/8 inches (3...

Comètes, 1968 Lithograph in colors on wove paper 26.90 x 21.75 inches Signed and numbered in pencil, edition of 200 copies Professionally framed Alexander Calder was born in Ph...

Behold the original lithographic Petty Pin-up, a unique vertical-format piece. The see-through bathing suit she wears seems to make her glow, especially with her red hair peeking fro...

A lithograph from the "Vincent Van Gogh" portfolio with text by Oskar Hagen published by Marees-Gesellschaft in Munich 1919. The portfolio consisted of 15 lithographic reproductions of drawings and watercolors. The artwork is accompanied by a copy of the colophon. Artist: Vincent van Gogh (After) Title: The Rhone River...

Medium: pochoir (after the watercolor). Printed in 1964 at the atelier of Daniel Jacomet for the "Paul Klee 12 Aquarelles" portfolio and published in Paris by the Berggruen Gallery i...

This exquisite lithograph and pochoir after Robert Delaunay (1885–1941), titled La fenetre, n°2 (The Window, No. 2), from the album XXe Siecle, Nouvelle serie N°9 (double), Juin 1957...

Alexander Calder (American, 1898-1976) Signed: Calder (Lower, Right) Discs and Spirals, 1970 Lithograph in Colors on Wove Paper Sheet Size: 26” x 38” Numbered: Numbered from an editi...

This exquisite lithograph by Eduardo Chillida (1924–2002), titled Sans titre (Untitled), originates from the 1964 folio Derriere le Miroir, Nos. 144–145–146, L’Hommage a Georges Braque (Tribute to Georges Braque). Published by Maeght Editeur, Paris, under the direction of Aime Maeght, and printed by Mourlot Freres, Paris, this composition exemplifies Chillida’s mastery of spatial balance and sculptural abstraction. In Sans titre, Chillida translates his distinctive exploration of mass and void into two dimensions, creating an interplay of dense form and open space that mirrors the structural poetry of his sculpture and a heartfelt tribute to Braque, “Learning to fly down here — to Braque, master, friend, inventor of birds.” The composition conveys a sense of weight and stillness, embodying the meditative precision for which Chillida is renowned. Executed on velin paper, this lithograph measures 15 x 22 inches (38.1 x 55.9 cm), with centerfold, as issued. Signed in the plate and unnumbered, as issued. The edition captures Chillida’s unique sensitivity to form and rhythm within a printed medium, reflecting the same architectural strength that defines his sculptural practice. Artwork Details: Artist: Eduardo Chillida (1924–2002) Title: Sans titre (Untitled), from Derriere le Miroir, Nos. 144–145–146, L’Hommage a Georges Braque (Tribute to Georges Braque), 1964 Medium: Lithograph on velin paper Dimensions: 15 x 22 inches (38.1 x 55.9 cm), with centerfold, as issued Inscription: Signed in the plate and unnumbered, as issued Date: 1964 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the 1964 folio Derriere le Miroir, Nos. 144–145–146, published by Maeght Editeur, Paris Notes: Excerpted from the folio (translated from French): Taken from this special issue of “Behind the Mirror,” CCCL examples on velin de Rives were numbered, constituting the original edition of L’Hommage a Georges Braque. These deluxe examples also included an etching based on Trois oiseaux sur fond violet. The lithographs for this issue were printed in the ateliers of Maeght Editeur, Levallois. The text was printed by Fequet et Baudier, typographers. Finished printing May 13, 1964. About the Publication: Derriere