Pencil Mixed Media

Signature: Signed and Dated Lower Left: W.E. Hill 12

Zavier Ellis Revolt Repeat, 2021 Oil, acrylic, emulsion, pencil, collage on board 270 x 200 cm Zavier Ellis combines the use of text with painterly, collage, assemblage and photogra...

On Hansen is a Scandinavian-born artist and the pseudonym of photographer Cristian Hunter, a third-generation artist whose practice has shifted from the lens toward a deeply material...

Generous by Rose Umerlik is an abstract painting, Oil and Graphite on wood panel, 48 x 36. This is part of a new 2022 series. According to Umerlik, " I became a mother this past ye...

A piece from Bartolome Sastre's mixed media on paper collection. 11.25" x 8.5" Pastel and pencil on paper

A piece from Bartolome Sastre's mixed media on paper collection. 8.5 x 11.25 inches Pastel and pencil on paper

Part of Bartolome Sastre's collection of drawings with pastel. 8.5" x 11.25"

This diptych, Markings, with a leather-like finish of cold wax and layers of marked tissue paper on wood, reads as an ancient surface immersed in the markings of time. Fragments of m...

Raphael Soyer (American, 1899-1987), Figural Narrative, Mixed Media on Paper, signed in pencil lower right, wood frame. Image: 22" H x 16.25" D; frame: 29.5" H x 24" W. Provenance: F...

Initialed Lower Right

This gorgeous artwork on paper was created initially with a screen print base of the model, then Rosie hand finishes the work with a unique splash and painted composition. Some call them Unique Prints. The base image is only used 12 times and this is the AP Rosie Emerson, born in 1981, is a contemporary artist working almost exclusively on representing the female form. Emerson’s figures draw reference from archetypes old and new, from Artemis to the modern day super model, each solitary figure, an allegory of her own fantasy. Interested in surface, the interplay between photography and painting. Emerson’s works are playful constructs; Photography is used, not as a device for capturing reality but for creating romanticised optical illusions. Inspired by her love of theatre, performance, shrines and rituals, she uses lighting, costume, set and prop making, alongside printmaking and painting to create other worldly one off pieces. Her photography is inspired by both the drama of the baroque, and ethereal qualities of Pre Raphaelite works. Other important influences include late medieval and renaissance paintings, Japanese prints, and magical realist literature. Emerson’s screen...

Elfi Schuselka (Austrian, b. 1940), Surrealist Landscape Diptych, Mixed Media on Paper, each signed in pencil and numbered to verso. Each: 8.75" H x 10.25" W. Provenance: From the Co...

A reproduction of The Book of Hours contains plates on adjacent pages depicting Portrait of René on the left and Nativity (Holy Family) on the right. Sheppard combines these two page...

Artist's Statement: "My paintings are an attempt to synthesize and enlighten pursuits of eastern and western art and their traditions. Using the full visual language of abstraction –...

Alighiero Boetti (Turin 1940 - Rome 1994), Untitled (Time) (1985) Mixed media on paper 70 x 50 cm signed in the bottom center, also at the bottom is an openwork inscription I vedent...

Movie poster concept art for The Impossible Years (1968). Directed by Michael Gordon and starring David Niven, Lola Albright, and Chad Everett, this illustration captures the comedi...

Alighiero Boetti (Turin 1940 - Rome 1994), Untitled (1985) Collage, pencil and pastel on paper 76 x 57 cm signed lower center. The work appears to be archived at the Alighiero Boet...

This striking mid-century modern drawing by Taos-based artist James Meek features a bold geometric abstract composition that reflects the clarity and precision of mid-20th-century mo...

"Drool" is a surrealist and brightly colored wall installation by artist Megan Dune, constructed with acrylic, colored pencil, paper, glitter, thread, foil ...

Signed Lower Right by Artist PROVENANCE: Private collection, Berkshire, NY Sotheby's, New York- The Illustration Art Collection of Kendra and Allan Daniel, April 11, 2011- Lot 84 ...

