Art by Medium: Stencil

Pablo PICASSO (after) Woman Combing her Hair, 1975 Lithograph and stencil (Jacomet workshop) Printed signature in the plate Unnumbered as usual (limited edition of 575 copies) On Ar...

Pablo Picasso (1881-1973) (d'après) - Pierrot et arlequin (Pierrot and Harlequin) Pochoir from 1920. The edition of 11/100. Dimensions of work: 23.2 x 29 cm. Hand signed. Publis...

Edouard Benedictus, 'Variations, plate 19' from the portfolio 'Variations Quatre-Vingt-Six Motifs Décoratifs en Vingt Planches', color pochoir, edition not stated, 1923. Signed in th...

Edouard Benedictus, 'Variations, plate 9' from the portfolio 'Variations Quatre-Vingt-Six Motifs Décoratifs en Vingt Planches', color pochoir, edition not stated, 1923. Signed in the...

Edouard Benedictus, 'Variations, plate 14' from the portfolio 'Variations Quatre-Vingt-Six Motifs Décoratifs en Vingt Planches', color pochoir, edition not stated, 1923. Signed in th...

Medium: pochoir (after the gouache). Printed in Paris in 1959 at the atelier of Daniel Jacomet and published by the Berggruen Gallery. Image size: 5 3/8 x 7 3/4 inches (138 x 198 mm)...

Edouard Benedictus, 'Variations, plate 20' from the portfolio 'Variations Quatre-Vingt-Six Motifs Décoratifs en Vingt Planches', color pochoir, edition not stated, 1923. Signed in th...

Edouard Benedictus, 'Variations, plate 5' from the portfolio 'Variations Quatre-Vingt-Six Motifs Décoratifs en Vingt Planches', color pochoir, edition not stated, 1923. Signed in the...

Medium: pochoir. Printed in 1952 for the Temoignages pour l'art abstrait portfolio (Witnesses for Abstract Art) and published by Editions d'Art d'Aujourd'hui in an edition of 1500. S...

Medium: pochoir (after the gouache). This pochoir illustrates a scene from Oscar Wilde's "Salomé". It was printed in 1938 at the atelier Saudé of Paris and published by The Limited E...

Edouard Benedictus, 'Variations, plate 17' from the portfolio 'Variations Quatre-Vingt-Six Motifs Décoratifs en Vingt Planches', color pochoir, edition not stated, 1923. Signed in th...

Medium: pochoir (after the gouache). This pochoir illustrates a scene from Oscar Wilde's "Salomé". It was printed in 1938 at the atelier Saudé of Paris and published by The Limited E...

Medium: pochoir (after the mixed media collage). Printed in Paris at the Daniel Jacomet atelier and published in 1960 by the Berggruen Gallery. Image size: 5 x 3 7/8 inches (130 x 98...

Medium: pochoir (after the watercolor and collage). Printed in Paris by the atelier of Daniel Jacomet, and published in 1955 by Heinz Berggruen for a rare catalogue. The image measur...

Medium: pochoir (after the gouache). This pochoir illustrates a scene from Oscar Wilde's "Salomé". It was printed in 1955 by l'Imprimerie Nationale de Monaco and published by Fermier...

Edouard Benedictus, 'Variations, plate 1' from the portfolio 'Variations Quatre-Vingt-Six Motifs Décoratifs en Vingt Planches', color pochoir, edition not stated, 1923. Signed in the...

Edouard Benedictus, 'Variations, plate 1' from the portfolio 'Variations Quatre-Vingt-Six Motifs Décoratifs en Vingt Planches', color pochoir, edition not stated, 1923. Signed in the...

Medium: pochoir (after the pastel). A soft and delicate impression, printed in Paris in 1948 and published in an edition of 1200 by Braun et Cie. Size: 6 1/2 x 4 1/2 inches (164 x 11...

Artist: Raoul Dufy (1877–1953) (after) Title: Paddock (Paddock) Year: December 1959 Medium: Lithograph and pochoir on velin paper Paper Size: 13.25 x 18.25 inches (33.7 x 46.4 cm) Co...

Half Dollar, 1966, an Italian Pop Art painting by Franco Angeli (Rome, 1935–1988). Executed on canvas using a stencil technique, the work reinterprets the imagery of the American hal...

Tom Holland Artists in the Spotlight: Celebrating the 50th Anniversary of San Francisco Museum of Modern Art (SFMOMA), 1985 Acrylic and mixed media with stencil on paper Signed and d...

Artist: Georges Braque (1882–1963) (after) Title: Study of Birds (Etude oiseaux) Year: 1959 Medium: Lithograph and pochoir on velin d’Arches paper Paper Size: 7.25 x 9.375 inches (18...