le Miroir (translated as "Behind the Mirror") was an iconic French art periodical published from 1946 to 1982 by Maeght Editeur, one of the most influential art publishers of the 20th century. Founded by Aime Maeght in Paris, the publication was conceived as a visual and literary collaboration between leading modern artists, poets, and critics. Each issue functioned as both an exhibition catalogue and a work of art in itself—featuring original lithographs printed directly from the artists' stones or plates, alongside essays, poems, and critical commentary. Over the course of 36 years, Derriere le Miroir produced more than 250 issues and showcased an extraordinary roster of artists including Henri Matisse, Marc Chagall, Joan Miro, Georges Braque, Alexander Calder, Fernand Leger, Pierre Bonnard, Alberto Giacometti, Eduardo Chillida, Ellsworth Kelly, Francis Bacon, Paul Rebeyrolle, Claude Garache, Antoni Tapies, Bram van Velde, Pierre Alechinsky, Pol Bury, Shusaku Arakawa, and Gerard Titus-Carmel. Printed in the ateliers of Mourlot, Arte, and Imprimerie Moderne du Lion, the periodical set new standards for quality in color lithography, combining fine art printing with elegant typography and poetic text. Beyond its visual brilliance, Derriere le Miroir also became a cultural chronicle of postwar European modernism. Each issue coincided with exhibitions held at Galerie Maeght, providing a collectible and widely accessible record of groundbreaking shows. Its integration of image, text, and philosophy created a dialogue between art and literature that elevated the modern art book to new aesthetic heights. Today, Derriere le Miroir remains one of the most sought-after and historically significant art publications, prized by collectors and scholars alike for its craftsmanship, influence, and its role in defining the visual language of 20th-century modernism. The Maeght Foundation in Saint-Paul-de-Vence continues to honor this legacy through exhibitions and archival preservation of the series, affirming Derriere le Miroir's enduring place in the history of modern art and fine art publishing. About the Artist: Eduardo Chillida (1924–2002) was a Spanish Basque sculptor and printmaker internationally celebrated for his monumental abstract works that explore the interplay between form, space, and material. Renowned for his mastery of iron, steel, stone, and concrete, Chillida created sculptural compositions that evoke both architectural strength and poetic balance, reflecting his lifelong dialogue between the physical and the spiritual. Emerging in postwar Europe, his art stands alongside that of the great modern masters—Pablo Picasso, Henri Matisse, Alexander Calder, Marc Chagall, Salvador Dali, Joan Miro, Georges Braque, Wassily Kandinsky, Marcel Duchamp, and Man Ray—whose revolutionary approaches to form and perception shaped 20th-century art. Chillida’s work embodies a profound sense of harmony, rooted in the landscapes and philosophies of his native Basque Country, while maintaining a universal resonance. Exhibited internationally and collected by major institutions including MoMA, the Guggenheim, the Tate, and the Centre Pompidou, his sculptures and works on paper continue to command global acclaim. The highest price ever paid for an Eduardo Chillida artwork is approximately $4.1 million USD, achieved in 2022 at Christie’s Paris for Buscando la Luz IV (2001). Eduardo Chillida Sans titre, Chillida Derriere le Miroir, Chillida Maeght...