Electric Coffin is coded within art history and ideologies from archetypes of mysticism. We explore found truths from modernity and a personal historical perspective. A process-drive...

Echo by Rose Umerlik is an abstract painting, Oil and Graphite on wood panel, 32 x 52. This is part of a new 2022 series. According to Umerlik, " I became a mother this past year. ...

1950 Morgan Vintage Car - Antique Automotive Stamp Series- Illustration Illustration showing a 1950 Morgan vintage green car. Antique car stamp ...

1932 MG Midget Vintage Car and Golfers - Antique Automotive Stamp Series- Illustration Illustration showing a 1932 MG Midget vintage red car with golfers in the backgrounds. Antiqu...

1904 Renault Vintage Car - Antique Automotive Stamp Series- Illustration Illustration showing a blue vintage 1904 Renault car. Antique car stamp ...

The murder of John Lennon. The birth of my children. Nixon’s resignation. Brain surgery. Driven by the desire to express myself, and leave a physical record of my life and times, I’v...

Barnett, a surrealist artist incorporates discarded mechanical objects and gadgets into his artwork. His work is characterized by its unique and ecl...

Barnett, a surrealist artist incorporates discarded mechanical objects and gadgets into his artwork. His work is characterized by its unique and eclectic mix of materials, which rang...

Pioneering female abstract artist Elsie Driggs paints stylized abstract organic forms in a warm palette of orange browns and tope. She merges abstraction with some figuration. A structured face composed of lines and tone emerges from an orange background. It's 1939, and even though Driggs is not well known, she is preceding many of the marquee names of abstraction by a decade. Although under the radar, this is a major work and is titled on the back stretcher is " Egyptian Gothic." It features the artist's inventiveness with her fine pencil lines incorporated in flat washes of color and collage elements. Signed lower right and inscribed on frame verso with title, artist and the date of 1939. Provenance, Christie's, Freemans. Framed under glass.. Elsie Driggs (1898 – July 12, 1992 in New York City) was an American painter known for her contributions to Precisionism, America's one indigenous modern-art movement before Abstract Expressionism, and for her later floral and figurative watercolors, pastels, and oils. She was the only female participant in the Precisionist movement, which in the 1920s and 1930s took a Cubist-inspired approach to painting the skyscrapers and factories that had come to define the new American landscape. Her works are in the collection of the Whitney Museum of American Art, the Houston Museum of the Fine Arts, the Fine Arts Museums of San Francisco, the James A. Michener Art Museum in Pennsylvania, and the Columbus Museum of Art, among others. She was married to the American abstract artist Lee Gatch. Career Born in Hartford, Connecticut, Driggs grew up in New Rochelle, a suburb of New York City, in a family that was supportive of her artistic interests. After a summer spent painting with her sister in New Mexico in her late teens, she felt she had found her life's calling. At twenty, she enrolled in classes at the Art Students League of New York, where she studied under George Luks and Maurice Sterne, both of whom were charismatic, inspirational figures in her early life. She also attended the evening criticism classes held at the home of painter John Sloan. Driggs spent fourteen months in Europe from late 1922 to early 1924, drawing and studying Italian art. There she met Leo Stein, first in Paris and later in Florence, who became an important intellectual influence, and who urged her to study Cézanne. He also introduced her to the works of Piero della Francesca, the Renaissance artist for whom she felt throughout her life the greatest admiration.[1] Driggs eventually settled in New York City, where she found representation with the progressive Charles Daniel Gallery.[2] (Advised that the old-fashioned and misogynistic Daniel would be unlikely to take on a woman artist, she signed the works she left for his consideration simply "Driggs" and waited to meet him in person until he had expressed his eagerness to include her in his gallery.)[3] In sympathy with those artists Daniel represented who were part of the burgeoning Precisionist movement, such as Charles Demuth, Charles Sheeler, George Ault, Niles Spencer, and Preston Dickinson, she too painted "the modern landscape of factories, bridges, and skyscrapers with geometric precision and almost abstract spareness."Impressionism and academic or Ashcan realism represented the past, in Driggs' view, and she intended to be resolutely modern. She was an attractive and engaging woman, but her demeanor belied a strong ambition and a clear sense of what it would take to make her mark in the New York art world. Driggs was part of the pre-eminent first group of Precisionist painters, including Demuth and Sheeler, who exhibited at the Daniel Gallery in the 1920s. Although a later group of Precisionist painters, including Louis Lozowick, Ralston Crawford and others, came on the American Art scene during the 1930s, Driggs felt that the style came to an end with the 1929 stock market crash.[5] In 1926 she painted her most famous work, Pittsburgh, a dark and brooding picture now in the permanent collection of the Whitney Museum of American Art, which depicts the gargantuan smokestacks of the Jones & Laughlin steel mills in Pittsburgh. Its focus is an overpowering mass of black and gray smokestacks, thick piping, and crisscrossing wires with only clouds of smoke to relieve the severity of the image, yet it was an image in which she found an ironic beauty. She called the picture "my El Greco" and expressed surprise that viewers in later years interpreted the painting as a work of social criticism. Like the other Precisionists (e.g., Demuth, Charles Sheeler, Louis Lozowick, Stefan Hirsch), she was concerned with applying modernist techniques to renderings of the new industrial and urban landscape, not in commenting on potential dangers the overly mechanized modern world of 1920s America might present. If anything, Precisionism, like Futurism, was a celebration of man-made energy and technology. One year later, she painted Blast Furnaces, in a similar vein. As noted above, Piero della Francesca's mural depicting "The Story of the True Cross" in Arezzo, with its tubular, static and frozen forms was the major influence on Driggs' "Pittsburgh" (it may have been the major influence for "Blast Furnaces" as well).[7] After Pittsburgh, Driggs' most acclaimed work was probably Queensborough Bridge...