Medium: pochoir (after the watercolor and collage). Printed in Paris by the atelier of Daniel Jacomet, and published in 1955 by Heinz Berggruen for a rare catalogue. The image measur...

Artist: Fernand Leger (1881–1955) (after) Title: Maquette for The Creation of the World (Maquette pour la Creation du Monde) Year: June 10, 1959 Medium: Lithograph and pochoir on pap...

Medium: pochoir (after the painting). Printed in 1962 in a limited edition of 200 for the scarce Braque 20 Pochoirs portfolio, published in Milan by Silvana Editoriale d'Arte. Image ...

Medium: pochoir (after the pastel). A soft and delicate impression, printed in Paris in 1948 and published in an edition of 1200 by Braun et Cie. Size: 6 1/2 x 4 1/2 inches (164 x 11...

Medium: lithograph with pochoir stencil. A richly inked impression printed in 1959 on Arches paper at the atelier of Daniel Jacomet for the Jean Lurçat "Les Signes du Zodiaque" portf...

Edouard Benedictus, 'Variations, plate 18' from the portfolio 'Variations Quatre-Vingt-Six Motifs Décoratifs en Vingt Planches', color pochoir, edition not stated, 1923. Signed in th...

The abstract series of sizable works done in a mixed-media technique pays homage to the great modernists and abstract expressionists such as Mondrian, Kandinsky, Still and Motherwell...

This artwork, "Moses Smiting the Rock of Meribah, Exodus" 1972 is an original color stencil on hand crumpled momigami paper. It is hand signed, dated and numbered 47/70 in White ink by the artist. The artwork size is 27.5 x 24.75 inches, framed size is 39 x 36 inches. It is custom framed in a wooden gold frame, with matting and black color spacer. It is in excellent condition, Please NOTE, the dark area at the lower left corner of the frame is only the shadow, the frame is in perfect condition. About the artist: Sadao Watanabe born and raised in Tokyo, was a Japanese printmaker in the 20th Century. He was famous for his Biblical prints rendered in the mingei (folk art) tradition of Japan. As a student of the master textile dye artist Serizawa Keisuke...

Artist: Maurice Utrillo (1883–1955) (after) Title: Montmartre (Montmartre) Year: December 1959 Medium: Lithograph and pochoir on velin paper Paper Size: 13.25 x 18.25 inches (33.7 x ...

Medium: pochoir (after the watercolor and collage). Printed in Paris in 1955 at the Daniel Jacomet atelier and published the Berggruen Gallery for a rare catalogue. Image size: 5 1/4...

Medium: pochoir (after the lithograph). Printed by the atelier of Daniel Jacomet, and published in Paris in 1955 by Heinz Berggruen. The image measures 5 x 3 3/4 inches (130 x 97 mm)...

Pablo PICASSO (1881-1973) Diurnes, Woman By the Sea, 1962 Original collotype and stencil (Jacomet workshop) Unsigned Limited to 1000 copy On paper 40 X 30 cm (c. 15.7 x 11.2 in) R...