ANDRÉ BRASILIER (1908-1992) AUTOMNE FINLANDAIS, 1977 Lithograph on wove paper Annotated "épreuve d'artiste" low left Singed low right Image 46 x 64 cm Frame 76 x 92 x3 cm Y. Le Pi...

"Puppet Man, 1960. By Alexander Calder. "E.A" Written in pencil by the artist The "E.A." designation on the print likely indicates it's an artist's proof, o...

This exquisite lithograph after Chaim Soutine (1893–1943), titled Paysage a Cagnes (Landscape at Cagnes), from the folio Soutine, I, Collection Pierre Levy, 1966, originates from the edition published by Fernand Mourlot, Paris, and printed by Mourlot Freres, Paris, on October 20, 1966. The work conveys the sweeping emotional vigor and expressive distortions that define Soutines landscape vision, capturing in lithographic form the turbulent rhythm, chromatic intensity, and psychological tension characteristic of his mature periods in Cagnes. Executed as a lithograph on velin d'Arches paper, this work measures 26 x 20 inches. Unsigned and unnumbered as issued. The edition exemplifies the technical mastery of the Mourlot atelier. Artwork Details: Artist: After Chaim Soutine (1893–1943) Title: Paysage a Cagnes (Landscape at Cagnes), from the folio Soutine, I, Collection Pierre Levy Medium: Lithograph on velin d'Arches paper Dimensions: 26 x 20 inches Inscription: Unsigned and unnumbered as issued Date: 1966 Publisher: Fernand Mourlot, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Soutine, I, Collection Pierre Levy, 1966 Notes: Excerpted from the folio (translated from French), This album, the first of a series dedicated to Mr. Pierre Levys collection, was printed in DL examples on Arches velin. Printing was finished on October 20, 1966 by Mourlot for lithographs of the canvases of Soutine, and by Fequet and Baudier for Waldemar Georges unpublished text. Fernand Mourlot, Paris 1966. About the Publication: Soutine, I, Collection Pierre Levy, published in 1966 by Fernand Mourlot, Paris, is the first album in the important series devoted to the Pierre Levy collection, one of the most significant private collections of twentieth century French painting. Conceived as a scholarly and visual record, the album was designed to present key works by Chaim Soutine in lithographic form at a moment of renewed international interest in his oeuvre. Created in collaboration with Mourlot Freres, the foremost lithographic atelier in France, the publication reflects the printers commitment to translating Soutines canvases into richly tonal lithographs that preserve the emotional intensity and structural dynamism of the originals. Issued in a single edition on Arches velin, the album stands as an essential document of postwar art publishing, illuminating the historical partnership between artist, collector, and master printer, and contributing to the larger historiography of modern French Expressionism and museum quality print albums of the mid twentieth century. About the Artist: Chaim Soutine (1893–1943) was a Belarus born French Expressionist painter whose explosive brushwork, emotionally charged distortions, and uncompromising commitment to depicting the psychological intensity of human experience have secured his place as one of the most vital and transformative figures in twentieth century art, creating his legacy within the same revolutionary modernist environment defined by Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray; after leaving his impoverished childhood in Smilavichy and arriving in Paris in 1913, Soutine immersed himself in the School of Paris circle at La Ruche—an incubator of international avant garde talent—where he developed formative friendships with Amedeo Modigliani, Marc Chagall, Jules Pascin, and other pioneering artists whose daring approaches inspired him to push color, gesture, and form into new emotional territories. His portraits of cooks, choirboys, servants, and village residents; his tempestuous landscapes of Cagnes, Chartres, and Ceret; and his deeply visceral still lifes—most famously his monumental depictions of slaughtered carcasses—reveal a singular ability to transform ordinary subjects into raw, pulsing, almost metaphysical dramas, building on the influence of Rembrandt, Goya, Velazquez, and El Greco while departing radically from academic restraint. His paintings vibrate with psychological tension, their twisted perspectives, molten colors, and trembling outlines capturing an inner world marked by anxiety, longing, resilience, and profound empathy. Soutines originality profoundly shaped the evolution of modern painting: Francis Bacon cited him as one of his greatest influences, Willem de Kooning and the Abstract Expressionists admired his gestural ferocity, and later artists—including Frank Auerbach, Leon Kossoff, Lucian Freud, Jenny Saville, and Adrian Ghenie...

Made for an exhibition of artist Pierre Soulages works at the Musee Des Arts Decoratifs (museum of decorative arts and design) at the Palais du Louvre in Paris, 1960. The original im...

"4 - U proof" - 1976 Surrealist Lithograph on Paper 1976 surrealist lithograph on paper titled "4 - U proof" by Jim Crabb (American, b. 1947). This piece resembles a narrow, surreal...

This famous image is by celebrated poster artist Leonetto Cappiello. This particular poster is from the first printing in 1922. We see an elegant, dreamy image that pops against the ...

Antonio Lopez Garcia (Spain, 1936) 'Lirio blanco', 2021 etching, lithograph on paper Rives BFK 300 g. 23.1 x 17.8 in. (58.5 x 45 cm.) Edition of 75 Unfram...

A classic David Hockney portrait, this lithograph depicts the artist's friend Brooke Hopper. Brooke Hopper, one of the Hollywood elite, is the daughter of the producer Leland Hayward...

'Spotted Dead Nettle' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor o...

Gretchen Bender Thou Shalt Not Take the Name of God in Vain (The Third Commandment), 1987 2 Color Lithograph and embossment on reflective mylar Signed and numbered 37 from the limite...

Medium: lithograph (after Lichtenstein). This smaller-size copy was printed in 1969 and issued by Gemini G.E.L. of Los Angeles (the same atelier that printed the full-size original L...

Signed by Picasso in pencil lower left. Numbered 32/50 in pencil lower right. Catalogue raisonne references: Bloch 739; Mourlot 239; Reuße 625. Framed print. Framed dimensions ...

