Modern Mixed Media

Cut Paper Collage, Signed Lower Left. Hilla Rebay was an avant-garde artist who believed deeply in the power of intuition while creating art. She was the progenitor of The Museum...

This work reflects back to viewers—fractured yet connected within the broken shards - the complexities of life. Deeply emotive and at times autobiographical, it encourages viewers to...

This work combining intuitive metaphysical shaman energy emanating from planet Earth displays a sensory interplay of light, color and shapes. Viewers come along on a mystical journey...

Pastel and watercolor on paper. Signed lover right: ZAZA Measurements: 17.72 x 14.96 in ( 45 x 38 cm ), Framed: 24.8 x 21.57 in ( 63 x 54,8 ) Zaza Tuschmalischvili ( born 15 May 1960 in Skra, Georgia ) is a Georgian painter...

The painting is being offered with a work and authenticity certificate

The painting is being offered with a work and authenticity certificate

The painting is being offered with a work and authenticity certificate

A natural ability for art runs in the Marshall family. Neil’s late father produced some excellent ink drawings many years ago. Art college beckoned in 1972 having been prolific in art at school, some pictures featuring exhibitions at this early stage. However, engineering provided a safer option for a career choice. The direction into becoming a draughtsman and design engineer was a rewarding period before entering the management of engineering and production facilities. Local history has always been a major interest in his life. In 2007 he published a local history now and then format book in colour called “Gosport Reflections” which sold out all 3000 of the print run. The following year he produced a second book in the same format called “Portsmouth Reflections” this also sold out the print run which was 5000. There was no time for art...

Cut Paper Collage, Signed Lower Right Hilla Rebay was an avant-garde artist who believed deeply in the power of intuition while creating art. She was the progenitor of The Museum...

Joseph Cornell’s Untitled (Black Sand Box) is a poetic exploration of memory and mystery, crafted in his signature assemblage style. This mixed media collage, composed of glass, wood...

LeRoy Neiman (American, 1921-2012) Statue of Liberty, July 4, 1986 Signed and Dated Lower Left Acrylic Paint and Chalk 24 x 16 inches 37.5 x 29.25 inches with frame Mr. Neiman's ki...

Peter Max (German, b. 1937) Katrina Relief Signed Lower Right 24 x 18 inches 38 x 32 inches with frame Peter Max, born Peter Max Finkelstein, is a multi-dimensional artist focused ...

Peter Max (German, b. 1937) Asia on Blends Signed Lower Right 18 x 14 inches 32.5 x 28.5 inches with frame Peter Max, born Peter Max Finkelstein, is a...

Peter Max (German, b. 1937) Liberty Head II Signed Lower Right 9.5 x 7.25 inches 23.5 x 21.5 inches with frame Peter Max, born Peter Max Finkelstein, is a multi-dimensional artist ...

Peter Max (German, b. 1937) Woodstock Series, Profile on B Signed Lower Right 9 x 7 inches 25.5 x 23.5 inches with frame Peter Max, born Peter Max Finkelstein, is a multi-dimension...

Peter Max (German, b. 1937) Flag with Heart on Blends Signed Lower Right 16.25 x 12 inches 31 x 26.5 inches with frame Peter Max, born Peter Max Finkelstein, is a multi-dimensional...

Umbrella Man Peter Max (German, b. 1937) Signed Upper Right 19.75 x 20 inches 36 x 36 inches with frame Peter Max, born Peter Max Finkelstein, is a multi-dimensional artist focused...

"With All I Have", Black and White graffiti artwork, graffiti artwork , 2021 With All I Have is a Fine Art Painting inspired by letter art and graffiti by Addison Jones featuring h...

Robert Kushner (American, b. 1949) Alphonsine, 1983 30 x 22 inches without frame 32.75 x 25 inches with frame Titled Lower Left Signed and dated Mid Lower Right A member of the Patt...

Yellow Store Front, Project, 1980 By. Christo (Bulgarian, 1935-2020) Signed Lower Right Titled Lower Left Unframed: 32 x 23.5 inches Framed: 32.5 x 24 inches An environmental instal...