Artist: Georges Braque (1882–1963) (after) Title: Bird at Sunset (Oiseau au couchant) Year: 1959 Medium: Lithograph and pochoir on velin d’Arches paper Paper Size: 7.25 x 9.375 inches (18.42 x 23.81 cm) Condition: Well preserved, consistent with age and medium Inscription: Unsigned and unnumbered as issued Publisher: XXe siecle, Paris, in collaboration with Fernand Hazan, Paris Printer: Daniel Jacomet et Cie, Paris Notes: Excerpted from the album (translated from French): XXX examples of this work were printed on Arches paper, containing an original engraving by Georges Braque, numbered from I to XXX. CM examples, constituting the original edition, including CCC for F. Hazan, publisher in Paris, CCC for A. Zwemmer, publisher in London, and CCC for the New York Graphic Society, LX examples, marked H.C., are reserved for the Author and the Publisher. Additional notes: This exquisite lithograph and pochoir after Georges Braque (1882–1963), titled Oiseau au couchant (Bird at Sunset), from the album Georges Braque, Le Solitaire (The Solitary), originates from the 1959 edition published by XXe siecle, Paris, in collaboration with Fernand Hazan, Paris; rendered by Daniel Jacomet, Paris; and printed by Daniel Jacomet et Cie, Paris, 1959. Oiseau au couchant (Bird at Sunset) reflects Braque’s meditative engagement with the motif of the bird—an enduring symbol of transcendence, freedom, and poetic solitude in his mature work. Through simplified form and muted harmony, the composition evokes the quiet passage of twilight, translating nature’s fleeting beauty into a timeless visual poem. Braque’s masterful integration of geometric abstraction with lyrical rhythm captures the balance between motion and stillness, light and silence. Georges Braque, Le Solitaire (The Solitary) was published in Paris in 1959 by XXe siecle in collaboration with Fernand Hazan and printed by the Atelier Daniel Jacomet et Cie. Conceived as both a visual and literary homage to one of the founding figures of Cubism, the volume represents one of the most refined art book productions of the postwar era. The publication was issued in conjunction with the journal XXe siecle, under the direction of G. di San Lazzaro, a central figure in promoting modern art through his collaborations with artists such as Picasso, Miro, Chagall, and Calder. Le Solitaire brought together Braque’s mature reflections on nature, still life, and metaphysical quietude, accompanied by critical essays and reproductions of his work. The pochoir and lithographic plates—executed by Daniel Jacomet, whose atelier was renowned for its exceptional color pochoirs—capture the texture and tonal depth of Braque’s original paintings with rare precision. GEORGES BRAQUE (1882–1963) was a French painter, sculptor, and printmaker whose pioneering vision transformed the course of twentieth century art. A central figure in modernism and the co-founder of Cubism alongside Pablo Picasso, Braque redefined visual perception by breaking objects into geometric forms and reassembling them from multiple perspectives, creating a new visual language that bridged the gap between abstraction and reality. His early work was influenced by the vibrant colors and expressive energy of the Fauvist painters Henri Matisse and Andre Derain, before evolving toward the more analytical and structured compositions inspired by Paul Cezannes theories of form and perspective. Braques collaboration with Picasso between 1908 and 1914 marked one of the most fertile and revolutionary periods in art history, resulting in works that challenged traditional notions of space, depth, and illusion. Throughout his career, Braque maintained a deep interest in harmony, rhythm, and balance, infusing his still lifes, landscapes, and later reliefs with poetic subtlety and intellectual rigor. He moved among a brilliant circle of contemporaries including Pablo Picasso, Henri Matisse, Marc Chagall, Juan Gris, Fernand Leger, and Amedeo Modigliani—artists united in their pursuit of new modes of artistic expression. Braques influence extended well beyond his own era, shaping the creative approaches of later modernists such as Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, all of whom drew inspiration from his structural innovations and aesthetic integrity. His works are held in major museum collections worldwide, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to embody the essence of modern artistic thought and visual poetry. The highest price ever paid for a Georges Braque artwork is approximately 15 million USD, achieved in 2013 at Christies New York for Paysage a la Ciotat (Landscape at La Ciotat) (1907). Georges Braque Oiseau...

Medium: lithograph with pochoir stencil. A richly inked impression printed in 1959 on Arches paper at the atelier of Daniel Jacomet for the Jean Lurçat "Les Signes du Zodiaque" portf...

Tiger Portrait Pop Art with Floral Mandala in Chains by British Urban Graffiti Artist, Chris Pegg, using red, pink & turquoise. Chris Pegg is a self-taught Street Artist producin...

Medium: pochoir (after the lithograph). Printed by the atelier of Daniel Jacomet, and published in Paris in 1955 by Heinz Berggruen. The image measures 5 1/4 x 3 3/4 inches (135 x 10...

Medium: lithograph with pochoir stencil. A richly inked impression printed in 1959 on Arches paper at the atelier of Daniel Jacomet for the Jean Lurçat "Les Signes du Zodiaque" portf...

Quatre corbeaux by Georges Manzana Pissarro (1871-1961) Pochoir 28 x 44.5 cm (11 x 17 ¹/₂ inches) Stamped lower right, manzana-Pissarro Artist biography: Like all second-generation ...

Artist: Jacques Villon (1875–1963) (after) Title: In Anger (En colere) Year: December 1959 Medium: Lithograph and pochoir on velin paper Paper Size: 18.25 x 13.25 inches (46.4 x 33.7...

18 x 24 Canvas 21 x 26.5 including frame Stencil and Spray paint on Canvas Rare portrait piece from the beginning of BD White's career as an artist Signed...

Medium: pochoir (after the painting). Printed in Paris at the atelier of Daniel Jacomet and published in 1975 by the Berggruen Gallery. Image size: 6 x 3 7/8 inches (153 x 98 mm). Th...

Jacques Camus The Yellow Castle, 1933 Original lithograph and stencil Unsigned On paper 39 x 29 cm (c. 15.3 x 11.4 inch) INFORMATION : This lithograph is part of the "Idées" portfo...

Artist: Georges Braque (1882–1963) (after) Title: Apples (Pommes) Year: 1959 Medium: Lithograph and pochoir on velin d’Arches paper Paper Size: 7.25 x 9.375 inches (18.42 x 23.81 cm)...

Pierre SOULAGES Composition in Black and Blue, 1956 Lithograph and stencil (Jacomet workshop) Unsigned On wove paper 31 x 24 cm (c. 12.2 x 9.4 inches) Edited by San Lazaro in 1956 ...