This is a framed hand-colored folio sized lithograph entitled "Campylopterus Hyperythrus" (Rufous-breasted Sabrewing Hummingbird), Plate 51 from John Gould's "A Monograph of the Trochilidae, or Family of Humming-birds", published in London in 1850. The print, which was drawn by Gould and Henry Richter and lithographed by Hullmandel and Walton, depicts three hummingbirds displaying multiple colors, including, green, blue and shades of brown highlights among burgundy and cream colored flowers. The hummingbirds are highlighted by bright iridescent metallic paint. This beautiful Gould hummingbird...

This geometric, minimalist print glows in rainbow shades. Vibrant raspberry pink, magenta, yellow, lime green, and sky-blue lines take on the organic quality of handmade paper, resul...

Waterpolo is a lithograph realized by Tommaso Cascella.  This artwork is from the portfolio The Unique Collection for the Olympic Fine Arts 2008 presented during the Olympic Games an...

Minuit - From the 12 plate Portfolio, 1959 Published by Denise Rene, Paris Lithograph in colors on heavy paper 20 x 26 inches Signed, dated and numbered in ink, edition of 150 copies...

Medium: original lithograph. This lithograph is from the rare 1952 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1952 Spr...

Untitled is a lithograph realized y the Cuban artist Wifredo Lam (Sagua la Grande, 1902 - Paris, 1982). This color lithograph on wove paper, was edited by the French magazine "XXe...

Untitled Double Page Illustration for DLM Color lithograph, 1968 Unsigned as issued in DLM Published in Derriere le Miroir (Behind the Mirror), calle...

Color lithograph, Edition 30. Known for paintings based on historical Chinese photographs, Hung Liu's subjects over the years have been prostitutes, refugees, street performers, s...

LA GRANDE FAMILLE, 1963 (THE LARGE FAMILY) Date of creation: 2010 Medium: Lithograph on BFK Rives Paper Edition: 275 Size: 60 x 45 cm Observations: Lithograph on BFK Rives paper plat...

Calais Chem de fer du Nord – Original Linen-Backed Vintage Travel Poster Full lithograph, archival linen-backed in A- condition, ready to frame. There is a restored tear about 5” long from the center bottom, as shown in one of the images. It is not a distraction, just trying to point out any visible imperfection on this 100-year-old, seldom found (in any condition). There is no paper loss. This exquisite original travel poster, designed by the acclaimed French artist Jeanne Poye Maillard, was commissioned by the French Northern Railway (Chemin de Fer du Nord) to entice holidaymakers to the picturesque port city of Calais. Rendered in lush, vivid colors and professionally linen-backed, the poster depicts an inviting seaside vista characteristic of the early- to mid-20th-century golden age of rail travel. The Embroidery Factories of Calais. Calais is famous well beyond its port—for more than a century, it has been a global center for embroidery and lace-making. Starting in the early 1800s, British inventors brought mechanical lace-making machines (notably the Leavers machine) to Calais to avoid industrial restrictions at home. This technological advance turned Calais into the central hub of the lace and embroidery industry. The artistry and precision of the Calais factory workers established French lace as the international standard, adorning haute couture garments for houses like Chanel and Dior...

Marc Chagall (1887-1985) The Bible, Salomon's Prayer Original lithography (Mourlot Workshop) On paper 37 x 26.5 cm (c. 14.5 x 10.2 in) A second illustration on the back, see photo...

Toucans is a lithograph on paper, initialed lower right 'BD', 9 x 9" image size. From the edition of 395, numbered LI/C (there were also 275 Arabic and 20 AP), framed in a contempora...

James Rosenquist Castelli Gallery poster (hand signed and inscribed by the artist to the art dealer Richard Feigen), 1980 Offset lithograph poster Signed, dated and inscribed by Jame...

This exquisite lithograph by Pierre Bonnard (1867–1947), titled Sans titre (Untitled), from the album Pierre Bonnard, Correspondances, originates from the 1944 edition published by E...

"Turkish Bath" from Pablo Picasso's Suite Vollard, signed in the plate, comes in a high-end pass-partout with gold lining and nicely framed in a handmade wood frame. Picasso created ...

Medium: lithograph (after the watercolor). Jean Lurçat was one of the artists who contributed compositions to Marcelle Oury's "Lettre à mon peintre" in homage to Raoul Dufy. This lit...