Float Drawing, Venice By. Dale Chihuly (American, b. 1941) With frame: 40.75 x 28.75 inches Without frame: 36.5 x 24.75 inches Edition: 142/150 bottom right Signed in Paint bottom center Born in 1941 in Tacoma, Washington, Dale Chihuly was introduced to glass while studying interior design at the University of Washington. After graduating in 1965, Chihuly enrolled in the first glass program in the country, at the University of Wisconsin. He continued his studies at the Rhode Island School of Design (RISD), where he later established the glass program and taught for more than a decade. In 1968, after receiving a Fulbright Fellowship, he went to work at the Venini glass factory in Venice. There he observed the team approach to blowing glass, which is critical to the way he works today. In 1971, Chihuly co-founded Pilchuck Glass School in Washington State. With this international glass center, Chihuly has led the avant-garde in the development of glass as a fine art. His work is included in more than 200 hundred museum collections worldwide. He has been the recipient of many awards, including twelve honorary doctorates and two fellowships from the National Endowment for the Arts. Chihuly has created more than a dozen well-known series of works, among them Cylinders and Baskets in the 1970s; Seaforms, Macchia, Venetians, and Persians in the 1980s; Niijima Floats...

This artwork "Two Ryders on an Antelope" c.2000, is an original acrylic paint mixed media on paper by noted Swiss artist Francois Burland b.1958. The subject size (Sheet size) is 19.25 x 25.25 inches, framed size is 30.25 x 26.25 inches. Custom framed in a black frame, with white matting. It is in excellent condition. About the artist: François Burland (1958) was born in Lausanne (Switzerland). He began drawing in self-taught fashion at the end of his adolescence. He undertook a first trip to Egypt's Sinai Peninsula at the age of twenty. A few years later, he encountered the Tuaregs in the Sahara Desert. Enthused by their nomadic lifestyle, he began returning to the region regularly over some thirty years. During his long stays with the Tuaregs, he shared their daily life, including their dromedaries and witchcraft, but also their 4x4s, mobiles and kalachnikovs. This creator has produced an abundant and varied oeuvre. Depending on each series and on his inspiration of the day, he avails himself of a number of techniques and materials. For his drawings, he prefers to use wrapping paper as a support: he applies pastels, colored pencil and white chalk to very large surfaces. His creations bring to mind shamanic art...