Medium: pochoir. Printed in 1952 for the Temoignages pour l'art abstrait portfolio (Witnesses for Abstract Art) and published by Editions d'Art d'Aujourd'hui in an edition of 1500. S...

Edouard Benedictus, 'Poppy' from the portfolio 'Relais', plate 14, color pochoir, 1930. Signed in the matrix, in the center bottom margin. A superb, richly-inked impression, with fresh, vibrant colors, including metallic gold and silver inks, on heavy, cream wove paper; the full sheet with margins (1 3/8 inches), in excellent condition. Published by Éditions Vincent, Fréal et Cie, Paris. The pochoir production is by Jean Saudé, the French printmaker known for his mastery of the technique and the author of the first how-to book on the pochoir process. Matted to museum standards, unframed. Image size 14 3/8 x 11 inches (365 x 279 mm); sheet size 17 1/4 x 13 7/8 inches (438 x 352 mm). Impressions of this work are held in the following museum collections: Cooper-Hewitt National Design Museum Library (Smithsonian), Metropolitan Museum of Art, Minneapolis Institute of Art, New York Public Library, Toledo Museum of Art, Victoria and Albert Museum (London), Virginia Museum of Fine Arts. ABOUT THIS WORK The Pochoir process is a refined stencil-based technique employed to create multiples or to add color to prints produced in other mediums. Characterized by its crisp lines and rich color, the print-making process was most popular from the late 19th century through the 1930s, with its center of activity in Paris. The pochoir process began with the analysis of an image’s composition, including color tones and densities. The numerous stencils (made of aluminum, copper, or zinc) necessary to create a complete image were then designed and hand-cut by the 'découpeur.' The 'coloristes' applied watercolor or gouache pigments through the stencils, skillfully employing a variety of different brushes and methods of paint application to achieve the desired depth of color and textural and tonal nuance. The pochoir process, by virtue of its handcrafted methodology, resulted in the finished work producing the effect of an original painting, and in fact, each print was unique. ABOUT THE ARTIST Edouard Benedictus (1878 -1930), artist, designer, composer, and chemist, was born and died in Paris. A highly-regarded designer and art critic of the Art Nouveau era, Benedictus gained renown as a colorist and creator of Art Deco-inspired geometric and floral motifs. His work had a significant influence on international fashions in clothing, home furnishings, graphic design, and decorative objects of the period, earning him commissions from leading European design firms. In 1925 he was invited to represent Art Deco textile design...

Medium: pochoir (after the watercolor). Printed in 1961 at the atelier of Daniel Jacomet and published in Paris by the Berggruen Gallery. Image size: 6 1/2 x 3 1/2 inches (165 x 90 m...

Signed and Numbered by the Artist who is the son of Mr. Brainwash A six-color screen-print on hand-torn archival art paper. Each print is signed and numbered by the artist. Editi...

Lucio FONTANA (1899-1968) Concetto Spaziale, 1975 Original lithograph (Mourlot Workshop) Unsigned Limited edition of 575 unnumbered copies On Arches wove paper, 35.5 x 26.5 cm INFO...

Medium: pochoir (after the painting). A soft and delicate impression, printed in Paris in 1948 and published in an edition of 1200 by Braun et Cie. Size: 6 1/2 x 4 1/2 inches (164 x ...

Medium: pochoir (after the watercolor and collage). Printed in 1957 at the atelier of Daniel Jacomet and published in Paris by the Galerie Berggruen for a rare catalogue. Image size:...

Medium: lithograph with pochoir coloring (after the 1900 watercolor). Printed in 1948 on Johannot paper for the "Seize Aquarelles et Sanguines de Renoir" portfolio and published in P...

Medium: pochoir (after the watercolor). This charming pochoir was printed by Daniel Jacomet in a limited edition of 900 and published in Paris in 1959 by Editions XXe Siecle for "Le ...

Medium: pochoir with embossing. Printed in 1958 for the art revue XXe Siecle (issue number 11) and published in Paris by San Lazzaro. Sheet size: 12 3/8 x 9 1/2 inches (315 x 242 mm)...

Artist: Henri Matisse (1869–1954) (after) Title: The Dance (La danse) Year: December 1959 Medium: Lithograph and pochoir on velin paper Paper Size: 18.25 x 13.25 inches (46.4 x 33.7...

Medium: pochoir (after the watercolor). This charming pochoir was printed by Daniel Jacomet in a limited edition of 900 and published in Paris in 1959 by Editions XXe Siecle for "Le ...

Medium: lithograph with pochoir stencil. A richly inked impression printed in 1959 on Arches paper at the atelier of Daniel Jacomet for the Jean Lurçat "Les Signes du Zodiaque" portf...

'Nutrition’ is an original painting by British urban and street artist Chris Pegg, a self-taught artist whose distinctive work frequently combines bold visual imagery with social com...