A portrait of two cats is deftly assembled by trailblazing modernist Hilla Rebay. The work is signed and titled lower left. 'Muschi et Antonio v. Rebay - Rome'. Titled to verso ‘Musc...

Triple Shadow Bathers, by Daniel Berman - Mixed Media - 60 x 60 cm, - Figurative abstraction, c. 2023 The pieces attract by the power of the pictorial gesture materialized in the l...

Triple Shadow Bathers, by Daniel Berman - Mixed Media - 60 x 60cm - figurative painting, c. 2023 The pieces attract by the power of the pictorial gesture materialized in the lin...

JENNY DAY is a painter who lives in Santa Fe, New Mexico. She earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Alaska Fa...

JENNY DAY is a painter who lives in Santa Fe, New Mexico. She earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Alaska Fairbanks and a BA in Environmental Studies from the University of California Santa Cruz. Her exhibition record most recently includes the Phoenix Art Museum, Blue Star Art Museum, in San Antonio, TX, Arte Laguna in Venice, Italy, Czong Institute for Contemporary Art in Korea, and Elmhurst Museum in Chicago, IL. Day's work has been supported by an Elizabeth Greenshields Grant in 2018, Contemporary Forum Artist Grant from the Phoenix Art Museum in 2017, a Barron Purchase Award in 2016 and through participation at the Ucross Foundation, the Jentel Foundation, Playa Foundation For The Arts, Kimmel Harding Nelson Art Center, and the Armory Art Center. Jenny Day is an exhibiting artist at Jonathan Ferrara Gallery. STATEMENT I walked in the Mohave desert. Listened to the bees as they hummed and sucked from yellow creosote flowers. I watched the desert blur by as I drove eighty-miles per hour on I-40. I couldn’t hear the bees. The Mohave backdropped a science-fiction film I watched from my couch...

A funny kind of valentine Acrylic, pencil, flashe on canvas 12” x 12” 2019 BIO JENNY DAY is a painter who lives in Santa Fe, New Mexico. She earned an MFA in Painting and Drawi...

Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotations and geographical memories: that summer you spent ...

materials: acrylic, spray paint, airbrush, flashe, colored pencil, paint pen, glitter on canvas --- JENNY DAY is a painter who lives in Santa Fe, New Mexico. She earned an MFA in P...

materials: acrylic ink, spray paint, airbrush, flashe, collage, colored pencil, paint pen, glitter on canvas --- JENNY DAY is a painter who lives in Santa Fe, New Mexico. She earne...

materials: acrylic, ink, spray paint, airbrush, flashe, collage, color pencil, paint pen, glitter on canvas --- JENNY DAY is a painter who lives in Santa Fe, New Mexico. She earned...

JENNY DAY (b.1981) is a painter based in Santa Fe, New Mexico. She earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Ala...

JENNY DAY (b.1981) is a painter based in Santa Fe, New Mexico. She earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Ala...

JENNY DAY (b.1981) is a painter based in Santa Fe, New Mexico. She earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Ala...

[Tucson, AZ / Santa Fe, NM ::: b. 1981] BIO JENNY DAY (b.1981) is a painter who divides her time between Tucson, Arizona and Santa Fe, New Mexico. She earned an MFA in Painting ...

[Tucson, AZ / Santa Fe, NM ::: b. 1981] BIO JENNY DAY (b.1981) is a painter who divides her time between Tucson, Arizona and Santa Fe, New Mexico. She earned an MFA in Painting ...

Jenny Day is a painter who divides her time between Santa Fe, New Mexico and Tucson, Arizona. She paints a fragmented space, examining human demand and the effects of environmental d...

Jenny Day is a painter who divides her time between Santa Fe, New Mexico and Tucson, Arizona. She paints a fragmented space, examining human demand and the effects of environmental d...

Jenny Day is a painter who divides her time between Santa Fe, New Mexico and Tucson, Arizona. She paints a fragmented space, examining human demand and the effects of environmental d...

Jenny Day is a painter who divides her time between Santa Fe, New Mexico and Tucson, Arizona. She paints a fragmented space, examining human demand and the effects of environmental d...

Jenny Day is a painter who divides her time between Santa Fe, New Mexico and Tucson, Arizona. She paints a fragmented space, examining human demand and the effects of environmental d...

Artwork by New York artist Gail Postal. Graphite, Oil Paint. Postal has had two major influences on her work – old hand tinted black and white Japanese photographs and Eastern Orth...

Artwork by New York artist Gail Postal. Graphite, Oil Paint, Swarovski Crystals. Postal has had two major influences on her work – old hand tinted black and white Japanese photogra...

Medium: Pencil and Wash on Paper Signature: Signed Lower Right "To the Last Penny," by Edwin Lefevre and illustrated by Frederick R. Gruger for the Sa...

Signed Upper Left Saturday Evening Post 8/9/1924

Date: 1990 Medium: Mixed Media over Graphite on Illustration Board Dimensions: 10.00" x 9.50" Jack Davis (attributed) Dallas Cowboys Football Illustration Original Art (Hot Shot...

Dionisios Fragias is a New York -based artist born on the Greek island of Kefalonia and raised in New York City. He is the protege of the artist Jeff Koons whose years-long mentorshi...

Book illustration for Making Money by Owen Johnson published by Frederick A. Stokes Company Publishers, 1915. The full caption reads “Your promise. No one is to know what I do.” ...

The Artist captures a "caught moment" of cloths blowing in the wind. It's being witnessed by an inquisitive bird, while be ducklings and a cute kitty cat accompany her. Signed lower...

Ink and pencil on paper Paper size: 12.75 x 19.25 inches Framed size: 27.25 x 33.25 inches Signed and dated 03-28-1982 Garfield Sunday Comic Strip Provenance: Private collection,...

Collage work of art by contemporary artist Jessica Rechner. This work of art is a collage made raw silk, acrylic, watercolor, and pencil on canvas. The artist uses these various mat...

Collage by Torea Frey created using found papers from vintage dictionaries and thesauruses, graphite powder, and matte medium. Torea is a writer,...