Pickaxe (Spitzhacke) Superimposed on a Drawing of the Site by E.L. Grimm, 1982 By Claes Oldenburg (Swedish, American, 1929-2022) Unframed: 26" x 20" Framed: 28.75" x 22.75" Signed and Dated Lower Right Whimsical sculpture of pop culture objects, many of them large and out-of-doors, is the signature work of Swedish-born Claes Oldenburg who became one of America's leading Pop Artists. He was born in Stockholm, Sweden. His father was a diplomat, and during Claes' childhood moved his family from Stockholm to a variety of locations including Chicago where the father was general consul of Sweden and where Oldenburg spent most of his childhood. He attended the Latin School of Chicago, and then Yale University where he studied literature and art history, graduating in 1950, the same year Claes became an American citizen. Returning to Chicago, he enrolled at the Art Institute of Chicago from 1952 to 1954 and also worked as a reporter at the City News Bureau. He opened his own studio, and in 1953, some of his satirical drawings were included in his first group show at the Club St. Elmo, Chicago. He also painted at the Oxbow School of Painting in Michigan. In 1956, he moved to New York where he drew and painted while working as a clerk in the art libraries of Cooper-Union Museum for the Arts of Decoration. Selling his first artworks during this time, he earned 25 dollars for five pieces. Oldenburg became friends with numerous artists including Jim Dine, Red Grooms and Allan Kaprow, who with his "Happenings" was especially influential on Oldenburg's interest in environmental art. Another growing interest was soft sculpture, and in 1957, he created a piece later titled Sausage, a free-hanging woman's stocking stuffed with newspaper. In 1959, he had his first one-man show, held at the Judson Gallery at Washington Square. He exhibited wood and newspaper sculpture and painted papier-mache objects. Some viewers of the exhibit commented how refreshing Oldenburg's pieces were in contrast to the Abstract Expressionism, a style which much dominated the art world. During this time, he was influenced by the whimsical work of French artist, Bernard Buffet, and he experimented with materials and images of the junk-filled streets of New York. In 1960, Oldenburg created his first Pop-Art Environments and Happenings in a mock store full of plaster objects. He also did Performances with a cast of colleagues including artists Lucas Samaras, Tom Wesselman, Carolee Schneemann, Oyvind Fahlstrom and Richard Artschwager, dealer Annina Nosei, critic Barbara Rose, and screenwriter Rudy Wurlitzer. His first wife (1960-1970) Pat Muschinski, who sewed many of his early soft sculptures, was a constant performer in his Happenings. This brash, often humorous, approach to art was at great odds with the prevailing sensibility that, by its nature, art dealt with "profound" expressions or ideas. In December 1961, he rented a store on Manhattan's Lower East Side to house "The Store," a month-long installation he had first presented at the Martha Jackson Gallery in New York. This installation was stocked with sculptures roughly in the form of consumer goods. Oldenburg moved to Los Angeles in 1963 "because it was the most opposite thing to New York I could think of". That same year, he conceived AUT OBO DYS, performed in the parking lot of the American Institute of Aeronautics and Astronautics in December 1963. In 1965 he turned his attention to drawings and projects for imaginary outdoor monuments. Initially these monuments took the form of small collages such as a crayon image of a fat, fuzzy teddy bear looming over the grassy fields of New York's Central Park (1965) and Lipsticks in Piccadilly Circus, London (1966). Oldenburg realized his first outdoor public monument in 1967; Placid Civic Monument took the form of a Conceptual performance/action behind the Metropolitan Museum of Art, New York, with a crew of gravediggers digging a 6-by-3-foot rectangular hole in the ground. Many of Oldenburg's large-scale sculptures of mundane objects elicited public ridicule before being embraced as whimsical, insightful, and fun additions to public outdoor art. From the early 1970s Oldenburg concentrated almost exclusively on public commissions. Between 1969 and 1977 Oldenburg had been in a relationship with Hannah Wilke, feminist artist, but in 1977 he married Coosje van Bruggen, a Dutch-American writer and art historian who became collaborator with him on his artwork. He had met her in 1970, when she curated an exhibition for him at the Stedelijk Museum in Amsterdam. Their first collaboration came when Oldenburg was commissioned to rework Trowel I, a 1971 sculpture of an oversize garden tool, for the grounds of the Kröller-Müller Museum in Otterlo, the Netherlands. Oldenburg has officially signed all the work he has done since 1981 with both his own name and van Bruggen's. In 1988, the two created the iconic Spoonbridge and Cherry sculpture for the Walker Art Center in Minneapolis, Minnesota that remains a staple of the Minneapolis Sculpture Garden as well as a classic image of the city. Typewriter Eraser...

Aster da Fonseca Nest Builder Acrylic on Tape on Paper Year: 2022 Size: 12x9in Signed by hand COA provided Ref.: 924802-1374 collage acrylic paint ta...

Aster da Fonseca Cardinal's Nest Acrylic on Tape on Paper Year: 2022 Size: 12x9in Signed by hand COA provided Ref.: Ref.: 924802-1372 collage acrylic...

Aster da Fonseca Feeding Time Acrylic on Tape on Paper Year: 2022 Size: 14x17in Signed by hand COA provided Ref.: 924802-1370 collage acrylic paint tape nature landscape bird tree b...

Aster da Fonseca Parakeet Acrylic on Tape on Paper Year: 2022 Size: 19x24in Signed by hand COA provided Ref.: 924802-1365 collage acrylic paint tape nature landscape bird tree beaut...

"Portrait of Victory" By Paul Pletka (1946- ) Image Size: 30" x 23" Framed: 42" x 36" Signed: Lower Right Paul Pletka is a neo-surrealistic painter inspired by his fascination from early childhood with Native Americans of the Southwest. His style, described as neo-surrealistic, "is both realistic and deeply spiritual, being highly sensitive to the inner thoughts of Native Americans." Paul Pletka was born in southern California in 1946 and currently resides in New Mexico. After high school, he won a scholarship to Arizona State University and then transferred to Colorado State University, but feeling disappointed in his college art training, did not paint seriously until the late 1960s. His works of art have been exhibited in one-man shows in Colorado, New Mexico, Arizona, Texas, Illinois, New York, Kansas and Missouri continuously since 1964. Pletka's paintings are in more than 40 private and public art collections including the Albany Museum of Art, Albany, GA; Hallmark Cards, Kansas City, MO; Mel Pfaelzer Collection, University of Northern Illinois, De Kalb; the Norton Gallery & School of Art, West Palm Beach...

In the hands of Yeji Moon, ordinary materials are transformed into beautiful and complex collages that powerfully recall childhood nostalgia and the rapidly ...

In the hands of Yeji Moon, ordinary materials are transformed into beautiful and complex collages that powerfully recall childhood nostalgia and the rapidly ...

In the hands of Yeji Moon, ordinary materials are transformed into beautiful and complex collages that powerfully recall childhood nostalgia and the rapidly ...

In the hands of Yeji Moon, ordinary materials are transformed into beautiful and complex collages that powerfully recall childhood nostalgia and the rapidly changing world. Inspired by her upbringing in a small neighborhood in Korea and her experiences with Habitat for Humanity, she seeks to immortalize disappearing places by creating works of art that connect and preserve memories. Her three-dimensional compositions are created using newspaper...

In the hands of Yeji Moon, ordinary materials are transformed into beautiful and complex collages that powerfully recall childhood nostalgia and the rapidly changing world. Inspired by her upbringing in a small neighborhood in Korea and her experiences with Habitat for Humanity, she seeks to immortalize disappearing places by creating works of art that connect and preserve memories. Her three-dimensional compositions are created using newspaper...

In the hands of Yeji Moon, ordinary materials are transformed into beautiful and complex collages that powerfully recall childhood nostalgia and the rapidly changing world. Inspired by her upbringing in a small neighborhood in Korea and her experiences with Habitat for Humanity, she seeks to immortalize disappearing places by creating works of art that connect and preserve memories. Her three-dimensional compositions are created using newspaper...

In the hands of Yeji Moon, ordinary materials are transformed into beautiful and complex collages that powerfully recall childhood nostalgia and the rapidly changing world. Inspired ...

Mixed media on Whatman board. Signed (at lower right): WINOLD/REISS

Mixed media on Whatman board. Signed (at lower left): WINOLD/REISS

Kelly Fearing (1918 - 2011) Title: "Unicorn with a Golden Wall" Medium: Mixed Media on Paper Dimensions: 18" x 12" (image) Markings: Signed LR Framed

Robert Motherwell's "The Red and Black No.52" is an abstract collage that incorporates oil based etching ink, pasted papers, and aquatint on paper. The piece was created between the ...

Modern Art, Portrait Art, Black & White Painting-Big Hats And Backgrounds Black A B O U T T H I S P I E C E : “Big Hats and Backgrounds Black (Hannah-A2)” is ...

Modern Art, Minimalist Art, Street Art-Shoulder Drip in Trichrome ABOUT THIS PIECE: This minimalist modern street art piece begins as a portrait photograph shot by the artist and e...

Black and Purple Painting, Mixed Media Art, Modern Art-Raining Purple A B O U T T H I S P I E C E: "Raining Purple, (Cortney+Bethyie-91A1)" is original purple mixed media Art piece ...

Black and peach tonal abstract painting with a crushed toy car attached to the surface of the canvas. The work is signed by the artist in the b...

Mixed Media primary tonal painting with two metal cars attached to the surface. The work is painted in yellow and red tones. The painting is signed by the ar...

Large minimal abstract painting with a green background. Attached to the surface are two toy cars surrounded by red paint and four wired bicycles surrounded in blue. The work is sign...

Large Black, yellow and red minimal abstract painting with bicycles. The work is signed by the artist, Francis d'Estaing, in the bottom corner. The work...

Primary tonal painting with toy cars attached to the surface. The work is signed by the artist, Francis d'Estaing, in the bottom corner of the painting. The artist board is framed in...

Bill Claps HUANGSHAN GORGE Huangshan Gorge 47” x 21” mixed media on canvas 47.00 X 21.00 in

Artist: Romare Bearden Title: Memories #2 Year: 1981 Medium: Ink, Dye Paint and Collage, signed left Paper Size: 8.8 x 9.8 inches Frame Size: 11 x 15 inches

Artist: Romare Bearden Title: Sunrise Coffee Year: 1970 Medium: Collage and Mixed Media on Masonite, signed left and verso Size: 18 in. x 21 in. (45.72 cm x 53.34 cm) Frame Si...